article by Paula Rogo via essence.com
Taking a cue from Octavia Spencer, both Taraji P. Henson and Pharrell Williams have bought out screenings of Hidden Figures at movie theaters in Virginia, Georgia, Illinois, Texas and Washington D.C. on Sunday. Spencer paid for a free screening of the critically-acclaimed film earlier this month, saying that her own mother would not have been able to afford to take her and her siblings.
Henson, who plays the lead role as NASA physicist and mathematician Katherine Johnson, was inspired to do the same in Houston, Chicago, Atlanta, and of course, her hometown of Washington D.C. On Instagram, she said she was moved by Spencer and “similar actions taken by so many of YOU across the country.” Anonymous donors have been buying out whole screenings.
To see full article, go to: Taraji and Pharrell Offer Multiple Free Screenings Of ‘Hidden Figures’ | Essence.com
Posts tagged as “African-American movies”
According to Shadow and Act, Kino Lorber, which for years has specialized exclusively in silent, foreign and independent films, has made a deal with MGM/Fox to release older United Artists titles from the 50’s to the 70’s in new Blu-ray remastered discs, starting in late summer. In September, Kino will be releasing the 1972 heist drama “Across 110th Street” starring Yaphet Kotto, Anthony Franciosa and Anthony Quinn.
Considered one of the best films of the famed “blaxploitation” movie era, “Across 110th Street” has influenced filmmakers such as “American Gangster” director Ridley Scott, and Quentin Tarantino, who included the title track from this movie in his homage to this era of filmmaking, “Jackie Brown.” To learn more about the movie, click here.
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
The Kevin Hart/Ice Cube film Ride Along arrived in first place at the weekend box office. The buddy cop comedy debuted with $41.2 million, according to studio estimates Sunday. The strong opening for Ride Along marks the biggest debut for a film released during Martin Luther King Jr. Day weekend and puts it on track to top the $40.1 million record set by the 2008 monster movie Cloverfield for the biggest opening of January.
Ride Along is the first starring role for Hart, whose box-office status has been on the rise since the success of his 2013 stand-up film Kevin Hart: Let Me Explain and memorable roles in such movies as Think Like a Man, This Is the End and Grudge Match. “He’s everywhere it seems,” said Paul Dergarabedian, senior media analyst for box-office tracker Rentrak. “I know he was co-starring with Ice Cube in Ride Along, but this really was marketed as a Kevin Hart movie. There’s no question he’s a movie star now who doesn’t require any qualifications before his name.”
Ride Along is the first starring role for Hart, whose box-office status has been on the rise since the success of his 2013 stand-up film Kevin Hart: Let Me Explain and memorable roles in such movies as Think Like a Man, This Is the End and Grudge Match. “He’s everywhere it seems,” said Paul Dergarabedian, senior media analyst for box-office tracker Rentrak. “I know he was co-starring with Ice Cube in Ride Along, but this really was marketed as a Kevin Hart movie. There’s no question he’s a movie star now who doesn’t require any qualifications before his name.”
THINGS NEVER SAID Cast: Shanola Hampton (Kalindra Stephney), Omari Hardwick (Curtis Jackson), Elimu Nelson (Ronnie), Tamala Jones (Daphne), Michael Beach (Will Jackson), Dorian Missick (Steve), Charlayne Woodard (Charlotte), Tom Wright (Daniel) Written & Directed by: Charles Murray Rated: R Ohio Street Pictures
I might as well get out the disclosure right up front: I have known Things Never Said writer/director Charles Murray for well over fifteen years, and at every turn of his career (executive at Magic Johnson’s production company, television writer on Third Watch and Criminal Minds, independent filmmaker) I have rooted for him. Charles is smart, funny and more than a bit of an unapologetic iconoclast, which could only mean two things for him – career suicide or artistic success. After seeing Things Never Said, I am thrilled to report he is a creative force only beginning to mine the gifts he has to share with this world.
The story of Things Never Said is deceptively simple: Kalindra (Shanola Hampton), a young woman haunted by a miscarriage and stuck in a bad marriage to former basketball star Ronnie (Elimu Nelson), seeks an outlet through spoken-word poetry. Kal succumbs to an affair with Curtis (Omari Hardwick), a fellow poet who seems to see into her soul, but has his own heavy baggage Kal may not want to take on. While that might sound prosaic and maybe even a little pretentious (note: the poetry is extremely well-performed and relatable, so if you weren’t a poetry fan before, you will be after this), what’s special about this movie is the nuanced, complex and unpredictable ways Murray has his characters grapple with their conflicts.
At first, you don’t want Kal to cheat on her husband – she is too intelligent and creative a woman to fall for the game the sexy-but-mysterious Curtis spits at her. But then again, you also wonder why Kal is staying with the sullen, unsupportive Ronnie, who seems to be going nowhere in his life and holding her back from hers. As the layers start to unfold, you learn not only has Ronnie gone through the hardship of losing his future, but also that Kal was brought up by her mother Charlotte (Charlayne Woodard) to believe that sticking with one’s husband no matter what is what defines a woman as a good person and wife. So when Kal finally does give in to her attraction to Curtis, they have so much chemistry and tenderness and understanding between them you want her to get away with the affair… until you realize Curtis may have even less to offer Kal than Ronnie when it’s revealed he’s an ex-con and why he landed in jail in the first place.
Actress Shanola Hampton carries the organic twists and turns of this movie so beautifully it’s surprising she’s never had a major role in a film before. She has an equally able partner in Omari Hardwick, who makes you root for Curtis despite the palpable possibility he may be more trouble than he’s worth. Which, I think, is Murray’s point – no matter how much you connect to another person and no matter how they make you feel about yourself or even challenge you to become your better self – the real romance and discovery lies within knowing and healing oneself. This is the thing not said about love – it alone does not conquer all. This is the thing not said about art or creative outlets – they alone do not solve deep issues. Kalindra is not “saved” by Curtis or her poetry, but rather, they both shed light on her path to saving and healing herself from all of the preconceived notions she’s grown up on, from all the ways she’s limited herself, and from all of the abuse she’s accepted – external and internal.
Things Never Said is an important addition to African-American independent cinema and humanistic storytelling that should not be missed. Its Los Angeles run has been extended through September 19 and the film opens in Atlanta, Boston, Washington DC, and Gary, Indiana on September 13 – TODAY! Please get out and support the movie — you can get updates on other showings around the country from thingsneversaid.com or on the Things Never Said Facebook Page. Also, check out the trailer below:
[youtube=http://www.youtube.com/watch?v=R1BFiyFqXfQ&w=560&h=315]
According to box office estimates, Lee Daniels’ The Butler the film beat out One Direction: This Is Us to win the Labor Day weekend box office race and become the first movie this year to finish No. 1 three consecutive weeks, according to TheWrap.
It appears the civil rights saga, starring Oprah Winfrey and Forest Whitaker, will bring in a little more than $20 million over the four-day holiday weekend. After looking as if it was going to finish in the top spot, Sony’s boy band music documentary ended the Labor Day weekend with $18 million.
“We’re surprised,” The Weinstein Company’s distribution chief Erik Lomis told TheWrap, “and very proud. We weren’t expecting to come away with this one, especially after starting out $5 million behind ‘One Direction’ after Friday.”
Lomis said “The Butler,” which has now brought in nearly $80 million domestically, was continuing to broaden its demographic base by playing younger.
“With the kids getting back to school, we’re hoping the word of mouth gets even stronger,” said Lomis. There’s not much room to expand in terms of theaters; it’s on 3,330 screens and averaged just over $6,000.
Two other wide openers – the Selena Gomez-Ethan Hawke thriller “Getaway” and the Eric Bana spy tale “Closed Circuit” – were both non-starters. But “Instructions Not Included,” a family comedy starring Eugenio Derbez, recorded the biggest domestic opening ever for a Spanish-language movie – on just 347 screens – and finished fifth with $10 million for the four days.
Get the FULL story at TheWrap.
“We’re surprised,” The Weinstein Company’s distribution chief Erik Lomis told TheWrap, “and very proud. We weren’t expecting to come away with this one, especially after starting out $5 million behind ‘One Direction’ after Friday.”
Lomis said “The Butler,” which has now brought in nearly $80 million domestically, was continuing to broaden its demographic base by playing younger.
“With the kids getting back to school, we’re hoping the word of mouth gets even stronger,” said Lomis. There’s not much room to expand in terms of theaters; it’s on 3,330 screens and averaged just over $6,000.
Two other wide openers – the Selena Gomez-Ethan Hawke thriller “Getaway” and the Eric Bana spy tale “Closed Circuit” – were both non-starters. But “Instructions Not Included,” a family comedy starring Eugenio Derbez, recorded the biggest domestic opening ever for a Spanish-language movie – on just 347 screens – and finished fifth with $10 million for the four days.
Get the FULL story at TheWrap.
The Weinstein Co. has unveiled the first posters for Lee Daniels’ The Butler, four days after it was forced to change the title from The Butler. Both posters show a white-gloved Forest Whitaker along with the new title (the poster above evoking the famous photo from the 1968 Olympics of Tommie Smith and John Carlos giving the black power salute during their medal ceremony). TWC is releasing the film on Aug. 16. The Motion Pictures Assn. of America (MPAA) ruled Friday that TWC could keep The Butler”as part of the title, but would have to change its marketing materials and pay $400,000 in fines for violating a July 2 finding that the use of The Butler as the title had violated MPAA rules because Warner Bros. owns rights to The Butler.
The ruling also required that, should TWC use Lee Daniels’ The Butler as the title, the “Lee Daniels” part of title had to be 75% the size of “The Butler.” Lee Daniels’ The Butler is centered on African-American butler Eugene Allen, who worked in the White House during eight presidencies throughout the civil rights era. The film also stars Oprah Winfrey. TWC’s fine of $25,000 a day, dating back to July 2, is based on violating the initial ruling. The fine will increase to $50,000 a day if the studio fails to issue new digital materials (trailers, TV ads) by Thursday and new print materials by Aug. 2.
article by Dave McNary via Variety.com; additions by Lori Lakin Hutcherson
The ruling also required that, should TWC use Lee Daniels’ The Butler as the title, the “Lee Daniels” part of title had to be 75% the size of “The Butler.” Lee Daniels’ The Butler is centered on African-American butler Eugene Allen, who worked in the White House during eight presidencies throughout the civil rights era. The film also stars Oprah Winfrey. TWC’s fine of $25,000 a day, dating back to July 2, is based on violating the initial ruling. The fine will increase to $50,000 a day if the studio fails to issue new digital materials (trailers, TV ads) by Thursday and new print materials by Aug. 2.article by Dave McNary via Variety.com; additions by Lori Lakin Hutcherson
[youtube=http://www.youtube.com/watch?v=uZZXBQrDh8Y&w=560&h=315]
This week, Universal Pictures released the official trailer to The Best Man Holiday, the upcoming sequel to the 1999 film, The Best Man. Writer/director Malcolm D. Lee is at the helm again, and he has reunited his all-star cast of Taye Diggs, Nia Long, Morris Chestnut, Terrence Howard, Sanaa Lathan, Monica Calhoun, Harold Perrineau, Melissa De Sousa and Regina Hall for a story set fifteen years later during the Christmas holidays. The movie is scheduled for wide release on November 15.
article by Lori Lakin Hutcherson
Ava DuVernay is stepping into the director’s chair of Selma, an upcoming biopic of Martin Luther King Jr., according to Deadline. Lee Daniels, the director of Precious and this year’s The Butler, had long been attached the project, which is one of several upcoming projects about the late civil rights icon.
Paul Greengrass (United 93) is helming Memphis, which recreates the final days of MLK’s life and Steven Spielberg is reportedly working on a movie about King’s admiration of Mahatma Gandhi. When Daniels was due to direct Selma, it was reported that rock star Lenny Kravitz (who co-starred in Precious) has been cast in the pivotal role of Andrew Young. Now that DuVernay is taken over it is unclear in Kravitz will remain on board.
But her leading man very well may be a familiar face. Before dropping out, Daniels did cast British actor David Oyelowo (who appeared in Daniels’ The Paperboy) as MLK. Oyelowo won considerable critical acclaim for his performance in DuVernay’s indie film Middle of Nowhere, which won her the Best Director Award at the Sundance Film Festival last year. In addition Hugh Jackman, Liam Neeson, Ray Winstone, Robert De Niro, and Cedric the Entertainer are all said to have been considering parts in the production.
article via thegrio.com
According to Deadline.com, two weeks before its stand-up pic Kevin Hart: Let Me Explain opens in theaters, Lionsgate’s Codeblack Films has acquired U.S. rights to the romantic drama Things Never Said.
The film is written and directed by Charles Murray, who is making his feature debut after a decade in television (Criminal Minds, Castle, V, Third Watch). Shanola Hampton stars as an aspiring poet in a dangerous marriage who dreams of taking her work to New York. A surprise new love (Omari Hardwick) helps her find her artistic voice. Brian “Skinny B” Lewis produced the film, which is executive produced by Nicole Elliot, Steven LaBroi and Geofrey Hildrew. Codeblack Films, the Lionsgate unit that recently acquired Sundance drama The Inevitable Defeat Of Mister And Pete, will release Things Never Said this year.
article via Deadline.com with additions by Lori Lakin Hutcherson
After Earth
Cast: Will Smith (Cypher), Jaden Smith (Kitai), Sophie Okonedo (Faia), Zoe Kravitz (Senshi) Director: M. Night Shyamalan; Rated: PG-13
After Earth did something I wasn’t expecting… it made me think. Better than I was anticipating, this film isn’t exactly what it seems and I’m glad I saw it with my teenage son, given what this film is really about. After Earth is wearing a carefully marketed disguise. If you are expecting a Smith/Smith epic sci-fi action-packed adventure popcorn flick… well, you get some of that. But actually, at its core the film is a coming-of-age tale about the evolution of a relationship between a career-driven father and his teenage son. It’s about the struggle of a parent and child being forced to find a connection and faith in one another after tragedy and circumstance befall them. All the sci-fi galaxy hoo-ha is just a backdrop.
The movie takes place on a futuristic planet Earth where fearless uber soldier, General Cypher Raige (Will Smith), and his cowardly son, Kitai (played by Smith’s real-life son, Jaden) unexpectedly crash land. Every entity on this planet poses a threat and has evolved to kill humans instinctively. The spaceship’s broken in two and the sole survivors need to recover the tail in order to be rescued. When Cypher discovers he has broken both legs after the crash landing, there is no choice but to rely on Kitai to make this journey alone, which is troubling because he does not possess his father’s lack of fear.
It’s an interesting choice to bench action star Will Smith. He’s flat on his back most of the film. Unlike in most of his sci-fi themed movies, the power of Will is not saving the day. This one’s on Jaden and he needs every bit of his Karate Kid training to trudge through evolved Earth. Cypher can only guide Kitai with his voice throughout the journey to the half of their ship that contains a beacon signal that must be deployed if they are to be rescued. It is the responsibility of a parent to provide his child with the proper tools to do well on his own. But what do you do when you’re a fearless hero and your child is well… not?
After Earth begins with Kitai not making ranger staus. He’s prone to stress, panic attacks and straight-up fear. Okay, so he’s not exactly the super soldier his father is. Cypher possesses the rare skill of being able to shut out fear which makes his enemies unable to see, smell, or locate him. Kitai does not possess this gift. This proves disappointing to Cypher. His mother, Faia, played by Sophie Okonedo, establishes that Kitai has a better relationship with his mother; perhaps some bonding with Dad is in order. This is how Kitai ends up on a business trip with his father Cypher.
But something else is going on between these two which reveals itself in several flashbacks. Kitai had a sister, Senshi (Zoe Kravitz), who was killed by a predator called an Ursa. Senshi, played effortlessly by the delightfully easy-to-watch Zoe Kravitz, gives us a glimpse into what happened to Kitai and why he is so tormented. He blames himself for surviving an Ursa attack that took his sister’s life and he believes his father blames him as well. Thus the theme of family and familial stuff that needs to be worked out progresses.
If I had not seen this film with my own teenaged son, I’m not sure I would have enjoyed it as much as I did. I related to the parent-and-teen tug of war. The film has some cool moments once you let go of the fact that Will Smith is not going to get up and go save his real-life son. It’s all on Jaden, and despite a rocky start (Jaden speaks in an accent I can only describe as, well… not great. It’s supposed to be Australian… I think? It’s so distracting, I thought… uh,oh I can’t sit here. But my son was into the movie and Big Willy always makes me laugh, so I committed to relaxing and enjoying my mother/son time), the Karate Kid training pays off in spades. Jaden shows us his cool footing during climbs, jumps and a really entertaining glide through the air.
After Earth was adventurous for sure. The special effects were fine – nothing “Earth” shattering. Having a teen carry a mega-film is a big ask. Jaden does okay. He gets better as his character evolves; perhaps this is because the character grows closer to the real-life, confident Jaden. It’s very hard even for a second to get past the fact that you are watching Will Smith and his son Jaden. My take is this: because Will Smith is such an action star and Jaden was so definable in the Karate Kid, and they are such a well-known, real-life family, believing these two as space son and Dad was always going to be an automatic hurdle for the audience. If Jaden was any other actor playing against any other actor, maybe I wouldn’t be judging him with a magnifying glass.
All in all, After Earth is not the surefire summer blockbuster we had hoped for, but movie making is tough and the Smiths are entertaining in any form.
Reviewed by Lesa Lakin