It’s Music Monday! In celebration of Easter and #JazzAppreciationMonth, here is a collection of Sacred Jazz.
When jazz emerged in the first half of the 20th century as music of liberation, entertainment and modernism, it provoked a backlash among cultural and religious-establishment figures.
Many of them went so far as to call it “the music of the devil.” By the middle 1950s, jazz had found its way into the church, sometimes employed in the ritualistic proceedings of liturgies and other traditional ceremonies, or presented in other thematic ways in overt religious homage.
Religion, in some respects, was there from the jump. Many African-American musicians grew up attending and performing in church services, and the imprint of that experience can be found in albums ranging from John Coltrane‘s landmark 1965 LP A Love Supreme to Miles Davis‘ Kind Of Blue.
It was inspired in part, in the words of Davis, “some other kind of sound I remembered from being back in Arkansas, when we were walking home from church and playing these bad gospels.”
This collection features Mahalia Jackson and Rosetta Tharpe contributions to gospel and sacred jazz, along with pianist and composer Mary Lou Williams, known for her Jazz Masses in the 1950s.
Duke Ellington, Kamasi Washington, Pharaoh Sanders, The Free Nationals and many others are on hand too.
In today’s Daily Drop, for #JazzAppreciationMonth we offer a quote from jazz legend and pioneer, the unparalleled saxophonist, composer and musician, North Carolina native John Coltrane. To hear it (and more on Coltrane), press PLAY:
You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.comor create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below:
Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Sunday, April 3rd, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.
Today, we offer a quote from jazz legend and pioneer, the unparalleled saxophonist, composer and musician, John Coltrane:
“That’s what music is to me—it’s just another way of saying this is a big, beautiful universe we live in, that’s been given to us, and here’s an example of just how magnificent and encompassing it is.”
It makes complete poetic sense that the name of the band John Coltrane played in while enlisted in the U.S. Navy was the Melody Masters.
With Johnny Hodges and Dexter Gordon as musical heroes and from a young age in thrall to big band music and its emerging successor, bebop, a young Coltrane dedicated himself to hours upon hours upon hours of practice, gigging whenever and wherever he could, and learning from whoever he could learn from.
Coltrane mastered and some even say transcended what was understood or known about the structure and composition of jazz music in the 1950s and 60s. After stints working with and learning from Dizzy Gillespie, Charlie Parker, Miles Davis, Thelonious Monk and Ornette Coleman, among others, Coltrane began creating and recording with his own band.
Not only could Coltrane reimagine, reinvigorate and repopularize standards such as My Favorite Things, he composed the bulk of classic works such as Blue Train, Giant Steps, and his undisputed masterpiece recorded one day in 1965, A Love Supreme.
Coltrane passed in 1967 but his music and legacy live on.
In 1995, the United States Postal Service created a commemorative John Coltrane postage stamp and in 1997, the Grammys honored him with a Lifetime Achievement Award. In 2001, the National Endowment for the Arts chose “My Favorite Things” for its list of 360 Songs of the Century, and in 2007, Coltrane was awarded a Pulitzer Prize as a Special Citation for a lifetime of innovative and influential work.
And of course, perhaps most importantly, buy or stream Coltrane’s music. Links to these sources and more are provided in today’s show notes and in the episode’s full transcript posted on goodblacknews.org.
This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.
Intro and outro beats provided by freebeats.io and produced by White Hot.
Excerpts from “Blue Train,” “My Favorite Things” and “A Love Supreme, Pt. 1: Acknowledgement” performed by John Coltrane are included under fair use.
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The Supremes (l) and John Coltrane (r) article by Andrew R. Chow via nytimes.com John Coltrane’s “A Love Supreme” and The Supremes’ “Where Did Our Love Go,” are part of the incoming class added to the National Recording Registry of the Library of Congress this year. The diverse crop of new inductees also includes the Vienna Philharmonic’s 1938 recording of Mahler’s Ninth Symphony, Metallica’s “Master of Puppets” and live coverage from Wilt Chamberlain’s 100-point game.
The registry adds 25 recordings — deemed significant to American history and culture — each year. The field this year includes pop, (Billy Joel’s “Piano Man”), classic R&B (“Where Did Our Love Go,” The Impressions’ “People Get Ready”), field recordings (W.H. Stepp’s “Bonaparte’s Retreat,” captured by Alan and Elizabeth Lomax in 1937) and comedy (George Carlin’s “Class Clown”). Joining these performers is Secretary of State George C. Marshall proposing what became known as the Marshall Plan to aid Europe after World War II.
The National Recording Registry now totals 450 recordings, the library said. A full list can be found at www.loc.gov.
