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Posts tagged as “Arkansas”

WHM: How Evangelist and Guitar Pioneer Sister Rosetta Tharpe Turned Her Rock of Ages into Rock N Roll

WHM: How Evangelist and Guitar Pioneer Sister Rosetta Tharpe Turned Her Rock of Ages into Rock N Roll

By goodblacknews on March 20, 2025

Born on this day in 1915, Rosetta Tharpe revolutionized the sound of electric guitar by using distortion with her unique phrasing & picking, inspiring Chuck Berry, Little Richard, Johnny Cash & Elvis Presley

by Lori Lakin Hutcherson, GBN Editor-in-Chief

Born in 1915 in Cotton Plant, Arkansas to musical parents who also worked as cotton pickers, Tharpe was a musical prodigy who is reported to have picked up a guitar at four and began performing at age six with her mother, Katie Bell Nubin, a traveling evangelist and mandolin player for the Church of God in Christ.

Though strictly a gospel performer at the outset, by early adulthood, Tharpe started blending spiritual lyrics with the secular sounds of the time, bringing gospel music into nightclubs, while introducing elements of rhythm and blues to church audiences.

At 23, Tharpe started recording her genre-bending sound for Decca Records, resulting in hits such as “Rock Me” and “That’s All”. Tharpe was hired by Lucky Millinder in 1941 to sing and play with his swing band, and toured with them for years performing even more worldly material, including uptempo dance numbers such as “I Want A Tall Skinny Papa”.

Though considered transgressive and controversial at the time, causing an uproar among the gospel community, this boundary-crossing by Tharpe ultimately cemented her legacy as “Godmother of Rock and Roll.”

Though it was rare for women to play guitar in the 1930s and 1940s, Tharpe was among the first popular recording artists to use heavy distortion on her electric guitar, and her picking technique and phrasing influenced countless artists who followed, including Chuck Berry, Little Richard, Elvis Presley, and Johnny Cash.

Little Richard cited Tharpe as one of his major influences, and Chuck Berry once said his career was “one long Rosetta Tharpe impression.”

When you hear Tharpe-penned songs like “That’s All”, “This Train”, “I Want To Live So God Can Use Me” or her covers of gospel tunes like “Just A Closer Walk With Thee”, “Precious Lord, Hold My Hand”, “I Want Jesus To Walk Around My Bedside”or “Strange Things Happening Every Day”, you know neither Richard nor Berry were exaggerating.

Tharpe synthesized blues, hokum, hillbilly, gospel and swing music into her own rocking brand of strumming, bending, picking and vocalizing.

Tharpe’s inclusion on the brief-but-innovative track “Smoke Hour ⭐️ Willie Nelson” on Beyoncé’s Grammy-winning LP Cowboy Carter (2024) inspired me to revisit Tharpe’s foundational, liminal music last year via The Decca Singles, Volumes 1-5compilation series (streaming on Spotify and Apple Music), which covers her early recordings plus her big band, Trio and her later work.

“Smoke Hour ⭐️ Willie Nelson” features a radio dial switching between yodeling, blues, gospel & 50s rock n roll until we land on K-N-T-R-Y station DJ Willie Nelson teeing up Beyoncé’s “Texas Hold ‘Em” into this lineage. The lone female voice heard among the dial turns? Tharpe singing her iconic version of “Down By The Riverside”.

Tharpe was known for her exuberant performances (secular & non-secular) & often her only accompaniment was her own dynamic guitar playing.

A personal Tharpe favorite is “Didn’t It Rain”), where she’s backed by the Sam Price Trio, trades vocals with frequent collaborator Marie Knight and rips an electrifying guitar solo – this song goes so hard and is still so infectious, I can’t help myself from bopping along every time I hear it.

Below is video of her famous live 1966 performance of it in France:

Tharpe was finally inducted into the Rock n Roll Hall of Fame in 2018, and in 2024 Gibson Guitars debuted the Rosetta Tharpe Collection of merchandise in tribute to her (including a miniature replica of the iconic 1961 Les Paul she used to play, but she is still not well-known enough for her vital contributions to American music, even with the Cowboy Carter hat tip.

To learn more about Tharpe, check out the 2008 biography Shout, Sister, Shout: The Untold Story of Rock-And-Roll Trailblazer Sister Rosetta Tharpe by Gayle Wald, watch the 2011 documentary The Godmother of Rock and Roll – Sister Rosetta Tharpe, the Gibson Guitars-produced short documentary Shout, Sister, Shout: Sister Rosetta Tharpe, as well as performance clips of her available on YouTube.

Sources:

BHM: Good Black News Celebrates Daisy Bates, Civil Rights Activist, Newspaper Publisher, Little Rock Nine Organizer

BHM: Good Black News Celebrates Daisy Bates, Civil Rights Activist, Newspaper Publisher, Little Rock Nine Organizer

By goodblacknews on February 5, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

This is Daisy Bates.

President of the NAACP Arkansas chapter during the civil rights movement and co-publisher of The Arkansas State Press, a newspaper dedicated to advocacy journalism for African-Americans.

Bates is best known for organizing and shepherding the Little Rock Nine as they desegregated Central High in 1957 in the wake of the Brown v. Board of Ed. U.S. Supreme Court decision.

Bates regularly drove the students to and from school, hosted them in her home after school and worked tirelessly to ensure they were protected from violent crowds.

One of her most successful protection strategies was to get local ministers to escort the students to school, daring the white Christians protesting and hurling threats to attack men of the cloth. Bates’ plan worked, but she started to receive threats herself.

Rocks were thrown into her home, crosses were burned on her property, and bullet shells were sent to her in the mail. White advertisers boycotted her newspaper and eventually she had to shut it down.

Daisy Bates and the Little Rock Nine (Credit: Everett Collection Historical / Alamy Stock Photo)
Bates received support from Dr. Martin Luther King, Jr., who assured her, “World opinion is with you. The moral conscience of millions of white Americans is with you.” Bates was also elected to the executive committee of King’s Southern Christian Leadership Conference (SCLC).
In 1960, Bates moved to New York City and wrote her memoir The Long Shadow of Little Rock, then later moved to Washington D.C., and worked for the Democratic National Committee.

Bates was also the only woman who spoke at the 1963 March on Washington during the official program, pledging that women would fight just as hard and long as the men until all Black people were free and had the vote.

Bates later served in the administration of President Lyndon B. Johnson and worked on anti-poverty programs. In 1968 she moved to the rural black community of Mitchellville, Arkansas and worked there to improve the lives of her neighbors by establishing a self-help program which was responsible for new sewer systems, paved streets, a water system, and community center.

Faces of Hope: Patrick Oliver Teaches Kids to Be Successful Readers and Writers

By goodblacknews on August 30, 2013
Patrick Oliver traces his success back to this scene: As a little boy in his home in the projects of Little Rock, he shared the morning newspapers with his parents and his grandfather. Each person grabbed a section of the newspaper and passed the other sections around. He and his grandfather, who lived nearby, shared the sports pages.
Years later when he worked himself up from a low level job to one as a material analyst and senior contract administrator in the defense industry, he remembered those scenes at home. His reading and writing skills allowed him to easily understand systems and write proposals that suggested more efficient ways of operating, thus gaining him attention, respect and promotions from upper management. Oliver never forgot the connection between the rituals at his house and his success at work.
“The success of me being a success in corporate America is because of my reading,” he said. “Our house was full of newspapers and magazines,” he said.
Now a literary consultant, program manager and radio host in Little Rock, he devotes most of his life to developing programs that introduce black youth to literature and the importance of reading and writing well. In 1993, he founded “Say It Loud! Readers and Writers,” the nonprofit that provides opportunities for youth ages 10 – 18 to participate in literary arts activities and events designed to enhance their appreciation for literature as a tool for empowerment. Today, in addition to programs in Little Rock, he has partnerships with programs in Chicago, Los Angeles, Philadelphia, and Washington, D.C.

Maya Angelou Honors Mom, Grandmother in New Book

By goodblacknews on May 4, 2013
Dr. Maya Angelou poses at the the Special Recognition Event for Dr. Maya Angelou � The Michael Jackson Tribute Portrait at Dr. Angelou's home June 21, 2010 in Winston-Salem, North Carolina. (Photo by Ken Charnock/Getty Images)

Dr. Maya Angelou (Photo by Ken Charnock/Getty Images)

NEW YORK (AP) — Writer, actor, dancer. Activist, teacher, composer. In the melange of Maya Angelou’s 85 years is also daughter, of two women who deserved one with a good memory.  So Angelou writes in her latest literary memoir, “Mom & Me & Mom,” a sweet ode to “Lady,” her mother Vivian Baxter, and “Momma,” her paternal grandmother Annie Henderson, who took her in at age 3 in tiny, segregated Stamps, Ark., and returned her at age 13, when the time was right.
Baxter, rough-and-tumble poor from St. Louis, and Henderson, refined believer in southern etiquette, are both long gone but figure big in Angelou’s legendary life.  The fierce and fun Vivian was Angelou’s abandoner and, later, her most loyal protector. She and Annie are familiar to admirers of the poet and spinner of autobiographical fiction. It’s Angelou’s eighth book to unravel her often painful and tumultuous life, including the 1969 National Book Award winner “I Know Why the Caged Bird Sings,” chronicling her rape as a girl that left her mute for five years.
Angelou lost her beloved older brother Bailey in 2000, after his slide into drugs, and her mother in 1991, at age 79 or 85, depending on who’s doing the counting, joked Angelou in a recent telephone interview from her home in Winston-Salem, N.C., where she has lived part-time for more than 30 years while on the faculty of Wake Forest University.  Her son, Guy, whom she had at age 17, remains with us, enduring years on crutches after numerous surgeries for spinal injuries he suffered in an auto accident.

R.I.P. Leo Branton Jr., Civil Rights Lawyer Who Defended Angela Davis

By goodblacknews on April 27, 2013

April 6, 1972: Defense attorney Leo Branton listens to Angela Davis as the two walk from court at San Jose. For obit of Branton.
April 6, 1972: Defense attorney Leo Branton listens to Angela Davis as the two walk from court at San Jose.

Leo Branton Jr., a civil rights and entertainment lawyer whose stirring defense of ’60s radical Angela Davis brought him his most celebrated victory in a six-decade career often spent championing unpopular cases, died of natural causes Friday in Los Angeles. He was 91.  His death was confirmed by his son Tony Nicholas.

Branton, the only African-American graduate of Northwestern University’s law school in 1948, helped singer Nat King Cole integrate an exclusive Los Angeles neighborhood, defended Communists in McCarthy-era Los Angeles and won misconduct cases against the Los Angeles Police Department decades before Rodney King became a household name.
“He was a hero of mine,” said Connie Rice, a prominent Los Angeles civil rights attorney who helped lead efforts to reform the LAPD after the King beating.  “All the things I’ve done, Leo Branton did 50 years before I even thought about going to law school. He saw himself not as a private practitioner out to make money for himself but as a lawyer with the skills to be a champion for black liberation.”

New ‘Soul of the South’ Network to Launch in May

By goodblacknews on April 18, 2013

[youtube http://www.youtube.com/watch?v=A6eY7WpOmoE&w=420&h=315]
The Soul of the South Network, targeting African-American viewers, announced Thursday it will launch in 30 markets on May 27 after closing an initial round of funding for $10 million raised from the state of Arkansas and private investors, according to The Hollywood Reporter.
The new network will be distributed initially by over-the-air stations and on digital channels on the broadcast spectrum but also plans to air on cable and expects its stations to qualify under FCC must-carry rules (which mandate nearby cable systems must carry it) because it is local and offers unique news programming.
Soul-of-the-South-Network
“Our distribution footprint covers at least 70 percent of all African-American households in the south and in Chicago and Philadelphia, which we call sister regions,” says Doug McHenry, the Hollywood-based producer of films including “New Jack City” and “House Party” and TV shows including “Malcolm & Eddie,” who is the new network’s president of entertainment.
By the end of this summer, Soul of the South expects to be in 50-60 markets with a high concentration of African-Americans, reaching 30-40 million households.
At launch over Memorial Day weekend, the network will not have any original programming outside of an active news presence in its local markets. McHenry says execs are in active negotiations with three Hollywood studios about licensing appropriate programming, including past situation comedies, dramas, documentaries and movies.