The Ralph Lauren Corporate Foundation announced a $2 million commitment to support scholarships for Black, African and African American students, including those at Morehouse College, Spelman College and 10 additional historically Black colleges and universities (HBCUs) through the United Negro College Fund (UNCF).
These scholarships are part of Ralph Lauren Corporation’s previously announced commitments to address systemic racism and racial injustice by creating more pathways for equity within the fashion industry and beyond, beginning with education.
“Students represent the best of the human spirit – passion, curiosity and boundless dreams,” said Ralph Lauren, Executive Chairman and Chief Creative Officer of Ralph Lauren Corporation. “When all students have an equal chance to succeed, their dreams become realities and inspire us all.”
“The Ralph Lauren Corporate Foundation works to make the dream of a better life a reality by championing equity and investing in historically underserved communities,” said Roseann Lynch, Ralph Lauren Corporation’s Chief People Officer and Head of the Ralph Lauren Corporate Foundation. “Our hope is that these scholarships will deepen pathways of access to education for our future leaders and help enable them to pursue their own dreams.”
“Morehouse has a common cause with partners like the Ralph Lauren Corporate Foundation who believe that equity begins with education,” said David A. Thomas, Ph.D., Morehouse College president. “Through educational investments, which help elevate the creativity and professional competence of talented students of color, we today empower the innovators who will develop the fashions, products and services the world will demand tomorrow.”
“This new scholarship will allow high-achieving students in need of financial support to graduate with less debt, ready to step into their careers,” said Mary Schmidt Campbell, Ph.D., president of Spelman College. “We’re extremely proud to join forces with the Ralph Lauren Corporate Foundation in its effort to increase equity and access in the fashion industry.”
First and foremost, Happy New Year 2022! Congratulations on the perseverance it has taken to make it to another year during such challenging times.
Secondly, we’d like to congratulate the January winners of our “A Year of Good Black News” Page-A-Day® Calendar for 2022! As a thank you for your readership and support, GBN has selected not one, not two, but five winners for December!
Congratulations to Sheila Collins, Fenesha Hubbard, William Walters, Charlotte White and Carla Brown! We will be contacting you each shortly via email to arrange delivery of your free calendars.
Thank you to everyone who entered the GBN Page-A-Day® calendar giveaway, and we hope our upcoming giveaways in the coming months will inspire you to do so again.
A Year of Good Black News for 2022 is filled with facts, history, bios, quotes, jokes and trivia in easy-to-read entries delivered on the daily, and if you still want to buy it for yourself, your family, children, friends, teachers or loved ones, use code: YAY21 at Workman.comto receive 25% OFF until January 3.
Or, if you prefer, you can also order from the retailers below:
Because interest in the calendar was high but not all who want it can win or by it, GBN is offering it in audio form day by day as Good Black News: The Daily Drop:
Good Black News: The Daily Drop is on Spotify, Apple Podcasts,Amazon Music, Soundcloud, Google Podcasts and rss.com. Or you can subscribe by the rss feedvia any platform you like.
Onward and upward… and thank you for your support!
NEW YORK, NY— The International Center of Photography (ICP) presents a powerful exhibition focusing on the work of five emerging Black artists who have turned the lens inward to explore and capture the “unseen” moments of their lives during a time of unprecedented change.
INWARD: Reflections on Interiority features newly commissioned photographs by Djeneba Aduayom, Arielle Bobb-Willis, Quil Lemons, Brad Ogbonna, and Isaac West.
On view through January 10, 2022, INWARD is curated by Isolde Brielmaier, Ph.D., ICP’s curator-at-large, and newly-appointed Deputy Director for the New Museum.
Although a number of these photographers have worked on assignment for major publications such as the New York Times, Vogue, Vanity Fair and Time, the exhibition offers a rare opportunity to see their artistic and personal work in their first museum exhibition.
The photographers showcased in INWARD use a range of manual and digital image-making tools in their individual practices—for this exhibition, they have created the photographs using iPhone.
The resulting images move beyond the endless scope of the constructed selfie to examine the intimate interactions and inner thoughts that make up their daily experiences as artists in a time of Covid-19, Black Lives Matter, and the 2020 U.S. election.
Artists Djeneba Aduayom, Brad Ogbonna, Isaac West, Arielle Bobb-Willis, and Quil Lemons, with curator Isolde Brielmaier, at the opening of “INWARD: Reflections on Interiority” at the International Center of Photography.
“The five artists featured in INWARD provide a thought-provoking window into their interior lives,” said curator Isolde Brielmaier. “The revealing new photographs explore intimate thoughts and personal relationships with great honesty, as the artists delve deep into the new reality and challenges of our contemporary lives at a time of global introspection.”
Exhibition Overview
Smartphones have often been used to generate images of public space and events in the broader outside world. iPhone has democratized image-making, and more recently, has been widely utilized as an impactful outward-facing tool to capture the human side of this particular moment of upheaval and turmoil. In INWARD, the artists reverse the focus to document their inner lives, and in the process show the full potential of iPhone in a fine art setting.
Revealing deep self-reflection, the work of Djeneba Aduayom explores her inner thoughts and subjectivity. As an introvert, she was at ease at home, sitting still, and being quiet in the company of herself during the pandemic. This quiet confidence can be seen in her self-portraits, in which she poses for the camera and directly gazes at the viewer. These images are punctuated by smaller, more abstract “studies” of objects and the human form of the artist’s own body.
Much of Arielle Bobb-Willis’s work is born out of her experience battling depression from an early age. She manipulates color, shape, form, and light, giving way to abstract images that reference ideas of the beautiful, the strange, isolation, and belonging. Influenced by painting, her use of bright colors speaks to the artist’s desire to claim power and joy in the face of confusion, sadness, and uncertainty.
Quil Lemons presents self-portraits from his series entitled Daydreams, 2021, which document his very personal journey, a process of self-exploration and self-validation: “As a Black queer man, there is no space for me, so I constantly carve one,” he states. He confidently defines his racial and gender identity in ways that allow for the intertwined, co-existence of both. His work visually articulates both self-assurance and the ongoing vulnerability with which he contends.
The work of Brad Ogbonna is comprised of a broad series of portraits of family, friends, and himself. In the style of some of the most important historical West African portrait photographers, such as Malick Sidibé, Meissa Gaye, Seydou Keïta and others, he has created, in collaboration with his friends and family members, a series of intimate portraits that underscore family history and relationships with a strong reference to the artist’s Nigerian culture as well as his late father. “I didn’t think much about the past until my Dad died,” said Ogbonna. “Shortly thereafter I inherited his first photo album filled with photos from his youth spent in Nigeria. At the time those images felt like a portal to the not-so-distant past and left me with many more questions than answers. I was enthralled by the mystery of it all.”
Isaac West is inspired by his girlfriend Naima in his series entitled Love, 2021. He focuses on the small ways in which human interactions, gestures, and expressions both encapsulate and demonstrate larger ideas about love, intimacy, and care. Through his strikingly bold colors and stark lines and use of light, as well as the strong articulation and centering of Blackness, he highlights everyday acts of kindness—grooming, eating, playing—in order to underscore these
About the Artists Djeneba Aduayom, @djeneba.aduayom
Informed by her career as a professional dancer, Djeneba Aduayom progressed into photography and brought her love of travel, movement and emotive performance into her imagery and subsequent directing work. Drawing inspiration from her cultural mix of French, Italian and African heritage, her concepts and artistic expression are rooted in her personal exploration of the inner worlds of her imagination. In 2020, Aduayom received The One Club for Creativity One Show gold award for her conceptual fashion series “A Pas de Deux” in collaboration with New York magazine’s The Cut. Her portraits for The New York Times Magazine’s “The 1619 Project” were honored by the International Center of Photography’s 2020 Infinity Awards in the Online Platform and New Media category. The American Society of Magazine Editors’ 2020 Awards also selected Aduayom’s Billboard portrait of St. Vincent as “Best Profile Photograph.” Aduayom is now based just outside of Los Angeles, CA.
Arielle Bobb-Willis, @ariellebobbwillis
Born and raised in New York City, with pit stops in South Carolina and New Orleans, photographer Arielle Bobb-Willis has been using the camera for nearly a decade as a tool of empowerment. Battling depression from an early age, Bobb-Willis found solace behind the lens and has developed a visual language that speaks to the complexities of life: the beautiful, the strange, belonging, isolation, and connection. Inspired by masters like Jacob Lawrence and Benny Andrews, Bobb-Willis applies a “painterly” touch to her photography by documenting people in compromising and disjointed positions as way to highlight these complexities. Her photographs are all captured in urban and rural cities, from the South to North, East to West. Bobb-Willis travels throughout the U.S. as a way of finding “home” in any grassy knoll, or city sidewalk, reminding us to stay connected and grounded during life’s transitional moments.
Quil Lemons, @quillemons
Quil Lemons is a New York-based photographer with a distinct visual language that interrogates ideas around masculinity, family, queerness, race, beauty, and popular culture. His inaugural series GLITTERBOY (2017) introduced Lemons to the world and started a dialogue that would act as a common thread through much of his work to come. In it, he dusted black men with glitter to combat the stereotypes and stigmas placed upon their bodies. This concept of challenging what is acceptable for the black male body developed even further in BOY PARTS (2020). Simultaneously, Lemons began an exploration of the black family portrait with his series PURPLE (2018) and project WELCOME HOME (2018). Images from both projects gave an intimate glimpse into his home life and the modern black American family structure in Philadelphia. Lemons has previously exhibited at Contact Festival, Toronto, 2018; Kuumba Festival, Toronto, 2019; and Aperture, NY 2019. His work has appeared on the cover of Vanity Fair, and publications including Variety, Vogue, and the New York Times.
Brad Ogbonna, @bradogbonna
Brad Ogbonna was born and raised in Saint Paul, MN, and currently lives and works in Brooklyn, NY. A first generation Nigerian-American and a self-taught photographer, his work focuses on the black experience: his own, as well as the many different iterations he has seen while traveling domestically and abroad as a member of the diaspora. His work has appeared in publications such as The New York Times, The Atlantic, Forbes, Bloomberg BusinessWeek, and New York magazine, and he frequently collaborates with the artist Kehinde Wiley. In 2019, Ogbonna’s work was featured at the Walker Art Center in Minneapolis.
Isaac West, @isaacwest
Isaac West is a Liberian-born, U.S.-based photographer, artist, and creative director who specializes in conceptual art and minimalism. West’s luminous portraits evoke a contemporary regality. In 2018, West photographed two issues for Paper magazine, “Higher Ground” (web issue) and “West’s World” (spring print issue). In 2019, West photographed the actress Zendaya for the cover of the Summer print “Extreme” issue of Paper, and West was also named one of Paper magazine’s “100 People Taking Over 2019.” West photographed Parker Kit Hill for the spring 2019 print issue cover of Funk Magazine, a magazine dedicated to the LGBT community. Vogue Italia featured West’s third-biggest photography project called “8Minutes & 46Seconds” as a full spread in their 2020 summer print issue. West’s work was featured in the Aperture Foundation’s 2020 exhibition The New Black Vanguard in New York, NY, which then traveled to Australia and Qatar in 2021.
Ticket information: Admission to ICP is by timed ticketed entry only to ensure limited capacity and other safety standards are met. Tickets can be reserved online at icp.org/tickets. updated Visitor Information and Accessibility guidelines and policies.
This past summer, CBS News ran a story on Eliot Middleton, a barbecue restaurant owner and a trained mechanic in rural South Carolina who was fixing older cars and donating them to people in need.
“There’s no public transportation,” Middleton told CBS News in June. “There’s no Ubers, there’s no taxis or nothing like that.”
Some of the recipients of the fixed cars are single moms, jobs seekers and older folks with doctors’ appointments. Last Christmas, he gave a 2004 Suzuki to single mom Jessica Litchfield — who described his work as “a lifesaver.”
“Some folks don’t believe it,” Middleton said. “It’s like, ‘No, that’s not my car.'”
After the story ran, by July he’d received offers of over 800 donations of cars in addition to more than $100,000 in cash donations to support Middleton’s charitable efforts.
According to a recent report from wltx.com, Middleton has given away over 60 cars since he started helping others in this fashion, giving away 12 of them during the 12 days of Christmas.
Middleton and his non-profit Middleton’s Village to Village Foundation can be followed or contacted here.
[Photo: Eliot Middleton, Savonnie Eadie, Doretha Simmons (l to r) via Facebook]
Happy Last Monday of 2021! Hope you all have had a safe and pleasant holiday season, so far. This Covid era ain’t going away easy. So I was planning on my first GBN playlist of 2022 to be a collection songs that I found sustaining in the last nearly two years. Though I thought it would be nice to hear from some of you.
What songs have you played during ‘20 and ‘21 that helped keep your chin up? Were they tracks from back in the day that have always been your go to? It there a cut that that gained new meaning and poignance during lockdown? Have you discovered new music that has brightened these taxing times?
Let me/us know about ‘em in the comments. Help a brotha create a communal playlist of hope and tenacity.
Archbishop Desmond Tutu, who helped lead the movement that ended apartheid, the unjust system of white rule in South Africa and won a Nobel Peace Prize, passed away today in Cape Town, the country’s president Cryil Ramaphosa confirmed Sunday. Tutu was 90.
Ramaphosa stated: “[A] leader of principle and pragmatism who gave meaning to the biblical insight that faith without works is dead.”
The Desmond and Leah Tutu Legacy Foundation said the cause of Tutu’s death was cancer, adding that Tutu died in a care facility. The archbishop was diagnosed with prostate cancer in 1997, and had been hospitalized several times in the decades since.
As leader of the South African Council of Churches and later as Anglican archbishop of Cape Town, Archbishop Tutu led the church to the forefront of Black South Africans’ decades-long struggle for freedom. His voice was a powerful force for nonviolence in the anti-apartheid movement, earning him a Nobel Peace Prize in 1984.
When that movement triumphed in the early 1990s, he prodded the country toward a new relationship between its white and Black citizens, and, as chairman of the Truth and Reconciliation Commission, he gathered testimony documenting the viciousness of apartheid.
“You are overwhelmed by the extent of evil,” he said. But, he added, it was necessary to open the wound to cleanse it. In return for an honest accounting of past crimes, the committee offered amnesty, establishing what Archbishop Tutu called the principle of restorative — rather than retributive — justice.
His credibility was crucial to the commission’s efforts to get former members of the South African security forces and former guerrilla fighters to cooperate with the inquiry.
Archbishop Tutu preached that the policy of apartheid was as dehumanizing to the oppressors as it was to the oppressed. At home, he stood against looming violence and sought to bridge the chasm between Black and white; abroad, he urged economic sanctions against the South African government to force a change of policy.
On a day when so many family members, friends and loved ones may or may not have been able to come together to celebrate, GBN wishes you a Merry and safe Christmas, a blessed and bountiful Kwanzaa and Hopeful Holidays all around.
As we give to each other, let us always strive to remember what a gift we have in life, and to cherish and respect that spirit always for ourselves as well as others all year long.
Kim Potter, the former Minnesota police officer who shot and killed Daunte Wright when she drew her handgun instead of her Taser during a traffic stop in April, has been found guilty on two counts of manslaughter.
Jurors deliberated since Monday before coming to a unanimous verdict. Potter, who had served as an officer in Brooklyn Center, Minnesota for 26 years, will be sentenced at a later date.
Prosecutors did not dispute that the shooting was an accident. But they said that in her 26 years on the force, Potter had undergone extensive firearm and Taser training, including how to avoid confusing the two. They turned to use-of-force experts and the police department’s policy handbook to argue that the use of a Taser was inappropriate to begin with.
“She drew a deadly weapon, she aimed it, she pointed it at Daunte Wright’s chest and she fired,” Assistant Attorney General Erin Eldridge said during the state’s closing argument on Monday.
“This was no little oopsie. This was not putting the wrong date on a check. This was not entering the wrong password somewhere. This was a colossal screw-up, a blunder of epic proportions,” Eldridge said. “It was precisely the thing she had been warned about for years, and she had been trained to prevent it.”
Minnesota’s sentencing guidelines recommend approximately seven years for the first-degree charge and four years for the second-degree charge, though prosecutors are likely to advocate for a longer sentence.
Dr. Maria Rosario Jackson was confirmed by the U.S Senate on Saturday as Chair of the National Endowment for the Arts. Jackson is the first African American and Mexican American to lead the organization.
Jackson, 56, earned a doctorate in urban planning from the University of California at Los Angeles, and she’s a professor at Arizona State University and a sought-after speaker on how to embed arts, culture and design into community life. Jackson previously worked at the Urban Institute, a think tank in Washington.
President Biden made the historic nomination in October, during National Arts and Humanities Month. At the same time, he nominated Shelly Lowe to be the first Native American to lead the National Endowment for the Humanities. Lowe’s nomination has not been confirmed.
In a statement released by the NEA, Jackson thanked President Biden for the opportunity and said she plans to lead the institution with “dedication to inclusivity, collaboration, and with the recognition that art, culture, and creativity are core to us reaching our full potential as a nation.”
“The NEA plays a crucial role in helping to provide funds and other resources needed for the sector to recover, retool, and reopen,” Jackson also stated. “The agency also has the opportunity and responsibility to deepen and expand its already purposeful efforts to reach communities who have been traditionally underserved.”
Happy Holiday Season, you all! I am thrilled to offer this “afroclectic” of music to round out 2021’s Christmastime. With more that a little help from my friends I’ve assembled another freewheeling collection.
There are tracks from fellow contributor, Jeff Meier’s ULTIMATE SOUL OF THE SEASON SOUNDTRACK, and our fearless leader, Lori Lakin Hutcherson’s A MERRY MOTOWN playlist, plus dozens of favorites and recent discoveries of my own.
Of course, Donny Hathaway, Sharon Jones, Nat King Cole, Marvin Gaye and other Christmas standard-bearers are present. Though there are 2021 holiday releases by Bill Will, Nao, Mandisa, José James, Shaggy and others as well. Here’s over thirteen hours of soul, jazz, reggae, gospel, hip hop, and more to for a Christmas musical journey.
Whether you are staying put, or travel far, please do have a wonderful, peaceful, and safe holiday season. It has been a pleasure and honor share music with you all here on Good Black News for another year.
Stay safe, sane, and kind. And I’ll see ya back here in the ‘22!
