The universe’s desire to honor Shirley Chisholm continues! Yesterday, Good Black News posted a Black History Month tribute to Chisholm, the first Black woman to be elected to U.S. Congress and a one-time candidate for U.S. President.
Today, Variety.com reported Regina King will produce and star in a new biographical feature on Chisholm, to be written and directed by John Ridley (12 Years a Slave, All is By My Side):
“Regina’s passion for bringing a complete and very human portrait of Shirley to life has been evident since literally the day we first met,” Ridley said. “I’m very thankful to both Regina and Reina trusting me to partner in telling the story of this truly remarkable individual.”
The film is being produced based on the life story rights through an exclusive agreement with the Chisholm Estate.
Ridley and King previously worked together on the ABC anthology series American Crime, for which King garnered two Emmys as Best Supporing Actress in a Limited Series.
This is Shirley Chisholm. Best known as the first Black woman elected to U.S. Congress who also ran for the Democratic nomination for President in 1972.
“Fighting Shirley” — as she was known by many in Washington D.C. and her hometown district of Brooklyn, NY — was the oldest daughter of immigrant parents from Guyana and Barbados.
Chisholm worked as a nursery school teacher, got a degree in Child Education from Columbia University and by 1960, was a consultant to the New York City Division of Day Care.
Always aware of racial and gender inequality, Chisholm soon ventured into social justice work and politics by joining local chapters of the League of Women Voters, the NAACP, the Urban League, as well as the Democratic Party club in Bedford-Stuyvesant.
In 1964, Chisholm ran for and became the 2nd African American in the New York State Legislature. After court-ordered redistricting in her neighborhood occurred to counter years of gerrymandering, in 1968 Chisholm ran for and won her congressional district seat.
While in the House of Representatives “Fighting Shirley” introduced more than 50 pieces of legislation, fought for racial and gender equality, the economically oppressed, and to end the Vietnam War.
Chisholm also fought against “old men that make up the Southern oligarchy” from Day One. She complained about her assignment to the Agricultural Committee — what did agriculture have to do with her constituents in Bedford-Stuyvesant, she argued — and won reassignment even though most Congressional freshmen never questioned their committee placements.
Chisholm was subsequently placed on the Veterans Affairs Committee and the Education and Labor Committee, where she was able to work on initiatives such as the Nutrition program for Women, Infants and Children (WIC).
She was also a co-founder of the National Women’s Political Caucus in 1971, and in 1977 became the first Black woman and 2nd woman ever to serve on the powerful House Rules Committee.
Chisholm’s quest for the 1972 Democratic Party presidential nomination was thwarted at every turn. Chisholm was blocked from participating in televised primary debates, and only after taking legal action, was she permitted to make just one speech.
Still, many faithful followed the “Chisholm Trail” as she entered 12 primaries and garnered 152 of the delegates’ votes (10% of the total)—despite an under-financed and under-reported campaign.
Today’s Mardi Gras is unlike practically any other in recent times. With the COVID 19 pandemic still rampant in the U.S. and most of the world, no parades are scheduled, public gatherings are prohibited, bars are shut down and most significantly, Bourbon Street in New Orleans, the epicenter of U.S. Mardi Gras celebrations, is closed.
For those who still want a way to celebrate safely as they enjoy king cake, Good Black News is happy to re-post a playlist by Marlon West entitled “Working in the Coal Mine: A Collection of New Orleans Funk and Soul”:
This collection of New Orleans Funk features acknowledges masters next to some of the earlier artists who shaped the meaning of funk. It covers the period from the emergence of New Orleans Funk in the early 1960s through to the present day.
[This] mix offers The Meters, Queen Ida, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and many more.
New Orleans is a port town. Originally owned by the French. Many of the Africans who ended up there came from Haiti and brought with them the religion of Voodoo and its drums and music.
The Crescent City became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz.
This playlist offers the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries.
We hope this playlist helps you access the spirit of New Orleans and Mardi Gras. We also hope that in 2022, you can do so in a communal way as well.
[Image: Anthony Olubunmi Akinbola: Magic City installation (detail) at the John Michael Kohler Arts Center, 2021.]
A Cadillac Escalade that morphs into a pulsating sound sculpture. Murray’s Pomade cans as minimalist totems. Durags that replace oil paint as a medium for creating monumentally-scaled action paintings.
Nigerian-American artist Anthony Olubunmi Akinbola examines Black culture through his beautifully innovative, thought-provokingMagic City exhibit. And we are here for it!
[Image: Anthony Olubunmi Akinbola: Magic City installation (detail) at the John Michael Kohler Arts Center, 2021.]Conceived as a modern-day sanctuary, the site-specific installation explores the commodification of Black culture and the relationship between Africa and Black America. Magic City marks the 29-year-old artist’s first major solo museum exhibition.
The evocative nature of objects is at the core of Magic City. In Akinbola’s mystical space, mass-produced and readymade materials—specifically those with cultural currency in the Black community—are transformed into animistic power objects that communicate the complexities of identity.
Earlier this month was the 76th anniversary of the birth of Robert Nesta Marley.
It is hard to overstate his impact on popular music and culture. Marley was a Rastafari icon, and he infused his music with a sense of social consciousness and spirituality.
He is still a global symbol of Jamaican music, culture, and Pan-Africanism. He co-founded The Wailers vocal group with Bunny Wailer, Peter Tosh, Beverley Kelso and Junior Braithwaite.
They created early ska and rocksteady in the studios of legendary producers Coxsone Dodd and Lee “Scratch” Perry.
Marley would go on to bring reggae music to an international audience, and was inducted into the Rock and Roll Hall of Fame in 1994.
Rolling Stone has ranked him No. 11 on its list of the 100 Greatest Artists of All Time.
Here’s a collection includes his many classics, early recordings, live performances, and remixes, and dub reworkings. This playlist is a testament to the lasting impact of Bob Marley.
Happy Valentine’s Weekend, Good Black News readers! We are celebrating the holiday (and the long weekend) with a Spotify playlist of love ballads entitled: “Valentine Love – The Best Classic Soul Duets Ever“:
In honor of the 14th of February, we’ve filled the playlist with 140 classic soul duets from the 1950s through the 1990s.
We worked hard to include all your favorites from masters of romance including Luther Vandross, Johnny Mathis, Roberta Flack, Donny Hathaway, Dionne Warwick, Peabo Bryson, Teena Marie, Teddy Pendergrass, Mariah Carey, Babyface, James Ingram and the undeniable King of Duets, Mr. Marvin Gaye. We’ve included his partnerships with Kim Weston, Diana Ross, Mary Wells, and of course, Tammi Terrell.
We’ve also got songs from groups like Atlantic Starr, Shalamar, The Independents and Loose Ends that feature a male/female lead singer combo.
Hopefully, you’ll find a lot of your favorites, along with some others you haven’t heard in awhile – and some deep crate classics you may be hearing for the first time.
So if you have the opportunity to grab a glass of wine – and a loved one – hit play to set the mood for romantic weekend filled with music by R&B/soul greats.
This is Harriet Tubman in her later years. She lived into her early 90s and of course is best known for leading over 400 enslaved people to freedom as a conductor on the Underground Railroad.
What is less well known is that during the Civil War she worked as a scout and spy for the Union Army, and was the first woman to lead an armed expedition in the war by guiding the raid at Combahee Ferry, which liberated more than 700 slaves.
So GBN honors this Veteran on Veteran’s Day (observed), her grit, her bravery, her purpose. A true American hero who should be on our $20 already!! #patriot#americanhero#veteransday
As this nation continues to reckon with so much of its unexamined history, it is heartening to report that according to The Washington Post, Harriet Tubman has been inducted into the Military Intelligence Corps Hall of Fame.
The conceptual design of a new $20 note produced by the Bureau of Engraving and Printing during the Obama Administration depicting Harriet Tubman.
This week, Senators Jeanne Shaheen (D) and Ben Sasse (R) in a show of bipartisanship sent a letter to current Treasury Secretary Janet Yellen to make the case that America’s currency should reflect the diversity of the nation.
No date for the issue of the Tubman $20 has been released as of this publication. Update to come.
Most museums with a national profile are created and built by cities, states or institutions that work with curators and major funding.
There are also, however, a select few museums of renown that are built up from a grassroots level by community members determined to inform and educate future generations about history and culture from an authentic and engaging perspective.
Sociologist Dr. Elmer Martin and his wife, Dr. Joanna Martin, were most definitely among those select few.
Drs. Joanna and Elmer Martin, co-founders of The National Great Blacks in Wax Museum (photo: wernercoach.com)
The Martins wanted to teach Black history in a way that would grab the attention of school children —so they did it with wax.
The Martins had wax heads made in the likenesses of Harriet Tubman, Frederick Douglass, Mary McLeod Bethune and Nat Turner, then used department store mannequins for the bodies.
They originally presented the figures at schools and community centers in Baltimore, Maryland, but after garnering donations and grants, the figures were permanently installed at the Great Blacks in Wax Museum in 1983.
Just over two decades later, in 2004, the Great Blacks in Wax Museum was recognized by the United States Congress and was designated The National Great Blacks in Wax Museum.
Today at Good Black News, we pay tribute to the musical legacy of Mary Wilson, who died Monday night at the age of 76 at her home in Las Vegas.
Wilson was the heart and soul of The Supremes, perhaps the world’s most successful girl group ever, and the archetype for Destiny’s Child, TLC, En Vogue and all the other subsequent soulful girl groups who’ve hit the charts in the decades since the Detroit trio ruled over the charts in the 1960s.
More than 50 years after their last #1, The Supremes still rank second only to The Beatles in garnering the most chart-toppers of any group – With a dozen #1 pop hits in the United States.
If Florence Ballard was the Supremes soulful & brassy blues mama and Diana Ross its demure pop ingenue, the late Mary Wilson was the group’s sultry glamour gal. The three of them together evoke the memories of a time when a group of persistent girls from the local neighborhood high school could encounter the right producer and launch themselves into a whirlwind of global superstardom.
In the process, The Supremes would help change the world’s perception of Blackness. Diana, Florence and Mary were the epitome of Berry Gordy‘s grand Motown crossover experiment – they weren’t just stars of the soul chart, but rather they were ‘the sound of young America’.
They toured Japan and Europe, played Las Vegas and the Copacabana nightclub – venues previously reserved for mostly older white artists.
Mary Wilson (photo via Facebook)
Their classy choreography and gorgeous gowns belied their youthful age. And, back in an era when few Black celebrities were seen with frequency on TV, neighborhoods of Black families from coast to coast were abuzz with pride every time the trio appeared on the popular Ed Sullivan Showin front of the whole nation.
By now, most everyone knows the story of The Supremes. Ballard left the group amid scandal in the mid-1960s (to be replaced by Cindy Birdsong). Ross left in 1970 to pursue a solo career that would make her arguably the biggest Black female star of her era.
But Mary Wilson stayed with the group until the very end, through a litany of other member changes, serving as the steadfast backup to two subsequent lead singers. Following the group’s demise, she performed solo concerts all over the world, wrote two best-selling books about her years with The Supremes and even participated in ‘Dancing With the Stars’.
But all the while, she was determined to preserve the legacy of The Supremes, including battling in court to stop unaffiliated groups from touring under the group’s name. To the end she was almost always identified as ‘Mary Wilson of The Supremes.’
Over the course of 15 years of Supremes recordings, Wilson didn’t get to sing lead often. But we’ve gathered those all those official lead/co-lead vocals here, along with a couple solo tracks and some rare ‘from-the-vaults’ tunes released in more recent years.
Look for nice renditions of “Can’t Take My Eyes Off You“ (which frequently served as her solo on tour dates), “Our Day Will Come” and her version of the Martha & the Vandellas hit “Come and Get These Memories” from the Diana years.
By the ’70s, Mary’s veteran status was rewarded with a few more lead vocals, including a shared spotlight on singles like “Floy Joy,” “Automatically Sunshine,” and ‘Touch” as well as a heartfelt vocal on Jimmy Webb‘s standard “I Keep It Hid” and a whispery, plaintive adaptation of the Spinners/Phyllis Hyman number “I Don’t Want To Lose You.”
Following an initial half dozen Wilson-lead or co-lead tracks, we’ve taken the opportunity on our playlist to dive wholeheartedly into the chronological history of the entire span of The Supremes – the Diana Ross, Jean Terrell and Scherrie Payne years all in one – because ALL those years were the Mary Wilson years.
Along with all Mary’s lead vocals, we’ve included all the Motown Supremes singles on which Mary actually sang back-up (including the group’s singles with The Temptations and The Four Tops).
Interestingly, in the late ’60s, there were multiple Supremes hits recorded by Ross with Motown’s house back-up singers taking on the role of The Supremes – including “Love Child,””Forever Came Today,” “I’m Livin’ in Shame” and the group’s final #1 “Someday We’ll Be Together”.
Yes, ironically, on their iconic song about togetherness, the Supremes were not actually together (Mary and Cindy did still appear on the album covers, and of course, sang back-up on the songs during live concerts).
We’ve not included those Wilson-less singles here – although we have included later “Love Child” and “Someday We’ll Be Together” live renditions recorded from the group’s final January 1970 concert, where Mary and Cindy Birdsong did sing the background vocals on the songs they never had recorded in studio.
After the chronological rundown of Supremes singles, we’ve concluded our playlist with the rest of Wilson’s lead vocals on album tracks from the ’70s Supremes albums.
By then, The Supremes rule over the pop charts was a memory – and the group was no longer being paired with Motown’s hottest producers.
But Mary’s passionate vocals help to elevate otherwise ordinary ballads into something worth listening to. We hope you’ll check out our playlist and ‘come and get these memories’ of Mary Wilson, another legend gone too soon. Someday, we’ll be together.
It certainly was unwelcome news to wake up to this morning – the news that singing legend Mary Wilson had passed away suddenly and unexpectedly at her home in Las Vegas at 76, news that has been confirmed by her manager.
As an original member of the Supremes, Wilson, along with Florence Ballard and Diana Ross, made history as pop and R&B chart toppers with classic songs like “Where Did Our Love Go?”“Stop! In the Name of Love,”“You Keep Me Hangin’ On” and “Someday We’ll Be Together.”
Although the Supremes line-up changed multiple times over the years, Mary Wilson remained its one steadfast member and continued to perform with the group over the decades, even as she offered music as a solo singer.
Above is an incredible clip of Wilson taking lead vocals on the Supremes cover of “Can’t Take My Eyes Off You”at the Hollywood Palace in 1969.
In 1986, Wilson wrote the New York Times bestseller Dreamgirl: My Life as a Supreme and in 2019 offered Supreme Glamour, a retrospective on the group and their iconic costumes and ensembles, its forward written by Whoopi Goldberg.
Recently Wilson was a celebrity contestant on ABC’s Dancing with the Stars and was planning to release a new album later this year.
To learn more about Mary Wilson’s life, career and music, click below:
This is Shirley Chisholm. Best known as the first Black woman elected to U.S. Congress who also ran for the Democratic nomination for President in 1972.
Although the Supremes line-up changed multiple times over the years, Mary Wilson remained its one steadfast member and continued to perform with the group over the decades, even as she offered music as a solo singer.
In 1986, Wilson wrote the New York Times bestseller