TRENTON, N.J. (AP) — Newark Mayor Cory Booker formally announced today he’s in the race to finish the U.S. Senate term of the late Frank Lautenberg. The 44-year-old Democrat made his candidacy official at a news conference Saturday in Newark, New Jersey’s largest city. He was joined by former U.S. Sen. Bill Bradley, a former pro basketball player who for 18 years held the seat Booker is seeking.
Bradley, who endorsed Booker, called him “the right person for the right office at the right time.” Booker began raising money for a Senate run even before Lautenberg, who died Monday, announced retirement plans in February. He had raised $1.9 million by the end of the last reporting period in March.
Reps. Frank Pallone and Rush Holt are also planning to enter the Democratic primary. Booker is considered the early front-runner. Pallone, 61, had $3.7 million in his campaign coffers at the end of March and has deep union support. Holt, 64, a former research physicist, had $800,000 on hand.
Gov. Chris Christie, a Republican, announced this week that there would be party primaries Aug. 13 and a special general election Oct. 16 The only Republican running so far is Steve Lonegan, a former Bogota mayor who runs the New Jersey office of Americans for Prosperity.
Booker, 44, has 1.4 million followers on Twitter — or five for every resident of the city where he’s the mayor. He tweets frequently, answering questions about city services, posting about his workouts and, perhaps most often, trying to provide inspiration.
Good Black News
At every performance of musical “The Phantom of the Opera,” on Broadway and around the country, the tortured title character rips off his mask to reveal his disfigured face. That deformed mug is the handiwork of production makeup supervisor Thelma Pollard, who’s been with the New York incarnation since it began in 1988. It’s her job to teach every new “Phantom” cast member how to apply character makeup correctly and then ensure they keep doing it right. But it’s the Phantom himself that’s her baby: Before each performance, she carefully paints the prosthetics pieces (made of one-use latex) and applies the actor’s makeup herself, a process that takes about an hour.
Besides fidgety thespians — “some actors are better at sitting still than others,” she says diplomatically — hurdles include dropped wigs and a clock-ticking makeup application for an understudy who was rushed into a performance when the lead was sidelined by laryngitis mid-show. And then there was the time she had to figure out the Phantom’s skin color palette for Robert Guillaume, one of the few black actors to take on the title role.
Pollard was born in what she describes as a small village in Barbados — “I didn’t know about Broadway!” — and eventually followed her parents to New York, going on to earn two licenses in cosmetology, specializing in hair and makeup. A chance meeting with makeup designer Stanley James in the salon where she was an apprentice led to gigs on the original Broadway production of “The Wiz” and a string of legit credits that include “Dreamgirls,” “Cats,” “Song and Dance,” “Ain’t Misbehavin’” and “Smokey Joe’s Cafe.”
Besides fidgety thespians — “some actors are better at sitting still than others,” she says diplomatically — hurdles include dropped wigs and a clock-ticking makeup application for an understudy who was rushed into a performance when the lead was sidelined by laryngitis mid-show. And then there was the time she had to figure out the Phantom’s skin color palette for Robert Guillaume, one of the few black actors to take on the title role.
Pollard was born in what she describes as a small village in Barbados — “I didn’t know about Broadway!” — and eventually followed her parents to New York, going on to earn two licenses in cosmetology, specializing in hair and makeup. A chance meeting with makeup designer Stanley James in the salon where she was an apprentice led to gigs on the original Broadway production of “The Wiz” and a string of legit credits that include “Dreamgirls,” “Cats,” “Song and Dance,” “Ain’t Misbehavin’” and “Smokey Joe’s Cafe.”
PHILADELPHIA (AP) — A new exhibit created by a University of Pennsylvania professor and host of a popular public television show examines how wartime propaganda has been used to motivate oppressed populations to risk their lives for homelands that considered them second-class citizens.
“Black Bodies in Propaganda: The Art of the War Poster,” opens Sunday and continues until March 2 at the University of Pennsylvania Museum of Archaeology and Anthropology. Lectures, film screenings and other programming will be rolled out over the course of the exhibit’s run.
The exhibit’s 33 posters, dating from the American Civil War to both World Wars and the African independence movements, are part of the personal collection of Tukufu Zuberi, Penn professor of sociology and African studies and a host of the Public Broadcasting Service series “History Detectives.”
Zuberi began his collection in 2005 and owns 48 posters in all. There are five he’s seeking to complete his collection, but he’s not divulging any specifics. “Oh, I don’t want to go there,” he said with a laugh. “If I say anything, then there’s going to be someone out there with more money and I won’t be able to buy anything again.”
Former Ward 2 Councilman and civil rights activist Chokwe Lumumba, 65, is the new mayor of Jackson, Miss., winning the general election on Tuesday with 87 percent of the vote, reports Fight Back! News.
He will succeed Mayor Harvey Johnson Jr., who finished third in this year’s Democratic primary. Lumumba ran as a mainstream candidate who would represent all city voters. He defeated businessman Jonathan Lee in the Democratic primary runoff last month.
Lumumba spent part of the ’70s and ’80s as vice-president of the Republic of New Afrika, an organization which advocated for “an independent predominantly black government” in the southeastern United States and reparations for slavery. He wrote on Facebook Tuesday night, “Thank you, Jackson. None of this would be possible without faith and your support.” He went on to say, “This is the people’s victory. Together we will make Jackson rise!”
Copyright 2013 The Associated Press via thegrio.com
In an effort to promote fatherhood, award-winning filmmaker Art Hooker and former director of President Barack Obama’s Office Of Faith-based and Neighborhood Partnerships Joshua DuBois have teamed up to create the “This Is Fatherhood” challenge.
Launched on May 1st, the challenge targets young Fathers who may need encouragement and support to become better parents. Contestants can submit videos, songs, and essays about fatherhood through June 10th. The winners will receive cash prizes and a trip to Washington, D.C., for a ceremony on Father’s Day.
Miami Heat player Dwyane Wade (pictured) has signed on to promote the challenge. As a Father with primary custody of his two sons, Wade says he is honored by the opportunity. “When I was first [approached to become] involved with the initiative, I was humbled,” Wade said. He noted the President’s fatherhood speeches as further inspiration. “More than that, I was moved by the fact that one of the reasons President Obama was so passionate about this issue is that he grew up without his dad. He, too, has recognized that being a Father is his most-important role.”
Obama’s Chicago speech in February helped inspire the challenge. In it, the President noted how “there are entire neighborhoods where young people, they don’t see an example of somebody succeeding. And for a lot of young boys and young men, in particular, they don’t see an example of Fathers or grandfathers, uncles, who are in a position to support families and be held up and respected.”
Wade appears along with Obama and Jay-Z in a public service announcement promoting “This Is Fatherhood.” Eugene Schneeberg, current director of the Faith-based and Neighborhood Partnerships, worked with predecessor DuBois to support Obama’s fatherhood program. He is also one of the challenge’s judges.
WASHINGTON (AP) — President Barack Obama’s top national security adviser Tom Donilon is resigning and will be replaced by Susan Rice, the U.S. ambassador to the U.N. who has been a lightning rod for Republican criticism over faulty explanations for the attack that killed four Americans in Benghazi, Libya.
Donilon has been a key foreign policy adviser to President Barack Obama. But the 58-year-old had been expected to depart sometime this year, with Rice seen as the likely candidate to replace him. Her selection is sure to anger congressional Republicans, who have accused the administration of inconsistency and a cover-up in the Benghazi attacks.
Rice, a close Obama confidante, came under withering criticism from Republicans as part of the investigations into the deadly attack on a U.S. compound in Benghazi. Relying on talking points from the intelligence community, Rice said in television interviews that the attacks were likely spontaneous, which was later proven incorrect.
Obama considered nominating Rice as his second-term secretary of state, but she withdrew amid the GOP criticism, saying she didn’t want her confirmation fight to be a distraction for the White House. The president instead nominated John Kerry, who easily won confirmation from his former Senate colleagues.
David “Deacon” Jones (pictured), the defensive end who was credited for using the word sack to describe how he knocked down quarterbacks on the field, passed away at his Southern California home on Monday night of natural causes. He was 74 years old, according to USA Today.
Jones was a legendary player that other players idolized and was often referred to as “one of the greatest players in NFL history.” Jones played for the L.A. Rams from 1961 to 1971, San Diego Chargers from 1972 to 1973, and signed on with the Washington Redskins in 1974, marking the end of his stellar career.
Former Rams head coach George Allen once referred to Jones as the “Greatest Defensive End of Modern Football,” while the New York Times pegged the gridiron great as the “Most Valuable Ram of All Time.” Jones was voted to the NFL’s 75 Year All Time Team and was inducted in to the Pro-Football Hall of Fame in 1980.
Jones, who has been deluged with honors throughout his playing career and has never been taken off any sports analyst’s or enthusiast’s list of “Top 100 players of all time,” actually came from humble beginnings.
Jones was born in Eatonville, Fla., and shared the home with nine other family members. He attended Hungerford High School, where he excelled in all areas of athletics, baseball, basketball, and football. Even though Jones managed to earn a scholarship to South Carolina State University, when he finally landed there in 1957, it was revoked after academicians discovered he took part in a civil rights sit-in.
An assistant coach at South Carolina State, who was leaving and had taken a position at Mississippi Vocational, convinced Jones and a handful of other Black players that he could get them scholarships to his new school.
When Jones and the players went to the college, though, they were not allowed to join their White team members at motels and were relegated to sleeping on shoddy cots at the opposing school’s gymnasiums.
The Rams selected Jones in 1961, and he quickly became one of the team’s “Fearsome Foursome” defensive line of players along with Rosey Grier (pictured second from right), Lamar Lundy (pictured far left), and Merlin Olsen (pictured second from left).
These four men are now considered to be one of the best defensive lines in all of NFL history.
Jones was a legendary player that other players idolized and was often referred to as “one of the greatest players in NFL history.” Jones played for the L.A. Rams from 1961 to 1971, San Diego Chargers from 1972 to 1973, and signed on with the Washington Redskins in 1974, marking the end of his stellar career.
Former Rams head coach George Allen once referred to Jones as the “Greatest Defensive End of Modern Football,” while the New York Times pegged the gridiron great as the “Most Valuable Ram of All Time.” Jones was voted to the NFL’s 75 Year All Time Team and was inducted in to the Pro-Football Hall of Fame in 1980.
Jones, who has been deluged with honors throughout his playing career and has never been taken off any sports analyst’s or enthusiast’s list of “Top 100 players of all time,” actually came from humble beginnings.
Jones was born in Eatonville, Fla., and shared the home with nine other family members. He attended Hungerford High School, where he excelled in all areas of athletics, baseball, basketball, and football. Even though Jones managed to earn a scholarship to South Carolina State University, when he finally landed there in 1957, it was revoked after academicians discovered he took part in a civil rights sit-in.
An assistant coach at South Carolina State, who was leaving and had taken a position at Mississippi Vocational, convinced Jones and a handful of other Black players that he could get them scholarships to his new school.
When Jones and the players went to the college, though, they were not allowed to join their White team members at motels and were relegated to sleeping on shoddy cots at the opposing school’s gymnasiums.
The Rams selected Jones in 1961, and he quickly became one of the team’s “Fearsome Foursome” defensive line of players along with Rosey Grier (pictured second from right), Lamar Lundy (pictured far left), and Merlin Olsen (pictured second from left).
These four men are now considered to be one of the best defensive lines in all of NFL history.
After Earth
Cast: Will Smith (Cypher), Jaden Smith (Kitai), Sophie Okonedo (Faia), Zoe Kravitz (Senshi) Director: M. Night Shyamalan; Rated: PG-13
After Earth did something I wasn’t expecting… it made me think. Better than I was anticipating, this film isn’t exactly what it seems and I’m glad I saw it with my teenage son, given what this film is really about. After Earth is wearing a carefully marketed disguise. If you are expecting a Smith/Smith epic sci-fi action-packed adventure popcorn flick… well, you get some of that. But actually, at its core the film is a coming-of-age tale about the evolution of a relationship between a career-driven father and his teenage son. It’s about the struggle of a parent and child being forced to find a connection and faith in one another after tragedy and circumstance befall them. All the sci-fi galaxy hoo-ha is just a backdrop.
The movie takes place on a futuristic planet Earth where fearless uber soldier, General Cypher Raige (Will Smith), and his cowardly son, Kitai (played by Smith’s real-life son, Jaden) unexpectedly crash land. Every entity on this planet poses a threat and has evolved to kill humans instinctively. The spaceship’s broken in two and the sole survivors need to recover the tail in order to be rescued. When Cypher discovers he has broken both legs after the crash landing, there is no choice but to rely on Kitai to make this journey alone, which is troubling because he does not possess his father’s lack of fear.
It’s an interesting choice to bench action star Will Smith. He’s flat on his back most of the film. Unlike in most of his sci-fi themed movies, the power of Will is not saving the day. This one’s on Jaden and he needs every bit of his Karate Kid training to trudge through evolved Earth. Cypher can only guide Kitai with his voice throughout the journey to the half of their ship that contains a beacon signal that must be deployed if they are to be rescued. It is the responsibility of a parent to provide his child with the proper tools to do well on his own. But what do you do when you’re a fearless hero and your child is well… not?
After Earth begins with Kitai not making ranger staus. He’s prone to stress, panic attacks and straight-up fear. Okay, so he’s not exactly the super soldier his father is. Cypher possesses the rare skill of being able to shut out fear which makes his enemies unable to see, smell, or locate him. Kitai does not possess this gift. This proves disappointing to Cypher. His mother, Faia, played by Sophie Okonedo, establishes that Kitai has a better relationship with his mother; perhaps some bonding with Dad is in order. This is how Kitai ends up on a business trip with his father Cypher.
But something else is going on between these two which reveals itself in several flashbacks. Kitai had a sister, Senshi (Zoe Kravitz), who was killed by a predator called an Ursa. Senshi, played effortlessly by the delightfully easy-to-watch Zoe Kravitz, gives us a glimpse into what happened to Kitai and why he is so tormented. He blames himself for surviving an Ursa attack that took his sister’s life and he believes his father blames him as well. Thus the theme of family and familial stuff that needs to be worked out progresses.
If I had not seen this film with my own teenaged son, I’m not sure I would have enjoyed it as much as I did. I related to the parent-and-teen tug of war. The film has some cool moments once you let go of the fact that Will Smith is not going to get up and go save his real-life son. It’s all on Jaden, and despite a rocky start (Jaden speaks in an accent I can only describe as, well… not great. It’s supposed to be Australian… I think? It’s so distracting, I thought… uh,oh I can’t sit here. But my son was into the movie and Big Willy always makes me laugh, so I committed to relaxing and enjoying my mother/son time), the Karate Kid training pays off in spades. Jaden shows us his cool footing during climbs, jumps and a really entertaining glide through the air.
After Earth was adventurous for sure. The special effects were fine – nothing “Earth” shattering. Having a teen carry a mega-film is a big ask. Jaden does okay. He gets better as his character evolves; perhaps this is because the character grows closer to the real-life, confident Jaden. It’s very hard even for a second to get past the fact that you are watching Will Smith and his son Jaden. My take is this: because Will Smith is such an action star and Jaden was so definable in the Karate Kid, and they are such a well-known, real-life family, believing these two as space son and Dad was always going to be an automatic hurdle for the audience. If Jaden was any other actor playing against any other actor, maybe I wouldn’t be judging him with a magnifying glass.
All in all, After Earth is not the surefire summer blockbuster we had hoped for, but movie making is tough and the Smiths are entertaining in any form.
Reviewed by Lesa Lakin
Throwing on a pair of running shoes and heading out the door is one of the cheapest, simplest forms of exercise. But when two college friends took up running to burn off some of the freshman 15-pound weight gain, their families and friends couldn’t relate.
“[They] would ask us what we were doing, and when we said ‘running,’ they would look baffled,” said Toni Carey. She started running shortly after graduating Middle Tennessee State University, inspired by watching her friend Ashley Hicks take up the sport. Both Carey and Hicks are African-American, and they say they also felt excluded at the races they attended.
“We would be the only black people there,” Carey says, “and we never got a warm welcome. It was like, ‘are you guys in the right place?'”
That’s likely because Carey and Hicks are, in fact, a rarity. The 2013 National Runner survey, an annual report by Running USA of nearly 25,000 American runners, showed that only 3.3 percent of African-Americans were classified as “core runners” — defined as those who compete in races and train year-round. That’s compared to 88.1 percent of runners who were white, 5.2 who were Hispanic and 4.1 who were Asian or Pacific Islander. (Respondents could select more than one ethnicity, so that’s why those numbers add up to more than 100 percent.)
So Carey and Hicks decided to do something to encourage their community to join the activity they loved. They began by blogging about their races and training, and then, Carey says, “It took a life of its own.”
That was 2009, and “it” became an online group called Black Girls RUN! Today, nearly 70 running groups exist across the United States, with about 61,000 members. The Black Girls RUN! Facebook page has over 70,000 “likes,” and the Twitter feed has almost 17,000 followers.