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Celebrating Vocalist Nancy Wilson for #JazzAppreciationMonth (LISTEN)

Celebrating Vocalist Nancy Wilson for #JazzAppreciationMonth (LISTEN)

By goodblacknews on April 12, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

In continued celebration of #JazzAppreciationMonth, today we drop in on the underappreciated yet cherished and deeply talented song stylist Nancy Wilson, who was at one time in the 1960s the second most popular act on Capitol Records behind only the Beatles.

To read about Wilson, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Tuesday, April 12, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Ohio native Nancy Wilson claimed her gift early, knowing by age four she was meant to be a singer. Encouraged by jazz saxophonist and bandleader Julius “Cannonball” Adderley, Wilson moved to New York in 1959 and landed a contract with Capitol Records.

The success of Nancy’s debut single “Guess Who I Saw Today,” led to a rush of album recordings, and to that tune becoming one of the signature songs of her career:

[Excerpt of “Guess Who I Saw Today”]

Wilson’s classic 1962 album recorded with Cannonball Adderley [Nancy Wilson/Cannonball Adderley] contained her first Billboard R&B chart hit, the gorgeous ballad “Save Your Love for Me”:

[Excerpt of “Save Your Love for Me”]

From her 1964 album of the same title, Wilson scored her first pop hit, reaching number 11 on the Hot 100 chart with “How Glad I Am”:

[Excerpt of “How Glad I Am”]

Wilson won her first Grammy for that song and had four top 10 albums on the Billboard charts between 1964 and 1965, becoming during that period Capitol Records’ second-biggest selling act behind only the Beatles.

Wilson released more than 70 albums in her five-decade recording career, and won two more Grammys 40 years after her first win, both for Best Jazz Vocal Album, in 2005 for R.S.V.P. (Rare Songs, Very Personal) and 2007 for Turned to Blue.

[Excerpt of “That’s All” from R.S.V.P.]

In 2004, Nancy Wilson was honored as a Jazz Master by the National Endowment for the Arts, and for her work as an advocate of civil rights, which included participating in the 1965 Selma to Montgomery march in Alabama.

She received an award from the Martin Luther King Jr. Center for Nonviolent Social Change in 1993 and also in 1998 she won an N.A.A.C.P. Hall of Fame Image Award.

Although Wilson was lauded as a jazz vocalist, she preferred to think of herself a song stylist, as she drew from a variety of influences, which she spoke about in detail during an interview on grammys.com:

“So, consequently, I was exposed to male influences. From early on, I heard Nat Cole I heard [?????] Jackson and Louis Jordan – loved Louis Jordan. I heard Billy Billy, Mr. B. I mean, he was just, I mean, my father thought Billy Eckstine was like, couldn’t – he walked on water. He loved B. And I heard Little Jimmy Scott with Lionel Hampton‘s big band. I would imagine that was when I was around 10. So basically, it was all male. And, and not gospel. I heard Jimmy Cleveland, James Cleveland, and C.L. Franklin, and his choir from my mom used to play that. So, I got to hear it all. And I enjoyed all of it. And then of course, I became a teenager. I mean, I was allowed to go out.

And there was a jukebox where I heard Little Esther, and I heard Little Miss Cornshucks. I heard LaVern Baker. I definitely heard Dinah and I heard Ruth Brown – I used to love Ruth Brown. That was where I got the exposure to R&B females. Was a quite a while – I think I was pretty much almost grown like 15 when I became exposed to – Sarah had some hit pop songs and I heard Sarah Vaughan and that I loved. “I Ran All the Way Home” was my big song. Also one of my big numbers was the Ravens tune called “You Saw Me Crying in the Chapel.”

So I sang these songs in variety shows and I’m like ninth grade, 10th grade, so, these were the things that really made things happen for me. The fact that I did not I had no idea that you were supposed to be afraid, or that you needed to be nervous. Because to me that had no part of what I did. I was not nervous about it at all. Loved to sing – loved the lyrics to songs always. Yeah.”

 

To learn more about Nancy Wilson, check out the Jazz Profiles series she hosted on National Public Radio, read her 2007 interview on the National Endowment for the Arts website, watch her 1994 interview on Detroit Black Journal on YouTube, her 1962 appearance on Jazz Scene USA currently on YouTube, an 80-song Nancy Wilson playlist curated by yours truly on Apple Music or Spotify, and of course, buy or stream as much Nancy Wilson music as you can online.

Links to these sources and more provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Intro and outro beats provided by freebeats.io and produced by White Hot.

All excerpts of Nancy Wilson’s music included are permitted under Fair Use.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

[Photo: David Redfern/Redferns]

MUSIC MONDAY: “Ear Food” – A New Jazz Playlist (LISTEN)

MUSIC MONDAY: “Ear Food” – A New Jazz Playlist (LISTEN)

By goodblacknews on April 11, 2022

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy #JazzAppreciationMonth, good people! For most the word “Jazz” conjures up images of the giants like Charlie Parker, Ella Fitzgerald, John Coltrane, Miles Davis, Sarah Vaughan, and Louis Armstrong.

Though this collection, “Ear Food: A New Jazz Playlist“ features a new school of Jazz artists re-imagining and reinventing Jazz for today:

They are staying true to the game while infusing a spectrum of R&B, Hip-Hop and other influences.

Many will recognize names like Kamasi Washington, Robert Glasper, Meshell Ndegeocello, Esperanza Spalding, and the late Roy Hargrove, but this collection features some new talents that are not as well-known.

I hope you’ll dig artists like: Ezra Collective, Al Strong, Steam Down, Somi, Nubya Garcia, Tom Misch, and Moses Boyd, too.

It’s great to see and hear a new generation adopt and reinvent the sound of a timeless genre, proving that Jazz not only still lives, but thrives.

While I’ve generally moved to monthly offerings, I’ll be back during this month devoted to Jazz appreciation with another collection next week.

Stay sane, safe, and kind!

Marlon

Marlon West (photo courtesy Marlon West)
Celebrating Jazz Piano Virtuoso Oscar Peterson for #JazzAppreciationMonth (LISTEN)

Celebrating Jazz Piano Virtuoso Oscar Peterson for #JazzAppreciationMonth (LISTEN)

By goodblacknews on April 11, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

In continued celebration of #JazzAppreciationMonth, today we drop in on virtuoso pianist Oscar Peterson, who hailed from Canada, composed the de facto Civil Rights Movement anthem “Hymn to Freedom,” and was dubbed the “Maharaja of the Keyboard” by none other than fellow piano master Duke Ellington.

To read about Peterson, read on. To hear about him, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Monday, April 11, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Being called the “Maharaja of the Keyboard” by Duke Ellington was a lot for Canadian-born jazz pianist Oscar Peterson to live up to – and he did.

In a career spanning over six decades, the classically trained Peterson showed off his virtuosity and dexterity in his compositions such as 1964’s Canadiana Suite and 1962’s “Hymn to Freedom,” which was embraced by people around the world as the anthem of the Civil Rights Movement:

[Excerpt from “Hymn to Freedom”]

Peterson also excelled as accompanist to greats like Billie Holiday, Ella Fitzgerald, Dizzy Gillespie and Louis Armstrong, and as front man of his world-renowned Oscar Peterson Trio in the 1950s, who recorded such treasures such as “Quiet Nights of Quiet Stars”:

[Excerpt of “Quiet Nights of Quiet Stars”]

“Something’s Coming” from West Side Story:

[Excerpt of “Something’s Coming”]

and “C Jam Blues”:

[Excerpt of “C Jam Blues”]

Peterson won eight Grammy awards and was inducted into the Canadian Music Hall of Fame in 1978 and the International Jazz Hall of Fame in 1997.

Later this month over the April 22nd weekend, the  Oscar Peterson International Jazz Festival will be held in Toronto, Canada and feature contemporary jazz artists Joshua Redman, Christian McBride, Brad Mehldau and Brian Blade, among others.

To learn more about Oscar Peterson, read his 2002 autobiography A Jazz Odyssey: The Life of Oscar Peterson, Oscar Peterson: The Man and His Jazz by Jack Batten from 2012 and Oscar Peterson: The Will to Swing by Gene Lees, and watch the 2021 documentary Oscar Peterson: Black + White, currently streaming on Hulu.

And, of course, buy or stream as much of Oscar Peterson’s music as you can, including the latest 2021 posthumous release, A Time For Love, a recording of Peterson’s quartet live concert in Helsinki in 1987, which you can get on 180 gram blue vinyl if you’re into that through oscarpeterson.com.

Links to these sources and more are provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Intro and outro provided by freebeats.io and produced by White Hot.

All excerpts of Oscar Peterson’s music included are permitted under Fair Use.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

(links to amazon books are paid links)

Celebrating Phylicia Rashad and Debbie Allen on #NationalSiblingsDay (LISTEN)

Celebrating Phylicia Rashad and Debbie Allen on #NationalSiblingsDay (LISTEN)

By goodblacknews on April 10, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

On #NationalSiblingsDay, we celebrate Tony and Emmy award-winning sisters Phylicia Rashad and Debbie Allen in today’s GBN Daily Drop podcast.

To read about them, read on. To hear about them, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Sunday, April 10, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing, also known as Palm Sunday and in the United States as National Siblings Day.

As the daughters of poet Vivian Ayers Allen (who was featured in April 8th’s Daily Drop), sisters Phylicia Rashad and Debbie Allen likely grew up believing the sky was the limit. Both are Howard University graduates and award-winning stars of stage and screen.

Phylicia won the Tony Award for Lead Actress in a Play for the 2004 revival of A Raisin in the Sun, and Debbie won Emmys in 1982, 1983 and 1991 for her choreography on Fame and Motown 30: What’s Goin’ On!

https://youtu.be/ObGtzzLLjlA

In 2001 Allen opened the Debbie Allen Dance Academy in Los Angeles, and in 2008 she directed the all-African American Broadway production of Cat on a Hot Tin Roof starring big sis Rashad as Big Mama.

In 2020, Debbie Allen became a Kennedy Center Honoree and in 2021, they kept the sister love going with Phylicia’s guest appearance in a Debbie-directed episode of Grey’s Anatomy.

That same year, Rashad was appointed Dean of Howard University’s Chadwick A. Boseman College of Fine Arts.

And just this week in 2022, Allen was honored by the Dance Theater of Harlem with the Arthur Mitchell Vision Award.

To learn more about these talented sisters, check out the siblings’ conversation from 2020 where they share stories, their history together and life lessons on IG live, posted on the True Exclusives channel on YouTube and check out the links to more sources provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

GBN’s Daily Drop (bonus): Celebrating U.S. Supreme Court Justice Ketanji Brown Jackson (LISTEN)

GBN’s Daily Drop (bonus): Celebrating U.S. Supreme Court Justice Ketanji Brown Jackson (LISTEN)

By goodblacknews on April 9, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s GBN Daily Drop podcast is a bonus episode about U.S Supreme Court Justice Ketanji Brown Jackson, whose historic appointment this week can’t be celebrated enough.

To read about her, read on. To hear about her, press PLAY:

[You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website. Full transcript below]:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a bonus daily drop of Good Black News for Saturday, April 9th, 2022, based on the format of the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Just two short days ago, history that was a long time in coming was finally made when Judge Ketanji Brown Jackson was officially confirmed by a Senate vote of 53 to 47 to become the 116th Associate Justice of the U.S. Supreme Court and first African American woman ever to serve on the highest judicial body of the nation.

In a bit of poetry, the vote was called for and presided over by Vice President Kamala Harris, who herself is quite familiar with making U.S. history as a Black woman.

Nominated by President Joe Biden in February, Justice Jackson faced over a month of scrutiny in the Senate confirmation hearings as well as in the media, but navigated it all with intelligence, grace and candor.

Taraji P. Henson and Chris Paul to Join President Biden’s HBCU Advisory Board

Taraji P. Henson and Chris Paul to Join President Biden’s HBCU Advisory Board

By goodblacknews on April 8, 2022

Actor and Howard University graduate Taraji P. Henson and former head of the NBA Players Association and NBA star Chris Paul are among the more than a dozen top education leaders, celebrities and athletes President Joe Biden announced he is appointing to his board of advisers on historically Black colleges and universities (HBCUs), the White House said.

The presidents of five HBCUs – Alabama State University, Virginia State University, Norfolk State University in Virginia, Dillard University in New Orleans and Prairie View A&M University in Texas – have also been appointed to the board.

To quote cnn.com:

Biden’s move comes weeks after his administration touted a $2.7 billion in funding from the American Rescue Plan that was provided to HBCUs over the past year and as HBCUs continue working to keep campuses safe after dozens received bomb threats in recent months.

The group is made of “qualified and diverse leaders” and appointing them to the board “will allow the administration to build on that financial commitment with continued institutional support,” the White House said.

The 18 appointees will join Tony Allen, the president of Delaware State University, and Tennessee State University President Glenda Glover, who currently serve as chair and vice chair of the board.

HBCUs affected by recent bomb threats will be eligible for federal security grants, as more support for HBCUs has part of Biden’s domestic policy agenda since he ran for president. Last year, Biden proposed increased funding for HBCUs but his full proposal was not passed by Congress.

Read more: https://www.cnn.com/2022/03/31/politics/biden-hbcu-advisory-board-appointees/index.html

GBN’s Daily Drop: Poet and Pulitzer Prize Nominee Vivian Ayers Allen (LISTEN)

GBN’s Daily Drop: Poet and Pulitzer Prize Nominee Vivian Ayers Allen (LISTEN)

By goodblacknews on April 8, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Pulitzer Prize-nominated poet Vivian Ayers Allen not only infused the world with her art (her poem “On Status” was recently sampled by Solange on her 2019 When I Get Home album) but also with artists.

This includes famous daughters Phylicia Rashad and Debbie Allen as well as the children she’s inspired on the site of her former alma mater, the historic Brainerd Institute in Chester, South Carolina, via her “Workshops in Open Fields” program to educate preschool children in the arts.

To read about her, read on. To hear about her, press PLAY:

(You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website.) Full transcript below:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Friday, April 8th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

The words of Pulitzer Prize-nominated poet Vivian Ayers Allen have stood the test of time – and space. Her poem “Hawk,” an allegory of freedom made analogous to space flight, was published in 1957 just before the launch of Sputnik I, the first artificial satellite sent from Earth into orbit.

Enlarged reproductions of select lines were exhibited at NASA’s Lyndon B. Johnson Space Center. In 1997 Allen’s family purchased her alma mater, the historic Brainerd Institute in Chester, South Carolina, and soon began offering “Workshops in Open Fields” to educate preschool children in the arts.

And in 2019, fellow Houstonian Solange Knowles used a sample of Allen’s poem “On Status” as read by her two famous daughters – Phylicia Rashad and Debbie Allen – on Knowles’ acclaimed When I Get Home album.

To learn more about Vivian Ayers Allen, check out Spice of Dawns, her 1952 poetry collection, the Brainerd Institute Heritage website, and links to more sources provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com,Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

Ketanji Brown Jackson Confirmed by Senate as U.S. Supreme Court Justice

Ketanji Brown Jackson Confirmed by Senate as U.S. Supreme Court Justice

By goodblacknews on April 7, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

History was made moments ago when the U.S. Senate confirmed Ketanji Brown Jackson 53-47 to become the next Associate Justice of the Supreme Court of the United States.

Jackson is the first African American woman to serve on the court and the 116th Associate Justice overall.

President Joe Biden nominated Jackson over a month ago to take over the seat of retiring Justice Stephen Breyer, for whom Jackson once clerked.

Associate Justice Jackson was born in Washington, DC and grew up in Miami, Florida. Her parents attended segregated primary schools, then attended historically black colleges and universities.

Both started their careers as public school teachers and became leaders and administrators in the Miami-Dade Public School System. When Justice Jackson was in preschool, her father attended law school.

In a 2017 lecture, Justice Jackson traced her love of the law back to sitting next to her father in their apartment as he tackled his law school homework—reading cases and preparing for Socratic questioning—while she undertook her preschool homework—coloring books.

Justice Jackson stood out as a high achiever throughout her childhood. She was a speech and debate star who was elected “mayor” of Palmetto Junior High and student body president of Miami Palmetto Senior High School.

But like many Black women, Judge Jackson still faced naysayers. When Judge Jackson told her high school guidance counselor she wanted to attend Harvard, the guidance counselor warned that Justice Jackson should not set her “sights so high.”

That did not stop Judge Jackson. She graduated magna cum laude from Harvard University, then attended Harvard Law School, where she graduated cum laude and was an editor of the Harvard Law Review.

Jackson went on to clerk for the U.S. Supreme Court, serve as a public defender, become a U.S. District Court Judge for the District of Columbia and then a Judge on the U.S. Court of Appeals.

Justice Jackson lives with her husband, Patrick, and their two daughters, in Washington, DC.

“We Got Game”: Who Was the 1st African American Person to Appear on a U.S. Postage Stamp? (LISTEN)

“We Got Game”: Who Was the 1st African American Person to Appear on a U.S. Postage Stamp? (LISTEN)

By goodblacknews on April 7, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

Today’s Daily Drop is based on the Thursday, April 7 entry in the “A Year of Good Black News” Page-A-Day®️ Calendar for 2022 and is the year’s third foray into our Black Trivia category called “We Got Game.” 

All due respect to Chuck D, some of our heroes actually did appear on stamps, the first doing so 82 years ago #onthisday. Question is, who was the first one? To read the choices, read on. To hear them, press PLAY:

You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Amazon, Spotify, Google Podcasts, rss.com or create your own RSS Feed. Or just check it out every day here on the main website (transcript below):

Hey, this is Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Thursday, April 7th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing. It’s in the category for Black Trivia we call “We Got Game”:

Okay, so I’m going to read a multiple-choice question that you will get time to think about and answer.

What I’m going to do is read the question, read the choices — and they’ll be four of them — and then I’ll prompt you to pause the episode if you want to take longer than the 10 seconds that will pass before I share the answer.

Sound good? Ready to see if you got game? All right, here we go:

Who was the first African American to be featured on a U.S. Postage Stamp? Was it…

  1. W.E.B. DuBois
  2. Frederick Douglass
  3. Harriet Tubman, or
  4. Booker T. Washington

Now go ahead and pause the episode if you want to take more than 10 seconds before you hear the answer. Otherwise, I’ll be back in 10… Okay, time’s up.

The answer is… D: Booker T. Washington.

Although the other three have since been featured on USPS stamps — 1992 for DuBois, 1967 for Douglas and 1978 for Tubman — Booker T. Washington was the first Black person to be honored in this way 82 years ago on April 7, 1940.

After several petitions from African American supporters, President Franklin D. Roosevelt pushed to make Washington’s stamp happen.

Issued at a cost of 10 cents and celebrated with a ceremony at the Tuskegee Institute, Washington’s stamp was part of the U.S. Postal Service’s Famous Americans Series.

The most recent African American person celebrated on a postage stamp is sculptor Edmonia Lewis, who is the 45th subject of the USPS Black Heritage stamp series, issued in January of this year.

To learn more about the history of African Americans on U.S. postage stamps, check out the links provided in today’s show notes and the episode’s full transcript posted on goodblacknews.org.

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Beats provided by freebeats.io and produced by White Hot.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

For more Good Black News, check out goodblacknews.org or search and follow @goodblacknews anywhere on social.

Sources:

Quote from Jazz Royalty, Duke Ellington, for #JazzAppreciationMonth (LISTEN)

Quote from Jazz Royalty, Duke Ellington, for #JazzAppreciationMonth (LISTEN)

By goodblacknews on April 6, 2022

by Lori Lakin Hutcherson (@lakinhutcherson)

As #JazzAppreciationMonth continues, we offer a quote from true jazz royalty, — bandleader, composer, pianist, performer — the superb, sublime Edward Kennedy “Duke” Ellington. 

To read it, read on. To hear it and more about Ellington, press PLAY:

(You can follow or subscribe to the Good Black News Daily Drop Podcast through Apple Podcasts, Spotify, Google Podcasts, rss.com or create your own RSS Feed.

Or just check it out every day here on the main website.) Full transcript below:

Hey, this Lori Lakin Hutcherson, founder and editor in chief of goodblacknews.org, here to share with you a daily drop of Good Black News for Wednesday, April 6th, 2022, based on the “A Year of Good Black News Page-A-Day Calendar” published by Workman Publishing.

Today, we offer a quote from jazz royalty — bandleader, composer, pianist, performer — the one and only Edward Kennedy “Duke” Ellington:

“Playing ‘bop’ is like playing Scrabble with all the vowels missing.”

Born in Washington D.C. in 1899 to two piano playing parents, Duke Ellington began composing in his teenage years and started landing gigs through his work as a freelance sign painter by offering his band’s services to any club or party he made a sign for.

Ellington later moved to Harlem and landed the gig as the house band for the Cotton Club after King Oliver turned it down, and became a world-renowned big band leader for popular compositions and recordings like 1926’s “East St. Louis Toodle-O” which was the first signature song of Duke Ellington’s Orchestra:

[Excerpt from “East St. Louis Toodle-O”]

Also hugely popular was his composition “Caravan” which was first recorded and released by clarinetist Barney Bigard and his Jazzopaters before Ellington reclaimed it:

[Excerpt from “Caravan”]

“Mood Indigo” for which Barney Bigard is listed as a co-writer:

[Excerpt from “Mood Indigo”]

The classic swing tune “It Don’t Mean a Thing If It Ain’t Got That Swing”:

[Excerpt from “It Don’t Mean a Thing If It Ain’t Got That Swing”]

His 1953 composition with longtime collaborator Billy Strayhorn, “Satin Doll”:

[Excerpt from “Satin Doll”]

One of Ellington’s best known songs is one that Strayhorn composed for him, the song that would replace Ellington’s own “East St. Louis Toodle-O” as his orchestra’s signature song, the song titled to tell you how to get to Harlem, Ellington and the Cotton Club… “Take the “A” Train”:

[Excerpt from “Take the “A” Train”]

Ellington also composed beyond the category of jazz, writing orchestral and symphonic works such as Black, Brown, and Beige, and a Concert of Sacred Music, scored the feature films Anatomy of a Murder and Paris Blues, and influenced those who became the vanguard in jazz and bop such as Miles Davis and former orchestra member Charles Mingus.

In 1962, Ellington himself played Scrabble without the vowels when he recorded the album Money Jungle with bassist Mingus and drummer Max Roach, which included a new take on “Caravan”:

[Excerpt from “Caravan” from Money Jungle]

Ellington composed and played up until the last years of his life before passing at the age of 74 in 1974. That same year, his DC hometown renamed its Calvert Street Bridge the Duke Ellington Bridge.

In 1997, an intersection in Harlem in Central Park was renamed Duke Ellington Circle. In 1999 he was posthumously awarded a special Pulitzer Prize for his indelible contribution to art and culture and in 2009 Ellington graced the back of the commemorative District of Columbia quarter, among just a few of the honors Ellington has received since he transcended this life as we know it.

To learn more about Ellington, read his 1973 autobiography Music is My Mistress,  the 1995 biography Beyond Category: The Genius of Duke Ellington by John Edward Hasse, 2016’s Duke Ellington: An American Composer and Icon by Steven Brower, and 2022’s Duke Ellington: The Notes the World Was Not Ready to Hear by Karen S. Barbera and Randall Keith Horton.

You can also watch Ellington in the short film Black and Tan from 1929, Symphony in Black from 1935 featuring Billie Holiday, the mid-1960s documentary Duke Ellington: Love You Madly by Ralph J. Gleason on YouTube, On The Road With Duke Ellington from 1967, currently also on YouTube, the 2016 documentary The Definitive Duke Ellington on Prime Video, and you can also check out the PBS American Masters episode on Duke Ellington from 2002.

And, of course, buy or stream as much of the music as you can from the man lovingly and unforgettably referred to by modern day musical genius Stevie Wonder as “The king of all, Sir Duke.”

This has been a daily drop of Good Black News, based on the “A Year of Good Black News Page-A-Day Calendar for 2022,” published by Workman Publishing.

Intro and outro beats provided by freebeats.io and produced by White Hot. All excerpts of Duke Ellington’s music included are permitted under Fair Use.

If you like these Daily Drops, please consider following us on Apple, Google Podcasts, RSS.com, Amazon, Spotify or wherever you get your podcasts. Leave a rating or review, share links to your favorite episodes, or go old school and tell a friend.

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Sources:

[Photo credit: Duke Ellington, Scurlock Photographic Collection, National Museum of American History]

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