Sgt. Isaac Woodard enlisted and fought in World War II, defending democracy as part of a segregated combat support unit. During his time in the army, Woodard earned a battle star, the Good Conduct Medal as well as the Service Medal and World War II Victory Medal.
As he headed home to North Carolina by bus in 1946, hours after being honorably discharged, Woodard was beaten and blinded by police chief Lynwood Shull in Batesburg, South Carolina after a dispute with the bus driver over stopping for the restroom.
Thrown in jail and fined for being “drunk and disorderly,” the NAACP took up Woodward’s case, and national publicity followed, including radio programs by Orson Welles and songs by calypso artist Lord Invader (“God Made Us All”) and folk artist Woody Guthrie (“The Blinding of Isaac Woodard”).
The incident and outcry led to the U.S. Justice Department trying the case in federal court, where Shull was acquitted even after admitting to blinding Woodard.
Afterwards, President Harry S. Truman met with the NAACP and formed a Council on Civil Rights and established the Civil Rights Commission by Executive Order 9808 to study racial injustice and inequity and the need for civil rights to be enforced by the federal government.
In the post doo-wop era, the majority of male vocal groups were singing about the adult themes of romance, employment, travel or societal issues.
But when Frankie Lymon and the Teenagers aimed and hit a much wider (and younger) target audience with their laments on love and life (1956’s #1 R&B, #6 pop hit “Why Do Fools Fall in Love”), the group opened up the airwaves for generations of boy bands to come.
From the Jackson 5 to New Edition to Boyz II Men to Blackstreet, 3T, Troop, Ready For the World, Jodeci, Dru Hill, Shai and Guy, youth-oriented all-male R&B groups have used vocal blends and harmonies to create some of the best bangers, bops and slow jams ever recorded, as well as been springboards for several superstar producing and solo careers.
This Music Monday, GBN offers you 75 songs and almost 6 hours of the best of the genre from the 1960s through the 21st century.
So, as the Jacksons famously sang, enjoy yourself!
[Photo: Ashley M. Jones via Facebook. Credit: Amarr Croskey]
Birmingham nativeAshley M. Jones was recently named Poet Laureate of Alabama (2022-2026), the youngest and first Black person to hold the position created 91 years ago.
“Hopefully, as poet laureate, I can shine some light on the work that is being done that is positive and just remind people that the south is still part of the U.S.,” Jones said.
Jones guest edited Poetry magazine earlier this year after the magazine and its publisher were challenged to do more to support poets from marginalized populations and support Black Lives Matter protests. Jones’ 2021 collectionReparations Now! examines history through verse, such as the 1963 Birmingham church bombing that killed four little girls, as well as Jones’ personal experiences with racism.
Jones earned a Master of Fine Arts degree from Florida International University, according to jbhe.com. She currently teaches at Converse Collegein Spartanburg, South Carolina, as well as the Alabama School of Fine Arts.
Jones also co-directs the PEN American chapter in Birmingham, Alabama, and runs a nonprofit organization called the Magic City Poetry Festival, which is having an online event on November 13.
Throughout history countless women have given the blues their unique stamp. They have fought their way to the front of the testosterone saturated genre, oftentimes with little praise.
Here’s a collection of modern and early masters of the form, including Ma Rainey, Memphis Minnie, Koko Taylor, Etta James, Ann Peebles, Odetta, Aretha Franklin, Sister Rosetta Tharpe, Bettye Swann, Bettye LaVette, Irma Thomas, LaVern Baker and so many more.
Please enjoy. And as always, stay safe, sane, and kind.
City College Center for the Arts, on the campus of City College of New York, is honoring the 60-year history of Rock & Roll Hall of Famer and Grammy® Award-winning Otis Williams of The Temptations, on Monday, November 1 at 7:30pm ET with a special live, virtual event.
Williams, who is a founding member of the legendary musical group and the sole surviving member of the original Temptations, will have a live conversation with distinguished musician, composer and entrepreneur K. Sparks.
Williams will be sharing memories on the “Evolution of The Temptations’ Music, 1961 – 2021”, and the conversation will be simulcast from CCCA’s Aaron Davis Hall, in the renowned Marian Anderson Theatre. It will also feature other special guests.
Audience members can join the free, virtual event by registering for tickets at the CCCA website, citycollegecenterforthearts.org. The special conversation is also being held in honor of the 80th birthday of Mr. Williams, who turned 80 on October 30.
CCCA’s Managing Director Greg Shanck said, “For more than four decades, Aaron Davis Hall has been Harlem’s performing arts center. World scholars, artistic giants and academic geniuses like Nelson Mandela, Alicia Keys, President Barack Obama and Ella Fitzgerald, just to name a few, have blessed these stages through the years. The City College of New York is so proud of the contributions The Temptations have made, and continue to make, to the American cultural landscape and we are honored to add their name to that distinguished list.”
Williams himself said, “I am thrilled to be celebrating the group’s 60th Anniversary and my 80th birthday with our extended Tempts’ family from across the City College campus in Harlem, and throughout New York and the rest of the country. The Temptations had some of its most memorable performances in Harlem and other parts of New York during our career. To mark these capstones with an online discussion about my career at the prestigious and diverse City College of New York, a college known for its commitment to the Performing Arts, and for recognizing one of the greatest trailblazers in American music history, Marian Anderson, is an incredible honor for me and The Temptations.”
Williams reunited with Smokey Robinson earlier this year to co-write and co-produce the recently released single “Is It Gonna Be Yes Or No” from the new Temptations 60 album due in 2022.
“A friend of mine, Derek Porter, him and I were riding down the freeways of L.A. and we’re talking about the 60th anniversary album and Smokey’s name came about. And I said, ‘Smokey. Let me call Smokey, I’d love to have him on the album,'” Williams shared in a phone interview about his historic reunion with friend and writer of classic Temptations hits such as “Get Ready,” “The Way You Do The Things You Do,” and their signature song, “My Girl.”
“So I called him and I say, ‘Smoke, I would love for you to produce a song for us, write it, and not only stop there, I would like for you to perform with us on it.’ And he calls me ‘Oak’. And he says, ‘Oak, anytime just let me know,'” Williams continued. “Here it is now, it’s out and I hear tell it’s doing very good, and that’s fine.”
Other celebratory events of the Temptations includes recent re-opening at the Imperial Theatre in NY of the Broadway musical, Ain’t Too Proud: The Life and Times of the Temptations, based on Williams’ personal journey.
The Temptations’ presence across multi-media platforms has never been more vivid. Their hit “Papa Was a Rollin’ Stone,” was used as the foundation of the Migos smash “Avalanche.”
Temptations founding member Otis Williams (Photography by Scott Leon. Courtesy of UMe)
Additionally, Williams’ autobiography, Temptations, was recently released as an audiobook edition for the first time, with a new introduction by Williams.
When asked what current artists he likes, Williams offered, “Bruno Mars… He’s a heck of a showman. And he can sing. I look at that, also. And the reason I love them [Mars and Anderson.Paak as Silk Sonic] is because they’re singing what the Tempts is all about. They’re singing what Marvin Gaye is all about.”
“They’re singing great songs, great melodies. Lyric content is good, structured, right… See we were taught all those things at Motown. You know, how to be able to tell a great song. That song [“Leave The Door Open“] when I first heard it, I said, ‘They got another one, they got another one.’ And so I love listening as they come out with that kind of songs that have those elements.”
To learn more about Williams, the Temptations, and the group’s touring schedule, check out their social:
The U.S. Department of Justice announced today it has reached an agreement to settle the civil cases arising out of the June 2015 Mother Emanuel AME Church mass shooting in Charleston, South Carolina.
Nine people were killed when 21-year-old white supremacist Dylann Roof entered Mother Emanuel African Methodist Episcopal Church during Bible study and began shooting the congregants. He later confessed, saying he acted in hopes of igniting a race war.
Plaintiffs agreed to settle claims that the FBI was negligent when it failed to prohibit the sale of a gun by a licensed firearms dealer to Roof, a self-proclaimed white supremacist, who specifically targeted the 200-year-old historically African-American congregation.
The settlement provides $63 million for families of those killed in the shooting rampage and $25 million for survivors, according to lawyers involved in the agreement. For those killed in the shooting, the settlements range from $6 million to $7.5 million per claimant. For the survivors, the settlements are for $5 million per claimant.
The parties have been in litigation since 2016, including before the district court and the federal court of appeals.
“The mass shooting at Mother Emanuel AME Church was a horrific hate crime that caused immeasurable suffering for the families of the victims and the survivors,” said Attorney General Merrick B. Garland. “Since the day of the shooting, the Justice Department has sought to bring justice to the community, first by a successful hate crime prosecution and today by settling civil claims.”
On June 17, 2015, Mother Emanuel congregants welcomed a stranger who had entered their church. They invited him to participate in their Wednesday night bible study.
Tragically, at the close of the bible study, Roof shot and killed Cynthia Hurd, Susie Jackson, Tywanza Sanders, Sharonda Coleman-Singleton, Daniel L. Simmons, Ethel Lee Lance, Myra Thompson, Rev. Depayne Middleton-Doctor and Mother Emanuel’s pastor, Reverend Clementa Pinckney, also a South Carolina State Senator.
The families of the Emanuel Nine, as well as the five survivors who were inside the church at the time of the shooting, sued the government. They sought to recover for wrongful death and physical injuries arising from the shooting.
Plaintiffs asserted that the FBI’s National Instant Criminal Background Checks System (NICS) failed to timely discover that the shooter was a person prohibited by federal law from possessing a firearm. Plaintiffs alleged that because of this delay, the shooter was able to purchase the handgun that he used to commit the atrocity.
The families sued after the FBI revealed that its system for conducting background checks failed to catch a fact that should have blocked the sale of the gun Roof used in the shooting. He bought the Glock 41 two months earlier at a shopping mall in West Columbia.
Hope this tiny missive finds you all safe and well. Here’s my last October/Halloween Season offering, and it probably comes as no surprise this one is an eclectic mash-up leveraging off the three I have done so far.
I’ve cast a wide net for this playlist. Jazz, Blues, Soul, Rock, Reggae, and film soundtracks are all here in this more than 12 hour dose of music featuring chills, both real and imagined.
Killers, ghosts, vampires, demons, mad scientists, gravediggers, werewolves, and creatures of all ilk are on hand for this musical journey.
Do enjoy. See ya next week with a break from the macabre.
Esteemed poet, professor and activist Sonia Sanchez, 87, has been awarded the Dorothy and Lillian Gish Prize for being an artist who “has pushed the boundaries of an art form” and “contributed to social change.” The prize includes a cash award of $250,000.
Sanchez has been a leading figure of the 1960s Black Arts Movement, having written more than 20 books including Homecoming, We a BaddDDD People, I’ve Been a Woman, A Sound Investment and Other Stories, Homegirls and Handgrenades, Under a Soprano Sky, Wounded in the House of a Friend(1995),Does Your House Have Lions? (1997), Like the Singing Coming off the Drums (1998), Shake Loose My Skin(1999), Morning Haiku(2010) and most recently, Collected Poems (2021).Her subjects range from Black culture, feminism, civil rights, philosophy and peace, and Sanchez, according to the New York Times, “is known for melding musical formats like the blues with traditional poetic forms like the haiku and tanka, using American Black speech patterns and experimenting with punctuation and spelling.”“When we come out of the pandemic, it’s so important that we don’t insist that we go back to the way things were,” Sanchez said to the New York Times. “We’ve got to strive for beauty, which is something I’ve tried to do in my work.”
Other notable recipients of the Gish Prize include artists such as Ava DuVernay, Spike Lee, Suzan-Lori Parks, Walter Hood and Chinua Achebe.
Among dozens of distinguished honors that Sanchez has received throughout her life Sanchez has also received the 1985 American Book Award for Homegirls and Handgrenades, the Governor’s Award for Excellence in the Humanities for 1988, the Langston Hughes Poetry Award for 1999, the Wallace Stevens Award of the Academy of American Poets, the Robert Frost Medal and the Shelley Memorial Award of the Poetry Society of America, and the Academy of American Poets’ inaugural Leadership Award.
We’re back with another seasonal playlist, this one just might scare kids off your front porch on the 31st.
“Phantom Of The Panther” is a collection of jazz, classical, and soundtrack music. It features spooky tracks from Blacula by Gene Page and the 2021 remake of Candyman by Robert Aiki Aubrey Lowe. There are jazz cuts by Mulatu Astatke and Duke Ellington.
I’ve also included modern classical works by the likes of Pamela Z, Julius Eastman, and others. And while we usually truck on the works of artists from the African diaspora here at GBN, I’ve included tracks by Phillip Glass from the OG Candyman from 1992 and Trent Reznor and Atticus Ross’ work on HBO’s Watchmen starring Regina King.
And how you gonna not to include a track called “House OF Paincakes” by Marco Beltrami for Wesley Snipes’ Blade II?
Hope you enjoy this stroll through the dark side. Listen with the lights on. Or not.
Howard University recently announced a $5 million gift from alumni Eddie C. Brown (B.S.E.E. ’61) and C. Sylvia Brown(B.S. ’62), donated to support the Graduation Retention Access to Continued Excellence (GRACE) Grant for students facing financial barriers. It is the largest donation from alumni in the HBCU’s 154-year history.
Eddie Brown is the founder, chairman and CEO of Brown Capital Management, a Baltimore-based asset management firm that is the second oldest African-American-owned investment management firm in the world.
“We are extremely grateful to Eddie and Sylvia for making this historic gift to Howard University,” said Howard University President Dr.Wayne A. I. Frederick. “The GRACE Grant has helped to eliminate financial barriers to education for Howard students, and I am thrilled that the Browns were inspired to commit such a generous gift to this important fund. My hope is that students will be inspired by their story and generosity and that others in our alumni community will consider the many ways they, too, can impact current and future generations of Howard students.”
The Browns met on Howard’s campus in 1957. Eddie came to Howard from Allentown, Pennsylvania at just 16 years old as a student in the College of Engineering, and Sylvia came to Howard from King William, Virginia as a student in what was then the College of Liberal Arts.
While equally committed to education, the couple recall two very different stories as it pertains to their opportunities to pursue a college education. Whereas Sylvia came from a family of educators and always knew she had the support to pursue higher education, Eddie’s journey to Howard was made possible because of a caring teacher and anonymous “angel” donor.
