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Posts tagged as ““2 Dope Queens””

Spotify to Host Sound Up Bootcamp for Aspiring Female Broadcasters of Color

By goodblacknews on April 2, 2018
(Image: Shutterstock)
by Sequoia Blodgett via blackenterprise.com
With successful podcasts going mainstream like 2 Dope Queens, a show that was recently picked up by HBO, Spotify sees a clear market opportunity when it comes to this new space for content creation. Even with the success of the show, a recent study showed that only 22% of podcasts are hosted by women, and the number’s even smaller when it comes to women of color. Spotify wants to change that.
The company is hosting Sound Up Bootcamp, a weeklong intensive program for aspiring female podcasters of color. The event will take place June 25–29, 2018, at Spotify’s New York City offices and Spotify is hand-selecting 10 attendees who will learn about the art of podcast creation, from initial ideation to editing, producing, and marketing from experts in the field.
Spotify is covering all expenses from the five-day workshop, which will include panels, and activities around podcasting, led by experts and professionals. Travel to New York City, six nights of hotel, and breakfast and lunch each day are all included.
According to a recent release, attendees will have the chance to pitch their podcast ideas to a panel of experts and professionals on the final day and the top three pitches will have the pilot process funded, up to $10,000. All expenses for the week will be paid by Spotify.

Training for the week will be led by radio and podcast veterans Rekha Murthy and Graham Griffith. According to Spotify, the two hold combined experience of decades working with the industry’s top shows in both radio and podcasting. They want to help discover new voices, and aid podcasters in reaching new, large, and loyal fan bases.

Spotify is specifically targeting anyone who self-identifies as a woman of color, is passionate about podcasting, and has a great idea. They do not require prior experience, in fact, they are leaning toward first-time and amateur podcasters. “We’re looking for the best ideas,” they said in a statement. Attendees are required to participate in all five full days of programming, as well as after-hours events on Monday, Wednesday, and Friday, including mixers and dinners.

All applications are due by 11:59 p.m. EST on April 10, 2018.

The post Spotify is Looking for New Female Podcasters of Color appeared first on Black Enterprise.

FEATURE: ‘Girls Trip’ Star Tiffany Haddish’s Remarkable Rise

By goodblacknews on October 15, 2017

Comedian and actor Tiffany Haddish (photo via theatlantic.com)

by Michael P. Jeffries via theatlantic.com
When comedian Tiffany Haddish was 9, her stepfather tampered with the brakes on her mother’s car, hoping to kill his partner and her four children. Rather than going out with her mom that day, Haddish asked to stay home and look after her younger siblings—sparing her from the horrific accident that left her mother mentally impaired. As the oldest child, Haddish did what she could to help for three years, from tying her mother’s shoes to paying bills, but eventually Haddish and her siblings were placed in foster care.
Haddish used the trauma and tragedy of her upbringing to ignite what is now a blazing comedy career. As a child, the Girls Trip star was teased for being a foster kid, but Haddish has also talked about maintaining a strong sense of self worth in her recent Showtime standup special, She Ready!: From the Hood to Hollywood. “The state of California paid so much money to make sure I don’t die ‘cause they knew I was gonna be special,” Haddish tells her audience. “They knew it. They was like, ‘This one right here, she gonna be a unicorn.’ And they was right. I’m the last black unicorn, bitch!”
Haddish’s ascent in recent years—debuting on NBC’s The Carmichael Show in 2015 and appearing in the 2016 action comedy Keanu and the summer hit Girls Trip—is a testament to her talent and resilience. But her story also offers insight into what it takes for a black woman in comedy to become successful today. Haddish’s rise points to where systemic roadblocks still lie for performers of color, particularly women, when they first enter the business—and how some barriers to entry may be falling as comedy enters a new golden age, with fewer gatekeepers and more platforms for artists to reach their fans.
Even though Girls Trip has a black director and writers, Haddish faced questions about her low profile. Her agent initially told her that studio executives were looking for someone with a bigger name to play her character, Dina. Haddish told her agent to tell them, “I’ve had a name since 1979. Okay? I was born with a name.” In the end, her rare comedic gifts won out, and reviews of Girls Trip regularly singled Haddish out for praise.