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University of Nebraska-Lincoln Offers New Online Database of Court Cases of Enslaved People Seeking Their Freedom

University of Nebraska-Lincoln Offers New Online Database of Court Cases of Enslaved People Seeking Their Freedom

By goodblacknews on May 26, 2019

According to the Journal of Blacks in Higher Education, the Center for Digital Research in the Humanities at the University of Nebraska-Lincoln recently debuted an online database of more than 500 court cases in which enslaved persons had sued to gain their freedom. The Dred Scott case in 1857 is the most famous of such cases, but there were many more.

The project collected, digitized, and makes accessible the freedom suits brought by enslaved families in the Circuit Court for the District of Columbia, Maryland state courts, and the U.S. Supreme Court. African-American enslaved families accumulated legal knowledge, legal acumen, and experience with the law that they passed from one generation to the next.

The freedom suits they brought against slaveholders exposed slavery a priori as subject to legal question. The suits in Washington, D.C., the nation’s capital, raised questions about the constitutional and legal legitimacy of slavery, and by extension, affected slavery and law in Maryland, Virginia, and all of the federal territories.

One such case was that of Ann Williams, who leapt from the third floor window of a tavern on F Street in Washington, D.C., after she was sold to Georgia slave traders and separated from her family. She suffered a broken back and fractured her arms, but she survived.

In 2015, original documents about her came to light at the National Archives. Williams and her husband were reunited and had four more children. Then she sued for her freedom. And won. Below is a short film about her story:

The online database concentrates on cases filed in Washington, D.C. in the 1820s and 1830s. More than 100 of these cases involved enslaved persons who were represented by Francis Scott Key, the author of the “Star Spangled Banner.” As such the database is named “O Say Can You See: Early Washington, D.C., Law and Family.”

Source: https://www.jbhe.com/2019/05/new-online-database-of-court-records-of-cases-of-enslaved-people-seeking-their-freedom/

Historic Shelley House in St. Louis Gets Official Recognition on New U.S. Civil Rights Trail

By goodblacknews on May 25, 2019
When J.D. Shelley and Ethel Shelley attempted to buy this house at 4600 Labadie Avenue in St. Louis in 1948, they were told it could not be sold to blacks. Their fight went to the U.S. Supreme Court, resulting in a ruling that struck down racial covenants in housing. (Photo: FrancisNancy via commons.wikipedia.org)

The historic “Shelley House” at 4600 Labadie Avenue in St. Louis was dedicated yesterday by the National Park Service as Missouri’s first official site on the new U.S. Civil Rights Trail. U.S. Rep. William Lacy Clay and Aurelia Skipwith, deputy assistant Secretary of Interior, headlined the event.

The U.S. Civil Rights Trail, created by legislation written by Clay, aims to preserve significant places that had critical roles in the civil rights movement in the United States.

The Shelley House was at the center of the U.S. Supreme Court decision (Shelley v. Kraemer) which struck down restrictive racial covenants in housing in 1948. The nationally impactful decision pitted J.D. and Ethel Shelley, a black couple who wanted to buy the house, against Louis and Fern Kraemer, white neighbors who tried to keep them out.

Other notables in attendance were St. Louis Mayor Lyda Krewson, St. Louis NAACP President Adolphus Pruitt, and members of the Shelley family.

Source: https://www.stltoday.com/news/local/columns/joe-holleman/historic-civil-rights-house-in-st-louis-gets-official-u/article_2c7013a7-11db-511e-8955-80d61b1e85cf.html

Sybrina Fulton, Trayvon Martin’s Mother, to Run for Office in Florida

Sybrina Fulton, Trayvon Martin’s Mother, to Run for Office in Florida

By goodblacknews on May 21, 2019

Sybrina Fulton, mother of Trayvon Martin, an unarmed 17-year-old whose shooting death by a neighborhood watch volunteer George Zimmerman set off a national conversation on racial profiling and the inequities in the criminal justice system, formally announced yesterday she is running for local office in Florida.

Fulton became an activist after the death of her son in Sanford, Fla., in 2012 by making speeches around the country as she worked to curb gun violence. She now she aims to do so from inside the government as a policy maker. She will contest the mayor of Miami Gardens Oliver G. Gilbert III for a seat on the Miami-Dade Board of County Commissioners.

“At first I didn’t want to be the voice for Trayvon after he died, but I decided I have no choice,” Ms. Fulton said in an Instagram video announcing her campaign. “Now I am called to act and called to serve,” she said. She joins other mothers such as Lezley McSpadden and U.S. Congress member Lucy McBath, who also senselessly lost their unarmed sons to gun violence, in running for office.

Fulton is a former housing agency employee who believes a new chapter of serving the public is in order for her. “My time as a public servant began 30 years ago at Miami-Dade County. Since 2012, I have advocated tirelessly to empower our communities and make them safer,” she relayed in an Instagram post. “But the work is not done. I am proud to announce that I will run to represent District 1 on the county commission.”

Read more:

Inaugural HBCU World Series Starts May 24th, Aims to Diversify College Baseball

Inaugural HBCU World Series Starts May 24th, Aims to Diversify College Baseball

By goodblacknews on May 18, 2019

According to Yahoo! Sports, the first of what organizations intend to be an annual event will feature the North Carolina A&T Aggies and Southern Jaguars at the Chicago White Sox Guaranteed Rate Field. It will join The Andre Dawson Classic as ways to promote HBCU schools, which are slowly watching their baseball programs fold.

Erwin Prentiss Hill, CEO of Black College Sports Group 360 (BCSG), told HBCU Sports he wants the event to “promote education opportunities to urban youth” who may not know of the schools or how to navigate the college admissions process.

 From HBCU Sports:

“Greatness comes from historically black colleges and universities. The bottom line is to get more urban youth back to our HBCU’s, so that talented young men and women can add to the legacy of our outstanding predominantly black universities.”

Baseball’s decline in lower-income communities

The cost of playing sports can add up quickly for families. It’s especially difficult to have to pay for a glove, cleats, bats and even uniform costs, now that there are fewer programs supported through park or school programs.

Participating on a travel team is even costlier and can require more shuttling around from parents, who might already be working multiple jobs to get by. Little League is so high-stakes it’s must-see TV in August.

Billy Witz covered the lack of African-American players on HBCU rosters Monday for the New York Times and noted the decline of baseball through the eyes of Bethune-Cookman athletic director Lynn Thompson. Thompson said places where he played sandlot ball in the 1960s were paved over for basketball courts and parking lots.

Recently, however, the percentage of black players on Major League Baseball‘s opening-day rosters in 2018 was the highest in six years at 8.4 percent. Between 2012 and 2017, 20 percent of first-round draft picks were African-American. Those numbers are in part due to MLB’s focus on its Urban Youth Academies that started in Compton, California, in 2006 and its Reviving Baseball in Inner Cities (RBI) program, launched in 1989.

“It’s been a huge investment for us,” Renee Tirado, MLB’s chief diversity and inclusion officer, said last spring. “Obviously growing the game amongst our players is a priority, so that uptick has definitely been from a concerted effort.”

Perhaps a focus on HBCU baseball will bring those numbers even higher in the coming years.

To read more: https://theshadowleague.com/ncat-southern-inaugural-hbcu-world-series/

Premier Health Urgent Care, a Black-Owned Urgent Care Center, Opens in Chicago’s Hyde Park Neighborhood

By goodblacknews on May 14, 2019
PREMIER HEALTH URGENT CARE is open for business in Chicago’s Southside Hyde Park community. Its founding team members photographed above recently celebrated the grand opening with a community event. Pictured above from (L to R): Dr. Mike McGee; Germaine Henderson, APN; Renita White, PA-C; Jennifer Kirk, AP; Dr. Airron Richardson and Dr. Reuben Rutland.

Premier Health Urgent Care and OCC-Health Center strives to provide outstanding and efficient healthcare while curbing area youth violence.

Premier Health Urgent Care, the only urgent care facility in the Southside’s Hyde Park neighborhood, and the only Black-owned urgent care possibly in the city of Chicago has opened for business, according to the Chicago Crusader.

With a commitment to providing affordable community care, a portion of profits from the center will be donated to the Project Outreach and Prevention (POP) organization, which aims to prevent youth violence in surrounding neighborhoods by providing resources, services and education to assist teens in making better life-long choices.

Premier’s founders include board certified emergency medicine physicians Airron Richardson, MD, MBA, FACEP and Michael A. McGee, MD, MPH, FACEP and board-certified trauma surgeon and United States Navy veteran Reuben C. Rutland MD, MBA. The facility was launched in partnership with Dr. Gregory Primus, former Chicago Bears wide receiver and the first African American trained in orthopedic surgery at the University of Chicago.

“We are happy to open an urgent care in Hyde Park because the community needs it. I see so many urban professionals who either delay or go without care because of time constraints. No one has 8 hours to wait in the emergency department for a minor illness or the flexibility to wait 3 weeks because their primary care doctor is booked solid. We are here to help fill that gap,” says Dr. Rutland. “We are not in competition with the doctors’ offices or the emergency department. We are a supplement to them both, to help relieve the stress on those two facilities.”

Kenya Barris to Write, Star in Netflix Comedy Series ‘Black Excellence’ Opposite Rashida Jones

By goodblacknews on May 11, 2019
Kenya Barris (l); Rashida Jones (r) [Credit: commons.wikipedia.org]
According to Variety.com, since signing a lucrative overall production deal with Netflix and after years at ABC, “Black-ish” creator Kenya Barris has lined up his first series for the streaming giant.

Netflix has ordered the single-camera comedy “Black Excellence” from Barris, in which he will also star opposite “The Office” and “Parks and Recreation” star and “Claws” executive producer Rashida Jones.

Inspired by Barris’ approach to parenting, relationships, race, and culture, the series is said to pull the curtain back and reboot the “family sitcom.” The series is reported to be similar to HBO’s “Curb Your Enthusiasm” in tone.

Barris and Jones will executive produce with Hale Rothstein, who has previously collaborated with Barris on his ABC series “Black-ish” and the Freeform spinoff “Grown-ish.” Barris will produce via his Khalabo Ink Society.

To read more: https://variety.com/2019/tv/news/kenya-barris-netflix-black-excellence-rashida-jones-1203210498/

Physicist Walter E. Massey to Receive Vannevar Bush Award from National Science Foundation For Contributions to Public Service and Technology

By goodblacknews on May 7, 2019
Walter E. Massey (Credit: Bree Witt/School of the Art Institute of Chicago)

The National Science Board (NSB) recently announced that Dr. Walter E. Massey will receive the prestigious Vannevar Bush Award. The award honors science and technology leaders who have made substantial contributions to the welfare of the nation through public service in science, technology, and public policy.

Dr. Massey will receive the Vannevar Bush Award on May 14 at the National Science Foundation Annual Awards Ceremony held in Washington, D.C.

Dr. Massey, chairman of Giant Magellan Telescope Organization and president emeritus of the School of the Art Institute of Chicago and Morehouse College, is being recognized for his exceptional lifelong leadership in science and technology. The range of institutions he has led with distinction is astonishing — from physics, to public policy, to public and private boards, to college president.

Walter Massey’s breadth of contributions and remarkable leadership in science, technology, and education are unparalleled,” said Kent Fuchs, chair of the NSB’s Committee on Honorary Awards. “Walter has dedicated his life to serving our citizens. Through his training in mathematics and physics, and his determined and extraordinary leadership, he has narrowed the gap between science and society with an immeasurable and lasting impact on our nation.”

Dr. Massey is a graduate of Morehouse College where he studied theoretical physics. He holds a Ph.D. in physics from Washington University in St. Louis, Missouri.

Two overarching principles have inspired Massey’s notable career — that science and technology are necessary to sustain the nation’s quality of life and the standard of living of its citizens; and that the general public’s understanding of science and technology is a critical component of a democratic society.

Guided by these principles for more than half a century, Massey has worked to strengthen applied research capacity and science education in the United States and to increase the representation of minorities and women in science and technology.

DOCUMENTARY: “Recorder: The Marion Stokes Project” Tells Story of Marion Stokes, Activist and Archivist Who Single-Handedly Preserved Over 30 Years of TV History

DOCUMENTARY: “Recorder: The Marion Stokes Project” Tells Story of Marion Stokes, Activist and Archivist Who Single-Handedly Preserved Over 30 Years of TV History

By goodblacknews on May 5, 2019

Marion Stokes privately recorded television twenty-four hours a day for over thirty years.

Stokes is the subject of Recorder: The Marion Stokes Project, a new documentary that highlights her work as an archivist, but paints a complex picture of a woman who was brushed off as an eccentric for most of her life. For thirty-plus years, multiple tapes (sometimes as many as eight) would record concurrently across multiple televisions as Stokes personally watched two monitors at once.

Former librarian Stokes, who became independently wealthy through technology and real estate investments, began casually recording television in 1977 and taped a variety of programs, but thought news was especially important.

In 1979 during the Iranian Hostage Crisis, which coincided with the dawn of the 24-hour news cycle, Stokes began recording MSNBC, Fox, CNN, CNBC, and CSPAN around the clock by running as many as eight television recorders at a time. Marion single-handedly built an archive of network, local, and cable news from her Philadelphia home, one tape at a time, recording every major (and trivial) news event until the day she died.

The taping ended on December 14, 2012 while the Sandy Hook massacre played on television as Stokes passed away from lung disease at the age of 83. In between, she recorded on 70,000 VHS tapes, capturing revolutions, lies, wars, triumphs, catastrophes, bloopers, talk shows, and commercials that tell us who we were, and show how television shaped the world of today.

“She was interested in access to information, documenting media, making sure people had the information they needed to make good decisions,” says the film’s director, Matt Wolf.

Stokes was no stranger to television and its role in molding public opinion. An activist archivist, she had been a librarian with the Free Library of Philadelphia for nearly 20 years before being fired in the early 1960s, likely for her work as a Communist party organizer.

From 1968 to 1971, she had co-produced Input, (which itself was recently recovered and digitized) a Sunday-morning talk show airing on the local Philadelphia CBS affiliate, with John S. Stokes Jr., who would later become her husband.

Input brought together academics, community and religious leaders, activists, scientists, and artists to openly discuss social justice issues and other topics of the day. Marion also was engaged in civil rights issues, helping organize buses to the 1963 civil rights march on Washington, among other efforts.

“Our vision is really aligned with Marion’s,” says Roger Macdonald, director of the television archives at the Internet Archive. “It’s really bold and ambitious: universal access to all knowledge.” Marion’s son had contacted the Internet Archive when he was trying to find a home for her tapes in 2013.

Macdonald immediately seized the opportunity. Those tapes were soon donated to the Internet Archive and are still in the process of being organized and digitized.

To read more about Marion Stokes and Recorder: The Marion Stokes Project (https://recorderfilm.com):

https://www.fastcompany.com/3022022/the-incredible-story-of-marion-stokes-who-single-handedly-taped-35-years-of-tv-news

https://www.atlasobscura.com/articles/marion-stokes-television-news-archive

https://theoutline.com/post/7370/recorder-documentary-marion-stokes-interview-matt-wolf?fbclid=IwAR3eFB6ld4rxYoKnFfEgR19qbBk76OAD1P_Ok2NcgQQeYylgacCKyoIBm0M&zd=3&zi=g25ve4g2

Upcoming screenings of Recorder: The Marion Stokes Project:

Montclair Film Festival
May 8, 12

Maryland Film Festival
May 9, 10

SF DocFest
June 8, 10

MCA Chicago
June 21

Interview with Recorder: The Marion Stokes Project director Matt Wolf, which includes clip from film at 6min mark:

Delaware State University Establishes Center for Global Africa to Educate Descendants of Enslaved People on Their African Past

By goodblacknews on May 3, 2019

via jbhe.com

HBCU Delaware State University has announced that it will soon establish a Center for Global Africa. The goal of the new center is to re-educate the descendants of enslaved people on not only their African past, but also to renew and strengthen their present connection to the continent of their ethnic origin.

Ezrah Aharone (photo via linkedin.com)

Ezrah Aharone, an adjunct professor of political science, has been the driving force behind the establishment of the center. He believes it will be a major conduit that connects scholars from HBCUs to Africa, where they will collaborate with the intellectual assets on that continent.

“The Center for Global Africa at DSU is designed to be a centralized location and agency to coordinate the diaspora involvement in the affairs of Africa,” Aharone said. “It is a coordinating institution that will involve other HBCUs, as well as corporation sponsors who will be directly involved in the economic facilitation in what we do.”

The new center already has plans to conduct an African economic development project involving asset mapping. Scholars from the center will travel to different African countries, evaluate their assets, and assist the country’s leaders in developing strategic plans for economic growth.

Faculty and students from the College of Business are also planning on contributing to the center’s efforts.

Dr. Akwasi Osei (via twitter.com)

Dr. Akwasi Osei, associate dean of the College of Humanities, Education, and Social Sciences, was a key contributor in the initial work for establishing the center. He believes that it is a great example of the global outreach and service that is happening at Delaware State.

“The idea of the descendants of Africa helping their kith and kin on the continent is not new; it has a long history,” said Dr. Osei. “The Center for Global Africa’s activities, therefore, represent a 21st Century contribution to this noble cause.”

Source: https://www.jbhe.com/2019/04/delaware-state-university-establishes-the-center-for-global-africa/

New Basquiat Exhibit at Guggenheim in NY to Center His Cultural Activism and Identity

By goodblacknews on April 30, 2019
Jean-Michel Basquiat Defacement (The Death of Michael Stewart), 1983 Acrylic and marker on wood, framed, 63.5 x 77.5 cm Collection of Nina Clemente, New York © Estate of Jean-Michael Basquiat. Licensed by Artestar Photo: Allison Chipak © Solomon R. Guggenheim Foundation, 2018

by Lori Lakin Hutcherson (@lakinhutcherson)

An exhibition of rarely-seen work by famed artist Jean-Michel Basquiat will be on display at the Solomon R. Guggenheim Museum in New York from June 21 to November 6 this year.

The Basquiat’s “Defacement”: The Untold Story exhibition will be supplemented with work by other artists of Basquiat’s generation and will explore a formative chapter in the artist’s career and the role of cultural activism in New York City during the early 1980s.

The exhibition takes as its starting point the painting Defacement (The Death of Michael Stewart), created by Basquiat in 1983 to commemorate the fate of the young, Black artist Michael Stewart at the hands of New York City transit police after allegedly tagging a wall in an East Village subway station.

Originally painted on the wall of Keith Haring’s studio, Defacement was not meant to be seen widely and has rarely been exhibited in a public context. With approximately twenty paintings and works on paper by Basquiat and his contemporaries, this presentation around Defacement will examine Basquiat’s exploration of Black identity, his protest against police brutality, and his attempts to craft a singular aesthetic language of empowerment.

The works on view by Basquiat will further illustrate his engagement with state authority as well as demonstrate his adaptation of crowns as symbols for the canonization of historical Black figures. Also featured will be archival material related to Stewart’s death, including diaries and protest posters, along with samples of artwork from Stewart’s estate.

Paintings and prints made by other artists in response to Stewart’s death and the subsequent criminal trial of the police officers charged in his killing to be presented include Haring’s Michael Stewart—U.S.A. for Africa (1985); Andy Warhol’s screenprinted “headline” paintings from 1983 incorporating a New York Daily News article on Stewart’s death; David Hammons’s stenciled print titled The Man Nobody Killed (1986), and Lyle Ashton Harris’s photographic portrait Saint Michael Stewart (1994), all of which are testaments to the solidarity among artists at the time and the years following.

To learn more: https://www.guggenheim.org/exhibition/basquiats-defacement-the-untold-story