Oprah Winfrey opened her talk show’s 25th and final season Monday with the surprise of a lifetime for her audience, a favorite tactic for the media maven. The 300 audience members will travel to Australia in December — courtesy of Winfrey — on an eight-day, seven-night trip that has been in the making for nearly a year, according to her production company, Harpo Productions. While there, the Sydney Opera House will be the site of a special “Oprah Winfrey Show” taping before thousands of Australian fans.
Monday’s surprise trip rivals one of Winfrey’s most famous episodes, when she gave away cars to each of her audience members to open her 19th season in 2004. She’s also known for giving away thousands of dollars in gifts to the lucky audience members who attend her annual “Favorite Things” show.
Winfrey announced last year that she would be taking her longtime talk show off the air.
“Twenty-five years feels right in my bones and it feels right in my spirit. It’s the perfect number — the exact right time,” Winfrey said in a statement at the time. Since then, the television mogul has said her show will go out with a bang. As of January 1, Winfrey will move on to her new OWN network, and as a result, she told TV Guide that she has different standards for her guests for the upcoming season. “This year will be about creating moments,” she said.
The premiere week of “The Oprah Winfrey Show” will feature an appearance by country stars Naomi and Wynonna
Judd; a return visit to Williamson, West Virginia, where Winfrey did an episode on HIV/AIDS in 1987, to talk with the guests of that show; a one-on-one with Bethany Storro, a victim of an acid attack caused by a stranger; and the announcement of Winfrey’s latest book club selection, according to a press release. The premiere episode is supposed to be filled with celebrity guests and a surprise musical performance. “The Oprah Winfrey Show” first hit national airwaves on September 8, 1986.
“I was beyond excited … and as you all might expect, a little nervous,” Winfrey said in her statement announcing the show’s last season. “I knew then what a miraculous opportunity I had been given, but I certainly never could have imagined the ‘yellow brick road’ of blessings that have led me to this moment with you.” Winfrey told TV Guide, “the show hasn’t been a big part of my life. It’s been my life. I didn’t have children. I had the show. “I don’t intend to be crying the whole season,” she told TV Guide. “The only time I get really emotional and nostalgic about the show is when I think about the viewers. Hopefully some of them will follow me to OWN, but I know not everybody will.”
But leaving behind “The Oprah Winfrey Show” won’t be the end of her entertainment career. OWN, short for the Oprah Winfrey Network, is touted as “a multi-platform media company designed to entertain, inform and inspire people to live their best lives.” It launches on what is currently the Discovery Health Channel.
Good Black News
Pelton, 59, will succeed Jacqueline Liebergott when she retires in July 2011, after leading the college for 18 years. Liebergott, Emerson’s first female president, was responsible for moving the college from its aging facilities in the Back Bay to the edge of Boston Common and revitalizing the city’s historic theater district, once riddled with adult book stores and other seedy businesses. Peter Meade, chairman of Emerson’s board of trustees, said yesterday that Pelton was chosen for his experience, intellect, and passion. “Lee is the total package,’’ Meade said. “In terms of diversity, we are about average in Boston, which is not where we want to be,’’ Meade said. “It was one of the things that was clearly a priority, and we asked every candidate about it.’’ At Emerson, minorities made up 20 percent of the tenure-line professors last year.
Pelton has managed to increase student and faculty diversity at Willamette during his 12-year tenure. The number of minority students at the 1,850-student university jumped from 10 percent of the student body when Pelton arrived in 1998 to 25 percent this year, he said; the school now has the largest percentage of minority students of any four-year college in the Pacific Northwest. The number of minority professors also doubled under Pelton’s leadership, rising from 7 percent to 14 percent of the 296-member faculty in the last seven years, according to a Willamette spokesman. If, during the course of a search for a specialist in a particular field, a department discovered a promising minority candidate in a different field, Pelton said, he would allow faculty to invite the candidate for an interview to fill a role the department had not originally been seeking.
Pelton also started a fellowship program for minority graduate students from across the nation to spend two years at Willamette to finish their dissertations, teach a couple of courses, and increase the employment pipeline for the college. At Emerson, Pelton said he will consider similar initiatives, as well as forge alliances with local organizations involved in preparing minority and low-income students for college, and strengthen the school’s admissions outreach. In addition to making diversity a priority, Pelton said he will take up the board’s goal of protecting and expanding Emerson’s identity.
“Emerson is an exciting, cutting-edge college of communication and arts,’’ Pelton said. “I am passionate about the arts. I am deeply engaged in what I call the techno-cultural revolution that we are in. And I believe that Emerson has the capacity to be an intellectual and academic leader in both of these areas.’’ Meade said he hopes Emerson will have a larger international presence under Pelton’s leadership. It has already begun to forge partnerships with institutions in China, South Korea, and Japan, he said. “We need to be at the cutting edge of the communications revolution that is taking place every day, and I believe we’ve chosen a president who understands and embraces that,’’ Meade said.
In a speech to faculty and students yesterday in Emerson’s Cutler Majestic Theatre, Pelton said he was drawn to the university in part because of his daughter, who is a junior this year. “Today, I stand here as an extreme representative example of that thing which college and university presidents most dread and loathe: the helicopter parent, one who not only hovers nosily above presidential offices, but actually, in my case, moves to college with his firstborn child,’’ Pelton said. A native of Wichita, Kansas, Pelton graduated magna cum laude with degrees in English and psychology from Wichita State University in 1974, focusing on 19th century British prose and poetry. He holds a doctorate from Harvard University, where he taught English and once served on the board of overseers. He was also a college dean at Colgate University and Dartmouth College, prior to assuming the Willamette presidency.
Tracy Jan can be reached at tjan@globe.com
article via boston.com
via todaysdrum.com
The late leader of one of America’s noted Black women’s organizations will be celebrated during an event that highlights the strength and value of the African-American family.
Dorothy Height, the former chair and president emerita of the National Council of Negro Women (NCNW) who died on April 20, will be the focus of the 25th annual National Black Family Reunion Celebration on Sat., Sept. 11 on the National Mall. The Black Family Reunion is the signature program of the NCNW — which is celebrating its 75th anniversary this year. “We are planning to have a huge mega-festival that will feature a special tribute to Dr. Height,” Avis A. Jones-DeWeever, the executive director of the NCNW, said.
via todaysdrum.com
JOCELYN NOVECK,AP National Writer
WASHINGTON (AP) — The stately White House East Room, home to many a bill signing and ceremonial gathering, became a stage Tuesday for pirouettes, jetes, gravity-defying leaps and a few bumps and grinds as Michelle Obama inaugurated a new dance series.
Dancers of all types — ballet, modern, hip hop and Broadway — took over the room, first for a series of workshops in which students from around the country had a chance to learn from the pros.
After a short break, the students were to return to see their mentors for the day perform in an hour-long, star-studded show. Even Broadway’s young “Billy Elliot” was there — well, four Billys actually, from the show’s rotating cast.
But the main attraction was the Alvin Ailey American Dance Theater, whose celebrated artistic director, Judith Jamison, soon to retire after two decades in the job, was the honoree of the event. At the afternoon workshops, young girls in leotards, their hair tightly wrapped in buns, sprawled on the shiny East Room floor, stretching their legs into splits as they warmed up. Jamison watched with a smile on her face as current Ailey dancers then taught the kids — about 100 boys and girls from across the country — excerpts from Ailey’s “Revelations,” one of the most beloved works in all of modern dance. “Slow! Slooooow,” intoned teacher Nasha Thomas-Schmitt, urging the kids at one point to take their time with a stretch.
“Wow,” said Damian Woetzel, director of the event and a former star of New York City Ballet, after the Ailey workshop. “Now you’ve danced in the White House!” he told the kids.
The 67-year-old Jamison is an icon of the dance world. She joined the Ailey company in 1965 and became the choreographer’s muse, her dramatic power as a dancer epitomized in the unforgettable 1971 solo piece “Cry.” In 1989, after Ailey’s death, she took over as artistic director. She is scheduled to step down in 2011.
“What a rare opportunity, to be invited by your country’s first lady to be honored like this,” Jamison said in a weekend interview. “I’ve been to the White House a couple of times before, but this event is totally unique. It’s so terribly important to recognize this art form and to understand how important it is to the fabric of this country.” “This will be another clarion call to people: Pay attention to your arts!” Jamison said. “My dancers are so excited.”
Woetzel, who is on the President’s Committee on the Arts and Humanities, had a dizzying array of choices from which to cull an hour of the country’s best dance. And he said it wasn’t exactly hard to find dancers, no matter that the event came just after a summer vacation weekend.
“Everyone was so excited to be a part of this,” Woetzel said in an interview. “It’s really an exciting opportunity to present the variety of dance in this country. And the student component makes it especially unique. It’s a great way to start the school year.”
Though the Obamas have spotlighted many varieties of music since they came to the White House — there have been events celebrating Latin music, rock, jazz, country, classical and Broadway show tunes — the dance world might have felt ignored, until now. But Michelle Obama seems to be a dance fan. Jamison noted proudly that the Obamas and their daughters spent one of their first nights out as first family taking in an Ailey performance at the John F. Kennedy Center for the Performing Arts.
“They came backstage, took pictures — the dancers were thrilled,” she said. Also on the program Tuesday: the Paul Taylor Dance Company, The Washington Ballet, Super Cr3w and the New York City Ballet. The students came from dance schools around the country: The Alvin Ailey School, Ballet Hispanico, Cab Calloway School of the Arts, Dance Theatre of Harlem, the Chicago Multicultural Dance Center and others.
Copyright 2010 The Associated Press.
The Brit actor who’s just signed to play maverick cop Alex Cross in David Twohy’s Cross, stars in the 6-part BBC mini-series Luther playing another maverick cop (think Cracker meets Prime Suspect meets Wallender). Luther uses the Columbo trick of letting the viewer discover early on who the murderer is – the suspense comes from watching how Luther will catch the murderer. Brit TV reviewers agreed Elba saved a tired formula “pitched somewhere in that territory between fantasy and cliché that commissioning editors find so irresistible,” humphed the Guardian, while the Daily Telegraph said: “Luther lets Elba down”. Poor early reviews impacted ratings. From an audience of 5.8 million (24%) for its first outing, ratings fell to 3.1 million (12.3%) by episode five. Despite falling ratings, the Beeb announced at the Edinburgh TV festival it was commissioning Luther for a couple more two-hour specials. Luther premieres October 17.
via deadline.com
A federal judge on Friday approved Eastman Kodak Co.’s $21.4 million offer to settle class-action lawsuits by black employees who maintained white counterparts were favored over them for pay and promotion.
http://www.thegrio.com/news/judge-oks-kodaks-settlement-of-race-based-lawsuit.php