We’re back with another seasonal playlist, this one just might scare kids off your front porch on the 31st.
“Phantom Of The Panther” is a collection of jazz, classical, and soundtrack music. It features spooky tracks from Blacula by Gene Page and the 2021 remake of Candyman by Robert Aiki Aubrey Lowe. There are jazz cuts by Mulatu Astatke and Duke Ellington.
I’ve also included modern classical works by the likes of Pamela Z, Julius Eastman, and others. And while we usually truck on the works of artists from the African diaspora here at GBN, I’ve included tracks by Phillip Glass from the OG Candyman from 1992 and Trent Reznor and Atticus Ross’ work on HBO’s Watchmen starring Regina King.
And how you gonna not to include a track called “House OF Paincakes” by Marco Beltrami for Wesley Snipes’ Blade II?
Hope you enjoy this stroll through the dark side. Listen with the lights on. Or not.
(photo via elev8.hellobeautiful.com) by Tami August via elev8.hellobeautiful.com
This fall, award-winning science fiction writer and UCLA professor Tananarive Due will teach a “Get Out”–inspired course called “Sunken Place: Racism, Survival, and Black Horror Aesthetic,” i09 reports. Jordan Peele‘s directorial debut, which couches America’s history of racist scientific experimentation in a romantic horror plot, continues to make waves months after it became a blockbuster hit. “Get Out” inspired Due to consider the history of Black horror in fiction and film.
In an interview with i09’s Evan Narcisse, Due calls herself a “horror head” who considers horror a subgenre of speculative fiction, where she reigns supreme. Winner of The American Book Award, the NAACP Image Award for Outstanding Literature, and the Carl Brandon Kindred Award, Due has published over ten novels since 1995. She told i09 that “Get Out” has given film executives a way to understand her own horror adaptations for the screen.
Prior to “Get Out,” Due noted, the most popular contemporary Black horror film was “Beloved,” the movie adaptation of Toni Morrison‘s novel that didn’t perform as well in the box office as it did in the bookstore. “Get Out” may have helped Due move forward in her screenwriting projects, but it also prompted her to look back at the genre’s Black history. Due said that for African Americans, the horror genre is “a great way to address this awful, festering wound in the American psyche, the slavery and genocide that was present during our nation’s birth.”
The professor mentioned film examples such as “Blacula,” “Def by Temptation,” and “Tales From the Hood.” She also plans to teach the short fiction of W.E.B. DuBois, whose story “The Comet” imagines a Black man and White woman as the sole survivors of apocalypse in the “era of lynching.” Due said, “These are two very different artists in two very different times, but DuBois’ story is a great companion, in a way, to what Jordan Peele was doing with the Black man and White woman in his movie.” Source: ‘Get Out’ Inspires New College Course | Elev8
