by Karen Wada via latimes.com
Octavia E. Butler was a powerful and pioneering voice in science-fiction. The first black woman acclaimed as a master of the genre, she was known for vivid, expertly crafted tales that upended conventional ideas about race, gender and humanity. Although her creations were bold, Butler, who grew up poor in Pasadena, was “a private, reflective person who struggled with shyness and self-doubt,” said Natalie Russell, curator of a new exhibition at the Huntington Library, Art Collections, and Botanical Gardens in San Marino, CA.
How such struggles influenced her life and art is one of the themes explored in “Octavia E. Butler: Telling My Stories.” Russell said the show uses an invaluable resource — the author’s archive — to examine both her published work and “who she was as told through her personal papers.”
Butler, who died at 58 in 2006, willed the Huntington 354 boxes of materials, a bequest Russell describes as “huge and unedited because Octavia kept everything and passed away unexpectedly after a fall.” She said the exhibition, which runs through Aug. 7, presents about 100 items, including manuscripts, photographs and notebooks filled with writing and self-motivational notes, including one that reads in part, “My novels go onto the bestseller lists. … So be it! See to it!”
Butler started writing science-fiction as a child. She spent years working to establish her career — and a new vision of what’s possible in a genre dominated by white men. Along the way, Russell said, she needed reassurance and reinforcement.
To read more, go to: At the Huntington, see the inspirational note black sci-fi writer Octavia Butler wrote to herself – LA Times
Posts tagged as “black female writers”
article by Greg Braxton via latimes.com
For years HBO has been criticized for its pattern of featuring shows spotlighting the stories of white women while ignoring the creative voices of women of color. While “Sex and the City,” “Girls” and “Veep” have been solid hits, they have also been blasted for sidelining ethnic characters. “Girls,” created by and starring Lena Dunham, has particularly come under fire for its focus on young white characters even though it is set in New York City.
Starting Oct. 9, the premium network will enter more diverse territory, courtesy of Issa Rae, a former YouTube sensation who is starring in and executive-producing “Insecure.”
The half-hour series explores the friendship between two African American women who deal with their sometimes stormy relationship while also grappling with conflicts inside and outside black culture. Much of the humor has a raw flavor, and does not hold back on sexually frank situations and dialogue.
For full article, go to: Issa Rae takes HBO from white ‘Girls’ to black women with ‘Insecure’ – LA Times
She was born in Notasulga, Ala., but she didn’t like the way her story started, so she rewrote it and claimed Eatonville, Fla., as her birthplace instead. She wasn’t too partial to 1891, the year her mother delivered her, so she remixed it, and for the rest of her life, she took liberties with the mathematics of her age, knocking as many as 10 years off if the notion felt good to her.
It’s appropriate today, on what would be Zora’s 125th birthday, to honor the social and cultural freedoms she cleared for black female writers who stand on her platform and use our words to tell our own stories instead of allowing them to be told to and for us. She made it OK to be bold and conflicted, to wrestle with our identities and explore our differences as we chip away at the monolith, even to sometimes contradict ourselves and swerve, midaction, without apology.
Toni Morrison and Gloria Naylor, both literary geniuses, have credited Hurston as an inspiration, as do others, the famous and not so famous among us, who strip away pretense and dig into our personal wells of realness when we sit at a keyboard. We awe at the musicality of her prose and absorb what she said even in between the lines. This is what Hurston taught us, the black women creatives who came up in her shine.
You don’t need anybody’s permission to love who you uniquely are.
Be audacious whenever appropriate, which is pretty much always.
You can’t do black womanhood one way, and you can’t do it wrong.
Know that the minutiae of everyday life can be woven into literary tapestry.
Say what you have to say in only the way you can say it.
Speak for the people who don’t have the opportunity to be heard.
Outfit yourself in resilience and perseverance.
The untitled show is set circa 2004 among an U.S. Army Medevac team who work out of a base camp in the Iraqi capital. The series revolves around team members who “get on each other’s nerves, sleep with the wrong people, navigate ‘office’ politics and party like there’s no tomorrow.”
Clack is writing the script for ABC Studios and Shondaland. Clack, Rhimes and Shondaland’s Betsy Beers are exec producing for ABC Studios, where Shondaland is based.
Clack has worked her way up the ranks at “Grey’s Anatomy” since that show’s inception, rising from story editor to executive producer. She’s repped by CAA and manager Alan Rautbort at Circle of Confusion.
Shondaland has two comedy projects and another drama in the development pipeline this year at ABC.
article by Cynthia Littleton via variety.com
Comedy Central’s The Minority Report With Larry Wilmore has found a head writer.
Thede was most recently head writer on syndicated daytime talker The Queen Latifah Show and also wrote for Chris Rock when he hosted the 2014 BET Awards, as well as the NAACP Image Awards. She was previously a writer on BET’s satirical comedy Real Husbands of Hollywood, which starred Kevin Hart, Boris Kodjoe and Nick Cannon for the first two seasons.
A Second City and Improv Olympic alumna, Thede’s sketch/improv credits includeI n the Flow With Affion Crockett, Mike Epps‘ sketch comedy series Funny Bidness and Clunkers. She has appeared in BET’s Second Generation Wayans, Fox’s Goodwin Games, TV Land’s Hot in Cleveland, UPN’s All of Us and Comedy Central’s Key & Peele, in addition to the Marlon Wayans film A Haunted House.
The Minority Report, like the Daily Show and The Colbert Report, aims to provide a comedic look at news, current events and pop culture from different perspectives not typically seen on television.
The news comes three months after former The Daily Show showrunner Rory Albanese was tapped to head up the 11:30 p.m. show, reuniting him with Daily Show corespondent Wilmore. Jon Stewart also serves as an executive producer. Wilmore, a veteran producer in his own right, transitioned from his duty as executive producer/showrunner on ABC’s black-ish, which earned a full-season order this week, in September to focus on launching Minority Report.
article by Philiana Ng via hollywoodreporter.com