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TNT Renews Jada Pinkett Smith's "Hawthorne"

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via tnt.tv

TNT has written a prescription for a third season of the powerful medical drama HAWTHORNE, starring and executive-produced by Jada Pinkett Smith (Collateral, The Matrix trilogy). TNT has ordered 10 new episodes of the hit series, which is slated to return in 2011. Created by Emmy® winner John Masius (St. Elsewhere, Providence, Dead Like Me), HAWTHORNE premiered in summer 2009 and ranked as one of ad-supported cable’s Top 5 new series of the year. In its second season in summer 2010, the series continued its success, averaging 3.7 million viewers and ranking as ad-supported cable’s #1 Tuesday program among women 25-54.
“With its memorable characters, powerful performances and moving storylines, HAWTHORNE takes us on a dramatic journey through the world of a hospital on the brink of collapse,” said Michael Wright, executive vice president and head of programming for TNT, TBS and Turner Classic Movies (TCM). “This series has performed extremely well among our key demos and proven itself to be a great summer series. We are very excited to continue working with Jada and HAWTHORNE’s outstanding production team and cast.”
HAWTHORNE stars Pinkett Smith as Christina Hawthorne, an impassioned Chief Nursing Officer struggling to whip a failing hospital – and her personal life – into shape. Michael Vartan (Alias) co-stars as Dr. Tom Wakefield, who has a complicated personal relationship with Christina. The series also stars Suleka Mathew (Men in Trees), David Julian Hirsh (Lovebites), Christina Moore (90210), Vanessa Lengies (American Dreams) and Hannah Hodson (The Ron Clark Story).
HAWTHORNE comes to TNT from Sony Pictures Television in association with Overbrook Productions and Jamie Tarses’ FanFare Productions. The second season of HAWTHORNE was executive-produced by Pinkett Smith; Glen Mazzara (The Shield, Crash, Life); Jamie Tarses (My Boys, TNT’s upcoming series Franklin & Bash); Masius; and Miguel Melendez.
article via deadline.com

TNT Renews Jada Pinkett Smith’s “Hawthorne”

Media_httpicdnturnerc_dzkyg
via tnt.tv

TNT has written a prescription for a third season of the powerful medical drama HAWTHORNE, starring and executive-produced by Jada Pinkett Smith (Collateral, The Matrix trilogy). TNT has ordered 10 new episodes of the hit series, which is slated to return in 2011. Created by Emmy® winner John Masius (St. Elsewhere, Providence, Dead Like Me), HAWTHORNE premiered in summer 2009 and ranked as one of ad-supported cable’s Top 5 new series of the year. In its second season in summer 2010, the series continued its success, averaging 3.7 million viewers and ranking as ad-supported cable’s #1 Tuesday program among women 25-54.

“With its memorable characters, powerful performances and moving storylines, HAWTHORNE takes us on a dramatic journey through the world of a hospital on the brink of collapse,” said Michael Wright, executive vice president and head of programming for TNT, TBS and Turner Classic Movies (TCM). “This series has performed extremely well among our key demos and proven itself to be a great summer series. We are very excited to continue working with Jada and HAWTHORNE’s outstanding production team and cast.”

HAWTHORNE stars Pinkett Smith as Christina Hawthorne, an impassioned Chief Nursing Officer struggling to whip a failing hospital – and her personal life – into shape. Michael Vartan (Alias) co-stars as Dr. Tom Wakefield, who has a complicated personal relationship with Christina. The series also stars Suleka Mathew (Men in Trees), David Julian Hirsh (Lovebites), Christina Moore (90210), Vanessa Lengies (American Dreams) and Hannah Hodson (The Ron Clark Story).

HAWTHORNE comes to TNT from Sony Pictures Television in association with Overbrook Productions and Jamie Tarses’ FanFare Productions. The second season of HAWTHORNE was executive-produced by Pinkett Smith; Glen Mazzara (The Shield, Crash, Life); Jamie Tarses (My Boys, TNT’s upcoming series Franklin & Bash); Masius; and Miguel Melendez.

article via deadline.com

President Barack Obama To Publish Children's Book

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WASHINGTON — President Barack Obama, a publishing phenomenon even before he won the White House, has a new book about to hit the shelves — profiling inspirational historic Americans for children.

“Of Thee I Sing: A Letter to my Daughters” is a 40-page picture book and will have an initial print run of half a million copies when it is released on November 16 — not coincidentally two weeks after congressional elections.
Obama penned the book before he was elected and proceeds from its sale will go to a scholarship fund for the children of US soldiers killed or disabled in wars abroad. The president’s publisher, Random House, praised the work as an “inspiring marriage of words and images, history and story.” “‘Of Thee I Sing: A Letter to My Daughters’ celebrates the characteristics that unite all Americans — the potential to pursue our dreams and forge our own paths,” the company said in a press release.
The book celebrates figures including the first president George Washington, and Jackie Robinson, who broke down barriers by becoming the first African American baseball player in the major leagues. The title is taken from the lyrics of “My Country, ‘Tis of thee” an early American patriotic song. Obama’s previous books, the autobiographical “Dreams from My Father” published in 1995, and the political manifesto “The Audacity of Hope” which came out in 2006, have been huge international bestsellers. They have also secured Obama’s financial future. The president and his wife Michelle declared a joint gross income of 5.5 million dollars for 2009 alone — almost all of it based on royalties from his books.
Copyright © 2010 AFP. All rights reserved.

President Barack Obama To Publish Children’s Book

Media_httpwwwgoogleco_iijpj
WASHINGTON — President Barack Obama, a publishing phenomenon even before he won the White House, has a new book about to hit the shelves — profiling inspirational historic Americans for children.

“Of Thee I Sing: A Letter to my Daughters” is a 40-page picture book and will have an initial print run of half a million copies when it is released on November 16 — not coincidentally two weeks after congressional elections.
Obama penned the book before he was elected and proceeds from its sale will go to a scholarship fund for the children of US soldiers killed or disabled in wars abroad. The president’s publisher, Random House, praised the work as an “inspiring marriage of words and images, history and story.” “‘Of Thee I Sing: A Letter to My Daughters’ celebrates the characteristics that unite all Americans — the potential to pursue our dreams and forge our own paths,” the company said in a press release.

The book celebrates figures including the first president George Washington, and Jackie Robinson, who broke down barriers by becoming the first African American baseball player in the major leagues. The title is taken from the lyrics of “My Country, ‘Tis of thee” an early American patriotic song. Obama’s previous books, the autobiographical “Dreams from My Father” published in 1995, and the political manifesto “The Audacity of Hope” which came out in 2006, have been huge international bestsellers. They have also secured Obama’s financial future. The president and his wife Michelle declared a joint gross income of 5.5 million dollars for 2009 alone — almost all of it based on royalties from his books.

Copyright © 2010 AFP. All rights reserved.

5 Webcomics Created by African Americans

5 Webcomics Created by African Americans

by anjuan

July 29, 2010

5 Webcomics Created by African AmericansThe opening of the massive Comic-con convention last week provided days of comic book related news coverage.  However, few of the images from that event were of African Americans.  The dearth of African American perspectives in mainstream comic books inspired many black artists to create webcomics.  Webcomics are online sites that present a story in comic book form.  The success of Boondocks and the current global recession were motivators for many of these artists to try their hand at starting an online webcomic business.  These five webcomics present a sample of African American entrepreneurs who are presenting a different perspective on the web.
A Pug Named Fender
The LessonCreated by Houston based artist Fave, A Pug Named Fender chronicles the adventures of a pug as he enjoys the thrills of barbecue, music, technology, and other essentials that make life worth living.  This recently launched webcomic has already featured guest appearances by soul music artists like Questlove.  New episodes of A Pug Named Fender are posted every Tuesday and Thursday.
JOE!
#87. – Facebook Saga (Part 3)
Michelle Billingsly created JOE! to capture the life the title character, a rambunctious 10 year old.  This webcomic doesn’t just focus on Joe and has created a cast with well developed characters.  There is no regular update schedule, but new strips come out about twice a month.
Addanac City
AC Classic~ We’re Gonna Have To Let You Go
George Ford publishes Addanac City which depicts the shenanigans of Hank Addanac. It’s an interesting mix of Calvin and Hobbes and Phineas and Ferb.  Ford keeps a rigorous schedule of publishing seven comics a week that goes back to August 2008.  The cast is very diverse and both the writing and art show a high degree of quality.
Redux Deluxe
Introductions
Charles Arrington’s Redux Deluxe covers the adventures of three boys named CJ, Chris, and Rob as they try to retrieve a lost basketball from a neighborhood girl named Angela.  Containing many references to comic book and video game culture, new episodes of Redux Deluxe come out twice a week.
Company Man
image
Phoenix artist Frank Jordan publishes a new Company Man strip five days a week.  I offers a humorous look at the lives of a diverse cast of characters.  The content of the humor make it a webcomic for mature readers.  The artists behind these five webcomics are using new media to present the diverse perspectives of African Americans through the comic art form.  Both the comic book and webcomic industries tend to be representative of white culture, and these webcomics offer a refreshing dose of color commentary.
via blackweb20.com

Drama Professor Now 'Directing' Undergraduate Education At Stanford

L.A. Cicero Harry J. Elam Jr.
Harry J. Elam Jr. became the Freeman-Thornton Vice Provost for Undergraduate Education five months after the university announced plans for a comprehensive review of undergraduate education.

BY KATHLEEN J. SULLIVAN
As the oldest son of the first black chief justice on the Boston Municipal Court, Harry J. Elam Jr. long thought he would follow in his father’s legal footsteps.Until Elam realized – as a senior at Harvard College – that he was more interested in the drama of the courtroom than the law practiced within its walls.“When I was going off to UC-Berkeley to get a PhD in dramatic arts, I asked my father if he was disappointed in that choice,” Elam, the new vice provost for undergraduate education at Stanford, recalled during a recent interview.Elam got a surprising answer during that conversation more than three decades ago, a reply that seems to astonish and delight him even to this day.“My father said that” – here, Elam burst out laughing – “the one thing he would have been if he wasn’t a lawyer was an actor.”His father, who is now 88 years old, had already demonstrated his skill as an impresario by filling the house when his two sons – Harry, then a senior in high school, and the late Keith Elam, then in seventh grade – helped mount a production of A Medal for Willie, written by William B. Branch.“The Family,” a black youth theater troupe at Noble and Greenough School – the private school both sons attended – staged a summer production of the 1951 play, in which a southern African American woman rejects the medal posthumously awarded to her soldier son for bravery during World War II.“My father sent all his friends – jokingly – summonses to come to the play,” Elam said, sitting at a small round table in his office in Sweet Hall one recent summer morning. “For two nights, 500 people came – in the summer in Boston – to see A Medal for Willie, which my brother had a small part in.”Elam said his 81-year-old mother, who was the co-director of library programs in the Boston public school system, took him to plays as a child and encouraged his interest in theater. “Nothing was more important to her than reading,” he said.
Early acting career
Elam, who joined Stanford’s drama faculty in 1990 and is now the Olive H. Palmer Professor in Humanities, said acting was a big part of his undergraduate years at Harvard.
L.A. Cicero Harry Elam with Anne DazeyHarry Elam prepares for a lunchtime meeting while going over the rest of his schedule with Administrative Associate Anne Dazey.
“I loved to act at that point,” Elam said, adding with a laugh, “until I realized, years later, that probably I wasn’t that good.”At Harvard, Elam earned a bachelor’s degree in social studies, a cross-disciplinary major that focused on social change.Elam, who directed plays in high school, continued directing as a doctoral student at UC-Berkeley, after a professor asked him to direct skits in a class on Chicano drama.There, Elam discovered what he described as an “incredible connection” between the plays of Luis Valdez and El Teatro Campesino, a theatrical troupe founded as the cultural arm of the United Farm Workers Union in 1965, and the plays of Amiri Baraka (formerly LeRoi Jones), an African American artist – poet, essayist, playwright, music critic – and political activist.“All of a sudden my dissertation topic changed,” Elam said.“I wanted to look comparatively between African American drama in the 1960s and Chicano theater of that same time period. I wanted to see how theater functions as a mechanism for social activism and, to push further, to develop a theory about how to evaluate such theater. Such theater is necessarily ephemeral and often didactic, and some people were saying it wasn’t such great theater. But since its ends are social, I felt that it needed a much different means of analyzing it.”It was a topic that would become the focus of Elam’s first book of dramatic criticism, Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka, which was published in 2001.While Elam was writing his dissertation, he accepted a teaching post at the University of Maryland and moved to Washington, D.C., in 1983.He enjoyed living in the nation’s capital but was eager to return to California. He accepted a visiting position in Stanford’s Drama Department in 1989 and joined the department as an associate professor the following year. At that point, he said, everyone in the department had published two books – except him.At first, he found the situation a bit intimidating.“But it was intimidation that drove me to work and to achieve at that level – as a scholar,” Elam said. “What I feel really lucky about during the years I was struggling to find myself and embrace the word ‘scholar’ was the partnership, collaboration, support and mentorship I received at Stanford, inside and outside the department, from people who were able and willing to give of their time.”
Author and editor of six books
Since then, Elam has written and edited six books. In 2006, he was inducted into the prestigious College of Fellows of the American Theatre.Elam became director of the Committee on Black Performing Arts when he arrived at Stanford, a position he held for 18 years. For eight years he also was the director of the Institute for Diversity in the Arts, which is devoted to exploring questions of race and diversity through the lens of artistic practice and performance. Elam has served as the chair and the director of graduate studies in the Drama Department.In addition, he was the senior associate vice provost for undergraduate education, working for two years under former vice provost John Bravman, now the president of Bucknell University.“Working in administration enables you to help shape the vision of an institution you care deeply about,” Elam said. “For me, being able to ‘sell’ Stanford, or to help Stanford, or to make Stanford a better experience, are critically important tasks and not at all antithetical to the other things I am – a scholar and a teacher.”
L.A. Cicero Harry Elam with Tom EhrlichTom Ehrlich, former dean of the Stanford Law School, discusses undergraduate education with Elam.
Elam compared working in university administration to directing a play.“When you’re directing a play, you are sharing your vision of the play with the audience, but it’s a vision informed by all the other artists involved in the production, including the actors and set designers,” said Elam, who has directed theater professionally for nearly two decades.“The play works best when everyone feels that they are working to their fullest, that they are contributing to the whole, and that it’s going to become this great thing as they go forth – the play. It’s also about an ‘end,’ because the play has to be performed. All of those things are true about university administration.”Elam became the Freeman-Thornton Vice Provost for Undergraduate Education five months after Stanford announced plans for a comprehensive review of undergraduate education. At that time, Elam was co-chair of the task force conducting the review, known as the Study of Undergraduate Education at Stanford. The task force is expected to present its recommendations in the fall of 2011.“One of the most important questions for the task force, and for me and the Office of the Vice Provost for Undergraduate Education, is ‘How do we reach and teach the new millennial learner,'” Elam said, referring to the current generation of students, which is made up of technologically savvy, confident, pressured, team-oriented individuals who have unusually strong relationships with their parents and a strong desire to achieve.The world has changed dramatically since Stanford transformed undergraduate education on the Farm 15 years ago with new programs, including undergraduate research and the Introduction to the Humanities (IHUM) program for freshmen.Under the new review, Stanford is looking for ways to prepare the students of today to become the global citizens of tomorrow.After becoming vice provost, Elam stepped down as co-chair of the task force. Susan McConnell, the Susan B. Ford Professor in Biology and a member of the task force, replaced him, joining James Campbell, the Edgar E. Robinson Professor in U.S. History. Elam said the combination – which unites professors from the humanities and the natural sciences – strengthens the task force.Elam will be getting to know some of those millennial students during the fall quarter, when he and his wife, Michele Elam, the Martin Luther King Centennial Professor, will be team teaching Beyond Survival, an interdisciplinary IHUM course, to incoming freshmen. The course will investigate the question: How do men and women survive – and overcome physical deprivation and social oppression – physically, intellectually, creatively and spiritually?“I am truly excited about teaching IHUM this year, not simply because I enjoy team working with my wife, Michele, but because I relish the interaction with Stanford undergraduates,” Elam said. “And I have this opportunity to try and make my teaching practice benefit from all the important ideology discussions that I have taken part in for the Study of Undergraduate Education at Stanford.”

Drama Professor Now ‘Directing’ Undergraduate Education At Stanford

L.A. Cicero Harry J. Elam Jr.
Harry J. Elam Jr. became the Freeman-Thornton Vice Provost for Undergraduate Education five months after the university announced plans for a comprehensive review of undergraduate education.

BY KATHLEEN J. SULLIVAN

As the oldest son of the first black chief justice on the Boston Municipal Court, Harry J. Elam Jr. long thought he would follow in his father’s legal footsteps.Until Elam realized – as a senior at Harvard College – that he was more interested in the drama of the courtroom than the law practiced within its walls.“When I was going off to UC-Berkeley to get a PhD in dramatic arts, I asked my father if he was disappointed in that choice,” Elam, the new vice provost for undergraduate education at Stanford, recalled during a recent interview.Elam got a surprising answer during that conversation more than three decades ago, a reply that seems to astonish and delight him even to this day.“My father said that” – here, Elam burst out laughing – “the one thing he would have been if he wasn’t a lawyer was an actor.”His father, who is now 88 years old, had already demonstrated his skill as an impresario by filling the house when his two sons – Harry, then a senior in high school, and the late Keith Elam, then in seventh grade – helped mount a production of A Medal for Willie, written by William B. Branch.“The Family,” a black youth theater troupe at Noble and Greenough School – the private school both sons attended – staged a summer production of the 1951 play, in which a southern African American woman rejects the medal posthumously awarded to her soldier son for bravery during World War II.“My father sent all his friends – jokingly – summonses to come to the play,” Elam said, sitting at a small round table in his office in Sweet Hall one recent summer morning. “For two nights, 500 people came – in the summer in Boston – to see A Medal for Willie, which my brother had a small part in.”Elam said his 81-year-old mother, who was the co-director of library programs in the Boston public school system, took him to plays as a child and encouraged his interest in theater. “Nothing was more important to her than reading,” he said.

Early acting career

Elam, who joined Stanford’s drama faculty in 1990 and is now the Olive H. Palmer Professor in Humanities, said acting was a big part of his undergraduate years at Harvard.

L.A. Cicero Harry Elam with Anne DazeyHarry Elam prepares for a lunchtime meeting while going over the rest of his schedule with Administrative Associate Anne Dazey.

“I loved to act at that point,” Elam said, adding with a laugh, “until I realized, years later, that probably I wasn’t that good.”At Harvard, Elam earned a bachelor’s degree in social studies, a cross-disciplinary major that focused on social change.Elam, who directed plays in high school, continued directing as a doctoral student at UC-Berkeley, after a professor asked him to direct skits in a class on Chicano drama.There, Elam discovered what he described as an “incredible connection” between the plays of Luis Valdez and El Teatro Campesino, a theatrical troupe founded as the cultural arm of the United Farm Workers Union in 1965, and the plays of Amiri Baraka (formerly LeRoi Jones), an African American artist – poet, essayist, playwright, music critic – and political activist.“All of a sudden my dissertation topic changed,” Elam said.“I wanted to look comparatively between African American drama in the 1960s and Chicano theater of that same time period. I wanted to see how theater functions as a mechanism for social activism and, to push further, to develop a theory about how to evaluate such theater. Such theater is necessarily ephemeral and often didactic, and some people were saying it wasn’t such great theater. But since its ends are social, I felt that it needed a much different means of analyzing it.”It was a topic that would become the focus of Elam’s first book of dramatic criticism, Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka, which was published in 2001.While Elam was writing his dissertation, he accepted a teaching post at the University of Maryland and moved to Washington, D.C., in 1983.He enjoyed living in the nation’s capital but was eager to return to California. He accepted a visiting position in Stanford’s Drama Department in 1989 and joined the department as an associate professor the following year. At that point, he said, everyone in the department had published two books – except him.At first, he found the situation a bit intimidating.“But it was intimidation that drove me to work and to achieve at that level – as a scholar,” Elam said. “What I feel really lucky about during the years I was struggling to find myself and embrace the word ‘scholar’ was the partnership, collaboration, support and mentorship I received at Stanford, inside and outside the department, from people who were able and willing to give of their time.”

Author and editor of six books

Since then, Elam has written and edited six books. In 2006, he was inducted into the prestigious College of Fellows of the American Theatre.Elam became director of the Committee on Black Performing Arts when he arrived at Stanford, a position he held for 18 years. For eight years he also was the director of the Institute for Diversity in the Arts, which is devoted to exploring questions of race and diversity through the lens of artistic practice and performance. Elam has served as the chair and the director of graduate studies in the Drama Department.In addition, he was the senior associate vice provost for undergraduate education, working for two years under former vice provost John Bravman, now the president of Bucknell University.“Working in administration enables you to help shape the vision of an institution you care deeply about,” Elam said. “For me, being able to ‘sell’ Stanford, or to help Stanford, or to make Stanford a better experience, are critically important tasks and not at all antithetical to the other things I am – a scholar and a teacher.”

L.A. Cicero Harry Elam with Tom EhrlichTom Ehrlich, former dean of the Stanford Law School, discusses undergraduate education with Elam.

Elam compared working in university administration to directing a play.“When you’re directing a play, you are sharing your vision of the play with the audience, but it’s a vision informed by all the other artists involved in the production, including the actors and set designers,” said Elam, who has directed theater professionally for nearly two decades.“The play works best when everyone feels that they are working to their fullest, that they are contributing to the whole, and that it’s going to become this great thing as they go forth – the play. It’s also about an ‘end,’ because the play has to be performed. All of those things are true about university administration.”Elam became the Freeman-Thornton Vice Provost for Undergraduate Education five months after Stanford announced plans for a comprehensive review of undergraduate education. At that time, Elam was co-chair of the task force conducting the review, known as the Study of Undergraduate Education at Stanford. The task force is expected to present its recommendations in the fall of 2011.“One of the most important questions for the task force, and for me and the Office of the Vice Provost for Undergraduate Education, is ‘How do we reach and teach the new millennial learner,'” Elam said, referring to the current generation of students, which is made up of technologically savvy, confident, pressured, team-oriented individuals who have unusually strong relationships with their parents and a strong desire to achieve.The world has changed dramatically since Stanford transformed undergraduate education on the Farm 15 years ago with new programs, including undergraduate research and the Introduction to the Humanities (IHUM) program for freshmen.Under the new review, Stanford is looking for ways to prepare the students of today to become the global citizens of tomorrow.After becoming vice provost, Elam stepped down as co-chair of the task force. Susan McConnell, the Susan B. Ford Professor in Biology and a member of the task force, replaced him, joining James Campbell, the Edgar E. Robinson Professor in U.S. History. Elam said the combination – which unites professors from the humanities and the natural sciences – strengthens the task force.Elam will be getting to know some of those millennial students during the fall quarter, when he and his wife, Michele Elam, the Martin Luther King Centennial Professor, will be team teaching Beyond Survival, an interdisciplinary IHUM course, to incoming freshmen. The course will investigate the question: How do men and women survive – and overcome physical deprivation and social oppression – physically, intellectually, creatively and spiritually?“I am truly excited about teaching IHUM this year, not simply because I enjoy team working with my wife, Michele, but because I relish the interaction with Stanford undergraduates,” Elam said. “And I have this opportunity to try and make my teaching practice benefit from all the important ideology discussions that I have taken part in for the Study of Undergraduate Education at Stanford.”

Obama To Black College And Universities: 'You've Got A Partner In Me'

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President Obama welcomed the leaders of the nation’s Historically Black Colleges and Universities (HCBUs) to the White House a few moments ago and pledged to throw the full support of his administration behind their efforts to improve graduation rates and prepare as many students as possible for the challenges of the 21st century workplace.
“You’ve got a partner in me and a partner in the Department of Education,” Obama said in brief remarks to the group.
The presidents said HCBUs are known for making it “possible for millions of people to achieve their dreams.” He said the institutions in years past gave many young people “a chance that nobody else would give them.”
Earlier this year, Obama announced that the government would invest $850 million over 10 years in HCBUs. He said he expects the colleges and universities to help him reach his goal that the U.S. by 2020 will lead the world in the number of college graduates.
(Posted by Mimi Hall)

Obama To Black College And Universities: ‘You’ve Got A Partner In Me’

Media_httpiusatodayne_sjxov

President Obama welcomed the leaders of the nation’s Historically Black Colleges and Universities (HCBUs) to the White House a few moments ago and pledged to throw the full support of his administration behind their efforts to improve graduation rates and prepare as many students as possible for the challenges of the 21st century workplace.

“You’ve got a partner in me and a partner in the Department of Education,” Obama said in brief remarks to the group.

The presidents said HCBUs are known for making it “possible for millions of people to achieve their dreams.” He said the institutions in years past gave many young people “a chance that nobody else would give them.”

Earlier this year, Obama announced that the government would invest $850 million over 10 years in HCBUs. He said he expects the colleges and universities to help him reach his goal that the U.S. by 2020 will lead the world in the number of college graduates.

(Posted by Mimi Hall)

Oprah Kicks Off 25th and Final Season With A Bang!

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Oprah Winfrey opened her talk show’s 25th and final season Monday with the surprise of a lifetime for her audience, a favorite tactic for the media maven. The 300 audience members will travel to Australia in December — courtesy of Winfrey — on an eight-day, seven-night trip that has been in the making for nearly a year, according to her production company, Harpo Productions. While there, the Sydney Opera House will be the site of a special “Oprah Winfrey Show” taping before thousands of Australian fans.
Monday’s surprise trip rivals one of Winfrey’s most famous episodes, when she gave away cars to each of her audience members to open her 19th season in 2004. She’s also known for giving away thousands of dollars in gifts to the lucky audience members who attend her annual “Favorite Things” show.
Winfrey announced last year that she would be taking her longtime talk show off the air.
“Twenty-five years feels right in my bones and it feels right in my spirit. It’s the perfect number — the exact right time,” Winfrey said in a statement at the time.  Since then, the television mogul has said her show will go out with a bang. As of January 1, Winfrey will move on to her new OWN network, and as a result, she told TV Guide that she has different standards for her guests for the upcoming season. “This year will be about creating moments,” she said.
The premiere week of “The Oprah Winfrey Show” will feature an appearance by country stars Naomi and Wynonna
Judd; a return visit to Williamson, West Virginia, where Winfrey did an episode on HIV/AIDS in 1987, to talk with the guests of that show; a one-on-one with Bethany Storro, a victim of an acid attack caused by a stranger; and the announcement of Winfrey’s latest book club selection, according to a press release. The premiere episode is supposed to be filled with celebrity guests and a surprise musical performance. “The Oprah Winfrey Show” first hit national airwaves on September 8, 1986.
“I was beyond excited … and as you all might expect, a little nervous,” Winfrey said in her statement announcing the show’s last season. “I knew then what a miraculous opportunity I had been given, but I certainly never could have imagined the ‘yellow brick road’ of blessings that have led me to this moment with you.”  Winfrey told TV Guide, “the show hasn’t been a big part of my life. It’s been my life. I didn’t have children. I had the show.  “I don’t intend to be crying the whole season,” she told TV Guide. “The only time I get really emotional and nostalgic about the show is when I think about the viewers. Hopefully some of them will follow me to OWN, but I know not everybody will.”
But leaving behind “The Oprah Winfrey Show” won’t be the end of her entertainment career.  OWN, short for the Oprah Winfrey Network, is touted as “a multi-platform media company designed to entertain, inform and inspire people to live their best lives.”  It launches on what is currently the Discovery Health Channel.