TNT has written a prescription for a third season of the powerful medical drama HAWTHORNE, starring and executive-produced by Jada Pinkett Smith (Collateral, The Matrix trilogy). TNT has ordered 10 new episodes of the hit series, which is slated to return in 2011. Created by Emmy® winner John Masius (St. Elsewhere, Providence, Dead Like Me), HAWTHORNE premiered in summer 2009 and ranked as one of ad-supported cable’s Top 5 new series of the year. In its second season in summer 2010, the series continued its success, averaging 3.7 million viewers and ranking as ad-supported cable’s #1 Tuesday program among women 25-54.
“With its memorable characters, powerful performances and moving storylines, HAWTHORNE takes us on a dramatic journey through the world of a hospital on the brink of collapse,” said Michael Wright, executive vice president and head of programming for TNT, TBS and Turner Classic Movies (TCM). “This series has performed extremely well among our key demos and proven itself to be a great summer series. We are very excited to continue working with Jada and HAWTHORNE’s outstanding production team and cast.”
HAWTHORNE stars Pinkett Smith as Christina Hawthorne, an impassioned Chief Nursing Officer struggling to whip a failing hospital – and her personal life – into shape. Michael Vartan (Alias) co-stars as Dr. Tom Wakefield, who has a complicated personal relationship with Christina. The series also stars Suleka Mathew (Men in Trees), David Julian Hirsh (Lovebites), Christina Moore (90210), Vanessa Lengies (American Dreams) and Hannah Hodson (The Ron Clark Story).
HAWTHORNE comes to TNT from Sony Pictures Television in association with Overbrook Productions and Jamie Tarses’ FanFare Productions. The second season of HAWTHORNE was executive-produced by Pinkett Smith; Glen Mazzara (The Shield, Crash, Life); Jamie Tarses (My Boys, TNT’s upcoming series Franklin & Bash); Masius; and Miguel Melendez.
article via deadline.com
Good Black News
5 Webcomics Created by African Americans
by anjuan
July 29, 2010
The opening of the massive Comic-con convention last week provided days of comic book related news coverage. However, few of the images from that event were of African Americans. The dearth of African American perspectives in mainstream comic books inspired many black artists to create webcomics. Webcomics are online sites that present a story in comic book form. The success of Boondocks and the current global recession were motivators for many of these artists to try their hand at starting an online webcomic business. These five webcomics present a sample of African American entrepreneurs who are presenting a different perspective on the web.
A Pug Named Fender
Created by Houston based artist Fave, A Pug Named Fender chronicles the adventures of a pug as he enjoys the thrills of barbecue, music, technology, and other essentials that make life worth living. This recently launched webcomic has already featured guest appearances by soul music artists like Questlove. New episodes of A Pug Named Fender are posted every Tuesday and Thursday.
JOE!
Michelle Billingsly created JOE! to capture the life the title character, a rambunctious 10 year old. This webcomic doesn’t just focus on Joe and has created a cast with well developed characters. There is no regular update schedule, but new strips come out about twice a month.
Addanac City
George Ford publishes Addanac City which depicts the shenanigans of Hank Addanac. It’s an interesting mix of Calvin and Hobbes and Phineas and Ferb. Ford keeps a rigorous schedule of publishing seven comics a week that goes back to August 2008. The cast is very diverse and both the writing and art show a high degree of quality.
Redux Deluxe
Charles Arrington’s Redux Deluxe covers the adventures of three boys named CJ, Chris, and Rob as they try to retrieve a lost basketball from a neighborhood girl named Angela. Containing many references to comic book and video game culture, new episodes of Redux Deluxe come out twice a week.
Company Man
Phoenix artist Frank Jordan publishes a new Company Man strip five days a week. I offers a humorous look at the lives of a diverse cast of characters. The content of the humor make it a webcomic for mature readers. The artists behind these five webcomics are using new media to present the diverse perspectives of African Americans through the comic art form. Both the comic book and webcomic industries tend to be representative of white culture, and these webcomics offer a refreshing dose of color commentary.
via blackweb20.com
The late leader of one of America’s noted Black women’s organizations will be celebrated during an event that highlights the strength and value of the African-American family.
Dorothy Height, the former chair and president emerita of the National Council of Negro Women (NCNW) who died on April 20, will be the focus of the 25th annual National Black Family Reunion Celebration on Sat., Sept. 11 on the National Mall. The Black Family Reunion is the signature program of the NCNW — which is celebrating its 75th anniversary this year. “We are planning to have a huge mega-festival that will feature a special tribute to Dr. Height,” Avis A. Jones-DeWeever, the executive director of the NCNW, said.
via todaysdrum.com
via todaysdrum.com
JOCELYN NOVECK,AP National Writer
WASHINGTON (AP) — The stately White House East Room, home to many a bill signing and ceremonial gathering, became a stage Tuesday for pirouettes, jetes, gravity-defying leaps and a few bumps and grinds as Michelle Obama inaugurated a new dance series.
Dancers of all types — ballet, modern, hip hop and Broadway — took over the room, first for a series of workshops in which students from around the country had a chance to learn from the pros.
After a short break, the students were to return to see their mentors for the day perform in an hour-long, star-studded show. Even Broadway’s young “Billy Elliot” was there — well, four Billys actually, from the show’s rotating cast.
But the main attraction was the Alvin Ailey American Dance Theater, whose celebrated artistic director, Judith Jamison, soon to retire after two decades in the job, was the honoree of the event. At the afternoon workshops, young girls in leotards, their hair tightly wrapped in buns, sprawled on the shiny East Room floor, stretching their legs into splits as they warmed up. Jamison watched with a smile on her face as current Ailey dancers then taught the kids — about 100 boys and girls from across the country — excerpts from Ailey’s “Revelations,” one of the most beloved works in all of modern dance. “Slow! Slooooow,” intoned teacher Nasha Thomas-Schmitt, urging the kids at one point to take their time with a stretch.
“Wow,” said Damian Woetzel, director of the event and a former star of New York City Ballet, after the Ailey workshop. “Now you’ve danced in the White House!” he told the kids.
The 67-year-old Jamison is an icon of the dance world. She joined the Ailey company in 1965 and became the choreographer’s muse, her dramatic power as a dancer epitomized in the unforgettable 1971 solo piece “Cry.” In 1989, after Ailey’s death, she took over as artistic director. She is scheduled to step down in 2011.
“What a rare opportunity, to be invited by your country’s first lady to be honored like this,” Jamison said in a weekend interview. “I’ve been to the White House a couple of times before, but this event is totally unique. It’s so terribly important to recognize this art form and to understand how important it is to the fabric of this country.” “This will be another clarion call to people: Pay attention to your arts!” Jamison said. “My dancers are so excited.”
Woetzel, who is on the President’s Committee on the Arts and Humanities, had a dizzying array of choices from which to cull an hour of the country’s best dance. And he said it wasn’t exactly hard to find dancers, no matter that the event came just after a summer vacation weekend.
“Everyone was so excited to be a part of this,” Woetzel said in an interview. “It’s really an exciting opportunity to present the variety of dance in this country. And the student component makes it especially unique. It’s a great way to start the school year.”
Though the Obamas have spotlighted many varieties of music since they came to the White House — there have been events celebrating Latin music, rock, jazz, country, classical and Broadway show tunes — the dance world might have felt ignored, until now. But Michelle Obama seems to be a dance fan. Jamison noted proudly that the Obamas and their daughters spent one of their first nights out as first family taking in an Ailey performance at the John F. Kennedy Center for the Performing Arts.
“They came backstage, took pictures — the dancers were thrilled,” she said. Also on the program Tuesday: the Paul Taylor Dance Company, The Washington Ballet, Super Cr3w and the New York City Ballet. The students came from dance schools around the country: The Alvin Ailey School, Ballet Hispanico, Cab Calloway School of the Arts, Dance Theatre of Harlem, the Chicago Multicultural Dance Center and others.
Copyright 2010 The Associated Press.
“This is the most phenomenal thing that has ever happened to the organization,” said Village Prep founder John Zitzner. “It really allows us to keep moving forward in the right direction, to keep expanding, to keep adding more children.”
Village Prep, which started only one year ago, has a partner middle school, Entrepreneur Preparatory School, or E-Prep, which was founded in 2006 and has 300 students.
Both are located in Tyler Village, a renovated factory at East 36th Street and Superior Avenue.
“Listen, we need educated folks as we go forward, and good team members, and this school shows everything that we need as we go foward,” said Cliffs CEO Joseph Carrabba, as he helped christen the Cliffs Natural Resources K-2 Wing at Village Prep.
“It’s the foundation of Cleveland,” he told WKYC. “The children, you can see their self confidence when they come into a room. All those leadership qualities are coming along, with everything they’ll need in life skills, and an education.”
The youngsters at Village Prep and E-Prep are held to high standards, says Zitzner. “High expectations, no excuses, very strict discipline,” he explained. “It’s just setting high standards for the kids, for their parents, for everybody. For the teachers, and then holding them accountable for that.”
E-Prep students had some of the highest state achievement test scores in Ohio in April, 2010, far outpacing the average for African-American students around the state, and mostly exceeding the average scores of other public schools.
About 95 percent of the school’s enrollment is African-American, with 82 percent coming from families under the poverty line. Both Village Prep and E-Prep are open to any student in Ohio.
“Just think about all those kids that now have a future in front of them, due to the generosity of Cliffs and other fine organizations in Cleveland,” Zitzner beamed, as he led company executives on a quick tour of the exceptional school.
Carrabba also sensed the enthusiasm his company’s sizeable contribution added to the school’s already positive atmosphere.
“You can see it,” Carrabba noted, glancing at the first graders who had just welcomed his group to the school. “It just abounds in their faces. It gives you a real thrill to see this happen right in front of you.”
Still, Limerick didn’t want to be presumptuous. She wasn’t sure that her mother’s legacy would qualify for the Smithsonian. A documentary producer for National Public Radio, Limerick had heard that the Smithsonian’s new National Museum of African American History and Culture was looking for compelling stories about black families and culture. With modest expectations, she nominated her mother, Mae Reeves.
“Oh, God bless you,” Reeves said, as television cameras closed in on her. She’d just been handed a softball-sized bronze model of the Liberty Bell that clanged happily in her lap.

“It’s our biggest honor,” said Melanie Johnson, city representative, apologizing that Mayor Nutter couldn’t make the event. He was in Washington for a meeting, representing the U.S. Conference of Mayors, but promised to make a personal visit upon his return.
“Oh my goodness!” Reeves said.
Now 97 and living in a retirement home in Darby, she arrived in a stylish wheelchair upholstered in teal leatherette. Her arthritic knees were covered by a black chenille blanket to match her beaded black jacket and dress. She wore a hat (of course) – one of her favorites, a cloche layered thickly in shiny black feathers with an emerald and turquoise gleam.
For more than 50 years, until 1997 when she retired at 85, Reeves ran her own store, first on South Street and later on North 60th Street. She sold to stars such as Ella Fitzgerald, Lena Horne and Marian Anderson; the social and political elite like Leonore Annenberg and C. Delores Tucker; and everyday women seeking audacious hats.
Midway through the ceremony, held in the auditorium of the African American Museum in Philadelphia, a short video was shown. Produced by one of her nine grandchildren, it captures Reeves in a sparky exchange with her daughter.
Having grown up in Georgia and studied millinery in Chicago, Limerick asks Reeves, “Why did you come to Philadelphia?”
“Because I knew people!” Reeves says.
by Melissa Dribben via articles.philly.com




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