Darnella Frazier, the young woman who was 17 years old when she filmed on her cell phone Derek Chauvin and three other former Minneapolis police officers arrest and subsequently murder George Floyd, issued her first public statement about the tragic incident she witnessed on the year anniversary of Floyd’s death.
Frazier, who offered her testimony at Chauvin’s trial along with her video footage, helped lead to his conviction on all counts of second degree murder, third degree murder and second degree manslaughter, posted to her Facebook page yesterday:
In addition to expressing how witnessing such an atrocity and abuse of power has affected her, Frazier speaks on the value of George Floyd’s life, and what needs to change in policing and in society to prevent this kind of tragedy from happening again:
My video didn’t save George Floyd, but it put his murderer away and off the streets. You can view George Floyd anyway you choose to view him, despite his past, because don’t we all have one? He was a loved one, someone’s son, someone’s father, someone’s brother, and someone’s friend. We the people won’t take the blame, you won’t keep pointing fingers at us as if it’s our fault, as if we are criminals. I don’t think people understand how serious death is…that person is never coming back.
These officers shouldn’t get to decide if someone gets to live or not. It’s time these officers start getting held accountable. Murdering people and abusing your power while doing it is not doing your job. It shouldn’t have to take people to actually go through something to understand it’s not ok. It’s called having a heart and understanding right from wrong.
Continued praise and strength to this young woman who acted extraordinarily in extraordinary and horrifying circumstances.
To read her statement in its entirety, click above on the link to Frazier’s Facebook post or read it below:
Happy Monday from your friend and selector, Marlon. This collection features Calypso classics from the late 1930s to the 1960s, where this musical style reached many through the internationally popular recordings of Harry Belafonte.
I have included many of his predecessors: Attila the Hun, Roaring Lion, The Mighty Sparrow and Lord Invader to name but a few. Lord Invader’s “Rum and Coca-Cola” was covered with great success by the Andrews Sisters.
Another “Lord,” Lord Kitchener, was one of the longest-lasting calypso stars in history. He continued to release hit records until his death in 2000.
The roots of Calypso music started in 17th century Trinidad. The Africans brought to toil on sugar plantations, were stripped of all connections to their homeland and family, and not allowed to talk to each other.
They used calypso to mock the slave masters and to communicate with each other. It is characterized by highly rhythmic and harmonic vocals and is usually sung in a French creole and led by a griot.
While Calypso is most often danceable, there often much social commentary, and innuendo laced in the lyrics.
Hope you enjoy this collection of music that would go on to influence Ska, Rocksteady, and Reggae.
Have a great week! And as always stay safe, sane, and kind.
According to the Pittsburgh Post-Gazette, high school senior Mariah Jones, who once lived with her mother and her older sisters at the Women’s Center & Shelter of Greater Pittsburgh, is now on her way to Vassar College in NY this fall on a full scholarship.
Jones, 18, is currently working with an astrophysicist at the University of Pittsburgh as a part of a project that endeavors to estimate the distance to other galaxies, an opportunity that came about when she cold-called Brett Andrews, a research assistant professor at Pitt.
“She had reached out to me and a bunch of other professors at Pitt,” Andrew said. “Her curiosity and her drive make her unique. She’s taken the initiative and reached out to people she doesn’t know to make an opportunity for herself.”
That opportunity culminated in a prestigious QuestBridge scholarship to Vassar. QuestBridge is a national nonprofit based in CA that connects exceptional, low-income youth with leading colleges and opportunities.
“I’ve always been a very aggressive, very strong-willed person and I’m very open to taking challenges head-on. I don’t let anything stop me.”
To see Jones talk about her interests and journey, click below:
Many may know Lorraine Hansberry as the award-winning playwright of the now-classic 1959 Broadway play A Raisin in The Sun, adapted into a 1961 movie starring Sidney Poitier and Ruby Dee in 1961, and remade for television in 2008 starring Phylicia Rashad, Audra McDonald, Sanaa Lathan and Sean Combs.
Some may know of her family’s fight to end restrictive housing covenants in Chicago that went all the way to the U.S. Supreme Court (Hansberry v. Lee), or of her civil rights activism and advocacy for universal healthcare, women’s rights, and for the demise of colonialism and imperialism.
A few may even know of her embrace of her queer identity and desire to fight for gay rights at the end of her life.
I know all of these things because my personal connection to Lorraine Hansberry started when she became the first (and only) Black woman writer I got to read as a part of English curriculum in either middle school or high school in the 1980s.
We read Raisin In The Sun as a class in 11th grade AP English. So when my teacher Dr. Victor had his students spend our spring semester studying one author in depth of our own choosing, I chose Lorraine.
The fact that some of the best political and cultural commentary in the U.S. is coming out of from late-evening comedy shows (e.g. The Daily Show with Trevor Noah, Last Week Tonight With John Oliver, The Amber Ruffin Show) instead of news or current affairs programs is a reality we’ll attempt to unpack another time.
Today, please take seven and a half minutes to watch Amber Ruffin brilliantly (and amusingly) break down in her “How Culture Wars and White Supremacy Go Together Like ‘Green Eggs and Ham'” segment why “culture wars” serve as a smokescreen for many politicians to avoid real issues and create policies to empower the few over the many in our Video of the Week:
Oh, and in case you missed it, John Oliver and his team pretty much hit it out of the park on the history of discrimination towards Black hair and hairstyles in the U.S:
Today being her birthday would have been reason enough to honor the life and career of the one and only Janet Jackson.
But in 2021, it’s also turned out to be once-in-a-lifetime event — the weekend Ms. Jackson has decided to sell over 1,000 personal and professional items viaJulien’s Auctions to fans and collectors alike — and donate a portion of the proceeds to children’s charity Compassion International.
(Sunday, May 16 is the last day to watch and/or bid during the auction. You can do so here.)
As a personal fan who lives in Los Angeles, I was able to go to the public display prior to the auction. Seeing her iconic outfits and costumes along with personal items from her childhood and homes was, in a word, mesmerizing.
If you’ve grown up with her like I and a lot of GenX has, it’s easy to take Janet’s legacy and prowess for granted. But when you look at the history, the music, the videos, her eras across the decades and the impact of them all represented in one place, you fully realize what a uniquely innovative, influential artist she has been, is, and always will be.
With producing partners Jimmy Jam and Terry Lewis, Jackson has crafted some of the most insightful and inspirational — and hey, let’s say it, danceable — issue-oriented songs ever.
Today, we celebrate her contributions to elevating our consciousness and calling for action on topics such as discrimination, poverty, racism, illiteracy, domestic violence, depression, sexism and homophobia with the playlist “The Knowledge” – Janet Jackson Social Justice Music:
“Rhythm Nation” is not only represented on this list by its titular track, but also by “The Knowledge,” “State of the World,” “Livin’ In A World (They Didn’t Make)” and its connective tissue interludes, but also by “The Skin Game,” a track about racial discrimination from that didn’t make the album but was a B-side to its “Come Back To Me” single.
“Like so many Black people, I have my own stories of being profiled — of being stopped, searched and frisked twice in the same month by cops skeptical about a Black woman driving a fancy car. And you have to think, if the cops stop me, how much worse must it be for others?” she wrote. “Yet we go on.”
Janet recently revived “Skin Game” during at her State of the WorldTour, at the 2018 Essence Festival and during her Global Citizens performance in 2018. Check out the kick-ass opening sequence below:
On her 1993 Janet. album, Jackson offered “New Agenda” with Public Enemy’s Chuck D, “This Time” about domestic violence with opera singer Kathleen Battle.
On 1997’s The Velvet Rope, Janet tackled self-esteem and self-worth on “You,” the unhealthy reliance on connections made through the internet on “Empty,” feelings of depression and worthlessness “Special,” homophobia on “Free Xone” and overcoming racial and gender discrimination on the hidden track “Can’t Be Stopped.”
The depth and breadth of this album’s themes are discussed deftly by Ayanna Dozier in her book on The Velvet Rope from the acclaimed 33 1/3 series about music’s most impactful albums.
“Got Til It’s Gone” (seen below) and “Together Again” are also included because visually, this pair of Afrocentric videos were all about self-possession, expression and finding joy in the most difficult of circumstances — in South Africa during apartheid in “Got Til It’s Gone,” and healing oneself through the acknowledgement of the importance of lives of those who passed from AIDS and need to celebrate not stigmatize their lives in “Together Again.”
“What About” mixes the softness of her sweetest love songs with a hard rock edge reminiscent of “Black Cat” as she delivers a tour de force on domestic violence.
Jackson’s performance at the 1998 VH1 Fashion Awards was poignant, powerful and unforgettable:
Rounding out the playlist are the songs “Black Eagle” and “Shoulda Known Better” from her number-one album from 2015, Unbreakable, which acknowledge the work that still needs to be done, how difficult it is to overcome the complex issues of racism and abject poverty and how heart-breaking they are, but why it’s still worth trying.
Though not released as a single or official video, “Shoulda Known Better” was used by a fan to make a video tribute to the victims of the Orlando shooting in 2016, and Janet Jackson shares it as part of her official YouTube channel:
I hope I get to add new songs to this list later this year, if Janet resumes the Black Diamond Tour and releases the Black Diamondalbum, both postponed from 2020 due to the global pandemic.
Or even if she records an entirely new project, I have no doubt that in some form, Ms. Jackson’s outspoken caring and compassion for the world will come through once again.
The Naismith Memorial Basketball Hall of Fame has created a special exhibit honoring the late Kobe Bryant, a 2020 Hall of Fame inductee, that has been co-designed and approved by his wife and widow, Vanessa Bryant.
According to the Hall of Fame’s President and CEO, John Doleva, the Bryant exhibit is predicted to become the “most talked about” exhibit inside the Springfield, Massachusetts landmark.
“The family had time to think about what they wanted to do,” Doleva said [as reported by espn.com] during Friday’s news conference for each of the 2020 inductees. “[It’s] about Kobe’s accomplishments but also about what Kobe was after he left the Lakers, after he left basketball.”
The Kobe Bryant exhibit at the Hall of Fame, designed by Vanessa Bryant.
Vanessa Bryant and her oldest daughter, Natalia, accepted Bryant’s Hall of Fame blazer on his behalf and joined the other 2020 inductees at Friday night’s Hall of Fame awards tipoff celebration and awards gala.
NBA Legend Michael Jordan, at the request of Vanessa Bryant, will introduce Kobe Bryant into the Hall this Sunday. Other members of the star-studded 2020 class that will be inducted include Tim Duncan and Kevin Garnett.
As any regular (or even new) follower of Good Black News may have noticed, we really love music here. Its creators, its history, its present and its future. And days like today – the 71st birthday of musical legend, genius and icon Stevie Wonder – are some of the most exciting, because we get to think of new ways to share about an artist who has given so much to the culture and community.
Last year, in honor of Stevie’s 70th, GBN published a month of differently-themed Stevie playlists, (links to all below). But for the generations who didn’t grow up on Stevie Wonder — particularly the 10-and-under set — where to start? How about right here, with our curated, kid-friendly playlist “Stevie For The Sweeties”:
I remember exactly when I took my children’s musical education and exposure into my own hands — April 21, 2016 — the day Prince passed. My kids didn’t understand why Mommy was so upset and was playing Prince music all the time — in the car, in the house, on the TV, for weeks — because they didn’t know who he was or why his music was important.
It was a wake-up call for me to make a conscious effort to introduce them to the musical greats. Since they were 8 and 6 at the time, I started putting together kid-friendly playlists on iTunes (the very first I called “Prince for My Patooties”) that they could listen to on their own, with friends, or at school during breaks, without any worries about playing any songs that could be objectionable for language or subject matter, and sequenced in a way to keep their interest.
“Stevie For The Sweeties” starts with “Fun Day,” moves into “Sir Duke” (which has been a magic tonic to my sons ears since he was a toddler, and where Stevie himself does some hat tipping to generational forebears by name checking Count Basie, Glenn Miller, Louis “Satchmo” Armstrong, Ella Fitzgerald and of course, “Sir”Duke Ellington), “I Wish” (which I remember me, my sister Lesa and my cousins David and Darryl singing to as little kids while we played “Three Flies Up” in my Auntie Brenda’s front yard), and “Fingertips Pts. 1& 2”, where Stevie himself was barely double digits in age.
Those great songs and so many more classics to enjoy with the younger set like “Do I Do” (featuring trumpet-great Dizzy Gillespie on an effervescent solo), “I Love Every Little Thing About You,” “Isn’t She Lovely” (which Stevie wrote about his first-born daughter Iesha), “Bird of Beauty” and “You Are The Sunshine of My Life” are part of “Stevie For The Sweeties.”
I hope you enjoy with the sunshines and lovelies in your life, and thank you, thank you, thank you, Stevie Wonder, for your incredible music and life. We love you. Happy Birthday!
[Photos: Jay Z / Tina Turner via wikipedia.commons.org]
Among the six inductees who’ll be formally inducted as the Rock and Roll Hall of Fame class of are rock and R&B legend Tina Turner, and hip hop artist and impresario Jay Z. This will be Turner’s second induction — she was voted in in 1991 as part of the Ike & Tina Turner duo.
Additionally, LL Cool J, who has been nominated six times since 2010, is being honored with a “Musical Excellence Award.”
Joining LL Cool J in getting that Musical Excellence honor is solo star and “fifth Beatle” Billy Preston, and jazz/soul visionary Gil Scott-Heron is being recognized with an Early Influence Award along with early 20th century blues musician Charley Patton.
Finally, the Ahmet Ertegun Award, usually given to record industry executives or other non-performing figures, goes to Clarence Avant this year, the trailblazer who was subject of the 2019 Netflix documentary The Black Godfather.
The four other main inductees this year are the Go-Go’s, Todd Rundgren, Carole King and Foo Fighters.
The 36th annual ceremony is set for October 30 at Cleveland’s Rocket Mortgage Fieldhouse, a return to a live event with performances. Due to the pandemic, last year’s class was inducted virtually in pre-recorded segments that aired on HBO.
SiriusXM subscribers will be able to hear a live simulcast with edited version to be aired later on HBO and HBO Max.
