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Posts tagged as “Anderson.Paak”

MUSIC MONDAY: “Summer Breeze” – Summer Songs Playlist for 2023 (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

This July, as we endure the latest triple digit temperature heatwave, or navigate flight cancellations in our attempts at a vacation, we can always count on summer music to lighten the mood and keep our heads cool in the comfort of our own backyard.

So, with that in mind, we’re back again this holiday week with the latest update to our popular playlist entitled Summer Breeze – Soulful Summer Songs.” We introduced this playlist a few years ago and have been updating it annually with both new and old musical finds uncovered deep in the recesses of Spotify.

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The goal of the playlist is simple – find music by Black artists (or, in a few cases, soul-influenced artists of various ethnic backgrounds) that have the word “summer” in their song title – these songs are literally written about summer.

Some are big BBQ standards, like “Summer Breeze” by the Isley Brothers, Will Smith‘s “Summertime”, Sly & The Family Stone‘s “Hot Fun in the Summertime” and “Summer” by War.

But many are lesser known from across the decades, from artists ranging from Nat King Cole and Nancy Wilson to Anderson.Paak and Aloe Blacc – all unified by their seasonal theme.

This year we’ve added 35 new songs, sprinkled throughout the list. Some are fresh out of the oven, like Chris Brown‘s “Summer Too Hot” and “Summer Renaissance” by Beyoncé. Others include older songs we found anew on Spotify since our last update, from name artists like Uncle Charlie Wilson (“Just Like Summertime”), Rick James (“Summer Love”), Tony! Toni! Toné! (“Til Last Summer”), reggae group Big Mountain (“Reggae Inna Summertime”) and Kelly Rowland (“Summer Dreaming”).

For this OG soul music fan, the most fun, perhaps, is uncovering via the magic of Spotify all sorts of artists new to my ears. Many are already successful with millions of monthly Spotify listeners, such as SiR (“Summer in November”), Fana Hues (a lovely cover of Stevie’s “Never Dreamed You’d Leave in Summer”), girl group FLO (“Summertime”), Khruangbin (a cool new take on “Summer Madness”) and KYLE (“SummertimeSoul”). 

We’ve also got songs from newcomers like Kenya Vaun (“Summer”), Tay Iwar with Juls (“Summer Breeze”), and NoMBe (“Summer’s Gone” remix with Sonny Alven and Thutmose).

Spotify has opened up American ears to artists from all over the globe that we may never have heard before the internet. South Africa’s Soweto-born DJ Kent brings us the hypnotic “Summer Heartbreak.” Suriname-born Jeangu Macrooy (“Summer Moon”) has represented Netherlands in Eurovision. Pheelz (“Pheelz Like Summer”) is a prolific Nigerian producer/artist with a following in both his home country and throughout Europe. And from the UK comes newcomer Debbie, with her tune “Summer in December.”

Of course, we also had to dig for a few more deep classics. Those include the Chic-like British soul tune “Summer Grooves” by Mirage, doo-wop classics from Ruby & The Romantics (“My Summer Love”), The Danleers (“One Summer Night”), and The Tymes (“Summer Day”), and some newly found standards, including a lovely version of “The Summer Knows” from Leslie Uggams and Sarah Vaughan‘s “The Green Leaves of Summer.” And, love it or hate it, you simply must check out LGBT icon Sylvester‘s version of the Porgy & Bess standard “Summertime” in which the disco star merges Gershwin with Soft Cell’s “Tainted Love.”

If you’ve enjoyed this playlist in the past, here’s the annual reminder to check in with it again for some fresh additions. And if you are new to it, check out all the above and more on what is now a full day’s worth of summer songs with a soulful sensibility to explore. Feel free to let us know in the comments your favorite “summer” songs, including any we’ve missed!

Enjoy!

MUSIC MONDAY: “Summer Breeze” – a Summer Songs Playlist for 2022 (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

Today on #MusicMonday, we’re celebrating the beginning of Summer 2022, which officially kicks off tomorrow.

One of our most popular playlists of the last couple years was our Summer Breeze: Soulful Summer Songs playlist, which we created two years ago in the midst of the pandemic.

So this year, we’ve taken that original playlist and created the ‘new and improved’ version with about 50 more tracks (!) added to the lineup.

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Our playlist is slightly different than the typical summer mixtape – these are not just summer hits, or summer favorites. To qualify for our list, a song literally had to feature the word “summer” in its title.  It had to be literally “about” summer – the moods and feelings it evokes.

Fortunately, the season of BBQs, island vacations, swimming in the pool has provided inspiration to virtually every genre and generation of Black musicians, so we’ve got all the “summer”-titled popular hits spanning the ’30s to today from DJ Jazzy Jeff & Fresh Prince, Kool & The Gang, Carl Thomas, War, Sly & The Family Stone, Childish Gambino, Chic, Megan Thee Stallion and The Isley Brothers, mixed in with jazz, hip hop, dance, reggae, and plenty of vocal standards.

Nat “King” Cole is not only one of our top singers of Christmas standards, but also the leader in “summer” tunes, with five songs on our playlist.

And throughout, we’ve sprinkled multiple versions of the Porgy & Bess standard “Summertime,” performed here by everyone from Anita Baker to James Brown.

Among the new songs we’ve added are everything from Jhene Aiko to Joan Armatrading, Anderson.Paak to Prince, Jim Jones to Johnny Mathis, Leon Bridges to Labi Siffre to St. Lunatics.

So, fire up the grill, break out the water slide for the kids, and perhaps grab a mai-tai or piña colada.  Then relax to the sounds of Summer.  Happy Summer everyone!

MUSIC MONDAY: “Grammys Got Soul” – Every Best R&B Song Winner Playlist (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

At yesterday’s Grammy Awards, power group Silk Sonic (featuring Anderson .Paak and Bruno Mars) and its signature song “Leave The Door Open” had a huge night, winning in both major categories for singles — Song of the Year and Record of the Year.

FYI, Silk Sonic was not nominated for Album of the Year — that Grammy went to Jon Batiste for We Are.

Black artists weren’t always so frequently celebrated in the key main categories.  As recently as 2015, there were no songs performed by Black artists in the Song of the Year or Record of the Year categories.  And wins for Black artists in the main categories have been infrequent through many of the past 6 decades+ of the Awards.

The Grammys, of course, have honored Black artists in the R&B and Hip Hop categories.  And they did it with Silk Sonic and “Leave The Door Open” last night too, as it tied with Jazmine Sullivan for Best R&B Performance and won in one more singles category that wasn’t televised — Best R&B Song.

In today’s #MusicMonday playlist, Grammys’ Got Soul: All the Grammy R&B Song Winners,” we’re celebrating all those great tunes in the longest consistently running R&B Grammy category.

It’s a favorite sport of music fans to second guess whether  the Grammys got it right or not, but, as you’ll hear in today’s list, almost all the winners have ended up being — like “Leave The Door Open” is already — truly classic jams.

If you’ve been watching the Grammys for years, you know by now that the Academy of Recording Arts and Sciences gives awards in Performance and Record categories (which go to the artists) and in the Song category (going to the songwriters – but not the artist, unless they also wrote the song).

In the twists and turns of the Grammy Awards, a single R&B Performance of the Year honor has actually not been given out consistently through the years.

Although it was awarded up through most of the ’60s (completely ignoring Motown and Stax, by the way, in favor of Ray Charles), it was then discontinued in favor of separate performance categories for Male R&B Performance, Female R&B Performance and Duo or Group R&B Performance – three categories that awarded artists up until 2011, when they were combined once again into a collective R&B Performance of the Year Award.

So R&B Song of the Year essentially became a unique declaration of the Grammys’ top choice in R&B music, starting in 1969 with Otis Redding‘s “Sittin’ on the Dock of the Bay” and continuing to today.

It’s clear that the Grammys favored some trends and artists more than others.  After ignoring Motown in the 1960s, Grammy jumped into Motown fandom in the 1970s with Stevie Wonder and The Temptations – but in the process managed to almost completely ignore Philly Soul.

The Academy began to embrace Disco, but while awarding a Donna Summer song one year, the Grammy voters managed to relegate all the biggest Nile Rodgers & Bernard Edwards compositions to runner-up status through the years, yet somehow ended up awarding the R&B Song of the Year in 1978 to Leo Sayer‘s “You Make Me Feel Like Dancing” over The Commodores’ “Easy” and “Brick House,” Thelma Houston‘s “Don’t Leave Me This Way” and The Emotions’ “Best of My Love.”

By the 1980s, the Grammys favored slick adult soul in the vein of Luther Vandross, Stephanie Mills, Earth, Wind & Fire’s “After the Love Has Gone” and George Benson over more funky fare.

In fact, Prince won the R&B Song Grammy for penning “I Feel For You” when it was a hit for Chaka Khan. But his first R&B Song of the Year nomination for one of his own recordings – for “Kiss” in 1987 – was defeated by Anita Baker‘s breakthrough “Sweet Love.”

The 1990s brought multiple wins for Babyface compositions for Boyz II Men and Whitney Houston, a win for Jimmy Jam & Terry Lewis for their work with Janet Jackson, and yes, a win for R. Kelly.

And, if you wanted to win a R&B Song Grammy in the 2000s, you should have been writing songs for female performers, because the decade’s honorees were dominated by Alicia Keys, Mariah Carey, Mary J. Blige, Destiny’s Child and Beyoncé tunes.

In the past decade, as hip hop has continued to dominate the story of Black artists crossing over to the mainstream, R&B crossover success on the charts has declined, along with the reach of R&B radio.

The Grammys have begun awarding more rootsy and alternative R&B fare.  While the vast majority of all the winning songs for decades had been major R&B and often major pop hits, multiple winners in the past decade have not even hit the Top 10 on Billboard R&B charts, including songs from Robert Glasper, P.J. Morton, D’Angelo and John Legend with the Roots.

Grammy finally seems to be putting musical achievement over sales figures. We hope you’ll enjoy this chronological journey through R&B history.

City College Center for the Arts in NY Celebrates Otis Williams and the Temptations’ 60th Anniversary with Live Virtual Conversation Event on Nov 1st

by Lori Lakin Hutcherson (@lakinhutcherson)

City College Center for the Arts, on the campus of City College of New York, is honoring the 60-year history of Rock & Roll Hall of Famer and Grammy® Award-winning Otis Williams of The Temptations, on Monday, November 1 at 7:30pm ET with a special live, virtual event.

Williams, who is a founding member of the legendary musical group and the sole surviving member of the original Temptations, will have a live conversation with distinguished musician, composer and entrepreneur K. Sparks.

Williams will be sharing memories on the “Evolution of The Temptations’ Music, 1961 – 2021”, and the conversation will be simulcast from CCCA’s Aaron Davis Hall, in the renowned Marian Anderson Theatre. It will also feature other special guests.

Audience members can join the free, virtual event by registering for tickets at the CCCA website, citycollegecenterforthearts.orgThe special conversation is also being held in honor of the 80th birthday of Mr. Williams, who turned 80 on October 30.

CCCA’s Managing Director Greg Shanck said, “For more than four decades, Aaron Davis Hall has been Harlem’s performing arts center. World scholars, artistic giants and academic geniuses like Nelson Mandela, Alicia Keys, President Barack Obama and Ella Fitzgerald, just to name a few, have blessed these stages through the years. The City College of New York is so proud of the contributions The Temptations have made, and continue to make, to the American cultural landscape and we are honored to add their name to that distinguished list.”

Williams himself said, “I am thrilled to be celebrating the group’s 60th Anniversary and my 80th birthday with our extended Tempts’ family from across the City College campus in Harlem, and throughout New York and the rest of the country. The Temptations had some of its most memorable performances in Harlem and other parts of New York during our career. To mark these capstones with an online discussion about my career at the prestigious and diverse City College of New York, a college known for its commitment to the Performing Arts, and for recognizing one of the greatest trailblazers in American music history, Marian Anderson, is an incredible honor for me and The Temptations.”

Williams reunited with Smokey Robinson earlier this year to co-write and co-produce the recently released single “Is It Gonna Be Yes Or No” from the new Temptations 60 album due in 2022.

“A friend of mine, Derek Porter, him and I were riding down the freeways of L.A. and we’re talking about the 60th anniversary album and Smokey’s name came about. And I said, ‘Smokey. Let me call Smokey, I’d love to have him on the album,'” Williams shared in a phone interview about his historic reunion with friend and writer of classic Temptations hits such as “Get Ready,” “The Way You Do The Things You Do,” and their signature song, “My Girl.”

“So I called him and I say, ‘Smoke, I would love for you to produce a song for us, write it, and not only stop there, I would like for you to perform with us on it.’ And he calls me ‘Oak’.  And he says, ‘Oak, anytime just let me know,'” Williams continued. “Here it is now, it’s out and I hear tell it’s doing very good, and that’s fine.”

Other celebratory events of the Temptations includes recent re-opening at the Imperial Theatre in NY of the Broadway musical, Ain’t Too Proud: The Life and Times of the Temptations, based on Williams’ personal journey.

The Temptations’ presence across multi-media platforms has never been more vivid. Their hit “Papa Was a Rollin’ Stone,” was used as the foundation of the Migos smash Avalanche.

Temptations founding member Otis Williams (Photography by Scott Leon. Courtesy of UMe)

Additionally, Williams’ autobiography, Temptations, was recently released as an audiobook edition for the first time, with a new introduction by Williams.

When asked what current artists he likes, Williams offered, “Bruno Mars… He’s a heck of a showman. And he can sing. I look at that, also. And the reason I love them [Mars and Anderson.Paak as Silk Sonic] is because they’re singing what the Tempts is all about. They’re singing what Marvin Gaye is all about.”

“They’re singing great songs, great melodies. Lyric content is good, structured, right… See we were taught all those things at Motown. You know, how to be able to tell a great song. That song [“Leave The Door Open“] when I first heard it, I said, ‘They got another one, they got another one.’ And so I love listening as they come out with that kind of songs that have those elements.”

To learn more about Williams, the Temptations, and the group’s touring schedule, check out their social:

WEBSITE | FACEBOOK | YOUTUBE | INSTAGRAM | TWITTER | TIKTOK

MUSIC MONDAY: “Get Down On It” – an Old School and New Funk Mix – (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Sorry, not sorry for this more than a workday’s worth of rump-shaking tunes. Perhaps some of you are at stand-up desks and can get that groove on.

This week’s offering is devoted to Funk music. In the words of Parliament/Funkadelic, “Uncut funk, the bomb.” This mixture of soul, gospel, jazz, and rhythm, and blues was started in the mid-1960s by the “Godfather of Soul” James Brown.

Funk had its hey in the 1970s and ‘80s, though its impact is still felt around the world. Funk grooves have been sampled by hip-hop artists and rock bands alike.

If you’re like me, you’ll be thrilled to know there’s plenty of new funk music being created today. Lady Wray, Yola, Anderson.Paak, and others will make you a believer.

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This collection is devoted to funk masters like James Brown, Sly Stone, George Clinton and Lyn Collins, and new practitioners like Tank & The Bangas, Emily Wright, Thundercat, Los Coast and others.

Have a great week. And as ways stay safe, sane and kind. More soon.

Marlon West (photo courtesy Marlon West)