The awards were announced yesterday at the American Library Association (ALA) Midwinter Meeting & Exhibits in Seattle, Washington and will be presented in Washington, D.C. at the ALA Annual Conference & Exhibition in June.
This year marks the 50th anniversary of the Coretta Scott King Book Awards. Presented annually by the Coretta Scott King Book Awards Committee of the ALA’s Ethnic and Multicultural Information Exchange Round Table (EMIERT), the awards encourage the artistic expression of the African American experience via literature and the graphic arts; promote an understanding and appreciation of the Black culture and experience, and commemorate the life and legacy of Mrs. Coretta Scott King for her courage and determination in supporting the work of her husband, Dr. Martin Luther King Jr., for peace and world brotherhood.
“A Few Red Drops: The Chicago Race Riot of 1919,” is an exposition of the socio-economic landscape and racial tensions that led to the death of a black teen who wanted to swim, and the violent clash that resulted. In 20 chapters, Hartfield’s balanced, eye-opening account contextualizes a range of social justice issues that persist to this day.
“Hartfield’s nuanced account of unrest between African Americans and white European immigrants in early 20th century Chicago fills a much-needed gap in the children’s literature world,” said Coretta Scott King Book Awards Jury Chair Sam Bloom.
In “The Stuff of Stars,” written by Marion Dane Bauer, illustrator Holmes uses hand marbled paper and collage to create a lush explosion of color that brings to life the formation of the universe while distinctly reflecting the essence of the African diaspora.
“Using oceanic waves of color, Holmes employs her trademark aesthetic to carry this creation story to its stunning crescendo,” said Bloom.
The Coretta Scott King/John Steptoe Award for New Talent affirms new talent and offers visibility for excellence in writing and/or illustration at the beginning of a career as a published African American creator of children’s books. In the timely thriller “Monday’s Not Coming,” author Jackson examines friendship, child abuse, and family relationships.
“Thank You, Omu!” is a fresh take on a timeless tale of altruism and community-mindedness. Mora’s collage work is skillfully pieced together with acrylic, marker, pastels, patterned paper, and old book clippings, creating a visual smorgasbord. Mora brings to life an amalgamation of many grandmothers and captures the African spirit of generosity and community.
Libraries, schools and civic organizations across the country and world will host a variety of celebrations to observe the 50th anniversary of the Coretta Scott King Book Awards. Given annually since 1969, the awards commemorate the life and work of Dr. Martin Luther King, Jr., and honor his wife, Mrs. Coretta Scott King, for her courage and determination to continue the work for peace and world brotherhood.
The awards are sponsored by American Library Association‘s Ethnic and Multicultural Information Exchange Round Table (EMIERT) and are supported by ALA’s Office for Diversity, Literacy and Outreach Services (ODLOS).
Award founders Glyndon Flynt Greer, a school librarian in Englewood, New Jersey, Mabel McKissick, a school librarian in New London, Connecticut, and John Carroll, a book publisher, envisioned an award that would recognize the talents of outstanding African-American authors and encourage them to continue writing books for children and young adults.
Winners are selected by the Coretta Scott King Book Awards Jury and announced annually to a national audience at the ALA Youth Media Awards. The awards serve as a guide for parents, librarians and caregivers, for the most outstanding books for youth by African American authors and illustrators that demonstrate an appreciation of affirm African American culture and universal human values.
The Coretta Scott King Book Award titles promote understanding and appreciation of the culture of all peoples and their contribution to the realization of the American dream of a pluralistic society.
The first Coretta Scott King Award was presented in 1970 at the New Jersey Library Association conference in Atlantic City. The award went to Lillie Patterson, author of “Dr. Martin Luther King, Jr.: Man of Peace.” In 1974, the committee honored an illustrator for the first time. The award went to George Ford for his illustrations in “Ray Charles” by Sharon Bell Mathis. That year, the Coretta Scott King seal was designed by Lev Mills, an internationally renowned artist in Atlanta to identify book jackets of award winners.
Such notable African American authors and illustrators as Toni Morrison, Maya Angelou, Walter Dean Myers, Virginia Hamilton, Jerry Pinkney and Christopher Paul Curtis are just an example of the notable artists who have received the award.
Currently the Coretta Scott King Book Award Anniversary Committee is planning 50th anniversary celebration events to take place during the whole of 2019, with a special Gala on June 21st in Washington D.C. This one-hour ticketed program will feature a host of special guests in the fields of children’s and young adult literature including Librarian of Congress, Dr. Carla Hayden, and National Ambassador for Young People’s Literature, Jacqueline Woodson.
Additional information regarding Coretta Scott King Book Award 50th Anniversary activities will be available within the coming weeks at www.ala.org/csk.
Wanda K. Brown, the director of library services at Winston-Salem State University in North Carolina, was named president-elect of the American Library Association. She will serve as president-elect for one year and then will take over the presidency at the conclusion of the association’s 2019 annual meeting.
The American Library Association was founded in 1853. It has more than 57,000 members worldwide. Brown will be the first president who is a librarian at a historically Black college or university.
Before joining the staff at Winston-Salem State University in 2016, Brown was associate dean of the Z. Smith Reynolds Library at Wake Forest University in Winston-Salem. She joined the staff at Wake Forest in 1977. Brown is a former president of the North Carolina Library Association and former president of the Black Caucus of the American Library Association.
Brown is a graduate of Winston-Salem State University and holds a master of library and information science degree from the University of North Carolina at Greensboro.
To learn more about other pioneering African-American librarians, click here.
When Jessie Carney Smith arrived at Fisk University in Nashville in 1965, she says many people there did not know about black literature. Smith, the dean of the library, says, “Many scholars were told that blacks had no history.” But African Americans within the library profession have certainly had a long history, with one of the first librarians of color, Edward C. Williams, joining the American Library Association (ALA) in 1896—20 years after the founding of the Association. And today, African Americans comprise roughly 14,250 of the estimated 190,000 librarians in the United States, according to the US Bureau of Labor Statistics.
American Libraries spoke with five leading African-American librarians about their careers, the changes they have witnessed over the decades, and the current issues in librarianship. While no two people have the same story, all five interviewees note inclusivity as an important theme. They discuss libraries as safe havens, the Black Lives Matter movement, and the history and future of the Association, as well as their legacies within the profession.
As library professor Alma Dawson says, “Even in this day and age, we still have to tell our own stories.”
When Satia Orange, 75, was growing up in the 1950s, she saw what she described as “the grinding work” of her parents, both librarians.
Her father was A. P. Marshall, an ALA Councilor and director of libraries at Lincoln University in Jefferson City, Missouri, and Eastern Michigan University in Ypsilanti. Orange saw him come “home for dinner and then return to the library until 9 or 10 p.m., doing budgets.”
Orange herself later went on to become director of ALA’s Office for Literacy and Outreach Services, retiring from ALA in 2009. “I was pulled into the profession kicking and screaming,” she jokes.
She began her career in education, teaching in Milwaukee in the mid-1960s, when she received a call one day from Virginia Lacy Jones, dean of Atlanta University’s School of Library Sciences and the first—and at that time only—black library school. Jones offered her a fellowship, promising Orange that she would be able to work with young children, something she enjoyed as part of her prior experience working in the library in the Atlanta school system.
It wasn’t until she started attending conferences that Orange began to view librarianship as her profession. As she participated in midwinter meetings and annual conferences, she recalled what her father had told her years ago: “This was a profession that has a national and international impact.”
Robert Wedgeworth, 80, knows well about the profession’s impact. Wedgeworth became ALA executive director in 1972, at a time of significant financial challenges, with one library publication suggesting that bankruptcy was imminent. But Wedgeworth said he received “some very good advice from friends in the banking industry”; after analyzing the Association’s finances, “they advised me that ALA didn’t have financial problems—it had control problems.”
Wedgeworth balanced ALA’s budget within two years.
During his 12-year tenure, ALA membership increased by more than 25%, and its annual budget more than doubled. The Association also resolved an ongoing building development issue with the construction of Huron Plaza, which has since brought more than $18 million into ALA endowments, and took over operation of National Library Week from the National Book Committee.
Wedgeworth’s forward-thinking approach is also evident in how he applied what he learned from the 1962 Century 21 Exposition in Seattle. He was one of 75 librarians that ALA chose to work at the futuristic Library 21 exhibit, and he was, as he says, “in the first group of librarians to apply computers to library problems” when he became assistant chief acquisitions librarian at Brown University in 1966.
His career in libraries has spanned decades: working as a 14-year-old in libraries over the summer and continuing throughout his four years in college, where a librarian “influenced me to consider librarianship as a career.”
Since leaving ALA, Wedgeworth has served as dean of the School of Library Service at Columbia University in New York and university librarian at the University of Illinois at Urbana-Champaign, and he is currently president of ProLiteracy Worldwide, a nonprofit that promotes adult literacy.
As Russell Long professor and professor emeritus in library and information science at Louisiana State University (LSU), Alma Dawson, 74, was one of the primary forces in the long-term rebuilding of libraries after Hurricanes Katrina and Rita in 2005. She led Project Recovery, an Institute of Museum and Library Services grant-funded project to educate librarians in south Louisiana to compensate for staff losses after the hurricanes. “It was important to me to make sure that we were connecting what the students were doing in the classroom to everyday experience,” Dawson says. Students recruited for Project Recovery met LSU graduate school requirements and were then admitted into the library program, and all of them went on to professional library positions.
Dawson has also worked to document the history of African Americans in librarianship. “Even in this day and age, we still have to tell our own stories,” she says. “We can stress the importance of figuring out where people are, the kind of positions they have, and the research they’re doing.”
Dawson was, if not recruited to librarianship early, at least welcomed to the library in her youth. “I worked with a librarian in high school who let me help with the library and helped me get scholarships,” she says. “I was the first person in the family to go to college, and it was all on scholarships.”
She didn’t initially work at the library as a student at Grambling (La.) State University, but she was friendly with the librarians there. She also worked in a segregated public school during the Jim Crow era, in the 1960s. “We didn’t really have the resources for students, so we had to raise all the money to buy materials for the library. It was always my goal to find a way to have the resources that the students needed,” she says.
Gladys Smiley Bell
It was Dorothy Porter, curator of Howard University’s Moorland-Spingarn Research Center and the major force behind building it into a premiere collection for the study of African-American history, who encouraged Gladys Smiley Bell, 68, to go to library school. “When I was a student, I didn’t know about ALA and the Black Caucus of the American Library Association (BCALA), so I try to encourage people to join now,” she says.
She’s also worked to help librarians forge connections through professional activities. Bell cochaired the first Joint Council of Librarians of Color (JCLC) in 2006, the first-ever shared conference among ALA’s five ethnic affiliate associations: BCALA, the American Indian Library Association, the Asian/Pacific American Librarians Association, the Chinese American Librarians Association, and Reforma.
With that conference, she says she “was very excited for how we could change the profession in terms of diversity and how we could come together to serve the people,” Bell says. A second JCLC was held in 2012, and a third will take place in Albuquerque, New Mexico, in September.
Bell is now the Peabody Librarian of the William R. and Norma B. Harvey Library at Hampton (Va.) University.
Jessie Carney Smith
Jessie Carney Smith, 87, is not a historian even though some people call her that. “I’m a librarian who has done some historical work,” she says. As dean of the library at Fisk University in Nashville, she has published extensively on African-American history, including three books of biographies of black women and two books of biographies of black men. “I looked for areas that had not been talked about,” Smith says.
After college, she moved to Nashville but couldn’t find a teaching job because of the limited openings in segregated schools. She found a job as a clerk-typist at Fisk University under librarian and writer Arna Bontemps. “I was impressed by his work and the contact he had with other writers and publishers,” Smith says.
She earned a master’s and eventually a PhD in library science, returning to Fisk when Bontemps retired. “When I became familiar with what was then called ‘Negro collections,’ I thought, ‘Why not do some work that would use those materials and promote them to others?’”
And that history is important to having a complete picture. “You may have an interest in one particular topic, and that’s fine,” she says. “But you need to know about the whole of America, not just white but black and Hispanic and other ethnic groups as well.”
Many recent events have been extremely disruptive to communities, ranging from natural disasters to unrest following police shootings or white nationalist rallies. What should a library’s role be in responding to events like these?
Satia Orange: Our Librarian of Congress [Carla Hayden] provided an example of how to respond [as director of Enoch Pratt Free Library in Baltimore]. After the police confrontation, she opened up the library the next day. They were busy because people needed to do what they needed to do but also to understand what was happening in their neighborhood.
In Ferguson, Missouri, the director [of Ferguson Municipal Public Library, Scott Bonner] was brand new, but his training and intuition let him go in and keep the library open and make it the center of the community for information, safety, and resources.
Robert Wedgeworth: Libraries have to be responsive to their constituents, and they need to present themselves as a place where people can find information that helps to explain and understand the current issues affecting their lives. That has been a very important role for libraries over the years, and it will continue to be one. It’s not the social issue itself but that the library can be an active place in helping people to respond to issues as they present themselves.
In the 1960s, librarians were asking what extent they should be active participants in protests and combating certain topics. That continues to be a question raised in the ranks of professionals, and it will always be controversial. Different people will feel different levels of responsibility in dealing with various circumstances, but there will always be a professional role to helping people understand what’s going on in their lives and in their world.
Alma Dawson: First of all, people need information. If they’re just running on emotion, they don’t have the correct info. If we’re talking about Black Lives Matter and other issues of the day, the library has background information that is not just emotional. They have the history right there. When the hurricanes came, people went to the library because that’s where they could connect with family and the community. Librarians can be the right group of people to help.
Gladys Smiley Bell: In my opinion, those protests are political. It’s just appalling to know that things like that are happening today. But libraries can open their doors during times of crisis to provide resources and displays. Schools tend to shut down, but libraries seem to gear up. There is someone out there archiving those events for the future, maybe with the collection of what happens over the years, so that things can be better in the future. Libraries play a role in that because their doors are open to everybody to come and find out for themselves why, who, and what to do about these issues.
Jessie Carney Smith: We have a difficult job to do to help people cope with natural disasters and increasing violence. One has a right to protest, but keep violence out of it. Libraries can help by becoming involved in local dialogue, as we are doing in Nashville. But what works in one community might not work in another. You have to find ways to soften the ugly, tense moments that we have to face. Having grown up in the South, I have seen a lot of ugly and tense moments. We must find a way to deal with the bad as well as the good and let people know that we are dealing with community problems. Continue reading “HISTORY: Pioneering African-American Librarians Share Their Stories”→
Memoirs, graphic novels and stories in verse were the big winners of this year’s American Library Association’s awards for young adult and children’s literature. The awards, which are among the most prestigious literary prizes for children’s book authors, were announced Monday at the association’s midwinter conference in Chicago.
Kwame Alexander’s novel in verse, “The Crossover,” about 13-year-old twin brothers who are basketball stars, won the John Newbery Medal for the most outstanding contribution to children’s literature. Mr. Alexander also received a Coretta Scott King honor recognizing African-American authors and illustrators. It was the first A.L.A. award for Mr. Alexander, a poet and novelist who has published 17 books.
Jacqueline Woodson’s memoir in verse, “Brown Girl Dreaming” (which has already won a National Book Award), along with Cece Bell’s illustrated memoir, “El Deafo” (which chronicles her hearing loss at an early age from spinal meningitis and her struggle to fit in at school), were named as Newbery Honor books.
Ms. Woodson, whose memoir describes her childhood and coming of age in South Carolina and New York in the 1960s and 1970s, also won the Coretta Scott King Award recognizing outstanding African-American children’s book authors and illustrators, and the Robert F. Sibert honor for the most distinguished informational book for children.
Other winners include Dan Santat’s “The Adventures of Beekle: The Unimaginary Friend,” a whimsical story for 3- to 6-year-olds, which earned the Randolph Caldecott Medal for the most distinguished American picture book.
“I’ll Give You the Sun,” Jandy Nelson’s novel about teenage fraternal twins who compete over everything, won the Michael L. Printz Award for excellence in literature written for young adults.
The awards come at a moment when children’s literature is holding steady as a fast-growing and profitable category for publishers. Sales of children’s and young adult books grew nearly 22 percent in the first 10 months of 2014, compared with the previous year, while sales of adult books fell slightly, according to the latest figures from the Association of American Publishers.
J. California Cooper, an award-winning writer whose black female characters confront a world of indifference and betrayal, but find kinship there in unexpected places, died on September 20th in Seattle. She was 82. A spokesman for Random House, her publisher, confirmed her death. She had had several heart attacks in recent years.
Ms. Cooper won an American Book Award in 1989 for the second of her six story collections, “Homemade Love.” Her short story “Funny Valentines,” about a woman in a troubled marriage who repairs an old rift with a cousin when she moves back home, was turned into a 1999 television movie starring Alfre Woodard and Loretta Devine.
Writing in a vernacular first-person style, Ms. Cooper set her stories in an indeterminate rural past permeated with violence and the ghost of slavery. The African-American women she depicts endure abandonment, betrayal, rape and social invisibility, but they survive.
“Some Soul to Keep” (1987), her third collection, includes over-the-back-fence tales. One story tells of two women who become close friends after one woman’s husband dies and the other’s leaves. They learn that long-lived rumors of their dislike for each other had been fabricated by their husbands. Another story is about a blind girl who is raped by her minister, gives birth to his son and raises him alone because, she explains, he makes her forget she is blind.
Ms. Cooper’s 1991 novel, “Family,” one of five she wrote, is narrated by the ghost of a slave woman who committed suicide before the Civil War and who follows the lives of her descendants as they mingle and procreate in a new interracial world, marveling at how “from one woman all these different colors and nationalities could come into being.”
Ms. Cooper was clear about the religious values that informed her stories. “I’m a Christian,” she told The Washington Post in 2000. “That’s all I am. If it came down to Christianity and writing, I’d let the writing go. God is bigger than a book.”
In an interview on NPR in 2006, she said, “What I’m basically trying to do is help somebody make some right choices.”
The 44th Annual Coretta Scott King Awards for children’s literature were held Monday at the American Library Association Midwinter Meeting in Seattle. “Hand in Hand: Ten Black Men Who Changed America” by Andrea Pinkney and Brian Pinkney won the Author Award.
Bryan Collier received the Illustration Award for the cover art of the Langston Hughes poem “I, Too, Am America.” Other books honored included “No Crystal Stair,” by Vaunda Micheaux Nelson and “Ellen’s Broom” by Kelly Starling Lyons and Daniel Minter.
The Coretta Scott King Awards are given annually to African-American authors and illustrators of outstanding young adult and children books about the black experience. For a full list of the 2013 winners, click here.