It’s Halloween time once again, and I’m back with another Funky Halloween Music playlist for this spooky season. Here is 13 hours of more Soul, Reggae, Funk, Jazz, and movie soundtracks.
I freely admit to casting a very wide net for this playlist, including tracks simply featured in The Blackening, Nope, Get Out, Us, The Master and others.
Screamin’ Jay Hawkins, Beyoncé, Gravediggaz, The Weekend, Ella Fitzgerald, Little Simz, Exuma, King Tubby, Geto Boys, Bessie Smith, The Specials, Ray Parker Jr., and others are all present on the ever-evolving collection of Halloween music.
In continued celebration of #JazzAppreciationMonth, today we drop in on Billie Holiday, the singer and artist who not only influenced peers and progeny alike with her innovative interpretation of and phrasing in songs, but also composed several of her signature songs which became jazz and blues standards in the decades that followed.
To read about Holiday, read on. To hear about her, press PLAY:
[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:
Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 19th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Billie Holiday famously said she styled her singing after two major influences – blues empress Bessie Smith and jazz trumpeter and legend Louis Armstrong.
The alchemy Holiday found by combining her favorites inspired many of her contemporaries as well as subsequent generations of singers, who were impressed with her pioneering phrasing and improvisation.
What is less often praised about Holiday is her songwriting skill. She wrote several signature songs that are now standards. Let’s start with “Fine and Mellow,” which Holiday first recorded in 1939:
As #WomensHistoryMonth comes to a close, today in our Daily Drop podcast, we spotlight Chicago-based blues and jazz pianist Cora “Lovie” Austin.
Austin isn’t well known now, but in her day she was a well-regarded bandleader and composer and one of the best accompanists around.
Austin played with singers such as Ma Rainey, Alberta Hunter, Bessie Smith, and Ethel Waters and musicians such as Louis Armstrong, lead her band the Blues Serenaders, and held down her spot as musical director at Chicago’s Monogram Theater for over 20 years:
You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website (transcript below):
SHOW TRANSCRIPT:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, a little stuffed up, but here to share with you a daily drop of Good Black News for Wednesday, March 30th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Cora “Lovie” Austin did two incredibly rare things for a Black woman born in 1887: she studied formal music theory in college, then used that knowledge to gig the vaudeville circuit as a blues and jazz pianist!
Austin played with singers such as Ma Rainey, Alberta Hunter and Ethel Waters and was known as one of the best accompanists of her time.
She also led her own band, the Blues Serenaders, which played with top musicians like Louis Armstrong, and co-wrote the blues standard “Down Hearted Blues.”
Early in her career, Austin settled in Chicago, ultimately serving as musical director for Chicago’s Monogram Theater for over 20 years. In 1961, Austin reunited with Alberta Hunter and the Blues Serenaders to record an album as part of Riverside Records Living Legends series entitled Chicago: The Living Legends (Live).
To learn more about Lovie Austin, stream or purchase her music on Apple Music or Amazon Music, or stream on Spotify, and check out the links to sources provided in today’s show notes or in the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
Beats provided by freebeats.io and produced by White Hot. Excerpts of music by Lovie Austin are included under fair use.
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Queen Latifah as Bessie Smith in “Bessie” (l); Legendary Blues Artist Bessie Smith (r) [Photo via nypost.com]
For some reason, a decent portion of today’s entertainment news is all about Bessie Smith. Which is a great thing, because the under-appreciated “Empress of the Blues” has deserved her due in the media as well as American musical history for well over half a century. Thanks to Queen Latifah, who committed to bringing Bessie’s story to life after 22 years in development, HBO will air the biopic “Bessie”, written and directed by Dee Rees (“Pariah”), on May 16. The movie also stars Khandi Alexander, Tika Sumpter, Mike Epps and Academy Award winner Monique as Ma Rainey. Not only did Good Black News have the great fortune to be part of today’s HuffPost Live interview with “Bessie” director Rees (which you can watch by clicking the link above or right here), HBO also announced its launch of a special two-city event series in New York this week honoring the legacy of the blues-jazz singer called “Bessie’s 81 Theater Tour.”
The event, which will coincide with the New York and Los Angeles premieres of the biopic starring Queen Latifah, will feature a workshop lead by Grammy Award-winning producer Bryan Michael Cox and singer-songwriter Stacy Barthe. The workshop will be offered to local artists in an effort to mimic the creative music process once used by Smith and her peers.
“In today’s music, I believe the constant utilization of live instrumentation is missing,” Cox said in a statement emailed to HuffPost. “Whenever that element is injected into popular music in this era, the song usually becomes a hit. One great example of this is Mark Ronson’s ‘Uptown Funk.’”
In addition to the artist workshop, the two-city promotional tour will also feature a music showcase comprised of a series of performances from local artists. It will conclude with a private dinner for native influencers and a surprise performance by an “A-list artist.”
“When thinking about how we wanted to build buzz about the film, we wanted to do something that was completely unique and immersive,” Lucinda Martinez, SVP of HBO Multicultural Marketing said in a press release for the event.
“We’re confident that this event series properly honors the legacy of Bessie Smith by showcasing aspiring songwriters and producers. We want to raise awareness for the film, create connections and offer these young creatives a platform to share their craft.”
The “Bessie’s 81 Theater Tour” will conclude in Los Angeles next month leading up to the May 16 premiere of “Bessie” on HBO.
In the meantime, if you want a Bessie Smith fix before then, we suggest checking out her only appearance on film performing her iconic “St. Louis Blues” below:
[youtube https://www.youtube.com/watch?v=JpVCqXRlXx4&w=420&h=315] article by Lori Lakin Hutcherson, Good Black News Founder and Editor-In-Chief
Harvey and Jennifer Peyton are donating a series of paintings to the Art Museum of West Virginia University that deal with racial injustice in the 1930s to the 1960s.
Among the works donated is “Confrontation at the Bridge,” a painting by Jacob Lawrence of marchers on the Edmund Pettus Bridge in Selma, Alabama, on Bloody Sunday in March 1965. Other works include “Waiting Room, South” by Rosalee Berkowitz, ” Lynching (Self-Portrait With Rope)” by Louis Lozowick, and “Bessie Smith, Queen of the Blues” by Margaret Burroughs.
Harvey Peyton holds bachelor’s and law degrees from West Virginia University. He stated that “Jen and I have dedicated our collecting to the idea that visual art and the concept of social justice should go hand in hand. We hope these works, and other we have given and intend to give to the Art Museum of WVU, will enrich the idea of both art and community at the university long after we are gone.” article via jbhe.com
Queen Latifah as Bessie Smith in HBO’s biopic (Courtesy: HBO)
Queen Latifah stars as legendary blues singer Bessie Smith in the HBO Films drama “Bessie,” which is directed by Dee Rees, from a screenplay written by Rees, Christopher Cleveland & Bettina Gilois.
With a story by Rees and Horton Foote, the film focuses on Smith’s transformation from a struggling young singer into “The Empress of the Blues,” one of the most successful recording artists of the 1920s.
HBO has announced its movie will debut on Saturday, May 16 at 8PM.
The cast includes Michael Kenneth Williams as Bessie’s husband, Jack; Khandi Alexander as Bessie’s older sister, Viola; Mike Epps as Richard, a bootlegger and romantic interest; Tika Sumpter as Lucille, a performer and romantic interest; Tory Kittles as Bessie’s older brother, Clarence; Oliver Platt as famed photographer and writer Carl Van Vechten; Bryan Greenberg as renowned record producer and music critic John Hammond; with Charles S. Dutton as Ma Rainey’s husband, William “Pa” Rainey; and Mo’Nique as blues legend Ma Rainey.
The film will offer an intimate look at the determined woman whose immense talent and love for music took her from anonymity in the rough-and-tumble world of vaudeville to the 1920s blues scene and international fame, capturing her professional highs and personal lows, and ultimate legend.
Described by HBO as a labor of love for the filmmakers, “Bessie” has been 22 years in the making. The first draft was written by playwright Horton Foote. Queen Latifah was approached by producers Richard and Lili Fini Zanuck to take on the role of Bessie when she was just launching her acting career. She eventually came on board as an executive producer, along with producing partner Shakim Compere.
Director Dee Rees caught HBO’s attention with the buzz around her award-winning film, “Pariah.”
Says Latifah, “I have been excited about this project since the very beginning. When HBO got involved, we were thrilled and we worked together to make something that would capture Bessie’s life honestly and respectfully.”
Watch the telepic’s first full-length trailer below:
[youtube https://www.youtube.com/watch?v=8FhmzwXfgz8&w=560&h=315] original article by Tambay A. Obenson via blogs.indiewire.com
Mo’Nique (Precious) and Khandi Alexander (Scandal) will co-star opposite Queen Latifah in Bessie, HBO’s film about iconic blues singer Bessie Smith (Queen Latifah). Written and directed by Dee Rees based on the life story of Smith, the project chronicles how Smith overcame her tempestuous personal life to become one of the most acclaimed performing and recording artists of the 1920s and ’30s, earning the nickname Empress of the Blues. Mo’Nique will play Ma Rainey, one of the first professional blues singers billed as The Mother of the Blues. Ma Rainey (born Gertrude Pridgett) was already well known when she met then-young Bessie. According to a popular story, which has been disputed, Rainey kidnapped Smith, making her join the Rabbit Foot Minstrels, and teaching her to sing the blues. Alexander will play Bessie’s older sister, Viola. By the time Bessie was nine, both of her parents and one brother had died, with Viola taking care of her siblings. Bessie is produced by HBO Films in association with Queen Latifah and Shakim Compere’s Flavor Unit Entertainment and Lili and the late Richard Zanuck’s the Zanuck Co., with Lili Fini Zanuck, Queen Latifah, Shakim Compere, Shelby Stone and Randi Michel serving as executive producer and Richard Zanuck also getting a posthumous exec producer credit. article by Nellie Andreeva via deadline.com
Not only did Good Black News have the great fortune to be part of today’s 
