This morning, the United States Supreme Court, in a 5-4 decision, ruled that same-sex marriage must be allowed in all 50 states, as gay people must be afforded equal rights and protections under federal law.
President Barack Obama hailed the decision, saying “Our nation was founded on a bedrock principle that we are all created equal,” Obama said. “The project of each generation is to bridge the meaning of those founding words with the realities of changing times. Progress on this journey often comes in small increments, sometimes two steps forward, one step back, propelled by the persistent effort of dedicated citizens,” he said. “And then sometimes, there are days like this when that slow, steady effort is rewarded with justice that arrives like a thunderbolt.”
To watch his entire statement, click below:
[youtube https://www.youtube.com/watch?v=O3uMTPsa_Dg&w=560&h=315]
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
Good Black News
WASHINGTON (AP) — Nation of Islam leader Louis Farrakhan said Wednesday he plans to hold a Millions for Justice March in the nation’s capital this fall, 20 years after the Million Man March.
During a speech at Metropolitan African Methodist Episcopal Church in downtown Washington, Farrakhan said he intends to hold the rally Oct. 10 on the National Mall, scene of the 1995 march.
“This is the time our people must see our unity,” Farrakhan said. “Let’s make 10/10/15 a meeting place for those who want justice, for those who know what justice is.”
Organizers said they aim to stage a more diverse and inclusive event than the one in 1995, which was billed as a men-only event.
Former NAACP executive director Benjamin Chavis, who helped organize the original Million Man March, said he is optimistic that this year’s turnout will be “in excess of a million.” He said the event’s success would be measured more by the political and socioeconomical impact it has on communities.
“What ultimately will be a success is seeing improvements in the communities where these people are going to come from,” Chavis said. “We want to make sure our public policy demands are aligned with those challenges.”
Farrakhan said the rally is intended to galvanize a more strategic movement for equality as supporters unite under the social media hashtag #JusticeOrElse.
“Walk with the young people, the warriors of God, as we say to America, ‘You owe us,'” Farrakhan said.
The Million Man March was held in Washington on Oct. 16, 1995. Its goal, organizers said, was to encourage black men to make firmer commitments to family values and community uplift. It is among the largest political gatherings in American history, although there were disputes over the size of the heavily black and male crowd it drew. Crowd estimates ranged from 400,000 to nearly 1.1 million.
Farrakhan, 82, also used the march announcement to call for fair treatment and an end to injustice in the wake of the massacre of nine people at the Emanuel AME Church in Charleston, South Carolina, last week. “Yes, all lives matter, but the only reason you’re here is because black lives are being slaughtered,” Farrakhan said.
As for efforts to remove the Confederate flag in the wake of that tragedy, Farrakhan said the gesture does little to remove the stain of injustice.
“The media is (still) twisting the narrative of murderers,” Farrakhan added, referring to perceptions that the media tends to portray white perpetrators more humanely than those of other races or ethnicities.
article by Glynn A. Hill via bigstory.ap.org
The Los Angeles City Council on Tuesday confirmed Oakland airport executive Deborah Ale Flint as the new Executive Director of Los Angeles World Airports.
Flint served as the director of aviation for the Port of Oakland.
In her new role, she will lead the city authority that oversees the Los Angeles International, Ontario International and Van Nuys airports.
In comments at the council meeting, Ale Flint talked about the “love story” of L.A.’s airports.
Ale Flint said her vision is “to make sure that we’re the most innovative, that we have the best passenger experiences, that we’re protectors and creators of great environment around the airport, that we have a world-class airport, and that we’re first-class neighbors.”
LAX is currently undergoing a multibillion-dollar overhaul.
“It’s an important economic development engine for the city and we know that ,with your leadership there, we will continue to grow and expand,” Councilman Curren Price Jr. said to Ale Flint.
The final vote was 13-0.
article by KPPC staff; contributions by Brian Frank via scpr.org
“Empire” star Jussie Smollett will moonlight in a guest starring role on WGN’s “Underground,” joining his famous sister Jurnee Smollett-Bell, the network announced Wednesday.
As previously reported, “Underground” follows a group of enslaved people in Georgia planning a 600-mile escape to freedom. Along the way, they are aided by a secret abolitionist couple running a station on the Underground Railroad as they attempt to evade the people charged with bringing them back, dead or alive.
Smollett will play Josey, a runaway who doesn’t trust anyone, not even those stationed along the way who would try to help him.
This marks the first on-screen reunion for Smollett and his sister in since both starred alongside their other siblings in the 1994 ABC sitcom “On Our Own.”
Smollett joins a cast that includes Christopher Meloni (Law & Order: SVU), Reed Diamond (Agents of SHIELD), Aldis Hodge (Rectify), Jessica De Gouw (Arrow) and Marc Blucas (Buffy the Vampire Slayer).
Creators Misha Green (Sons of Anarchy) and Joe Pokaski (Heroes) will executive produce the Sony Pictures Television and Tribune Studios entry with Weed Road Pictures’ Akiva Goldsman, Tory Tunnell and Joby Harold of Safehouse Pictures.
Production began in the spring for a 2016 premiere.
article via eurweb.com
MERY, Ala. — With no fanfare, Alabama Gov. Robert Bentley ordered the removal of four Confederate flags from a memorial at the Alabama State Capitol on Wednesday amid a growing controversy over their official display in the wake of the killing of African Americans at a South Carolina church.
The first to be taken down was the so-called battle flag, followed by the First National Confederate flag, known as the “Stars and Bars,” the Second National Confederate Flag and the Third National Confederate Flag. All four had been removed by 10 a.m.
“The governor does not want the flag to be a distraction,” said Jennifer Ardis, a spokeswoman for Bentley. “There are a lot of other things we are focused on. We have a tremendous budget issue.”
Five workers, including two wearing yellow “landscape operations” tee-shirts, unceremoniously removed the flags by first lowering separate flag poles, then unsnapping and folding up the individual banners. As a handful of photographers recorded the scene, the men worked quickly, without comment, then left the enclosed area around the monument, locking the gate to the small fence behind them.
The flags were hung at the Alabama Confederate Memorial in 1994, a year after then-Gov. Jim Folsom Jr., ordered the removal of a battle flag that had flown over the state Capitol since 1963.
Meanwhile, Sen. Thad Cochran, Mississippi’s Republican senator, said Wednesday that it is his “personal hope” that the state would consider changing its flag, which depicts the Confederate battle flag in its upper left corner.
“The recent debate on the symbolism of our flag, which belongs to all of us, presents the people of our state a opportunity to consider a new banner that represents Mississippi,” he said in a statement. He added that he agrees with his fellow senator from Mississippi, Roger Wicker, also a Republican, that “we should look for unity and not divisiveness in the symbols of our state.
Today, yours truly had the honor of being a part of a community of filmmakers and journalist who helped HuffPost Live host Nancy Redd interview Academy Award-nominated director Liz Garbus about her upcoming documentary on legendary singer-songwriter and activist Nina Simone entitled “What Happened, Nina Simone?” This feature-length look at Simone’s private as well as professional life debuts on Netflix on June 26 and I, for one, can’t wait to see it. Check out the HuffPost Live interview below for more insight and information:
[wpvideo 2CbGRSAv]
article by Lori Lakin Hutcherson (follow @lakinhutcherson)
![](https://i0.wp.com/www.colorlines.com/sites/default/files/styles/article_lead_normal/public/images/2015/06/Freddie%20Gray%20death%20ruled%20homicide%206-24-15.png?resize=640%2C355 "The medical examiner found that Freddie Gray's "rough ride" was to blame for his death.")
According to a copy of the autopsy report obtained by The Baltimore Sun, Freddie Gray’s death was a homicide. The report—which was completed on April 30 but hadn’t yet been released to the public—found that Gray suffered a single “high-energy injury” to his neck and spine and concluded that it was likely caused by sudden deceleration in the police van where he was improperly restrained and shackled. The ME compared the injury to one obtained from diving in shallow water and wrote that the officers involved did not follow proper safety procedures “though acts of omission.”
In the report, assistant medical examiner Carol H. Allan wrote that it was “not an unforeseen event that a vulnerable individual was injured during operation of the vehicle, and that without prompt medical attention, the injury would prove fatal.” In addition to examining Gray’s body, the examiner used videos, witness statements and an inspection of the van to complete the report. She also found that there were no previous injuries to Gray’s spine, noting that he was not incapacitated by a neck hold or other type of physical restraint.
Twenty-five-year-old Gray was arrested in Baltimore on April 12 and died a week later due to a spinal injury inflicted while he was in custody. The six officers involved in his arrest and transport have all been charged with crimes ranging from second-degree depraved-heart murder to second-degree assault. Last week, each officer pleaded not guilty. Their trial date has been set for October 13, and a motions hearing is scheduled for September 2.
article by
Iman is just about to celebrate her 60th birthday and the supermodel couldn’t look any more stunning. It only makes us want to rush and buy her entire cosmetics line if it’ll give us the hope of looking this good when we’re her age. Iman is ringing in the big milestone with a cover shoot for Vanity Fair Italia’s latest issue, where she poses in some glamorous styles. Between the super short ‘do, the hair accessories, fierce makeup and the fact that Iman can make anything look amazing, we’re just loving everything about this fashion spread.
The fashion spread was shot by Markus & Koala and the model was thrilled to share her images with her Instagram followers. Iman not only shared the Vanity Fair Italia cover, but also takes from her shoot with the hashtag #ImanAgelessChic. She truly is.
So how does she stay looking so young through the decades? Turns out it’s not rocket science and you won’t find it in a plastic surgeon’s office.
“I go to the gym, I am attentive to the diet. And I’m not complaining of the extra pounds, at least a couple, because they act as a natural botox,” she said. “When women get older, the first place you see it is the face that becomes too thin, worn out, tired. And then they go to get botox, but for me the best remedy is a bit ‘overweight.’”
If you want a glimpse of her cover story and can speak Italian, click here.
article by Dorkys Ramos via bet.com
NEW YORK (AP) — Albert Evans, a former New York City Ballet principal dancer and one of the most prominent African-Americans in classical dance, has died at age 46.
Evans died at New York’s Mount Sinai Hospital on Monday night “following a short illness,” said Rob Daniels, a spokesman for the ballet company. He did not have further details.
Evans was one of only two African-American principal dancers in New York City Ballet’s 67-year history. The first was Arthur Mitchell, who is now 81.
As a principal, Evans danced a huge variety of roles in the City Ballet repertoire, from classical to modern, from George Balanchine to Jerome Robbins to Christopher Wheeldon. He joined the company in 1988 and quickly rose through the ranks, becoming a soloist in 1991 and a principal in 1995. Evans retired during the spring 2010 season with an emotional farewell performance, and had been serving since then as a ballet master at the company.
“The entire New York City Ballet family is heartbroken by the loss of our beloved friend and colleague Albert Evans,” said Peter Martins, the company’s ballet master in chief, in a statement. “Kind, warm, generous, and always a joy to be with, Albert is quite simply irreplaceable.”
Evans was born in Atlanta, Georgia, and trained there as a youngster. In 1986, he was awarded a full scholarship to the School of American Ballet, NYCB’s official school.
His more prominent roles in Balanchine ballets included the Cavalier in “The Nutcracker” and Puck in “A Midsummer Night’s Dream,” among many others. He had featured roles in Wheeldon’s “Polyphonia” and “Liturgy.” And he originated roles in a number of works by Martins, including his 1991 “Sleeping Beauty,” in which Evans danced Puss in Boots, and “Romeo + Juliet,” in which he played a commanding Prince of Verona.
Friends and colleagues in the dance world took to social media on Tuesday to praise Evans. “Goodbye dear Albert, a beautiful soul,” wrote choreographer Alexei Ratmansky on Facebook.
Evans was one of only two African-American principal dancers in New York City Ballet’s 67-year history. The first was Arthur Mitchell, who is now 81.
As a principal, Evans danced a huge variety of roles in the City Ballet repertoire, from classical to modern, from George Balanchine to Jerome Robbins to Christopher Wheeldon. He joined the company in 1988 and quickly rose through the ranks, becoming a soloist in 1991 and a principal in 1995. Evans retired during the spring 2010 season with an emotional farewell performance, and had been serving since then as a ballet master at the company.
“The entire New York City Ballet family is heartbroken by the loss of our beloved friend and colleague Albert Evans,” said Peter Martins, the company’s ballet master in chief, in a statement. “Kind, warm, generous, and always a joy to be with, Albert is quite simply irreplaceable.”
Evans was born in Atlanta, Georgia, and trained there as a youngster. In 1986, he was awarded a full scholarship to the School of American Ballet, NYCB’s official school.
His more prominent roles in Balanchine ballets included the Cavalier in “The Nutcracker” and Puck in “A Midsummer Night’s Dream,” among many others. He had featured roles in Wheeldon’s “Polyphonia” and “Liturgy.” And he originated roles in a number of works by Martins, including his 1991 “Sleeping Beauty,” in which Evans danced Puss in Boots, and “Romeo + Juliet,” in which he played a commanding Prince of Verona.
Friends and colleagues in the dance world took to social media on Tuesday to praise Evans. “Goodbye dear Albert, a beautiful soul,” wrote choreographer Alexei Ratmansky on Facebook.
“He gave us all the strength, beauty, joy, laughter, smiles, passion, and inspiration to keep going, to keep pushing onward, to be the best we could be,” wrote principal dancer Sara Mearns on Instagram.
Dancer and rising choreographer Justin Peck, also on Instagram, called Evans “such an incredible, luminous person. Albert always brought warmth, hospitality, enthusiasm, humor to any situation.”
In addition to his dance roles, Evans choreographed several works, including “Haiku,” to music by John Cage, for New York City Ballet’s 2002 Diamond Project, as well as a solo for NYCB principal Peter Boal in 2003, performed at the Joyce Theater.
Evans also appeared in the 2002 “Live From Lincoln Center” broadcast of “New York City Ballet’s Diamond Project: Ten Years of New Choreography.”
article by Jocelyn Noveck via news.yahoo.com