Tag: Black Panthers

The National Museum of African American History and Culture Launches Inaugural Smithsonian African American Film Festival Oct. 24-27

Producer Quincy Jones, the subject of Netflix’s new documentary “Quincy,” will attend a screening of the film the festival. (Photo: Chris Pizzello/AP/Invision)

by Mikaela Lefrak via wamu.org

More than 80 movies by and about African Americans will be screened in D.C. next week as part of the inaugural Smithsonian’s African American Film Festival.

The four-day festival, which runs from Oct. 24 – 27, includes films ranging from Hollywood hits to experimental shorts. The event is organized by the National Museum of African American History and Culture.

The festival’s goal is to introduce the breadth and depth of African American film to a wider audience, according to Kinshasha Holman Conwill, the museum’s deputy director.

“There’s something for the cinephile who knows film like that back of her or his hand, and there’s something for the person who’s just learning about African American film,” she said. “From the most popular to the most provocative, it is all here.”

Most of the screenings will take place in the museum’s Oprah Winfrey Theater, though the Freer|Sackler and National Gallery of Art will also host some screenings.

The festival kicks off on Wednesday night with Widows, a new film starring Viola Davis that doesn’t hit theaters until mid-November. The director, Steve McQueen, became the first black filmmaker to win an Academy Award for Best Picture for his 2013 film 12 Years A Slave. If you’re interested in attending the Widows screening, you’re unfortunately out of luck – it’s already sold out.

The festival will also give audiences the chance to see films from the museum’s extensive collection. These range from Garden, a five-minute experimental short from 2017, to Black Panthersa 1968 documentary about the Black Panther Party and its members’ fight to free their imprisoned co-founder Huey P. Newton.

And while the 2017 Marvel superhero movie Black Panther isn’t part of the lineup, attendees of the festival’s “Night at the Museum” celebration on Oct. 25 will be able to see the costume worn by actor Chadwick Boseman in the blockbuster film on display for the first time. The museum acquired the costume and other objects from the film earlier this year.

Netflix will stream its new documentary Quincy on Friday, Oct. 26. The film tells the story of the iconic music producer and singer Quincy Jones; it was co-produced by his daughter, the actress Rashida Jones. The titular Jones will speak on a panel following the screening.

If you’d rather talk than watch, you can attend one of the festival’s free Exchanges forums at the Freer|Sackler. Discussion topics include stop-motion animation and the museum’s home movie digitization project, Great Migration. Under that program, visitors can bring in home videos made on obsolete media (we’re talking eight-millimeter film and cassettes) and get them digitized and preserved.

“What it allows us to do,” said Rhea Combs, the museum’s film and photographer curator, “is tell the American story through the African American lens. Literally.”

The festival also builds upon work started by the D.C. Black Film Festival to highlight lesser-known black filmmakers and actors for the Washington audience. “We don’t ever want to be the all-consuming Smithsonian that comes into a community and takes over,” Conwill said of its role in the broader film festival ecosystem. The D.C. Black Film Festival celebrated its second event this year.

The African American Film Festival’s closing day features an awards ceremony for the juried film competition. Fifteen finalist films are competing in six different categories: Best Documentary Short, Best Narrative Short, Best Documentary Feature, Best Narrative Feature, Best Experimental & Animation, and the Audience Award.

The festival closes Saturday night with a screening of a film adaptation of James Baldwin’s 1974 novel, If Beale Street Could Talk.

You can buy tickets for specific films or events here, and see the full slate of screenings here. The festival is scheduled to recur every other year at the museum.

Source: https://wamu.org/story/18/10/18/expect-inaugural-african-american-film-festival/

“The Equalizer” Director Antoine Fuqua to Develop Film Based on Police Murder of Black Panther Fred Hampton

Director Antoine Fuqua (l); Black Panther Fred Hampton (r) Credit: Getty Images

by Brennan Williams via huffpost.com

Antoine Fuqua is developing a film about the late activist and Black Panther affiliate Fred Hampton. The project is based on Jeffrey Haas’ 2009 book The Assassination of Fred Hampton: How the FBI and the Chicago Police Murdered a Black Panther, according to Variety. Beginning at the age of 15, Hampton inserted himself into the world of activism by organizing a chapter of the NAACP at his high school and later became the chairman of the Illinois Black Panther Party at age 20.

Haas’ book, adapted for the screen by screenwriter Chris Smith, uncovers the controversial events surrounding Hampton’s 1969 murder. The 21-year-old was shot dead in his bed as 14 officers opened fire during a police raid. Though Hampton’s death was ruled as a “justifiable” homicide by officials, Hampton’s surviving family members filed a civil lawsuit in 1970, which resulted in a settlement of $1.85 million in 1982. The untitled project is a part of Fuqua’s new production deal with Sony Studios.

For the filmmaker, the new deal is a homecoming of sorts as the film studio has helmed some of his biggest films including “The Equalizer,” “Training Day,” and his breakout feature, “The Replacement Killers.” “I started my feature film career almost 20 years ago at Columbia,” Fuqua said to Variety about rejoining Sony for his new deal. “Since then some of my biggest career achievements have been with the studio. I am proud of our work together and am very much looking forward to this new collaboration and our upcoming creative endeavors.”

As Fuqua continues to develop his Fred Hampton project, fans can expect the filmmaker to reteam with Denzel Washington for the sequel to their 2014 blockbuster, “The Equalizer,” which will hit theaters September 2018.

To read full article, go to: Antoine Fuqua To Develop Film Based On Black Panther Murdered By Police | HuffPost

Beyoncé Announces The Formation World Tour; Launches Initiative to Help Flint Water Crisis

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Beyoncé mid-slay with dancers at yesterday’s Super Bowl Halftime Show (photo via colorlines.com)

article by Lori Lakin Hutcherson (follow @lakinhutcherson)

Something tells me we will soon have to invent a new way to say “slay,” because if the boss moves perpetrated in the last two days by Beyoncé have shown us anything, they’ve shown us she has every intention of erecting on top of the foundation she laid with 2013’s “Beyoncé” an impenetrable Fortress of Slayage where the word will soon retire itself (because really, where else has it to go?).

To recap, not only did Queen Bey the day before the Super Bowl drop her “Formation” video – which the internet is still feverishly and giddily unpacking – she performed it at halftime, paid homage to the Black Panthers in the Bay Area on their 50th anniversary during the 50th Super Bowl, paid homage to Malcolm X with her squad’s literal formation, and then claimed the commercial space right after halftime to announce her Formation World Tour, which kicks off April 27 in Miami.  Phew!  No wonder “slay” is ready for a permanent vacation.

According to usatoday.com, the Formation World Tour will be hitting cities nationwide including Los Angeles, New York, Chicago, Boston, and Philadelphia. It ends June 12 in Hershey, Penn., before a string of European dates get underway June 28. Tickets go on sale beginning Tuesday for American Express and Beyhive fan club members, and to the general public starting Feb. 16. [Tour dates listed below.]

Beyoncé last toured the USA with her husband, rapper Jay Z, on the six-week On the Run Tour in summer 2014, which was filmed for a HBO special. The Formation World Tour is her first solo jaunt since the Mrs. Carter Show World Tour in 2013. Continue reading “Beyoncé Announces The Formation World Tour; Launches Initiative to Help Flint Water Crisis”

Landmark Civil Rights Documentary “Eyes on the Prize, Parts I and II” Starts Re-airing Tonight at 9pmEST on WORLD Channel

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Public television’s WORLD Channel will present the complete Emmy-Award winning Eyes on the Prize I and II starting tonight, January 17, 2016. A 30-minute special feature, Eyes on the Prize: Then and Now, will launch the encore presentation of this historic two-part series and explore its impressive relevance today.

Eyes on the Prize, created by Executive Producer Henry Hampton, is a critically-acclaimed and in-depth documentary series on civil rights in America.  With the current national spotlight on issues of race and inequality—as well as the marking of the 50th anniversary of the Voting Rights Act, and the 60th anniversary of the Montgomery Bus Boycott—the time is right for this series about the nation’s civil rights history to be front and center as part of an essential dialogue.

America continues to struggle with the recurring crisis of race-related violence; Eyes on the Prize and II can provide perspective for a new generation and be a touchstone for citizens who lived through the decades that the films depict. Journalist and writer Al Letson hosts new introductions to each episode.

“We are elated that this landmark series will once again be broadcast across the country, reaching millions of viewers—many of whom may never have seen the original airing. The series focuses on solutions to the conflicts that we face today.  Eyes on the Prize shows leadership, grass roots organization and personal sacrifice as the recipe that can create lasting change.  It is our hope the television programs together with our comprehensive outreach campaign will spark a national dialogue about this critical topic,” says Judi Hampton, president of Blackside, and sister of the late Henry Hampton (1940-1998).

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The WORLD Channel presentation, made possible with support from the Corporation for Public Broadcasting and the Ford Foundation, includes Eyes on the Prize: Then and Now, a new, original 30-minute special, which will lead into the premiere January 17 of Eyes on the Prize, setting the groundbreaking documentary series in the context of today.  Narrated by music artist Aloe BlaccEyes on the Prize: Then and Now features Eyes on the Prize filmmakers, present-day activists, human rights leaders, and scholars. The special revisits key historical moments and explores commonalities with current national events.

“The WORLD Channel is honored to be presenting this signature series,” says Chris Hastings, Executive Producer of the WORLD Channel. “It’s a history that must be understood.  With Eyes on the Prize: Then and Now, we ask questions and draw comparisons about the struggle to achieve equality today. As conflicts and challenges continue, Eyes on the Prize remains essential viewing for all Americans.”

As part of the initiative, WGBH Education is developing a digital resource collection supporting Eyes on the Prize and civil rights themes in history and social studies curricula, to help the civil rights movement come alive for students today. This collection will be available on PBS LearningMedia in January.

Based at WGBH Boston, the national public media producer, WORLD Channel delivers the best of public television’s original documentary films and news to US audiences through local public television stations, including America ReFramed, AfroPopPOV and Local, USA.  The special Eyes on the Prize presentation also will be made available to all public television stations for local broadcasts (check listings) after the WORLD premiere.

EYES ON THE PRIZE I and II

Almost three decades since its premiere, the groundbreaking series Eyes on the Prize I and II will return to PBS this January.  Eyes on the Prize I will premiere on The WORLD Channel six consecutive Sundays – January 17, 24, 31 and February 7, 14, 21 at 9:00 p.m. (EST). Eyes on the Prize II will air eight consecutive Sundays—February 28, March 6, 13, 20, 27, and April 3, 10, 17 at 9:00 p.m. (EST).

Produced by Blackside, Eyes on the Prize tells the definitive story of the Civil Rights era from the point of view of the ordinary men and women whose extraordinary actions launched a movement that changed the fabric of American life and embodied a struggle whose reverberations continue to be felt today.  This multi-part Academy Award nominated documentary is the winner of numerous Emmy Awards, a George Foster Peabody Award, an International Documentary Association Award, and a Television Critics Association Award.

Through contemporary interviews and historical footage, Eyes on the Prize I and II, traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions.  The late Julian Bond, political leader and civil rights activist, narrates.  Descriptions of each episode follow below:

Continue reading “Landmark Civil Rights Documentary “Eyes on the Prize, Parts I and II” Starts Re-airing Tonight at 9pmEST on WORLD Channel”

R.I.P. Author and Los Angeles Black Panther Leader Wayne Pharr

Wayne PharrWayne Pharr, former Black Panther who fought the Los Angeles Police in a historic gun battle in 1969, passed away on September 6, 2014 at age 64.  After Pharr and his fellow Panthers defended themselves from the long violent attack by the newly formed LAPD SWAT unit, he became a political prisoner who was exonerated of attempted murder and all other serious offenses.  Pharr eventually became a successful realtor in Southern California, a subject of the documentary, “41st and Central”, and most recently authored the well received autobiography, Nine Lives of A Black Panther: A Story of Survival.

In the infamous battle on December 8, 1969, a handful of young members of the Southern California Chapter of the Black Panther Party held off the Los Angeles Police Department’s new Special Weapons and Tactics squad and hundreds of other officers in a five hour firefight.

Pharr was 19 years old at the time and played a pivotal role in the battle as one of the first to repel the invasion into the Panther office by shooting the heavily armored SWAT team members with a shotgun as they entered the Black Panther office at Central Avenue and 41st Street.  No one was killed or seriously injured in the battle during which thousands of rounds of ammunition were exchanged and bombs used by both sides.

Observed by hundreds of members of the community, the Black Panther Party and their supporters considered the defense of the office and the people inside a victory while the Los Angeles Police Department considered this very first use of SWAT a tactical failure.  Pharr and the other Panthers were tried for attempted murder and other charges but were acquitted of all of the most serious offenses after the longest jury trial in Los Angeles history up to that time.

The battle at the Panther Party Central Avenue office was significant for several reasons.  The attack came days after another police assault in Chicago left Illinois Panther leaders Fred Hampton shot dead while sleeping in his bed and Mark Clark killed at the front door attempting to fend off the attack.  These attacks occurred during a nationwide war against the Black Panther Party by local police agencies in cooperation with the Federal Bureau of Investigation through the FBI’s illegal Counter Intelligence Program, also known as “Cointelpro”. This was also the debut of the paramilitary SWAT team concept which used military style training, weapons and tactics to crush Black resistance during a time of revolutionary fervor and anti-war activity by activists across the country. Historically, this battle can be seen as the birth of the movement to militarize law enforcement that has swept the country.

In the documentary, “41st & Central”, Pharr describes his feelings about the 1969 battle with the LAPD SWAT team:

“So for those five hours, I was in control of my destiny… I was my own power at that particular point and time. And I relished that, and I enjoyed that and I think about that constantly.  I was free! I was a free negro… yes sir!”

Recently, Pharr wrote the following reaction to the police response to community protests against the killing of unarmed 17 year old Black youth Michael Brown in Ferguson, Missouri:

“Are we Americans, or are we not? If we are, then the police need to stand down, like they did in 1968 with the SDS, Students for a Democratic Society–an activist group made up of white students. With that group, instead of coming in with guns blazing, they attempted to have a dialogue with the student-activists…  If we are not Americans, then we need to go to war. The continuing militarization of police forces is a reminder of my  encounter in 1969, the 5-hour battle we had with the newly-formed L.A. SWAT team at 41st and Central. It becomes a matter of principle, our right to self-defense.”

article by Good Black News staff

Angela Davis Documentary Brings Life Of Revolutionary To Big Screen

 

Willow Smith, Jaden Smith, producer Sidra Smith, director Shola Lynch, actors Will Smith, Angela Davis and Jada Pinkett Smith attend the 'Free Angela & All Political Prisoners' premiere during the 2012 Toronto International Film Festival at Roy Thomson Hall on September 9, 2012 in Toronto, Canada. (Photo by Alberto E. Rodriguez/Getty Images)

From Ebony.com: Free Angela and All Political Prisoners, a new film by Shola Lynch, in which Angela Davis, 68, speaks openly for the first time in forty years about the tumultuous events of her twenties, debuted at this week’s Toronto International Film Festival. Jada Pinkett Smith and Will Smith, who introduced the doc at the festival, just announced that their Overbrook Entertainment have partnered with Jay-Z’s Roc Nation as executive producers of the documentary about the scholar who came to embody Black power and Black radical feminism. Continue reading “Angela Davis Documentary Brings Life Of Revolutionary To Big Screen”