article via eurweb.com
The Rock and Roll Hall of Fame announced the nominees for its 2017 induction ceremony today. This year’s nominees include Tupac Shakur, in his first year of eligibility, Chaka Khan, Janet Jackson, and 11-time nominee Chic.
Ballots to select the final 2017 inductees will be sent out to more than 800 artists, historians, and members of the music industry. The public will also get an opportunity to vote at rockhall.com. Public voting ends Dec. 5 at 11:59 p.m. ET.
To be considered for induction, an individual artist or band must have released its first single or album at least 25 years prior to the year of nomination.
In addition to Tupac, this year also marks the first year of eligibility for fellow 2017 nominees Pearl Jam, Bad Brains, Depeche Mode, Electric Light Orchestra, Jane’s Addiction, Joan Baez, Journey, and Steppenwolf.
The Rock and Roll Hall of Fame 2017 inductees will be announced at an unspecified date in December. The induction ceremony will be held at the Barclay’s Center in New York City in April 2017.
Read the full list of this year’s nominees include:
Bad Brains
Chaka Khan
Chic
Depeche Mode
Electric Light Orchestra
J. Geils Band
Jane’s Addiction
Janet Jackson
Joan Baez
Joe Tex
Journey
Kraftwerk
MC5
Pearl Jam
Steppenwolf
The Cars
The Zombies
Tupac Shakur
Yes
Posts tagged as “Barclays Center”
article by Amber Mckynzie via essence.com
Black Lives Matter doesn’t mean only Black people think black lives matter. And New York’s Jewish community proved that last Thursday when Jews for Racial and Economic Justice (JFREJ) marched and rallied in the name of BLM in Brooklyn’s Park Slope neighborhood.
According to ParkSlopeStoop.com, JFREJ held a successful and peaceful rally “protest police violence against people of color, and demand police accountability through the passage of the City Council’s Right To Know Act.”
Beginning at Jay Z’s formerly-owned Barclay’s Center, Yehudah Webster, JFREJ member and leader of Jews of Color, began a call and response chant on his microphone. “Even though we are angry at the injustice of police brutality,” Webster said, and the crowd responded, “we gather here for love, for lost brothers and sisters, our communities and each other.”
JFREJ explained why they were marching by saying, “Jews say Black Lives Matter not only because we know what it is to be oppressed, but also because police violence against Black people is deeply personal for Black members of the Jewish community.”Take a look at the march moving from Brooklyn to New York’s Bond street below. ParkSlopeStoop.com also reports that while also rallying to let people know Black Jews Matter, protestors also “called for the fair passage of the Right to Know Act, which has two primary components: “Requiring NYPD officers to identify themselves” (Intro 182) and “Protecting New Yorkers against unconstitutional searches” (Intro 541).”
Source: Jewish Community Holds Black Lives Matter Rally in New York | Essence.com
Richard Perry/The New York Times
For many years, Jay-Z closed out his concerts with “Encore,” a soothing, triumphant number from “The Black Album,” which at the time of its release in 2003 was billed as something of a retirement. “From Marcy to Madison Square,” he rapped, sketching an arc that had taken him from a Brooklyn housing project to headlining the most symbolically important arena in the country.
That used to be enough, goal-wise, but no musician has reframed the potential for bucket-list completion and brand extension like Jay-Z, who in the past decade has consistently sought new ceilings to break through. That journey brought him to the Barclays Center in Brooklyn on Friday night, for the first show of a sold-out eight-night run in this new rusty bunker that will house the Brooklyn Nets, a team that he owns a small piece of, and for which he is the unofficial ambassador.
When the developer Bruce Ratner set out to buy the New Jersey Nets and build an arena for them in Brooklyn, he recruited Jay-Z, the hip-hop superstar who grew up in public housing a couple of miles from the site, to join his group of investors.
Mr. Ratner may have thought he was getting little more than a limited partner with a boldface name and a youthful following that could prove useful someday. But Jay-Z’s contributions have dwarfed the $1 million he invested nine years ago. His influence on the project has been wildly disproportionate to his ownership stake — a scant one-fifteenth of one percent of the team. And so is the money he stands to make from it.