article via theguardian.com
Cornell University in New York has made a priceless photographic archive available to the public. It shows the lives of black Americans as they rose through society after the antebellum era. To see all photographs, go to: Loewentheil Collection of African American Photographs
To see original article, go to: A taste of freedom: black America in the 19th century – in pictures | Art and design | The Guardian
Posts tagged as “African-American History”
article via jbhe.com
The University of Minnesota Libraries has launched a new online database of African American history. The Umbra Search African American History website offer users access to more than 400,000 digitized archival materials documenting African American history from more than 1,000 libraries and cultural organizations.
Cecily Marcus, director of Umbra Search and a curator at the University of Minnesota Libraries, notes that “no library is able to digitize all of its holdings, but by bringing together materials from all over the country, Umbra Search allows students and scholars to tell stories that have never been told before. Umbra Search partners have amazing collections, and now those materials can sit side by side with related content from a library on the other side of the country.”
Kara Olidge, executive director of Amistad Research Center at Tulane University and an Umbra Search advisory board member, adds that the new service “is an invaluable resource for anyone who wants to learn more about African American history. By providing access to thousands of digitized materials, Umbra Search makes it possible to do research at libraries all across the country without getting on a plane.”
To read more, go to: Vast New Online Archive of African American History Materials : The Journal of Blacks in Higher Education
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
According to ShadowAndAct.com, during the Television Critics Association (TCA) winter tour, PBS unveiled that it has teamed up with African-American scholar Henry Louis Gates, Jr. for a 3-part/6-hour documentary series titled “Africa’s Great Civilizations” which premieres on February 27, promising to bring “little-known yet epic stories to life, detailing African kingdoms and cultures.”
The official summary is as follows: “Henry Louis Gates, Jr. provides a new look from an African perspective at African history, traversing the dawn of mankind to the dawn of the 20th century. The series is a breathtaking and personal journey through history that includes evidence of the earliest human culture and art, arguably the world’s greatest ever civilizations and kingdoms, and some of the world’s earliest writing. Gates travels throughout the vast continent of Africa to discover the true majesty of its greatest civilizations and kingdoms.”
The series will air over 3 nights, Monday-Wednesday, February 27-March 1, from 9-11 p.m. ET each airing. To see the trailer, click below:
#AfricasCivilizationsPBS with @HenryLouisGates premieres February 27 on @PBS. Will you be watching? pic.twitter.com/bs20AKXDO3
— PBS (@PBS) January 16, 2017
article by Ameena Walker via ny.curbed.com
Late last year, St. Bartholomew’s Church on Park Avenue was named a National Historic Landmark, and in the months since, the Department of the Interior hasn’t been resting on its laurels. Yesterday, the agency announced 24 new National Historic Landmarks, including a few in the five boroughs. The biggest: New York City’s mecca for information on the African diaspora and culture, the Schomburg Center for Research in Black Culture. (h/t DNAInfo)
The center, located at 515 Malcolm X Boulevard, was named after Afro-Latino immigrant Arthur (Arturo) Alfonso Schomburg, and operates as part of the New York Public Library system. Here’s what the DOI had to say about it:
[It] represents the idea of the African Diaspora, a revolutionizing model for studying the history and culture of people of African descent that used a global, transnational perspective. The idea and the person who promoted it, Arthur (Arturo) Alfonso Schomburg (1874-1938), an Afro-Latino immigrant and self-taught bibliophile, reflect the multicultural experience of America and the ideals that all Americans should have intellectual freedom and social equality.
It’s currently in the process of receiving a $22 million renovation helmed by Marble Fairbanks Architects, Westerman Construction Company, and the City Department of Design and Construction. The entire project is expected to wrap up in 2017 and will present changes that include a larger gift shop, updated Langston Hughes Auditorium, expanded Rare Book Collection vault, and many more changes.
To read full article, go to: http://ny.curbed.com/2017/1/12/14247950/schomburg-research-center-national-landmark-nyc?platform=hootsuite
article via thegrio.com
On Thursday, Yale University will honor its first black student by naming a divinity school classroom after him. James W.C. Pennington escaped from slavery to Maryland in 1837. At the time, it was illegal to educate African-Americans from other states, but Pennington was allowed to attend classes as long as he didn’t speak, use the library or earn a degree.
Divinity school graduate Lecia Allman led the push to honor Pennington, who later in life formed an organization to help former slaves receive their education.
Divinity School Dean Gregory Sterling said of the decision to rename the classroom that it “recovers part of our past that has been neglected.”
The history of African Americans is typically thought of as people and events, but those could not come together without places and spaces. In an effort to preserve many of the sites where Black History…
To see more, go to: A Walk Through the Sites of African American History via ebony.com
Before the Civil Rights Act was passed in 1964 — and decades before the Internet and smart phones existed — black travelers relied on the “Green Book” to find hotels, restaurants and other establishments willing to accept their business.
The travel guide was published between 1936 and 1966 to help black motorists avoid racial harassment, arrest and violence as they traveled through the U.S. during the Jim Crow era.
All but two of those editions — the inaugural edition in 1936 and the one from 1952 — have been digitized and posted online by the Schomburg Center for Research in Black Culture, reported DNA Info.
“Carry The Green Book with you. You may need it,” reads the cover of the 1949 edition, followed by a quote from Mark Twain: “Travel is fatal to prejudice.”
Victor Green, a U.S. Postal Service worker, started publishing the books from his New York City apartment after his wife decided they should scout all the black-friendly businesses on the way to visit her family in Virginia.
“The idea crystallized when, not only himself but several friends and acquaintances complained of the difficulties encountered; oftentimes painful embarrassments suffered which ruined a vacation or business trip,” wrote Novera C. Dashiell in the spring 1956 edition.
Green and other mail carriers shared their experiences in racially segregated America, and they helped black travelers avoid “sundown towns,” where they weren’t welcome after dark, and other racist areas or businesses.
“It’s not just which places are clean and which places serve good food — it’s places that you would be welcomed and you would be safe,” said Maira Liriano, associate chief librarian at the Schomburg Center.
The books were immediately popular, and they serve as a fascinating document of mid-century cultural history.
“John Hope Franklin wrote history — discovering neglected and forgotten dimensions of the past, mining archives with creativity and care, building in the course of his career a changed narrative of the American experience and the meaning of race within it,” she said. “But John Hope also meditated about history and its place in the world, on its role as action as well as description, on history itself as causal agent, and on the writing of history as mission as well as profession.”
Franklin was born in 1915 and raised in segregated Oklahoma. Graduating from Fisk University in 1935, he earned a Ph.D. from Harvard University in 1941. Over the course of his career, he held faculty posts at a number of institutions, including Howard University and the University of Chicago, before being appointed in 1983 the James B. Duke Professor of History at Duke University. “From Slavery to Freedom: A History of African-Americans,” published in 1947, is still considered a definitive account of the black experience in America. A lecture series later published as a book, “Racial Equality in America,” became another of his most iconic works. Franklin died in 2009.
An American historian herself, Faust gave the keynote address in the last of a yearlong series of events as part of the John Hope Franklin Centenary, sponsored by Duke University to mark the 100th anniversary of his birth.
“Roots” is returning to TV next year as a big-ticket event series production to air across History, A&E Network and Lifetime next year.
Producer Will Packer and LeVar Burton, an original “Roots” cast member, are shepherding the project with Mark Wolper, son of the original producer of the 1977 ABC miniseries, David L. Wolper.
Lawrence Konner, Mark Rosenthal, Alison McDonald and Charles Murray are on board to write the new rendition of the saga of Kunta Kinte, which follows his capture in Africa as a young man through his enslavement in colonial America. “Roots” is based on Alex Haley’s landmark novel of the same name.
“My career began with ‘Roots’ and I am proud to be a part of this new adaptation,” said Burton. “There is a huge audience of contemporary young Americans who do not know the story of ‘Roots’ or its importance. I believe now is the right time to tell this story so that we can all be reminded of its impact on our culture and identity.”
The original eight-part miniseries was a sleeper megahit for ABC that aired over consecutive nights in January 1977. There’s no word yet on how many hours the new “Roots” will run.
A&E Networks execs said producers will work closely with historians and other experts to incorporate new information about the historical period uncovered since the original book and mini were released.
“Kunta Kinte began telling his story over 200 years ago and that story went through his family lineage, to Alex Haley, to my father, and now the mantle rests with me,” said Wolper. “Like Kunta Kinte fought to tell his story over and over again, so must we.”
Said Packer: “The opportunity to present one of America’s most powerful stories to a generation that hasn’t seen it is tremendously exciting. Contemporary society needs this story and I’m proud to be a part of it.”
article by Cynthia Littleton via Variety.com