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Goldman Sachs Commits More Than $10 Billion in Investment and Philanthropic Capital to One Million Black Women Initiative

Goldman Sachs Commits More Than $10 Billion in Investment and Philanthropic Capital to One Million Black Women Initiative

By goodblacknews on March 11, 2021

The Goldman Sachs Group, Inc. announced a new investment initiative yesterday of more than $10 billion to advance racial equity and economic opportunity by investing in Black women.

The initiative, One Million Black Women, is named for and guided by the goal of impacting the lives of at least 1 million Black women by 2030.

It is being shaped by Black women within Goldman Sachs, alumna of the 10,000 Small Businesses program and partnerships with Black women-led organizations such as  Alpha Kappa Alpha Sorority, Inc., Delta Sigma Theta Sorority, Inc., Zeta Phi Beta Sorority, Inc., Sigma Gamma Rho Sorority, Inc., National Council of Negro Women, Power Rising, Black Women’s Roundtable and the National Coalition on Black Civic Participation, Walker’s Legacy Foundation, Sistahs in Business Expo, and The Links, Inc.

“This initiative is transformational,” said Melanie Campbell, Convener of the Black Women’s Roundtable and President and CEO of the National Coalition on Black Civic Participation, a partner with Goldman Sachs on the program. “What Goldman Sachs is doing has the potential to materially impact the lives of Black women, their families and communities across the country.”

The investment will be grounded in the voices and experiences of Black women. Goldman Sachs and its partners will commit $10 billion in direct investment capital and $100 million in philanthropic capital over the next decade to address the dual disproportionate gender and racial biases that Black women have faced for generations, which have only been exacerbated by the pandemic.

Black women leaders across Goldman Sachs developed and will continue to lead this initiative alongside an Advisory Council of Black leaders, including:

“Our newly published research, Black Womenomics, suggests that no investment could have a bigger impact than unlocking the economic potential of Black women,” said David M. Solomon, chairman and CEO of Goldman Sachs.

U.S. Congress Member Marcia Fudge Confirmed as U.S. Secretary of Housing and Urban Development

U.S. Congress Member Marcia Fudge Confirmed as U.S. Secretary of Housing and Urban Development

By goodblacknews on March 10, 2021

The U.S. Senate voted 66-34 today to confirm President Joe Biden’s nomination of Rep. Marcia L. Fudge (D-Ohio) as Secretary of Housing and Urban Development (HUD), according to the Washington Post.

Fudge, a congressional representative since 2008, won bipartisan approval to take over leadership of HUD from Ben Carson, who undermined fair housing enforcement and other civil rights protections during the Trump administration. Fudge is the second Black woman to lead the agency (Patricia Roberts Harris, appointed by President Jimmy Carter in 1977, was the first).

“The past year has reminded us just how important it is to have a safe and stable place to call home. But, right now — for millions of Americans — that sense of security and peace of mind is out of reach,” Fudge said in a video statement released after she was sworn in Wednesday evening.

Congressional Black Caucus (CBC) Chairwoman Joyce Beatty and the Members of the Congressional Black Caucus issued the following statement on Fudge’s confirmation:

“The Congressional Black Caucus congratulates former CBC Chair and our beloved sister Marcia Fudge on her historic confirmation as the 18th Secretary of HUD and the first woman to serve in that important role in forty years. Although she and her scholarly counsel will be sorely missed here in Congress, her command of the issues impacting our most vulnerable, at-risk Americans will undoubtedly have a life-altering impact on countless individuals and families,” the statement said.

“Secretary Fudge is uniquely aware of the critical importance of Housing in our constituents’ lives and to the American people. She will be an invaluable member of the Biden Administration and a fierce advocate for the American people. The CBC could not be more pleased by her successful confirmation.”

Read more: https://www.washingtonpost.com/business/2021/03/10/hud-secretary-marcia-fudge-confirmation/

MUSIC MONDAY: “Dream Land” – A Tribute Playlist to Bunny Wailer and the Wailers Legacy (LISTEN)

MUSIC MONDAY: “Dream Land” – A Tribute Playlist to Bunny Wailer and the Wailers Legacy (LISTEN)

By goodblacknews on March 8, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Bunny Wailer, born Neville O’Riley Livingston, died on March 2nd. He was an original member of The Wailers along with Bob Marley and Peter Tosh, and a lifelong standard-bearer of reggae music.

“The Wailers are to reggae what the Beatles are to rock ‘n roll and pop music,” according to Jamaican music-business veteran Copeland Forbes.

This collection is devoted to the work of The Wailers, and the solo work of Rita Marley, Peter Tosh, and of Bunny Wailer himself.

[spotifyplaybutton play=”spotify:playlist:0mBxXxCdAMgcOvgwFSlefk”]

In the 1960s The Wailers hit their initial stride with Coxsone Dodd’s Studio One label, often called Jamaica’s Motown. They recorded for several producers, including Leslie Kong and, most notably, Lee “Scratch” Perry.

I’ve included several of those songs, and ones The Wailers went on to release on their own Wail ‘N Soul ‘M and Tuff Gong labels.

By 1974, Tosh and Wailer both would leave the group for solo careers. Bob Marley would use The Wailers name for his backup band.

Hope you enjoy this collection of music by greats artist done together and separately.

Stay stay, sane, and kind, you all. Until such time.

Marlon West (photo courtesy Marlon West)

Connecticut Becomes 8th State to Pass CROWN Act, Making Natural Hairstyle Discrimination Illegal in Schools and the Workplace

Connecticut Becomes 8th State to Pass CROWN Act, Making Natural Hairstyle Discrimination Illegal in Schools and the Workplace

By goodblacknews on March 7, 2021

According to NBC Connecticut, earlier this week the Connecticut state Senate officially passed the CROWN Act, which makes workplace discrimination against natural hairstyles illegal.

The bill, which stands for Create a Respectful and Open World for Natural Hair, passed in the State senate in a near-unanimous vote and is now on its way to Connecticut governor Ned Lamont.

The bill is the same as those that have passed in New York, California, Virginia, New Jersey, Colorado, Washington and Maryland; it protects those wearing natural or protective hairstyles from discrimination at their workplace or school and makes said discrimination illegal.

Rep. Robyn Porter of New Haven, who sponsored the bill, told NBC Connecticut that she had been told to “settle on a hairstyle” when she first joined the Senate. “Many of us are judged, reprimanded, and passed over for promotion or even fired for the way we wear our hair to work,” she said. “Conformity is often a means of survival.”

Other members were equally passionate about the bill’s passing. “Unfortunately, when you have hair that isn’t straight and when you have skin that’s Black or brown, it isn’t simply hair. It’s judgment,” said Rep. Tammy Exum of West Hartford to NBC Connecticut.

“I look at the hair of those around me and just accept it as is. It doesn’t speak to their ability, their competency, their performance, or their knowledge.”

Governor Lamont is expected to sign the bill into law, and he shared his thoughts on Twitter, writing, “This measure is critical to helping build a more equitable society, and I look forward to signing it into law in the coming days.”

The CROWN Act passed the United States House of Representatives in September 2020, and now waits for a vote in the United States Senate.

If you want to see the CROWN Act passed in your state, you can contact your representatives or sign this petition.

MUSIC: “Fire & Desire” – Celebrating the Ballads of Late Soul Singer Teena Marie on Her 65th (LISTEN)

MUSIC: “Fire & Desire” – Celebrating the Ballads of Late Soul Singer Teena Marie on Her 65th (LISTEN)

By goodblacknews on March 5, 2021

by Jeff Meier (FB: Jeff.Meier.90)

With today’s Good Black News Spotify playlist, we salute a true ally of the Black musical community, the late Christine Marie Brockert a/k/a the one and only Teena Marie, on what would have been her 65th birthday.

[spotifyplaybutton play=”spotify:playlist:0jjGm6Tc5q8nUfVvjPdF1n”]

Teena Marie is a singularly unique presence in music – a white female artist who, over the course of an entire successful career, always felt most at home in Black music.

In fact, when Motown Records released her first album Wild and Peaceful in 1979, the cover consisted simply of a photo of clouds over an ocean – completely avoiding showing her racial identity so as not to bias listeners towards her soulful singing. (Interestingly, this was the reverse of a trick they had previously employed in the early ’60s, using random graphics instead of artist photos on album covers for Mary Wells and The Marvelettes down South to avoid showing Black faces.)

Along with Rick James‘ production, just focusing on Marie’s voice and not her image worked – by the time Black listeners learned Teena Marie was white, she had already won them over with her songs and commitment to Black music, and classic soul fans embraced her fully.

Growing up in the late ’70s, I first remember Teena Marie for her uptempo funk/dance hits – “Square Biz,” “I Need Your Lovin’, “and my personal fave, “Behind the Groove.”

But over time, I realized that Teena’s truest connection to R&B was in her ballads – dramatic, long, lushly orchestrated, poetic, sensuous.  She wrote and sang many bedroom classics over the course of a 30+ years, before her untimely death at the young age of 54 back in 2010.

Today’s playlist is entitled “Fire & Desire: Teena Marie’s 40 Best Ballads”. This playlist consists of hits and album tracks from across her career. “Deju Vu,” “Casanova Brown,” “Portuguese Love,” “If I Were a Bell,” “Out on a Limb,” “Aladdin’s Lamp” “Dear Lover,” “Irons in the Fire” – we’ve got them all here, along with her Rick James duets.

But we’ve also got stripped-down ballads like ‘The Greatest Love of All Time.” Released on the collection First Class Love: Rare Teena Marie, this acoustic ballad was one of the demo tracks Teena created prior to her first Motown album – and it’s clear to see that her talent was fully formed even then.

And we’ve got tracks you may not have heard from her end-of-career resurgence with the albums La Dona, Congo Square, Sapphire, and posthumous effort, Beautiful.

We hope you’ll check out our one-woman Quiet Storm session, and, in the process remember a true groundbreaker, musical innovator, and truly unique singer – a woman like no other – Lady T.

Happy Birthday in Heaven, Teena Marie.

Janet Jackson Two-Night Documentary Event to Debut on Lifetime and A&E Networks in 2022

Janet Jackson Two-Night Documentary Event to Debut on Lifetime and A&E Networks in 2022

By goodblacknews on March 4, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

Finally!

Internationally renowned, Grammy Award-winning, Rock N Roll Hall of Fame inductee Janet Jackson will be the focus of an upcoming documentary on Lifetime and A&E Networks in 2022.

The two-night, four-hour documentary will coincide with the 40th anniversary of Jackson’s first album – no, not Control – that 1986 juggernaut was her third LP and first collaboration with producers Jimmy Jam and Terry Lewis – but rather 1982’s eponymous Janet Jackson, which was released on the A&M records label and offered her early R&B hits “Say You Do” and “Young Love.”

Jackson is an executive producer with Randy Jackson, and according to Variety.com, producing teams from Workerbee and Associated Entertainment Corporation already have been working on the project with Janet for over three years.

To quote Variety.com:

The doc follows Janet as her family is going through the loss of her father, Joseph, the patriarch of the Jackson dynasty who passed in 2018. Producers were granted exclusive access to archival footage and never-before-seen home videos while developing the documentary for the past three years.

“JANET” will also detail the most talked-about moments of her life, including her 2004 Super Bowl appearance with Justin Timberlake in which she inadvertently exposed a portion of her breast, sparking controversy that would hover for more than a decade. The docu will also explore Jackson’s reaction to the death of her brother, the legendary and also controversial Michael Jackson, and her process of becoming a mother.

It’s about time the impact of Janet Jackson and her legacy on popular music and culture will be realized in-depth and, as a major Janet stan since even before her first LP – I’m talking Good Times and Fame days, people – I can’t wait! And I’m sure I’m not alone.

But until then, we’ll always have THIS:

Kareem Abdul-Jabbar to Produce Documentary on U.S. Protests for A+E Networks History Channel

Kareem Abdul-Jabbar to Produce Documentary on U.S. Protests for A+E Networks History Channel

By goodblacknews on March 4, 2021

Columnist and former NBA All-Star Kareem Abdul-Jabbar will be executive producing Fight the Power: The Protests That Changed America with Deborah Morales for the A+E Networks History Channel, according to deadline.com.

The one-hour documentary will examine the effect key protests have had over time on the evolution of America to explore the question: Does the arc of the moral universe bend toward justice when pressure is applied?

This collaboration is the second between the NBA legend and the History Channel, having previously paired up on 2020’s one-hour documentary Black Patriots: Heroes of the Revolution.

Fight the Power is produced by Six West Media with Abdul-Jabbar and Morales exec producing via Iconomy Multi-Media & Entertainment.

“The history of protest in America is also the history of social progress,” Abdul-Jabbar said.

Read more: https://thegrio.com/2021/03/04/kareem-abdul-jabbar-social-progress-documentary/

(paid links)

Artist Sonya Clark’s “Tatter, Bristle, and Mend” Exhibition on View at the National Museum of Women in the Arts in D.C. from March 3 to May 31

Artist Sonya Clark’s “Tatter, Bristle, and Mend” Exhibition on View at the National Museum of Women in the Arts in D.C. from March 3 to May 31

By goodblacknews on March 3, 2021

[Above image: Sonya Clark, Nap, 2012; Glass beads and board, 16 x 20 x 5 in.; On loan from the artist; © Sonya Clark; Photo by Taylor Dabney]

Sonya Clark: Tatter, Bristle, and Mend will be on view at the National Museum of Women in the Arts (NMWA) in Washington D.C. today, March 3 through May 31, 2021. Confronting themes of race, visibility and Blackness, it is the first museum survey of the acclaimed textile and social practice artist’s 25-year career, exploring the social and cultural impacts of the African diaspora.

The exhibition will feature nearly 100 works, including Clark’s sculptures made from pocket combs, human hair and thread as well as works from flags, currency, beads, sugar, cotton plants, pencils, books and more.

(Sonya Clark (b. 1967); Photo by Nicholas Calcott)

The artist changes these everyday objects with a vast range of techniques: she weaves, stitches, folds, braids, dyes, pulls, twists, presses, snips or ties within each work. By stitching black thread cornrows and Bantu knots onto fabrics, rolling human hair into necklaces and stringing a violin bow with a dreadlock, Clark manifests ancestral bonds and reasserts the Black presence in histories from which it has been pointedly omitted.

Throughout her 25-year career, Clark has become renowned for her application of fiber art techniques to human hair, combs, currency, hair salon chairs and other everyday materials to explore the social and cultural impacts of the African Diaspora.

The exhibition features nearly 100 works that reflect the breadth and depth of the artist’s practice. Illuminating the central themes of Clark’s art—including heritage, labor, language and visibility—the show aims to reveal Clark’s radical ability to combine an intensity of handwork and subject matter with an economy of form.

“This timely exhibition affirms Clark’s prowess as both maker and visionary,” said NMWA Deputy Director for Art, Programs and Public Engagement/Chief Curator Kathryn Wat. “She uses concept, process and participation rather than didactic imagery to reflect questions and truths back to us.”

Clark describes “mining” common objects, particularly those bound to identity and power, because “they have the mysterious ability to reflect or absorb us.” The artist transmutes these objects through the application of a vast range of fiber-based processes: weaving, folding, braiding, trimming, pulling, rubbing, twisting, pressing, snipping, dyeing, tying or stacking her diverse source materials.

By stitching black thread cornrows and Bantu knots onto flags, rolling human hair into necklaces, or stringing a violin bow with a dreadlock, she reasserts the Black presence in histories from which it has been pointedly omitted.

(2010; Five-dollar bill and thread, 4 x 6 in.; National Museum of Women in the Arts, Gift of Heather and Tony Podesta Collection; © Sonya Clark; Photo by Lee Stalsworth)

For example, Clark’s Afro Abe II (2010)—a five-dollar bill embellished with black threads that form an Afro for President Abraham Lincoln—is witty, poignant and provocative. The stitched intervention induces a sharp, penetrating moment of recognition and connection and infuses the currency with new, layered meaning.

Clark’s use of currency-as-canvas evokes personal, cultural and historical associations with money, including freedom, self-determination and property ownership. As Clark observes, “It’s crowning the emancipator with the hair most associated with Black liberation and black power,” simultaneously embodying the historical absence of Black political agency as well as the promise of it. That liminality—the creation of objects that simultaneously denote humankind’s capacity to suppress as well as persevere—is the formidable essence of Clark’s practice.

About Sonya Clark

Born in 1967 in Washington, D.C., Sonya Clark is professor of art and the history of art at Amherst College, and formerly a Distinguished Research Fellow in the School of the Arts at Virginia Commonwealth University. She earned an MFA from Cranbrook Academy of Art and a BFA from the School of the Art Institute of Chicago. She also holds a BA from Amherst College, from which she received an honorary doctorate in 2015. She is the recipient of the Rappaport Prize, James Renwick Alliance Distinguished Educator Award, United States Artists Fellowship, Anonymous Was a Woman Award, ArtPrize Juried Grand Prize, Pollock Krasner Foundation award and The 1858 Prize, among others. Clark is one of 16 international artists selected to participate in the inaugural Black Rock Senegal residency program (2020) in Dakar, a project launched by artist Kehinde Wiley. Clark’s art has been presented in more than 350 museums and galleries around the world and reviewed in publications including Artforum, The Art Newspaper, The Los Angeles Times and The New York Times.

R.I.P. Civil Rights Leader and Former National Urban League President Vernon Jordan, 85

R.I.P. Civil Rights Leader and Former National Urban League President Vernon Jordan, 85

By goodblacknews on March 2, 2021

Vernon Jordan, a civil rights movement activist and leader, former National Urban League president and adviser to former President Bill Clinton, died yesterday evening according to CNN. He was 85. His cause of death has not yet been released.

To quote cnn.com:

Born on August 15, 1935, Jordan grew up in the segregated South and graduated from DePauw University in Indiana in 1957, the only Black student in his class.

He then studied law at Howard University and began his career fighting segregation, starting with a lawsuit against University of Georgia‘s integration policy in 1961 on the behalf of two Black students, Hamilton Holmes and Charlayne Hunter. Jordan accompanied the two students to the UGA admissions office that year through an angry mob of White students.

He worked as a field director for the NAACP and as a director of the Southern Regional Council for the Voter Education Project before he became president of the National Urban League. In 1980, he survived an assassination attempt on his life.

“Today, the world lost an influential figure in the fight for civil rights and American politics, Vernon Jordan. An icon to the world and a lifelong friend to the NAACP, his contribution to moving our society toward justice is unparalleled,” NAACP President Derrick Johnson said in a statement Tuesday. “In 2001, Jordan received the NAACP’s Spingarn Medal for a lifetime of social justice activism. His exemplary life will shine as a guiding light for all that seek truth and justice for all people.”

To read more about Jordan:

R.I.P. Reggae Legend Bunny Wailer, 73, Founding Member of the Wailers with Bob Marley and Peter Tosh (VIDEO)

R.I.P. Reggae Legend Bunny Wailer, 73, Founding Member of the Wailers with Bob Marley and Peter Tosh (VIDEO)

By goodblacknews on March 2, 2021

Bunny Wailer, a founding member of the Wailers and a reggae music titan whose career spanned seven decades, died today at the age of 73, according to the Jamaica Observer.

Wailer’s manager Maxine Stowe confirmed that Wailer died  at the Medical Associates Hospital in Kingston, Jamaica (via the Jamaica Observer). No cause of death has been named so far, but Wailer had been in and out of the hospital since suffering his second stroke, in 2020.

Wailer, born Neville Livingston — before adopting his famous moniker — was a member of the original Wailers trio with Bob Marley and Peter Tosh.

https://youtu.be/R2rmFRHhwoA

To quote from Rolling Stone:

While Marley and Livingston were being mentored by Joe Higgs, “the Godfather of Reggae,” they met Higgs’ fellow student Peter Tosh; the then-trio ventured to Kingston. Soon after, they were joined by singer Junior Braithwaite and backup vocalists Beverley Kelso and Cherry Smith. Following a string of name changes that included the Teenagers and the Wailing Wailers, the Wailers aligned with Coxsone Dodd’s sound system and Studio One label — which employed songwriters and producers like Lee “Scratch” Perry and Jackie Mittoo — and released the Marley-penned “Simmer Down,” a Number One hit in Jamaica.

Braithwaite, Kelso, and Smith soon departed the Wailers, leaving the nucleus of Marley, Livingston, and Tosh intact; that trio recorded the band’s debut LP, 1965’s The Wailing Wailers, a collection of tracks the band recorded during the mid-Sixties. The Wailers then went on hiatus as Marley married his wife Rita and joined his mother in Wilmington, Delaware; during this period, Livingston served a yearlong sentence for marijuana possession. However, the three principle Wailers reunited upon Marley’s return to Jamaica.

While Marley and Tosh served as the Wailers’ primary singers and songwriters, Livingston played an indispensable role in providing harmonies to the trio’s songs. The Wailers next teamed with Perry and his Upsetters for 1970’s Soul Rebels and 1971’s Soul Revolution; around that time, Livingston wrote and recorded one of his signature songs, “Dreamland,” a track he revisited when he released his solo LP Blackheart Man in 1976.

To read more: