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Posts tagged as “Beyoncé”

MUSIC MONDAY: “Soulful Duets” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Bluesky: @marlonweststl.bsky.social Spotify: marlonwest)

Happy Music Monday! I hope this missive finds you smiling and well. It’s your musical motorist back again with a new collection to enjoy today and all week long.

Here’s over ten hours of duets and collaborations between artists of many styles.  From the rock and soul collabs of Mary J. Blige and U2 “One” and Jack White and Beyoncé’s “Don’t Hurt Yourself” to love ballads of Marvin Gaye & Tammi Terrell’s “Ain’t No Mountain High Enough” and Rick James and Teena Marie’s “Fire and Desire”, there are duets of all ilk.

There’s new tracks from Burna Boy and Shaboozey’s “Change Your Mind”, Alice Smith and Miles Caton’s “Last Time I Seen The Sun” and many more.

There are songs included like “Stand Back” by Stevie Nicks and “Why Should I Love You” by Kate Bush that have shadow arrangements and backing vocals by Prince.

The Roots have longstanding collaborators like Jill Scott and Bilal and they are represented on this playlist too.

There are so many wonderful duets out there I didn’t even get around to Jazz duets. So stay tuned for another playlist of Jazz collaborators coming to another Music Monday near you.

For now, please enjoy this collection of soul and rockin’ duets.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

WHM: How Evangelist and Guitar Pioneer Sister Rosetta Tharpe Turned Her Rock of Ages into Rock N Roll

Born on this day in 1915, Rosetta Tharpe revolutionized the sound of electric guitar by using distortion with her unique phrasing & picking, inspiring Chuck Berry, Little Richard, Johnny Cash & Elvis Presley

by Lori Lakin Hutcherson, GBN Editor-in-Chief

Born in 1915 in Cotton Plant, Arkansas to musical parents who also worked as cotton pickers, Tharpe was a musical prodigy who is reported to have picked up a guitar at four and began performing at age six with her mother, Katie Bell Nubin, a traveling evangelist and mandolin player for the Church of God in Christ.

Though strictly a gospel performer at the outset, by early adulthood, Tharpe started blending spiritual lyrics with the secular sounds of the time, bringing gospel music into nightclubs, while introducing elements of rhythm and blues to church audiences.

At 23, Tharpe started recording her genre-bending sound for Decca Records, resulting in hits such as “Rock Me” and “That’s All”. Tharpe was hired by Lucky Millinder in 1941 to sing and play with his swing band, and toured with them for years performing even more worldly material, including uptempo dance numbers such as I Want A Tall Skinny Papa.

Though considered transgressive and controversial at the time, causing an uproar among the gospel community, this boundary-crossing by Tharpe ultimately cemented her legacy as “Godmother of Rock and Roll.”

Though it was rare for women to play guitar in the 1930s and 1940s, Tharpe was among the first popular recording artists to use heavy distortion on her electric guitar, and her picking technique and phrasing influenced countless artists who followed, including Chuck Berry, Little Richard, Elvis Presley, and Johnny Cash.

Little Richard cited Tharpe as one of his major influences, and Chuck Berry once said his career was “one long Rosetta Tharpe impression.”

When you hear Tharpe-penned songs like “That’s All”, “This Train”, “I Want To Live So God Can Use Me” or her covers of gospel tunes like “Just A Closer Walk With Thee”, “Precious Lord, Hold My Hand”, “I Want Jesus To Walk Around My Bedside”or “Strange Things Happening Every Day”, you know neither Richard nor Berry were exaggerating.

Tharpe synthesized blues, hokum, hillbilly, gospel and swing music into her own rocking brand of strumming, bending, picking and vocalizing.

Tharpe’s inclusion on the brief-but-innovative track “Smoke Hour ⭐️ Willie Nelson” on Beyoncé’s Grammy-winning LP Cowboy Carter (2024) inspired me to revisit Tharpe’s foundational, liminal music last year via The Decca Singles, Volumes 1-5compilation series (streaming on Spotify and Apple Music), which covers her early recordings plus her big band, Trio and her later work.

“Smoke Hour ⭐️ Willie Nelson” features a radio dial switching between yodeling, blues, gospel & 50s rock n roll until we land on K-N-T-R-Y station DJ Willie Nelson teeing up Beyoncé’s “Texas Hold ‘Em” into this lineage. The lone female voice heard among the dial turns? Tharpe singing her iconic version of “Down By The Riverside”.

Tharpe was known for her exuberant performances (secular & non-secular) & often her only accompaniment was her own dynamic guitar playing.

A personal Tharpe favorite is “Didn’t It Rain”), where she’s backed by the Sam Price Trio, trades vocals with frequent collaborator Marie Knight and rips an electrifying guitar solo – this song goes so hard and is still so infectious, I can’t help myself from bopping along every time I hear it.

Below is video of her famous live 1966 performance of it in France:

Tharpe was finally inducted into the Rock n Roll Hall of Fame in 2018, and in 2024 Gibson Guitars debuted the Rosetta Tharpe Collection of merchandise in tribute to her (including a miniature replica of the iconic 1961 Les Paul she used to play, but she is still not well-known enough for her vital contributions to American music, even with the Cowboy Carter hat tip.

To learn more about Tharpe, check out the 2008 biography Shout, Sister, Shout: The Untold Story of Rock-And-Roll Trailblazer Sister Rosetta Tharpe by Gayle Wald, watch the 2011 documentary The Godmother of Rock and Roll – Sister Rosetta Tharpe, the Gibson Guitars-produced short documentary Shout, Sister, Shout: Sister Rosetta Tharpe, as well as performance clips of her available on YouTube.

Sources:

MUSIC MONDAY: Celebrating the “Afroclectic Best of 2024” on MLK Day (LISTEN)

by Marlon West (Bluesky: @marlonweststl.bsky.social, Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Alright: The Essential Pharrell Williams” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: The “Say It To My Face/Mind Your Own D*mn Business” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest)

REVIEW: I’ve Got Such Big Feelings for WILLOW’s Emotive, Exploratory and Excellent New LP “empathogen”

by Lori Lakin Hutcherson, GBN Editor-in-Chief

I’m starting off straight up corny by saying I’ve been a “transparent soul” with anyone who’d listen to me about my anticipation of WILLOW’s sixth and latest solo LP, which finally dropped May 3rd.

My owning of my corniness, turns out, totally vibes with the messages about the freedom to express & accept your feelings, warts and all, coursing throughout the #greatalbum “empathogen” (2024).

Not only do I absolutely love how WILLOW wrestles lyrically (and musically) with Big Ideas such as existence, ego, anxiety, pain, self-sabotage, fear and love, she does so in such soul-felt, sophisticated & surprising ways, I have to compliment the precise production by WILLOW and her fellow producers Chris Greatti, Eddie Benjamin and Jon Batiste.

There are myriad sounds, echo effects and vocal arrangements involved in each track, even the stripped down ones, but none ever feel overdone — just purposeful and fresh. It’s as if WILLOW threw her hands into the cosmic river of music, tapped into its source, and allowed it to flow freely through her.

There’s a lot going on technically in the music I can’t speak on with any authority (e.g. the multiple time signatures, turnarounds, uncommon verse/chorus structures) but what I can talk about is how it hits the ears and how it feels — free, unexpected, relatable, or, in one word — embracing.

WILLOW is clearly a student of music and draws on varied influences (her IG post of her working her voice out to Ella Fitzgerald’s legendary scat on “How High The Moon” blew my mind a few months ago and still lives rent free in what’s left of my head), but right now she’s reminding me most of the great Esperanza Spalding, particularly during her “Emily’s D+Evolution” (2016) jazz/pop/rock era.

WILLOW’s own pop/rock/punk/soul explorations from the past few years also inform her current jazz/funk/fusion present (and hopefully future).

The singles released from the LP, “symptom of life” and “bigfeelings”, are the best ambassadors for this tight 12-song offering which literally begins with what sounds like an off-mic Jon Batiste screeching, as if being born, “I love everything!”

(BTW, could Batiste be on more of a roll? He also co-produces and co-writes “Ameriican Requiem”, the opening track on COWBOY CARTER. If I’m an artist, I’m thinkin get this man to help kick off my LP, stat, cuz greatness will surely follow!)

After Batiste, we hear steady rimshots underneath WILLOW’s “ah oo ah ah” breaths until she sings “I live my life” — and I didn’t conjure my previous cosmic music river metaphor out of nowhere as WILLOW then sings “I trust this river to carry me / home” in this mystifyingly captivating LP opener titled “home”.

MUSIC MONDAY: “Ring of Fire” – Black Voices in Rock And Country Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Music Monday! In the weeks since Beyoncé’s recent Country releases, there’s been much debate on her Country bona fides, though the sista has never been shy about voicing her Texas pride.

From Beyoncé’s history with the genre, from the song “Daddy Lessons”, from her 2016 album Lemonade, to the Stetsons worn by Destiny’s Child, many Country devotees ignore her roots and those of other Black artists.

While talking to a good friend and colleague last week, he pointed out that it’s not musicians that draw designations often based on race, it’s the so-called fans. It is also music writers and editors who act as gatekeepers.

Ray Charles, James Brown, Jerry Lee Lewis, B.B. King, Elvis Presley, Aerosmith, Love, Brittany Howard, Lola, Valerie June and so many others can’t be bothered. Music is music.

It has been a long-running theme of my playlist and missives here on GBN, that the roots and current impact of Black artists on Country Music and Rock ’n Roll is deep and continuing.

Rhiannon Giddens is present playing the banjo (an instrument whose roots go back to Africa), on “Texas Hold ‘Em”, and with The Carolina Chocolate Drops. As is Lil Nas X, who was also soundly rebuffed by Country music gatekeepers initially.

I’ve included The Black Pumas, TV On The Radio, Clarence Clemons, Tracy Chapman and of course Lenny Kravitz, who all reject rock music being the domain of white artists.

So, please enjoy this collection of artists that aren’t inclined to be labeled and defy labels.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Funky Halloween Music” Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy first Monday of October, you all!

It’s Halloween time once again, and I’m back with another Funky Halloween Music playlist for this spooky season. Here is 13 hours of more Soul, Reggae, Funk, Jazz, and movie soundtracks.

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I freely admit to casting a very wide net for this playlist, including tracks simply featured in The Blackening, Nope, Get Out, Us, The Master and others.

Screamin’ Jay Hawkins, Beyoncé, Gravediggaz, The Weekend, Ella Fitzgerald, Little Simz, Exuma, King Tubby, Geto Boys, Bessie Smith, The Specials, Ray Parker Jr., and others are all present on the ever-evolving collection of Halloween music.

This music won’t scare trick-or-treaters from your porch — you can use my collections, “Blacula Strikes!: Black Horror Music” and “Phantom Of The Panther: Black Horror Scores and More” for that.

However, this collection will keep your spooky spirits up all month long.

Until next month, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “AfroZeppelin” – A Rhythm & Blues-Filled Led Zeppelin Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Labor Day, y’all! It is no toil for me to offer up another playlist on this holiday Monday.

After June’s AfroBowie collection, our editor-in-chief, Lori Lakin Hutcherson, suggested a few more in a series of collections of rock musicians inspired by and in collaboration with Black artists.

So here is the second offering: AfroZeppelin. While David Bowie championed and collaborated with Black music-makers throughout his long career, Led Zeppelin’s connections were not as overt.

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Outselling the Beatles and toppling them as icons of a new era of rock and roll, Zeppelin was the perfect combo of the Delta blues, London’s swinging scene and the myriad of cultural influences.

The influence of the street-tough Chicago blues of Muddy Waters and Howlin’ Wolf taught them much about swinging boogie. Over the decades many of their famous riffs and lyrics would come under fire. The allegations have brought several lawsuits as well, most of them settled out of court discreetly.

In the case of “Whole Lotta Love”, the song credits were later amended to include Willie Dixon, who claimed Robert Plant used his lyrics from “You Need Love”.

“The Lemon Song” is an expansion of a musical phrase featured in Robert Johnson’s “Traveling Riverside Blues”.

I’ve gathered many of the songs covered and referenced by Led Zeppelin, and their own versions of said tracks. Of course, they have been covered many times themselves.

I’ve included Zeppelin covers by Mary J. Blige, Lizz Wright, and Stanley Jordan. You’ll also find many classic cuts that feature Led Zeppelin samples too.

Here’s Beyoncé, Ice T, Jurassic 5, D12, Dr. Dre, Beastie Boys and many others.

This collection of great tracks stands as another example that no artist creates in a vacuum. Whether the influences are readily acknowledged, each creator makes offerings informed by what came before.

Do enjoy! Until next month! Stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “Bring It On Home” – A Famous Background Vocalists Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy springtime from your friend and selector, Marlon!

Here’s a freewheeling playlist, and a seemingly random collection of tunes. Though what they all have in common is famous folks, sometimes uncredited, singing backup.

In some cases it is an established artist leading a hand, like Stevie Wonder contributing to Jermaine Jackson’s “Let’s Get Serious,” or a then-unknown protege like Lou Rawls singing behind his childhood pal Sam Cooke on “Bring It On Home To Me.”

In some tracks, you won’t be able to pick them out. Though in others you will never be able to hear the same again without recognizing them. Here is a breakdown of each song and who’s helping out in the background. Enjoy!

[spotifyplaybutton play=”https://open.spotify.com/playlist/1Wiw3WvesSmopQpyuoTybK?si=7f4c79d723884010″]

  1. “Bring It On Home to Me” by Sam Cooke with Lou Rawls
  2. “Let’s Get Serious” by Jermaine Jackson was produced by Stevie Wonder (who also provided vocals)
  3. “Part-Time Lover” by Stevie Wonder with Luther Vandross and Philip Bailey
  4. “Don’t Lose Your Head” by Queen with Joan Armatrading
  5. “Step by Step” by Whitney Houston with original writer and vocalist Annie Lennox
  6. “Every Time I Close My Eyes” by Babyface with Kenny G, Mariah Carey, and Shelia E.
  7. “Somebody’s Watching Me” by Rockwell with Michael Jackson and Jermaine Jackson
  8. “Pink + White” by Frank Ocean with Beyoncé
  9. “State of Shock” by the Jacksons, with Mick Jagger
  10. “Young Americans” by David Bowie with Luther Vandross
  11. “Why Should I Love You?” by Kate Bush with Prince singing and playing guitar
  12. “There Must Be More to Life Than This” by Queen with Michael Jackson
  13. “This Is What You Came For” by Calvin Harris and Rihanna with uncredited vocals by the song’s author, Taylor Swift
  14. “Partition” by Beyoncé with Justin Timberlake
  15. “Chain Reaction” by Diana Ross with Barry Gibb

There are certainly others, but I’ll stop here. Though if there are glaring omissions, lemme me know, and I’ll make additions.

See ya next month, and as always: stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)