Langston University was founded in Langston, Oklahoma, on March 12, 1897. It is Oklahoma’s only historically Black college or university. Because African-Americans were not allowed to attend colleges and universities in the state, the Black settlers of Langston raised the money to build an instruction where their children could learn and grow.
Originally founded as the Colored Agricultural and Normal University, the school operated with the mission to instruct both male and female students in the fields of agriculture, mechanics and industrial arts. On September 3, 1898, the school officially opened in a Presbyterian church in with an enrollment of 41 students. Today, Langston University boasts an undergraduate enrollment of 2,379 students. article by Britt Middleton via bet.com
Photo caption: Image – Mortar Practice Grouping – of the Soldiers and Sailors Monument on Cleveland’s Public
More than 100 black war veterans will finally be recognized at a site in downtown Cleveland that pays homage to men who fought in the American Civil War. The 1894 Soldiers and Sailors Monument on Cleveland’s Public Square is one of the most visible sites in the city and attracts around 40,000 visitors inside the memorial building every year. The breathtaking monument consists of an imposing 125-foot column topped with a statue of the Goddess of Freedom. Inside, the names of 9,000 Civil War veterans who served with Cuyahoga County regiments or were from that same area are engraved in the marble tablets that line the walls.
It was in 2010 that researchers verified the service of around 140 black soldiers from the area who fought in the Civil War but were omitted from the tablets. The commission overseeing the monument said it will honor these men, mostly like by inscribing their names on the tablets, and others they uncover through additional research.
Smart Set Athletic Club, 1911. Compilation Copyright 2013 Black Fives Foundation, All Rights Reserved
The Barclays Center is linking Brooklyn’s African-American basketball history and its present-day team, the Brooklyn Nets, with a new installation of historic photographs of the Black Fives, early-20th century African-American basketball teams, throughout the arena’s main concourse. Before the NBA, there were the Black Fives, segregated basketball teams formed shortly after the game’s invention in 1891. The Black Fives Era photographs chosen to be displayed include four pictures of Brooklyn’s historic team, the Smart Set Athletic Club, from 1908, 1909, 1911 and 1912. To celebrate the unveiling of the large-scale photographs for Black History Month, the Barclays Center hosted an event Monday where Claude Johnson, founder and executive director of the Black Fives Foundation, greeted students, members of the local community, and descendants of Black Fives players.
Many wonder who were the first group of African-Americans to get their own stamp.
It’s no secret that African-Americans have contributed to the development of the United States; more than we are given credit for. However, most of the ones who have been acknowledged for their work in America have been honored with their very on U.S., postage stamp. While we know Harriett Tubman and other famous African-Americans have their pictures on stamps, many wonder who were the first group of African-Americans to get their own stamp. Check out the list below to find out: 1. Booker T. Washington Born of slaves, Booker T. Washington worked his way through Hampton Institute and Wayland Seminary. By the age of 25, he was named the president of the Tuskegee Institute. Washington was known for being one of the best orators of his time who used his oration skills to be the voice for African-Americans. He also helped develop 5,000 small schools to educate African-Americans throughout the south. Washington was awarded with a 10 cent stamp in 1940. The U.S. Postal Service invited the pubic for recommendations and Booker T. Washington’s name was repeatedly submitted. Him receiving a 10 cent stamp was an honor in itself because most of the other African-Americans featured were relegated to the stamps worth a penny or two. 2. George Washington Carver As one of the most famous African-Americans of his time, George Washington Carver became known as “The Peanut Man” due to his extensive work trying to explain the positive effect peanuts could have on the southern farming industry. After being invited by Booker T. Washington to become the Director of Agriculture at Tuskegee Institute, Carver continued his work in botany and agriculture until the day he died in 1934. George Washington Carver was commemorated with a three cent stamp in 1948. He was picked to receive a stamp for his work in science and how his work with the peanut and sweet potato industry helped farming continue to succeed when most thought the farming industry was on its last legs.
On Feb. 4, 1986, the U.S. Postal Service issued a commemorative postage stamp honoring abolitionist and women’s rights activist Sojourner Truth as part of its Black Heritage series.
Sojurner Truth was born Isabella Baumfree in 1797 on the Hardenbergh plantation in upstate New York. In 1826, Truth managed to escape to freedom and became known as a fearless advocate for enslaved African-Americans and women. She is best known for her “Ain’t I a Woman?” speech that challenged gender and racial inequalities. During the Civil War, Truth became involved in the war effort by recruiting black troops for the Union Army. After the war, she tried unsuccessfully to secure land grants from the federal government for former slaves. article by Naeesa Aziz via bet.com
All eyes are on Baltimore this week as the Ravens took the Super Bowl title and Beyoncé cranked out perhaps the most electrifying halftime performance in history. It’s a great time to recognize that “Charm City” – a nickname created by then Mayor William Donald Schaefer and a bunch of ad agencies to boost the city’s national profile – is once again on the map as a vacation destination. In honor of Black History Month, here’s a list of Baltimore’s events and exhibitions that pay tribute to the African-American men and women who helped shape the nation. Baltimore is a city shaped by the contributions of African-American visionaries including the likes of world famous jazz singer Billie Holiday; great orator Frederick Douglass, Supreme Court Justice Thurgood Marshall; and female abolitionist and “conductor” of the Underground Railroad, Harriet Tubman.
“Girl with Flag,” Bryan Collier
“The Mountaintop” and Beyond
“The Mountaintop” CENTERSTAGE Through Feb. 24 The Lorraine Hotel. April 1968. In room 306, Dr. Martin Luther King, Jr. unwinds and prepares. A visit from a hotel maid offers welcome diversion and a challenging new perspective – but also raises profound and surprising questions. Already a worldwide sensation and recently hailed in a star-studded Broadway production, Katori Hall’s new play receives its Baltimore premiere.
An exhibit honoring African-American historical figures opened Monday at New York’s state Capitol to highlight February as “Black History Month.” Titled “From Slavery to Citizenship: The African American Experience in New York 1817-1872,” the display chronicles contributions black New Yorkers made during the years following the Civil War and emancipation of slaves. “New York’s history as a progressive leader really began during this time,” Gov. Andrew Cuomo said in a statement Monday. “The courage of the writers, activists and soldiers, both black and white, who confronted racial inequality set a precedent that would inspire the New Yorkers who followed to lead the nation in the struggle against every type of injustice.” The exhibit’s timeline starts with 1817, when New York passed a law to enact the gradual emancipation of slaves, and ends in 1872, when abolitionist Frederick Douglass became a member of New York’s Electoral College. The display includes relevant artifacts, biographies and historical narrative. The artifacts are from collections belonging to the state Archives, the state Library and the state Military Museum.
Annibale Carracci, attrib. (Italian, 1560 – 1609), Portrait of an African Slave Woman, ca. 1580s. PRINCETON, NJ – The Princeton University Art Museum presents Revealing the African Presence in Renaissance Europe, an exhibition exploring the presence of Africans and their descendants in Europe from the late 1400s to the early 1600s and the roles these individuals played in society as reflected in art. Africans living in or visiting Europe during this time included artists, aristocrats, saints, slaves, and diplomats. The exhibition of vivid portraits created from life—themselves a part of the wider Renaissance focus on the identity and perspective of the individual—encourages face-to-face encounters with these individuals and poses questions about the challenges of color, class, and stereotypes that a new diversity brought to Europe. Aspects of this material have long been studied by scholars, but this exhibition marks the first time the subject has been presented to a wider American public. Revealing the African Presence in Renaissance Europe will be on view at the Princeton University Art Museum from February 16, 2013 to June 9, 2013, and will feature over 65 paintings, sculptures, prints, manuscripts, and printed books by great artists such as Dürer, Bronzino, Pontormo, Veronese, and Rubens. Organized by the Walters Art Museum, Baltimore in collaboration with the Princeton University Art Museum, the exhibition includes artworks drawn from major museums and private collections across Europe and the United States, including works from both Princeton and the Walters. “The exhibition focuses new attention on an important but poorly understood aspect of Western history and the history of representation and thus continues our commitment to expanding the borders of scholarship and public understanding,” according to Princeton University Art Museum Director James Steward. “This exhibition affords an exceptional opportunity to discover great works of art and encourages us to reflect on our understanding of cultural identity both past and present.” The presence of Africans and their descendants in Europe was partially a consequence of the drive for new markets beginning in the late 1400s. This included the importation of West Africans as slaves, supplanting the trade of slaves of Slavic origin. There was also increasing conflict with North African Muslims and heightened levels of diplomatic and trade initiatives by African monarchs.
Below is the complete text of journalist Dion Rabouin’s recent Huffington Post blog challenging this country to engage in a more comprehensive and far-reaching celebration of African and African-American achievements during Black History Month. GBN couldn’t agree more, and has added links to his blog for just that purpose. Enjoy! Malcolm X was fond of saying, “Our history did not begin in chains.” Yet every year that’s where Black History Month lesson plans in schools across America begin. They begin telling the story of our history — black history — in chains. Young black school children don’t learn that our people mapped, calculated and erected some of the greatest monuments ever, like the pyramids, the sphinx and the obelisks (after which the Washington Monument is modeled) or that our people were literally the lifeblood of some of history’s greatest civilizations. They don’t learn that calculus, trigonometry and geometry all trace their origins back to African scholars. Black History Month lessons never begin with Haile Selassi I, ruler of Ethiopia, who could trace his ancestry to King Solomon and the Queen of Sheba and beyond that to Cush in 6280 B.C. Never mind that Selassi actually has the most ancient lineage of any human being in history. Black History Month lessons certainly never begin with one of the greatest conquerors the world has ever known, Hannibal, an African who conquered and extended the rule of the Carthaginian Empire into Italy, Rome and Spain. Most school children (and most adults, truth be told) don’t even know that Carthage, Hannibal’s homeland, is in Africa.
In celebration of Black History Month and as part of its year-round commitment to diverse programming, PBS announced an on-air lineup commemorating the contributions of African Americans in music, dance, television and civil rights, providing an in-depth look at key figures and events that shaped black – and American – history. In addition to these programs, PBS announced it will launch the PBS Black Culture Connection, a digital storybook of black films, history, trends and discussion that’s available throughout the year on PBS.org as of today, February 1, 2013. “PBS’ mission is clear – to provide accessible, educational, informative programs of every genre and culture all year long. Since February is Black History Month, our schedule is heavily focused on the contributions of African Americans,” said Donald Thoms, Vice President, Programming. “During the month, we are also continuing our commitment to feature stories and films from diverse and independent producers, which remains a staple of our content offerings year round.”
All eyes are on Baltimore this week as the Ravens took the Super Bowl title and Beyoncé cranked out perhaps the most electrifying halftime performance in history. It’s a great time to recognize that “Charm City” – a nickname created by then Mayor William Donald Schaefer and a bunch of ad agencies to boost the city’s national profile – is once again on the map as a vacation destination.
