WASHINGTON (AP) — Homes of slaves who served President James Madison at his Montpelier estate in Virginia will be rebuilt for the first time over the next five years, along with other refurbishments to the home of one of the nation’s Founding Fathers, thanks to a $10 million gift announced Saturday.
David Rubenstein, a leading Washington philanthropist and history buff, pledged the $3.5 million needed to rebuild the slave quarters next to the mansion in the foothills of the Blue Ridge Mountains. Another $6.5 million will be devoted to refurnishing parts of the home where Madison drafted ideas that would become the U.S. Constitution and the Bill of Rights.
After widow Dolley Madison sold the estate in 1844, many family belongings were dispersed or sold, leaving some rooms mostly empty of period furnishings after the estate opened to visitors in 1987. Now, curators hope to recover or borrow artifacts from the fourth president’s family life to bring the estate back to life, said Montpelier Foundation President and CEO Kat Imhoff.
Rubenstein told The Associated Press he wanted to help make the estate more authentic. Montpelier could draw more visitors to learn about history, he said, if the house is fully restored and its slave quarters built out. It currently draws about 125,000 visitors a year. Last year, Rubenstein gave funds to recreate slave quarters on Thomas Jefferson’s plantation.
“It’s this dichotomy. You have people who were extraordinarily intelligent, well-informed, educated; they created this incredible country — Jefferson, Washington, Madison — yet they lived with this system of slavery. Jefferson, Washington and Madison all abhorred slavery, but they didn’t do, they couldn’t do much about it,” he said. “We shouldn’t deify our Founding Fathers without recognizing that they did participate in a system that had its terrible flaws.”
The donation marks a trifecta of gifts totaling $30 million to projects at Virginia’s oldest presidential sites. Last year Rubenstein gave $10 million gifts to both Jefferson’s Monticello estate and George Washington’s home at Mount Vernon.
Recreating Montpelier’s South Yard, where domestic slaves lived, as well as the basement areas of the mansion where they worked, will help tell a fuller version of history, Imhoff said.
“For folks that have been coming to any of these presidential sites, the fact that we’re bringing this complete American story back into the landscape I think is very important,” she said. “It is challenging, but I also think it’s that wonderful tension that we as Americans are embracing, that this is our history, that making the invisible visible is very important to us as a nation, and it will make a stronger American story.”
The slave quarters at Montpelier were cleared away 165 years ago and planted over with grass, but the site has not been disturbed since. Archaeologists plan to excavate the South Yard in public view to recover remnants of slave life to help illustrate new stories.
One of the slaves who lived in a cramped dwelling was Paul Jennings. He was born at Montpelier in 1799, and at the age of 10 moved with the Madisons to serve in the White House. He later wrote a book about his experience, which is considered the first White House memoir. Jennings recalled helping Dolley Madison save curtains, silver, documents and a famous portrait of George Washington when the British burned the White House in 1814.
Posts tagged as “African-American History”
New York City so knows how to lose — and save, and lose again — its history. Among notable rescues of the past several decades were material remains of the vanished 19th-century African-American village of Weeksville in Brooklyn, snatched from the jaws of 1960s urban renewal. Once in parts of what are now Bedford-Stuyvesant and Crown Heights, the village is currently getting fresh and needed attention in an art project organized by the Weeksville Heritage Center and Creative Time called “Funk, God, Jazz & Medicine: Black Radical Brooklyn,” which runs Friday through Sunday (October 10-12).
Spread over four sites, the project roughly maps the footprint of the original settlement. More important, it strengthens the memory of a local past that could easily be swallowed up by gentrification.
The village was named for James Weeks, an ex-slave from Virginia who came to New York in 1838. His intention was to create a community of landowning African-Americans at a time when such ownership was a requirement for voting. The plan took hold. By the time of the Civil War, the village had more than 500 residents, two churches, a school, an orphanage, an old-age home, a cemetery and its own newspaper, The Freedman’s Torchlight. Blacks fleeing the draft riots in Manhattan in 1863 sought refuge there and stayed. But after the opening of the Brooklyn Bridge, with a swelling in the general population, Weeksville was gradually absorbed into newer communities that surrounded it.
In 1968, four of the village’s 19th-century wood-frame houses were rediscovered, in derelict shape, on an oddly angled street that had once been a section of Hunterfly Road in Weeksville, and before that, an American Indian trail. The area was scheduled for demolition, but after community pressure, the houses were declared city landmarks. Restored, they are now part of the Heritage Center, which encompasses vegetable and flower gardens and, as of 2013, an education building with an auditorium and classrooms.
It always seemed pretty straightforward. And horrifying. Early African-American history was the story of thousands of Africans who were captured, shipped like cargo to the New World and sold into slavery, mostly to work and die on Southern plantations. But Henry Louis Gates Jr. and PBS show us that history’s complexity in a beautifully done six-part, six-hour documentary, The African Americans: Many Rivers to Cross, which began on Tuesday night and continues weekly through Nov. 26.
Mr. Gates — the Harvard professor, author and critic — is highly visible, interviewing historians, talking to older black Africans who acknowledge that their ancestors became wealthy through the slave trade, chatting with contemporary black Americans over Hoppin’ John and iced tea, standing at seemingly innocuous city intersections where shameful history unfolded.
Everyone (you hope) knows that slavery existed at least as long ago as Ancient Egypt. Many are also aware that black Africans helped the white slave traders who arrived on their shores. But Episode 1 (“The Black Atlantic: 1500-1800”) delves deeper — in Sierra Leone, the Temne people would sell the Loko people, so they didn’t see it as turning against their own — and points out that Europeans invented the idea that skin color determined who was and was not enslavable. As Mr. Gates observes, “the dehumanization of an entire race” takes a while.
In recognition, the museum’s 350-seat theater, intended to be a showcase for demonstrating how African-American culture has shaped the country and the world, will be named after her. The museum, the Smithsonian’s 19th, is due to open in late 2015. It will tell the story of African-American history from slavery to the post-Civil War period, the civil rights era, the Harlem Renaissance and into the 21st century.
Oprah has been involved with the museum since planning began a decade ago and joined its advisory council in 2004. She’s also a world-class philanthropist with her own grant-making foundation and the resources to make a difference. She says her gift demonstrates her pride in African-American history and culture.
“I am deeply appreciative of those who paved the path for me and all who follow in their footsteps,” she said in a statement. “By investing in this museum, I want to help ensure that we both honor and preserve our culture and history, so that the stories of who we are will live on for generations to come.”
PHILADELPHIA (AP) — A new exhibit created by a University of Pennsylvania professor and host of a popular public television show examines how wartime propaganda has been used to motivate oppressed populations to risk their lives for homelands that considered them second-class citizens.
“Black Bodies in Propaganda: The Art of the War Poster,” opens Sunday and continues until March 2 at the University of Pennsylvania Museum of Archaeology and Anthropology. Lectures, film screenings and other programming will be rolled out over the course of the exhibit’s run.
The exhibit’s 33 posters, dating from the American Civil War to both World Wars and the African independence movements, are part of the personal collection of Tukufu Zuberi, Penn professor of sociology and African studies and a host of the Public Broadcasting Service series “History Detectives.”
Zuberi began his collection in 2005 and owns 48 posters in all. There are five he’s seeking to complete his collection, but he’s not divulging any specifics. “Oh, I don’t want to go there,” he said with a laugh. “If I say anything, then there’s going to be someone out there with more money and I won’t be able to buy anything again.”
On May 29, 1973, Tom Bradley became the first African-American elected mayor of Los Angeles. In that election, he defeated incumbent Sam Yorty with 56 percent of the vote. The win was considered trailblazing by historians, taking into account the city’s largely white population at the time.
Bradley served in office from 1973 to 1993, giving him the longest tenure as mayor in the city’s history before term limits were passed by voters in 1990. He ran for governor in 1982 and 1986, but was defeated each time by George Deukmejian. His loss in 1982 gave birth to the term “the Bradley effect” in U.S. politics, underlining the inconsistencies between voter opinion polls and actual election outcomes when a white candidate runs against a minority. Bradley retired from political life in 1993.
In March 1996, he suffered a heart attack and later a stroke that left him paralyzed and unable to speak. He suffered a second heart attack and passed away on Sept. 29, 1998 at the age of 80.
article by Britt Middleton via bet.com
Bradley served in office from 1973 to 1993, giving him the longest tenure as mayor in the city’s history before term limits were passed by voters in 1990. He ran for governor in 1982 and 1986, but was defeated each time by George Deukmejian. His loss in 1982 gave birth to the term “the Bradley effect” in U.S. politics, underlining the inconsistencies between voter opinion polls and actual election outcomes when a white candidate runs against a minority. Bradley retired from political life in 1993.
In March 1996, he suffered a heart attack and later a stroke that left him paralyzed and unable to speak. He suffered a second heart attack and passed away on Sept. 29, 1998 at the age of 80.
article by Britt Middleton via bet.com
Award-winning author Tanya Lee Stone is clear about why she’s written her new nonfiction book, “Courage Has No Color: The True Story of the Triple Nickles, America’s First Black Paratroopers” (Candlewick Press, $24.99). “I want to help the Triple Nickles become as well-known as the Tuskegee Airmen,” Stone says.
The Tuskegee Airmen, the first African-American pilots in the U.S. military, are now an integral part of the history of World War II. Far fewer people, however, have heard of the 555th Parachute Infantry Battalion — nicknamed the “Triple Nickles” — and the unit’s pioneering efforts to open up paratrooper jobs during World War II.
In her meticulously researched, well-written book, Stone tells the story of how the 555th was established in 1943 — a unit with black soldiers and black officers, the first-ever black U.S. paratroopers.
The unit’s nickname was a nod to the Buffalo Soldiers, as the African-American regiments in the U.S. Civil War and later were called. The “Triple Nickles” name also connects to the buffalo image that was stamped on American nickels for many years.
It took Stone 10 years, working off and on, to write “Courage Has No Color.” It was definitely worth the wait, as Stone movingly portrays the inspiring courage, determination and persistence displayed by African-American servicemen in the face of overwhelming racial prejudice in the U.S. military. It’s a story that Stone strongly believes should be much better known than it is. “These men are almost not with us anymore,” Stone says, noting that many of the Triple Nickles are in their 90s.
It took Stone 10 years, working off and on, to write “Courage Has No Color.” It was definitely worth the wait, as Stone movingly portrays the inspiring courage, determination and persistence displayed by African-American servicemen in the face of overwhelming racial prejudice in the U.S. military. It’s a story that Stone strongly believes should be much better known than it is. “These men are almost not with us anymore,” Stone says, noting that many of the Triple Nickles are in their 90s.
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Film dated from 1919 shows employees of the Pebble Hill Plantation in Thomasville, Georgia, playing in a league against other teams. Archivists are still researching this 26 seconds of found footage, but it might just be the oldest footage of African-Americans playing baseball in the U.S.
article by Lori Lakin Hutcherson
Muhammad Ali vs. Floyd Patterson 1965
Bernard and Shirley Kinsey have entrusted their collection of African-American treasures to Walt Disney World Resort for the “Rediscovering America: Family Treasures from the Kinsey Collection” exhibit at Epcot. Take a look at a few of the pieces that have truly made their mark in Black history. (Photo: David Roark)
via The Kinsey Collection at Epcot | Black History Collection Makes Its Disney Debut | News | BET.