We’ve been a fan of Nicholle Kobi’s art for a while now, but her recent drawing of the Obamas at the recent White House State Dinner is absolute perfection.
Source: This Artist’s Drawing of The Obamas Is Absolute Perfection – Clutch Magazine
Good Black News
article by Hadassah Egbedi via venturesafrica.com
Besides passion, a common reason often given by entrepreneurs when asked why, or how they started their businesses often entails discovering a gap in the market, which is often in the process of trying to solve a problem of their own. The background story of Funlayo Alabi, CEO of Shea Radiance, is not any different.
Mrs Alabi currently runs a multi-million dollar skin care company from her kitchen, one she started by chance. Her son was suffering from severe eczema, so she sought a more natural alternative to deal with it. “We had him on steroids. I thought to myself, “This boy is going to live on steroids if I don’t find a more natural alternative,” she told Inc. Alabi who hadn’t been a fan of shea butter as a kid, reluctantly called her mother and asked her to bring some on her next visit to the States.
Found in the tropics of Africa, and only recently discovered by the West, the benefits of Shea Butter have been known to Africans for centuries as it has been used through generations. In Nigeria, it is not uncommon to have someone prescribe the multi-purpose butter which contains unique healing properties to you if you have any skin or hair issues. The site africansheabutter.org provides a long list of conditions shea acts a remedy for including dry skin, rash, blemishes, wrinkles, sunburn, chest cold, and dermatitis.
“I really do believe that a jar of cream is not just a jar of cream. It can change the world.”- Funlayo Alabi
Once Alabi put the shea to use, her son’s skin got better and felt better, plus it had a “beautiful, warm glow.” The woman soon realized the value of what she had on her hands and the largely untapped market that exists. This was about seven years in 2008. So she got right to work, mixing and making shea butter lotions and shampoos in her kitchen. “I have always had a business mind and knew that we could develop high-quality shea butter products and sell them.” Thus, her company, Shea Radiance, was born in Ellicott City, Maryland.
article by Paula Rogo via essence.com
When Dehanza Rogers first heard of the Four Sisters Endowed Scholarship, she wondered at the meaning of the name.
“I mean what sisters are we talking about?” she remembers thinking to herself. “It could have meant any number of things.”
Then a first-year MFA student at the UCLA School of Theater Film and Television, the 2014 graduate applied for the scholarship to help fund her thesis film years late.
But when she saw the names behind the scholarship, she knew what sistas they were actually talking about: Sara Finney-Johnson, Mara Brock Akil, Gina Prince-Bythewood and Felicia D. Henderson. From Being Mary Jane and Moesha to Love & Basketball and Soul Food: The Series, these four women have created some of the most important talking points in Black television and film lexicon.
Indeed, for decades, they have consistently been telling stories of the Black experience, navigating an industry that is notorious as much for its lack of diversity in storytelling as its storytellers. Each had her share of pushback and difficulties. And it was from these experiences that the idea —- to endow a scholarship towards filmmakers wanting to create African-American themed projects — was born. And the four friends agreed to endow it in a place that molds future industry influencers: film school.
article via thenerveafrica.com
The Africa rising narrative has been called into question several times. It was called a myth by former deputy governor of Nigeria’s central bank, Kingsley Moghalu and Tanzanian millionaire Ali Mufuruki called it false.
Although the old clichés of Africa being a continent where war and poverty reign with pestilence have not completely changed as several parts of the continent still grapple with poverty, as well as war and terror, but the continent has one thing going for it, which makes the hopeful ‘Africa rising’ narrative bold enough to hold on to; its people.
Even if Africa is not rising as claimed by Mufuruki, Africans are rising and are impacting the continent and the world at large. Their lives inspire other Africans to follow their dreams and they are moving Africa closer to the future we all hope for, one step at a time.
Patrick Njoroge
When Kenya’s President Uhuru Kenyatta appointed Patrick Njoroge as central bank governor, he was relatively unknown, so the president was criticized over his choice. But getting to know Njoroge changed everything. What struck Kenyans was not his PhD in Economics. It was also not his years of experience working for global lender International Monetary Fund (IMF). What was captivating for most Kenyans was his modest lifestyle. Who rejects the perks of public office? Patrick Njoroge said no to three official cars and a palatial apartment.
It is just six months into his reign as central bank governor but the impact of his ingenuity is already being felt. He brought inflation under control in his first month and helped stabilise the shilling. Banks in Kenya know he is not going to overlook any incontinence and flouting of the law. Two banks have been hammered already. He is not the typical African public office holder. He made Africa proud in 2015.
Akinwumi Adesina
Adesina’s story is a story of sheer determination to succeed. Born to a farmer in southwestern Nigerian State, Ogun, he didn’t quite leave the path he knew from infancy; agriculture was everything. But he would not be the type of farmer his father was, he wanted more and Agricultural Economics seemed perfect. He stayed true to his dream and saw it through.
article by Justin Kroll via Variety.com
Warner Bros. is continuing its efforts to tackle Hollywood’s diversity problem by launching an emerging film directors workshop, a talent incubator designed to give access and voice to new and underrepresented talent. The studio will begin accepting applications next month and hopes to have the workshop up and running by the end of the third quarter.
The emerging film directors workshop will provide aspiring helmers from underrepresented communities with the opportunity to showcase their work to the film world after an intensive nine-month fellowship at Warner Bros. participants will be partnered with a Warner Bros. executive mentor as they work through the entire film production process, from pitch to final cut to premiere. The inaugural class will have five filmmakers.
“Our emerging film directors workshop continues Warner Bros.’ commitment to being the industry’s most talent-focused studio,” said Greg Silverman, Warner Bros.’ president of creative development and worldwide production. “There are so many bright, creative individuals at the threshold, who just need access to bring their vision and voice to a bigger audience. By providing that access, as well as a professional network and funding for a short film, Warner Bros. will play a small part in developing the next generation of great storytellers, whether they work in film or television, at our studio or elsewhere.”
Silverman came up with the plan and spearheaded the program, which has been in development for about two years.
Designed to re-create the features production process on a micro level, the workshop will have participants pitch, write or work with a screenwriter, and develop a script for a short film that’s three to 10 minutes long and budgeted at $100,000. Once they have a final screenplay, filmmakers will work with physical production to prep, create a budget, cast, shoot on the lot and edit with a full post-production process. Warner Bros. will cover all production costs and salary for filmmakers for the duration of the workshop.
The workshop will culminate in a film festival showcasing the directors’ work that will be held for agents, managers, producers and film executives from across the industry. More information on the program and the application process can be found here.
To read more, go to: http://variety.com/2016/film/news/warner-bros-film-directors-workshop-1201727406/
Warner Bros. is continuing its efforts to tackle Hollywood’s diversity problem by launching an emerging film directors workshop, a talent incubator designed to give access and voice to new and underrepresented talent. The studio will begin accepting applications next month and hopes to have the workshop up and running by the end of the third quarter.
The emerging film directors workshop will provide aspiring helmers from underrepresented communities with the opportunity to showcase their work to the film world after an intensive nine-month fellowship at Warner Bros. participants will be partnered with a Warner Bros. executive mentor as they work through the entire film production process, from pitch to final cut to premiere. The inaugural class will have five filmmakers.
“Our emerging film directors workshop continues Warner Bros.’ commitment to being the industry’s most talent-focused studio,” said Greg Silverman, Warner Bros.’ president of creative development and worldwide production. “There are so many bright, creative individuals at the threshold, who just need access to bring their vision and voice to a bigger audience. By providing that access, as well as a professional network and funding for a short film, Warner Bros. will play a small part in developing the next generation of great storytellers, whether they work in film or television, at our studio or elsewhere.”
Silverman came up with the plan and spearheaded the program, which has been in development for about two years.
Designed to re-create the features production process on a micro level, the workshop will have participants pitch, write or work with a screenwriter, and develop a script for a short film that’s three to 10 minutes long and budgeted at $100,000. Once they have a final screenplay, filmmakers will work with physical production to prep, create a budget, cast, shoot on the lot and edit with a full post-production process. Warner Bros. will cover all production costs and salary for filmmakers for the duration of the workshop.
The workshop will culminate in a film festival showcasing the directors’ work that will be held for agents, managers, producers and film executives from across the industry. More information on the program and the application process can be found here.
To read more, go to: http://variety.com/2016/film/news/warner-bros-film-directors-workshop-1201727406/
article by Nigel Roberts via newsone.com
Teachers increasingly give assignments that require online access, a task that’s becoming ever more difficult for scores of students from low-income families.
How big is this problem? The Pew Research Center estimated last year that about 5 million households with school-age children can’t afford Internet service. Not having broadband at home creates a so-called “homework gap,” which the researchers say disproportionately affects Black and Latino children.
On Wednesday, President Barack Obama announced ConnectALL, an initiative to enable all Americans to afford broadband. It seeks to eliminated the digital divide—an ongoing problem that captures the public’s attention from time-to-time.
In a recent article, the New York Times shined a spotlight on the issue. The paper told the story of a sister and brother—Isabella and Tony Ruiz—who routinely stand outside an elementary school near their home to use its wireless hot spot.
With their parents struggling to make ends meet, Isabella, 11, and her 12-year-old brother don’t have Internet service at home. By standing outside the school building, Isabella was able to watch her teacher’s math guide on the family’s mobile phone.
The article drew a Facebook comment from President Obama:
“All of America’s students should be able to get online, no matter where they live or how much their parents make.”
article by Robin White Goode via blackenterprise.com
At 9, Harold Gregory Branch IV—whom everyone knows as Quatro—took the ACT and scored a 21. Yes, that ACT. He ranks in the top 10% in math in the nation. As far as giftedness, he is in the 99th percentile of the 99th percentile.
Now 10, Quatro is blessed in that he attends a private school for gifted kids on a college campus. Every day he tells his parents that he loves school. His first reading assignment? The Tipping Point by Malcolm Gladwell.
Quatro’s parents have been strategic about his education. One of the first things his mother said to me is that she and her former husband co-parent. Here are some ways Harold Branch and Rayco Branch work together to develop their son’s potential.
- Lay the foundation. They agreed to invest in their children’s (the Branches also have a gifted daughter) early education, rather than saving for college. “At 5 he started the Abacus rogram and piano.”
- Sacrifice. They prioritize spending on their children’s education. “We may sacrifice new shoes or a new car or a stylish purse, but Quatro’s in the Abacus program that everyone else said they couldn’t afford.”
- Take responsibility. “In this country the education system is broken,” says Harold, “but for people of color it’s devastating. Our state is 47th in education in the nation, so we expected the school to provide the skeleton, and we provide the rest. Rayco is an award-winning educator. She always had the kids doing worksheets that had them two years ahead.”
article by Melena Ryzik via nytimes.com
CHICAGO — When Jussie Smollett and Jurnee Smollett-Bell were growing up, bouncing with their parents and four siblings between New York and Los Angeles, as the kids pursued careers in modeling, acting and music, their downtime was just another chance for performance and togetherness.
“Creating was something that we just were expected to do,” Mr. Smollett said, in a joint interview with his sister here, where he tapes the Fox series “Empire.” Seated next to him in a downtown restaurant, she was nodding in agreement. “And I don’t remember a time not wanting to do that.”
The members of the Smollett clan have made good on their childhood promise. Mr. Smollett, 32, is a singer and a breakout star of the hit drama “Empire,” in which he plays Jamal, the most talented member of the Lyon hip-hop dynasty.
Ms. Smollett-Bell, 29, who made her mark as an actress by the age of 10, with the 1997 film “Eve’s Bayou,” is one of the leads in “Underground,” a new WGN America show about a group of slaves who try to escape from their Georgia plantation; her brother guest-stars.
Though it’s their first project together in 20 years, it’s clear that the more creative freedom they have, the more their tastes will converge.
The Smolletts have also been outspoken politically and, since their school years, devoted to causes like H.I.V./AIDS prevention and ending apartheid. They were raised in the orbit of the Black Panthers and, lately, have lent their voices to the Black Lives Matter movement. Their trajectory, from child stars to successful adults, is born of their family and its history of activism.
“Their sense of justice is very strong, and it permeates everything that they do,” said Alfre Woodard, who has known Jussie and Jurnee since they were children; they worked with her at the nonprofit Artists for a New South Africa. “They’re like a model sibling unit. They look out for each other, all the time. And they all reach across and say, ‘O.K., I got my foot in this door; here, grab my hand, we’re going in together.’”
Raised on a diet of classic films (they’ll gladly quote the 1945 version of “Mildred Pierce”), Jussie and Jurnee still count their mother, Janet Smollett, as their only acting coach. An African-American from New Orleans, Ms. Smollett met their father, Joel Smollett Sr., a Russian-Polish Jew, in the Bay Area, where they campaigned for civil rights. “My mom was in the movement with Bobby Seale and Huey Newton, and one of her first mentors was Julian Bond,” Mr. Smollett said of the Black Panther founders and the civil rights leader. “To this day, Angela Davis is one of her dearest friends. We’ve spent Mother’s Day with Angela.”
article via jbhe.com
In 2014 Oregon State University received the African American Railroad Porter Oral History Collection. The audio recordings made between 1983 and 1992 tell the stories of Black railroad porters in Oregon in the early and mid-twentieth century.
The collection includes 29 reel-to-reel tapes of interviews conducted by filmmaker Michael Grice that were used as background for his documentary Black Families and the Railroad in Oregon and the Northwest.
Now the university has received a grant from the Oregon Cultural Trust to digitize the collection and create a website to feature the digitized recordings and their transcripts.
To read more, go to: https://www.jbhe.com/2016/03/oregon-state-university-to-digitize-oral-histories-of-black-railroad-porters/
article via jbhe.com
Virginia Commonwealth University in Richmond has more than 175,000 volumes in its Comic Arts Collection, including more than 125,000 comic books. The university recently acquired a rare copy of All-Negro Comics No. 1, the first comic book written and drawn solely by African American writers and artists.
The 48-page comic book was published in 1947 and features characters such as police detective Ace Harlem and Lion Man, a college-educated scientist and superhero. All-Negro Comics No. 1 was published by Philadelphia newspaperman Orrin C. Evans.
A letter from the publisher in All-Negro Comics No. 1 reads: “Dear Readers: This is the first issue of All-Negro Comics, jam-packed with fast action, African adventure, good clean humor and fantasy. Every brush stroke and pen line in the drawings on these pages are by Negro artists. And each drawing is an original: that is, none has been published ANYWHERE before. This publication is another milestone in the splendid history of Negro journalism. All-Negro Comics will not only give Negro artists an opportunity gainfully to use their talents, but it will glorify Negro historical achievements.”
It was the first and only published comic in the series.