by Sameer Rao via colorlines.com
“Spawn” broke new ground when it debuted in 1997—well before Marvel made comic superhero films one of Hollywood’s biggest cash cows. The live-action film, which featured Michael Jai White as its titular character, was the first superhero movie with a Black lead. “Spawn” comic creator Todd McFarlane revisits the character for a new adaptation, toplined by Jamie Foxx.
Deadline reported yesterday (May 29) that the actor will portray Spawn and his alter-ego, ex-government assassin Al Simmons. McFarlane directs the new film, also called “Spawn,” from his own original script.
McFarlane told Deadline that he wrote the new iteration of Simmons with Foxx in mind after discussing it with him. “Jamie came to my office five years ago, and he had an idea about ‘Spawn’ and we talked about it,” McFarlane explained. “I never forgot him, and when I was writing this script, you sort of plug people in, and he was my visual guy and I never let go of him. When I got done and my agents and everybody was talking about what actor, I said, ‘I’m going to Jamie first, and until he says no, I don’t want to think about anyone else because I’ve never had anyone else in my head.’ Luckily, he hadn’t forgotten either. I said, ‘Hey, I’m back to talk about Spawn again,’ and he was like, ‘Let’s do it.’”
Read more: https://www.colorlines.com/articles/jamie-foxx-stars-in-new-spawn-adaptation
Posts tagged as “black superheroes”
by Lori Lakin Hutcherson (@lakinhutcherson)
Director/writer Ryan Coogler‘s Black Panther, as of this weekend, has officially become the highest-grossing superhero film in North America, taking the title from another Disney/Marvel tentpole, The Avengers.
According to hollywoodreporter.com, the Chadwick Boseman/Lupita Nyong’o/Michael B. Jordan starrer achieved the milestone on Saturday after passingThe Avengers, $623.4 million gross from 2012. Black Panther is also only one of seven films to ever earn $600 million or more domestically, finishing Sunday with $630.9 million, putting it at No. 5 on the all-time list.Black Panther finished the weekend with $1.237 billion in ticket sales internationally, surpassing Iron Man 3 ($1.214 billion) to rank as the No. 3 superhero title of all time at the worldwide box office, just behind Avengers ($1.518 billion) and Avengers: Age of Ultron ($1.405 billion).
Black Panther finished in second-place overall in its sixth weekend with $17 million in sales, behind the newly-released Pacific Rim: Uprising, which earned approximately $28 million in its debut weekend.
by Trey Magnum via shadowandact.com
A black superhero family drama from Michael B. Jordan and Charles D. King’s MACRO is coming to Netflix. The streaming giant has greenlit Raising Dion for a 10-episode, straight-to-series order. It is based on Dennis Liu‘s viral short film of the same name, which revolves around a black mother who discovers her young son has multiple and constantly changing abilities.
Jordan will executive produce and also appear in the series in a supporting capacity. Veteran showrunner Carol Barbee is on board and wrote the Netflix adaptation and will serve as showrunner and will executive produce. Liu will direct and executive produce MACRO’s Charles D. King, Kim Roth and Poppy Hanks are also executive producing along with Kenny Goodman and Michael Green. This is the first TV series order for MACRO.
The Netflix series will follow a woman named Nicole Reese, who raises her son Dion after the death of her husband Mark (Jordan). The normal dramas of raising a son as a single mom are amplified when Dion starts to manifest several magical, superhero-like abilities. Nicole must now keep her son’s gifts secret with the help of Mark’s best friend Pat, and protect Dion from antagonists out to exploit him while figuring out the origin of his abilities.
According to THR, the show, which first began development in 2016, was retooled and tapped a new showrunner in Barbee after the success of Eleven on Netflix’s Stranger Things, so the shows would not overlap. At the end of 2016 it got back on track and Jordan joined the project in early 2017. Casting started in February, but as of now, Jordan is the only one attached to appear.
The original Raising Dion short film is below. A comic book companion was also released.
To read full article, go to: Netflix orders black superhero family drama ‘Raising Dion,’ from Michael B. Jordan and MACRO
by Daniel Holloway via variety.com
Diversity is on the uptick in comics-inspired TV and film. When “Luke Cage” exec producer Cheo Hodari Coker declared at his show’s San Diego Comic-Con panel last year, “The world is ready for a bulletproof black man,” the crowd erupted in cheers. So did the internet. “Right before I said it, I knew what I was feeling,” Coker later told Variety. “I had said variations of it during the day. It was coming from an emotional place, but I didn’t think it was going to reverberate the way that it did. But I’m glad that it did.”
The “Luke Cage” panel came in July on the heels of widespread protests sparked by the killings of unarmed black men by white police officers in Louisiana and Minnesota. When the show premiered in September, it became the first live-action series about a black superhero since 1994’s “MANTIS.” Now it’s getting some company. Next season the CW will premiere “Black Lightning,” based on the DC Comics superhero. And next year Marvel will debut “Black Panther,” the studio’s first feature with a black hero in the lead.
Social, political and business trends have converged to put black superheroes at the centers of burgeoning television and film franchises after years of being relegated to supporting status. Dan Evans, VP of creative affairs at DC Entertainment, cites the emergence of black superheroes on-screen as part of a larger trend in television and film. “There’s so many examples now, from ‘24’ to ‘The Fast and the Furious’ to ‘Creed,’” says Evans, whose office door features an oversize image of Cyborg, the black teen hero who will play a key role in the upcoming “Justice League” movie. “We’ve seen again and again that if you tell a good story with these characters, people will come.”
In superhero comics, the first appeals to underserved minority audiences came with the debuts of Black Panther (1966), Luke Cage (1972), Black Lightning (1977) and others. “These black superheroes emerge parallel to the changes in American race relations in the late 1960s with the emergence of the Black Power movement,” says Adilifu Nama, author of “Super Black: American Pop Culture and Black Superheroes.” The movement’s push for equality and representation rippled through popular culture. “It wouldn’t be very sensible to think that these demands for diversity would only be in the realm of lunch counters and bus transportation.”
To read full article, go to: ‘Black Panther,’ ‘Luke Cage’ Highlight Rise of Black Superheroes | Variety
Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o starring, Ryan Coogler directing. Out in theaters on Feb. 16, 2018. Mark the date – we can’t wait!
After several months of meeting with various black directors and not locking one to helm “Black Panther,” it’s finally confirmed that “Creed” director Ryan Coogler is in negotiations to direct the action film for Marvel and Disney, TheWrap reports.
The studio has been desperate to lock a black director, and had considered Ava Duvernay and F. Gary Gray for the project. Marvel and Coogler had discussed the movie in the past, but both sides cooled on the negotiations until recently resuming talks.
EUR previously reported on Coogler’s comments regarding why the race of the director is important on projects such as “Black Panther.” He explained ScreenRant, ”Yeah, I think it’s important. Perspective is so important in art. That’s not to say that you can’t work outside yourself.”
Since the critically acclaimed success of Coogler’s tragic drama “Fruitvale Station,” he has had his pick of projects, including the “Rocky” franchise, casting his “Fruitvale” star Michael B. Jordan as the son of Apollo Creed. The Oscar-buzzed film grossed nearly $30 million its opening weekend.
When asked during a recent interview how important it was “to build a central narrative of a black boxer in a film that doesn’t directly address race,” Ryan responded:
“It was very important. When I would watch “Rocky” films, Apollo was the guy that I identified with as a young black man, because I grew up as an athlete for most of my life. With boxing, we have a long history of the greatest American fighters and so many of them are black and Hispanic but you don’t see that representation in cinema so I was really excited.”
Chadwick Boseman is set to star as T’Challa, the superhero in charge of a fictional African nation called Wakanda. The character will first be introduced in “Captain America: Civil War.”
“Creed” is currently playing in theaters across the country. “Black Panther” is scheduled to be released Nov. 3, 2017.
article by Ny MaGee via eurweb.com
When Greg Weisman and Brandon Vietti pitched the idea of an animated series about a group of superhero sidekicks, you could practically feel fan boys and girls around the world give them the collective side eye. They needn’t have worried as Weisman was a seasoned pro; he created the 90′s cartoon classic “Gargoyles” as well as writing for “Kim Possible” and “Spectacular Spider Man.” Two years later, Weisman is having the last laugh as “Young Justice” has quickly become the hottest property on Cartoon Network.