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Posts tagged as ““Black Art””

Scholar, Author and Educator Dr. Kymberly Pinder to Become Dean at Yale School of Art

[Dr. Kymberly Pinder, seen with a black and white drawing by Jami Porter Lara. Photo by Eve Caughey via news.yale.edu]

Starting July 1, Dr. Kymberly Pinder, renowned scholar of race, representation, and murals, will become Dean of the Yale School of Art.

Pinder, who earned her master’s degree and Ph.D. in art history at Yale, most recently was acting president of Massachusetts College of Art and Design. Prior to that, Pinder served as  dean of the College of Fine Arts at the University of New Mexico.

Pinder also taught at the School of the Art Institute of Chicago from 1996 to 2012, during which time she edited the book Race-ing Art History: Critical Readings in Race and Art History (2002). She also taught courses that led to the creation of murals in Chicago and Albuquerque.

To quote from jbhe.com:

“The Yale School of Art provides an unmatched platform for promoting excellence while effecting positive change,” said Dr. Pinder, who earned her Ph.D. in art history from Yale in 1995.

“I look forward to working with colleagues and students across the campus, the city, and the globe to extend the boundaries of arts practice and education. Objects and their making unlock and shape dialogues in some of the most transformative ways for both makers and viewers. It is an honor to return to Yale to help nurture its rich culture of rigorous inquiry. I am excited to bring my Yale education full circle.”

Pinder’s most recent book-length publication is 2016’s Painting the Gospel: Black Public Art and Religion in Chicago, where she explores how Black imagery in the public sphere empowered communities in that city. Pinder collaborated with local artists, from well-known muralists to anonymous graffiti writers and worked with different artists and local officials.

R.I.P. Poet and Activist Amiri Baraka

Portrait of American writer Amiri Baraka, USA, 17th March 2013. (Photo by Mick Gold/Redferns)
Portrait of American writer Amiri Baraka, USA, 17th March 2013. (Photo by Mick Gold/Redferns)

Amiri Baraka, the militant man of letters and tireless agitator whose blues-based, fist-shaking poems, plays and criticism made him a provocative and groundbreaking force in American culture, has died. He was 79.  His booking agent, Celeste Bateman, told The Associated Press that Baraka, who had been hospitalized since last month, died Thursday at Newark Beth Israel Medical Center.
Perhaps no writer of the 1960s and ’70s was more radical or polarizing than Baraka (formerly LeRoi Jones), and no one did more to extend the political debates of the civil rights era to the world of the arts. He inspired at least one generation of poets, playwrights and musicians, and his immersion in spoken word traditions and raw street language anticipated rap, hip-hop and slam poetry. The FBI feared him to the point of flattery, identifying Baraka as “the person who will probably emerge as the leader of the Pan-African movement in the United States.”
Baraka transformed from the rare black to join the Beat caravan of Allen Ginsberg and Jack Kerouac to leader of the Black Arts Movement, an ally of the Black Power movement that rejected the liberal optimism of the early ’60s and intensified a divide over how and whether the black artist should take on social issues. Scorning art for art’s sake and the pursuit of black-white unity, Barak was part of a philosophy that called for the teaching of black art and history and producing works that bluntly called for revolution.
“We want ‘poems that kill,’” Baraka wrote in his landmark “Black Art,” a manifesto published in 1965, the year he helped found the Black Arts Movement. “Assassin poems. Poems that shoot guns/Poems that wrestle cops into alleys/and take their weapons leaving them dead/with tongues pulled out and sent to Ireland.”