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Posts tagged as “black film”

NYC: A Screening Series Not to Be Missed Kicks Off Today! "Black Independents in New York, 1968–1986"

Tell It Like It Is

Kicking off today, Friday, February 6, 2015, is a must-attend series, presented by The Film Society of Lincoln Center (NYC), titled “Tell It Like It Is: Black Independents in New York, 1968–1986” – from the opener, Kathleen Collins‘ stately 1982 feature “Losing Ground” (read my review of the film here); to Ayoka Chenzira‘s humorous, though inciting short “black hair” travelogue, “Hair Piece A Film for Nappy-Headed People;” Camille Billops‘ devastating documentary on a young black woman’s struggles to come to terms with her physically abusive father (dead at the time of the making of the film) as well as a mother, abused herself, unable to protect her children in 1982’s “Suzanne Suzanne,” and more.
A series programmed by Michelle Materre and Film Society of Lincoln Center Programmer at Large Jake Perlin, co-presented by Creatively Speaking, other titles included in the program, which some of you would be familiar with, include Bill Gunn‘s seminal “Ganja & Hess” (a film that Spike Lee *reinterpreted* in his latest work, “Da Sweet Blood of Jesus”); William Greaves’ instructive “Symbiopsychotaxiplasm;” another Bill Gunn film, “Personal Problems” (which came after “Ganja”), the work of cinéma-vérité, capturing a middle class black family in crisis; St Clair Bourne’s intimate documentary capturing Amiri Baraka‘s trial and conviction for “resisting arrest” despite allegations of police harassment, in “In Motion: Amiri Baraka;” and much, much, much more.
Of course, given the period and city covered, the early work of Spike Lee is well represented, with “Joe’s Bed-Stuy Barbershop: We Cut Heads” and “She’s Gotta Have It,” both scheduled to screen.
Tickets for this must-attend series of rare screenings can be purchased online here.
It’s quite exhaustive, so I strongly encourage you to take full advantage, because you may never get another opportunity quite like this again, or anytime soon, after this run ends. Check out the full lineup here.
In the meantime, here’s a just-released trailer for the series:

article by Tambay A.Benson via blogs.indiewire.com

Filmmaker Gina Prince-Bythewood Issues Urgent Open Letter; Support Black Film #BeyondTheLights

gina prince bythewood
Writer-Producer-Director Gina Prince-Bythewood issues Open Letter about her film Beyond The Lights. ” We need positive images to counter the negative portrayals we see every day.”

After the first preview audience screening of “Love & Basketball” a 17 year-old Black boy said, “The movie taught me how to love.” Fourteen years later, after the first preview audience screening of “beyond the lights,” a 17 year-old Black boy said, “I didn’t really believe in hope and love before, but this movie changed me.” That is why I make movies. Movies have power. Power to impact society and the choices we make. I want to entertain, but I also want to say something to the world.
nate & gina

I love movies. And I dig a great love story; the kind that wrecks me, then builds me back up and leaves me inspired. I write what I want to see. I wanted to make a love story with two people of color in the lead. Not a romantic comedy. A love story. “Beyond the Lights” took incredible fight to get made. Four years of writing, and two years of overcoming “no.” Every studio balked. Twice. But I kept fighting. What gave me the courage was “Love & Basketball.” Every studio turned down that film, too. But I never gave up because I believed in it with my whole heart and soul.

I had the same passion for this story. People ask me all the time if I feel discriminated against as a black female director and I actually don’t. I get offered a ton of stuff. But I like to direct what I’ve written. I feel what’s discriminated against are my choices, which is to focus on people of color as real people. Those are the films that rarely get made and those are the films that take a lot more fight. But I’m up for the fight, because if we don’t fight for this we stay invisible. I want us to look up on the screen and see ourselves reflected beautifully. I want us to look up on screen and learn how to love the right way. I want us to look up on screen and see a black man who is strong, sexy, complicated, and real. I want us to look up on screen and see a black woman fighting to find her voice, find her authentic self and be brave enough to live an authentic life. I want us to look up on screen and be inspired to want more for ourselves, to want to love, and to love ourselves.

[youtube https://www.youtube.com/watch?v=q4A5GDmwUv4&w=560&h=315]
There is a perception within our community and the world that black people don’t love each other. That we don’t fight for each other. That perception is so dangerous. We need positive images to counter the negative portrayals we see every day. And positive doesn’t mean perfect. Perfect is boring. I want real. But more than anything, “beyond the lights” is a really good movie experience that I don’t want you to miss. It is the kind of movie that should be shared. That collective explosive reaction to character, story, and music is fun. The advanced screenings have been like revivals. Audiences break into applause during the movie. Phenomenal performances. Insane chemistry between Gugu Mbatha-Raw and Nate Parker.  Dope music.  Beautifully complex mother/daughter and father/son relationships that are rarely explored with people of color.  You will laugh. You may cry.  You will feel.  And you may be changed.  I hope you check out the film over this holiday weekend.  It is a time to be grateful.  It is time to be inspired. It is a time to fight.
Gina Prince-Bythewood

"Belle" Does Well in Limited Release; Expands to 10 More Cities Next Weekend

belleFox Searchlight had another solid debut this weekend with its initial limited opening of Belle in four New York and L.A. theaters.  British-set period drama Belle,directed by Amma Asante and staring Gugu Mbatha-Raw,  managed a regal bow, grossing over $104K, giving the film a $26,123 theater average. Searchlight said the feature outgrossed “Spider-Man 2” at the Landmark Theatres in West LA and was the second-highest grosser at the Arclight Theatre in Hollywood. In New York, it also had strong numbers at Lincoln Plaza and Sunshine theaters.

“We’re pretty happy with how it opened. It’s an interesting thing with a film that’s very sophisticated like this and you’re hoping to get the cinephile crowd out,” Searchlight’s EVP of Distribution Frank Rodriguez told me Sunday morning. “The secret of this film is to keep it in theaters and see if it can get some traction. We know we have a great art film and we know we’re going to do well with it. The real goal here is to see if it can go a little mainstream. To do that with Spider-Man and the like will be interesting. Perhaps it’s a bit of counter-programming, but if we had had a $15 – 25K [PTA this weekend] I would have been happy, so we’re at the high end of that. In this business anything can happen, but we’re going into the right theaters and targeting a sophisticated audience.”

Fox Searchlight will open Belle in ten more cities next weekend including Washington, D.C., Atlanta, Toronto, San Francisco and Boston as it lures the film’s natural art-house crowd while also tempting some cross-over. The company expects Belle to be in about 350 theaters by Memorial Day weekend and it will head into about 50 – 60 runs next weekend.

article by Brian Brooks via deadline.com