*Dr. Dre has out-earned Sean “Diddy” Combs and Shawn “Jay Z Carter to land atop Forbes magazine’s Hip-Hop Cash Kings list, with earnings of $110 million in the past year.
The financial haul, made between May, 2011, and May, 2012, was largely from sales of his Beats By Dre headphones. Diddy came in a distant second with $45 million, while Jay Z banked $38 million to land third.
His “Watch The Throne” partner Kanye West was close behind with $35 million. Lil Wayne placed fifth with $27 million, while his Cash Money Records cohorts Drake, Bryan ‘Baby’ Williams and Nicki Minaj – the only female in the top 10 – all follow in sixth, seventh and eighth position, respectively. Eminem and Ludacris round out the rest of the top 10.
Read more at http://www.eurweb.com/2012/09/dr-dre-is-forbes-new-hip-hop-cash-king/#QgLH0OHch5XoWVdL.99
Good Black News
*Dr. Dre has out-earned Sean “Diddy” Combs and Shawn “Jay Z Carter to land atop Forbes magazine’s Hip-Hop Cash Kings list, with earnings of $110 million in the past year.
The financial haul, made between May, 2011, and May, 2012, was largely from sales of his Beats By Dre headphones. Diddy came in a distant second with $45 million, while Jay Z banked $38 million to land third.
His “Watch The Throne” partner Kanye West was close behind with $35 million. Lil Wayne placed fifth with $27 million, while his Cash Money Records cohorts Drake, Bryan ‘Baby’ Williams and Nicki Minaj – the only female in the top 10 – all follow in sixth, seventh and eighth position, respectively. Eminem and Ludacris round out the rest of the top 10.
Read more at http://www.eurweb.com/2012/09/dr-dre-is-forbes-new-hip-hop-cash-king/#QgLH0OHch5XoWVdL.99
“Our platform emphasizes that a vibrant, free, and fair market is essential to economic growth. We also must pull from our highest ideals of justice and protect against those ills that destabilized our economy – like predatory lending, over-leveraged financial institutions, and the unchecked avarice of the past that trumped fairness and common sense.”
“When your country is in a costly war, with our soldiers sacrificing abroad and our nation facing a debt crisis at home, being asked to pay your fair share isn’t class warfare — it’s patriotism. But we all know – it’s common sense – that for an economy built to last we must invest in what will power us for generations to come.”
“This is our American mission. These are the dreams of our fathers and mothers. This is the demand from the next generation, who call to our conscience in a chorus of conviction, in classrooms from coast to coast, north to south, when they proudly proclaim with those sacred words from our most profound pledge, that we are a nation with liberty, and justice, for all. And this November, with the reelection of President Barack Obama, this generation of Americans will ever expand upon the hope, the truth, and the promise of America.”
He got a standing ovation and there were people wiping tears from their eyes. Booker clearly liked being in the spotlight.
by Bob Ingle via blogs.app.com
[youtube http://www.youtube.com/watch?v=Ob7vObnFUJc&w=560&h=315]
Happy 31st Birthday, Grammy Award-Winning recording artist Beyoncé Knowles-Carter! Learn more about her life and music here and watch her “Love On Top” above.
“The constant reminder by society that I am ‘different’ because of the color of my skin, once I step outside of my door, is not my problem – it’s theirs. I have never made it my problem and never will. I will die for my right to be human – just human.”
–Cicely Tyson, actress and co-founder of the Dance Theatre Of Harlem
The former BET host will join Giuliana Rancic at the news desk, while his predecessor Ryan Seacrest continues as E! News managing editor.
[youtube http://www.youtube.com/watch?v=ZTPdKUA9Ipg&w=560&h=315]
Actor Michael Clarke Duncan, who was nominated for an Oscar for his role in 1999′s The Green Mile, died today at Cedar-Sinai Medical Center. He was 54. The actor had been hospitalized in July following a heart attack. Although Duncan was best known for playing a death row inmate alongside Tom Hanks in the film adaptation of Stephen King’s novel The Green Mile, the actor appeared in dozens of film and TV projects throughout his career, including The Green Lantern,Armageddon, Sin City and The Scorpion King on the feature side and TV’s The Finder and Chuck. He just recently completed In The Hive with director Robert Townsend and the boxing drama The Challenger.
Learn more about his life and career here: http://en.wikipedia.org/wiki/Michael_Clarke_Duncan
Remember this saying: behind every great man there is a great woman? Well in similar context, behind every great festival is a great director. Cameron Bailey has been with the Toronto International Film Festival for many years, enhancing international partnerships, innovating the annual festival and developing new programs to engage local audiences. His recent title change to Artistic Director reflects his involvement with the organization and his commitment to bring great film to the city. We had a chance to sit down with the director and talk about many things, including his journey in film, his insight into TIFF 2012, his thoughts about the Indian film industry and the evolution of the TIFF brand.
Bailey began his journey in film as a journalist, writing for Toronto’s NOW magazine and various other outlets. “[It] gave me the opportunity to analyze films and express my opinion”, he said.”I have always liked to do that and communicate with an audience.” Soon after, he joined the festival and its programming team and has remained with the organization since. ” What programming adds to [being a film critic] is the ability to advocate for films, to really say ‘this is something that I love and I hope you love it too and here it is’. So much of programming is really personal. It’s about your own personal passions, your personal taste. You find something and you feel like you have discovered it. Although filmmakers have spent months, sometimes years, making it but you feel like you have discovered it because you have seen it for the first time, sometimes before the public audience has seen it. That ability to respond to your own passion about a film and to bring it, in this case, to the Toronto International Film Festival – which is such a huge public platform – where you can present it to so many people. That’s what being a critic doesn’t give you. It’s that additional ability to present, to advocate for work that you feel is important.”