Over the weekend, Good Black Newsoffered a remembrance and playlist of one of the world’s most iconic and influential jazz singers, Ella Fitzgerald, in honor of her 103rd birthday. But what about those women who also contributed mightily to jazz but are not commonly recognized?
“This week’s playlist is inspired by Giovanni Russonello’s New York Times piece, “10 Women in Jazz Who Never Got Their Due.” This collection includes the oft-forgotten artists mentioned in the piece, including Mary Lou Williams, Jutta Hipp, Marian McPartland, Hazel Scott, Dorothy Ashby, Shirley Scott and Alice Coltrane, though it also features several current artists who are also frequently overlooked like Vi Redd, Nubya Garcia, Linda Oh and others.
This one was a real pleasure and education to compile. Do enjoy. And stay safe, you all.”
According to Vulture, last week Beyoncé’s BeyGOOD initiative announced it is pledging $6 million to help fund organizations that tackle an often-overlooked element of the coronavirus pandemic: the mental-health toll on communities and essential workers.
In a statement, the organization announced that it is partnering with UCLA and Twitter CEO Jack Dorsey’s #startsmall efforts to provide “to organizations providing mental wellness services.”
BeyGOOD also will also partner with the National Alliance on Mental Illness to provide local support in Houston, New York, New Orleans, and Detroit. The statement from BeyGOOD on Beyoncé’s website states:
“Beyoncé’s BeyGOOD recognizes the immense mental and personal health burdens being placed on essential workers during the COVID-19 pandemic. In our major cities, African-Americans comprise a disproportionate number of workers in these indispensable occupations, and they will need mental health support and personal wellness care, including testing and medical services, food supplies and food deliveries, both during and after the crisis.”
Although I’m typically calm-if-a-bit-nerdy when I meet artists I admire, there is one time in my life I fully lost my natural mind for someone. That someone was the woman and musical legend Good Black News is celebrating today, April 25, on what would have been her 103rd birthday – Ella Fitzgerald.
To set the scene, it was the day of my college graduation in June of 1990. I was standing in my black cap and gown next to my roommates, as the graduating class formed something akin to a Soul Train line for alumni, professors and distinguished guests to walk through on the way to taking the stage for the ceremony. I’d spent four long, great years earning a bachelor’s degree at Harvard in American History and Literature with a minor in African-American Studies. I also DJ’d at the college radio station 92.3FM WHRB all four of those years.
In addition to being all about hip-hop, house, R&B and dance music, I fell in love with jazz at WHRB, too. So much so that I got up several mornings a week to jock the 6-8am “Jazz Spectrum” program at WHRB, and even found a way to incorporate jazz into my senior thesis by comparing jazz autobiography to the slave narrative. Not exactly everyone’s idea of a page-turner, I know, but it was nice and egghead-y, earned me high honors from my department, and was a sneaky way to earn credit while spending time deepening my nascent love of jazz and jazz history.
So when I heard Ella Fitzgerald – the singer whose interpretation of “Lullaby of Birdland” took my heart and mind to heights of joy so unexpected that I immediately began to consume her versions of every standard as if they were musical narcotics – was on the list of people receiving honorary degrees from Harvard that year, I was beyond thrilled. Ella, Billie Holiday, Sarah Vaughan and Nancy Wilson were my personal Mt. Rushmore of jazz singers, and having her name indelibly connected to my class was momentous.
But I also knew she’d had some recent health issues (she was 73 at the time) and did not expect her to accept her doctorate in person. In fact, I was saying pretty much that to my roommate Susan as several of the distinguished graduation guests filed past us. And then I turned. And saw her. Elegant. Beautiful. Smiling. Ella.
There was a consistent smattering of applause accompanying every step she took. When I finally caught my breath, all that came roaring out of my mouth was the primal scream – “ELLLLLLLAAAAA!!!! ELLLLLLLAAAAA!!!” I couldn’t stop. I was hopping up and down and cheering and – as I said before – losing my natural mind.
I saw on my roommate’s face and other faces around me that amused “Damn, what exactly is happening to her right now?” look, but that was all in slow motion and I did not care because a national treasure was walking towards me. The architect of vocal improvisation and scatting and so much pure jazz singing greatness was in my sights, and I could not contain myself.
I think Ella heard me before she saw me, because I saw her glance my way, smile, then veer close enough to lay her hand on my forearm. Yes, that’s right, I can now and forever brag that the one and only Ella Fitzgerald touched me.
As I observed her small but mighty hand on my forearm, it reminded me of my grandmother’s. From it I felt a gentle squeeze – and in that squeeze she communicated her amusement, her thanks, and, if I’m being 💯 about it, encouragement to get a gotdamn grip on myself and attempt some level of decorum. I was at my college graduation ceremony, her hand reminded me, not Showtime at the Apollo. And then she kept going down the line and when no more dignitaries were left to file past us, we collapsed the Soul Train line and headed to our seats.
https://youtu.be/or1kqkeGXrI
I have no idea what else was said or done during the rest of that ceremony – I spent most of it plotting with my wing woman Karen Moody on how to get close enough to the stage so I could ask Ella for her autograph. Moody offered to distract the security guard once the ceremony was over – she turned on her gift of gab and I was able to glide by and up to Miss Fitzgerald with a pen and the only paper I had, my graduation program. Ella graciously signed it and smiled at me once again as security quickly became undistracted and pointed me away.
Thirty years later, when I look back on this moment, I can’t help but ask myself exactly why I went so crazy. The obvious answer is, duh – ELLA FITZGERALD – but it was such lightning bolt of energy that came through me, it was more than that. Back then I didn’t know much about her life, her professional or personal struggles, but something in me knew to honor the totality of who she was, what she’d gone through and what she gave to this world.
Ella Fitzgerald deserved (and got) a full body-and-soul shout out from the younger generation through me that day. To let her know that she was seen, heard, loved and would never be forgotten, particularly by those, like me, who present to the world in the same type of package.
And here I am again, thirty years later, shouting out love and appreciation for the one and only Ella, master of tone, phrasing, intonation, improvisation and interpretation, so the next generation may know her and pass on to the next their appreciation for one of the best to ever do it.
Below is a playlist compiled in her honor, as well as several other resources and links to foster even more awareness of the “First Lady of Song.” Love you always, Ella!
The National Museum of African American History and Culture is celebrating National Poetry Month with a Digital Poetry Slam on Friday, April 24.
The Museum will accept videos of original poetry performances and still images of poetry-inspired creations that reflect four different themes: Resiliency, Hope, Community, and Jazz. Members, friends, families, aspiring poets, and artists of all ages are encouraged to participate.
If you are interested, visit NMAAHC’s websitefor inspiration, guidelines, and featured objects from the Museum’s collection.
You can also record a video of yourself performing a poetry piece, or your poetic creation based on one of the designated themes and share your video on your social media platforms using the hashtag #NMAAHCPoetrySlam and tag @NMAAHC so it can “like,” comment, and share.
Kanye West and fast-food chicken restaurant Chick-Fil-A have partnered to distribute 300,000 meals through the Los Angeles Dream Center to those in need during the Coronavirus pandemic.
According to foxnews.com, over 300,000 meals have already been served through the Los Angeles Dream Center since mid-March.
“Every morning I wake up and stand in the parking lot with our dedicated staff, I am blown away that day after day, week after week, there is enough food to provide to folks that need it,” Matthew Barnett, Dream Center co-founder, said in a statement to Fox News.
The Dream Center’s doors open seven days a week, from 7:30 a.m. to 6:30 p.m., to provide food and other essential items.
Because of Kanye West’s support, Fox reported, Barnett said they were able to expand their drive-thru meals to delivering to vulnerable seniors who need to remain isolated in their homes.
Chick-Fil-A came under fire when it was revealed that they had been donating funds for years to anti-LGBTQ Christian organizations. Once they faced public backlash, Chick-Fil-A promised to discontinue their support of the groups, in a November 2019 statement about their new giving strategy. In 2020, Chick-Fil-A promised to focus on promoting youth education, combating youth homelessness, and fighting hunger.
Though West and Chick-Fil-A have been politically controversial in recent years, working to feed Americans grappling with the new reality of food shortages, lost jobs and quarantined living, seems like a positive step for both.
GBN Contributor Marlon West is back once again with an excellent curation of songs that help define the breadth of music and culture of the diaspora. This week’s focus is a playlist that mixes genres but is tied together by the concept known as “Afrofuturism.”
In Marlon’s words:
“Hope this Monday finds you all staying safe, sane, and kind. Here’s another playlist from your friend and selector, Marlon. Afrofuturism addresses themes and concerns of the African diaspora through technoculture and science fiction. Afrofuturist ideas have been explored though literature, visual arts, film, and of course music. Hope you dig this playlist of artists working in that mode from the 1950s to the present-day.”
“Saturday Night Live” star and writer Michael Che has turned his grief into action to help others.
After his grandmother died from the coronavirus this month, on Instagram Wednesday Che offered to pay rent for all the residents in the apartment complex where she lived.
https://www.instagram.com/p/B_BRjZXpkMd/
Che’s grandmother Martha died April 5 after contracting COVID-19. “I’m obviously very hurt and angry that she had to go through all that pain alone,” Che wrote at the time. “But I’m also happy that she’s not in pain anymore.”
During “SNL’s” home edition last weekend, Che paid tribute by signing off “Weekend Update” as “Martha’s grandbaby.”
Last week, theWashington Post reported the White House rejected a bail out proposal for the United States Post Office, which is suffering mightily due to the coronavirus pandemic.
“Trump threatened to veto the $2 trillion Coronavirus Aid, Relief, and Economic Security Act, or CARES Act, if the legislation contained any money directed to bail out the postal agency, according to a senior Trump administration official and a congressional official who, like others in this report, spoke on the condition of anonymity.”
“We told them very clearly that the president was not going to sign the bill if [money for the Postal Service] was in it,” the Trump administration official said. “I don’t know if we used the v-bomb, but the president was not going to sign it, and we told them that.” Instead, Sens. Gary Peters (D-Mich.) and Ron Johnson (R-Wis.) added a last-minute $10 billion Treasury Department loan to the Cares Act to keep the agency on firmer ground through the spring of 2020, according to a Democratic committee aide.
The Postal Service projects it will lose $2 billion each month through the coronavirus recession while postal workers maintain the nationwide service of delivering essential mail and parcels, such as prescriptions, food and household necessities.
That work often comes at great personal risk. Nearly 500 postal workers have tested positive for the coronavirus and 462 others are presumptive positives, USPS leaders told lawmakers. Nineteen have died; more than 6,000 are in self-quarantine because of exposure.
Even the $10 billion loan will likely not be enough, according to Forbes. Postmaster General Megan Brennantold lawmakers on Thursday that the agency may run out of cash by September thanks to a $13 billion loss in revenue this year.
This crisis threatens the jobs of around 600,000 workers, a large percentage of who are people of color. It also threatens access to voting by mail, census counting by mail, and rural deliveries.
In the past few days, political leaders, journalists, celebrities and concerned citizens have been rallying behind hashtags such as #SaveThePostOffice, #SaveUSPS and #SaveTheUSPS to amplify the issue and publicize ways individuals and communities can help prevent the nation’s Postal Service from destruction:
Our postal service is on the verge of collapse. I’m calling on Congress to act swiftly to shore up USPS so that everyone can continue to receive essential medicines and supplies, and as many Americans as possible can vote from home. #SaveThePostOfficehttps://t.co/w844TL5ZWc
U.S. Senator Elizabeth Warren says she plans to call on Congress to save USPS.
Sherilyn Ifill, President & Director-Counsel of the NAACP Legal Defense and Educational Fund and sister to the late journalist and broadcaster Gwen Ifill (who was honored with a Black Heritage Stamp earlier this year), encourages citizens to call on Congress and the White House to #SaveTheUSPS:
“AM Joy” host Joy Reid tweeted more suggestions for citizens to support the Postal Service:
Here are 2 things you can do to make a positive difference this week: 1. Request to vote absentee in your state (in many states you can do it online or print out the request and send it in) 2. BUY STAMPS-Even just to collect the coolest ones. Let's all support the Postal Service!
New York Times writer Nicole Hannah Jones offers a thread of tweets worth clicking through to read about how USPS workers are disproportionately black and brown, and how devastating it would be to communities to lose post office jobs, benefits and pensions:
Actor and activist Danny Glover, whose parents both worked for the Post Office, weighed in on the need to protect USPS last July, and offered ideas such as postal banking to help low-income Americans and help the Post Office generate sustaining revenue:
We must protect the US postal service! Read my opinion piece on why maintaining these good jobs are critical for black and middle class families! https://t.co/pVJOslC2BS
In 2018, average Postal Service wages were $51,540 a year, just slightly below the average for all U.S. workers. According to the Institute for Policy Studies, wages were substantially lower in the nine other occupations in which blacks make up at least 25% of employees. For example, home health aides, 26.1% of whom are black, averaged just $25,330 per year. Barbershop employees, 30.8% of whom are black, earned $33,220.
Instead of more cuts, policymakers should do away with the onerous pre-funding mandate and explore new profit sources, such as postal banking. One government report found that expanding services such as check cashing, bill payment and electronic money orders could generate as much as $1.1 billion in annual revenue after five years — all while dramatically expanding financial services for low-income Americans.
GBN Contributor Marlon West is back again this week with his excellent curation of a sub-genre known as “Soul Jazz.”
In Marlon’s words:
“Heavily influenced by funk, gospel, and R&B, Soul Jazz emerged in the late 1950 and ‘60s. Artists like Jimmy Smith, Shirley Scott, and Art Blakey were not going to take the popularity of soul music laying down. They created music designed for jukeboxes of the time, and is still endlessly sampled and influential today.”
Of course, it would take a superstar group of powerful Black women to sell and make a movie about The Clark Sisters, the pioneering Detroit siblings who are now in their fifth decade of rocking the gospel music world.
Tonight’s “The Clark Sisters: First Ladies of Gospel” (airing on Lifetime at 8PM) comes from executive producers Queen Latifah, Mary J. Blige and Missy Elliott, co-executive producer Holly Davis Carter, writer Camille Tucker and director Christine Swanson.
I had my own Clark Sisters experience while working as an executive at TV One back in 2007-08, where The Clark Sisters were the subjects of one of the very first episodes of network’s successful biography series “UnSung,” a show I developed and initially oversaw.
At the time, I generally knew enough about The Clark Sisters to recognize their breakthroughs in transforming the gospel music sound – and I felt that the world had not generally afforded them enough credit for that. But I didn’t know much else about their personal story and ended up fascinated by the conflicts and struggle, and of course, all the music. It’s not a surprise to me that producer Carter said she’s been trying to make this movie for 15 years – it is a worthy story to tell.
In honor of this movie accomplishment, Good Black News offers a career-spanning Spotify playlist below to allow you to keep enjoying the patented Clark Sister Sound all weekend long.
The Clark Sisters Playlist was crafted to include most of the key hits from The Clark Sisters – as well as highlights from the solo careers of Karen Clark Sheard, Dorinda Clark-Cole, Twinkie Clark, and even from next generation Clark family gospel superstar Kierra Sheard (who plays her mom Karen in the movie). For good measure, there’s also a rare solo track from Jacky Clark-Chisholm (a duet with movie exec producer Blige), and a coda from Dr. Mattie Moss Clark herself.
Jacky, Denise, Elbernita (Twinkie), Dorinda, and Karen were the five daughters of Mattie Moss Clark, a pioneering gospel music figure herself, who while raising her daughters also served as a minister of music for the Church of God In Christ, first at the local level in Michigan, but eventually at the national level.
