Originally posted on #ADPhD: Lawrence Jackson’s course on Frederick Douglass covered by Hopkins Hub: “For Jackson’s class, the time in Maryland before that escape commanded the most interest—Douglass’ formative years, before he became the world-famous abolitionist, orator, and writer. Students in the graduate English seminar “Mapping Frederick Douglass” researched and visited regional sites of significance…
Zora Neale Hurston (l), Cudjo Lewis (r) [photo via blackyouthproject.com]by Lori Lakin Hutcherson (@lakinhutcherson)
According to Newsone.com, the published work of literary giant Zora Neale Hurston (Of Mules and Men, Their Eyes Were Watching God) will expand in 2018 with the posthumous release of a new non-fiction book in May, Melville House reported.
The book—titled Barracoon—is an anthropological work on Cudjo Lewis; the last known person to survive the transatlantic slave trade between Africa and the United States. Nearly 90 years ago, Hurston traveled to Plateau, Alabama, and listened to Lewis—who was in his early 90s—recount his heart-wrenching experiences. Hurston went back and forth to Plateau over the course of four years. During her visits, Lewis shared memories about his upbringing in Africa, dark details about being captured, and his voyage to America on the Clotildeship.
Lewis also spoke to Hurston about the perils of being an enslaved man in America and how his life changed following the Civil War. After gaining his freedom, Lewis and other former enslaved peoples cultivated a community in Alabama which was later landmarked and recognized as the Africatown Historic District. According to Bustle, Lewis was also featured in a short film created by Hurston in 1928; making him the only former bondsman born in Africa to be featured on a movie reel. Harper Collins described the book as a piece that “brilliantly illuminates the tragedy of slavery and one life forever defined by it” and “an invaluable contribution to our shared history and culture.”
To pre-order Barracoon, click below:
(photo: WREG.com) via thegrio.com
On Wednesday night, the city of Memphis got rid of two Confederate statues, including a statue of Confederate President Jefferson Davis. The first of the statues to be removed was of Confederate Lt. Gen. Nathan Bedford Forrest, a slave trader and a founder and “Grand Wizard” of the Ku Klux Klan, followed by the statue of Davis.
As police surrounded the scene with lights flashing, a jubilant crowd sang farewell to the statues: “Na na na na, na na na na, hey, hey, goodbye.”
Memphis is fast approaching the 50th anniversary of the assassination of Martin Luther King, Jr. With that somber anniversary hanging over their heads, Memphis politicians suddenly lit a fire under their desire to get rid of the reminders of the Confederacy.
But the problem was the Tennessee Heritage Protection Act of 2016. That act prevented the removal of statues on public property without two-thirds of the board of the commission expressing their approval.
But facing the prospect of thousands of people coming to the city to celebrate MLK and finding Confederate statues there, the city worked around that law.
The kicker was the fact that statues “on public property” were affected by the law. On Wednesday, then, the city council let the mayor sell the parks to Memphis Greenspace Inc., a private nonprofit set up by Shelby County Commissioner Van Turner and others. Hours later, the statues, now on private property, were removed.
On the heels of launching the African-American Cultural Heritage Action Fund, the largest preservation campaign ever undertaken on behalf of African-American history, the National Trust for Historic Preservation announced a preservation easement on Madam C.J. Walker’s estate, Villa Lewaro. A powerful preservation tool, the easement prevents current and future owners from making adverse changes to or demolishing the estate’s historic, cultural and architectural features.
Madam C.J. Walker (December 23, 1867–May 25, 1919), America’s first self-made female millionaire, commissioned Villa Lewaro, her “Dream of Dreams,” at the height of her wealth and prominence as inventor and entrepreneur of haircare products for African-American women. Constructed in 1918, alongside the Hudson River in Irvington, New York, Madam Walker’s elegant residence was built to inspire African-Americans to reach their highest potential.
Designed by Vertner Tandy—the first African-American registered architect in the state of New York and one of the seven founders of Alpha Phi Alpha Fraternity, Inc.—the 34-room mansion served as the intellectual gathering place for notable leaders of the Harlem Renaissance, such as W. E. B. Du Bois and Langston Hughes.
“On the 150th anniversary of her birth, we are delighted to have played a lead role in the lasting protection of Madam C.J. Walker’s tangible legacy,” said Brent Leggs, director of the National Trust’s African-American Cultural Heritage Action Fund. “The legal protection of irreplaceable historic sites like Villa Lewaro, one of the most significant places in women’s history, is essential in telling the full American story and inspiring future generations.”
Since designating the site as a National Treasure in 2014, the National Trust has worked with Villa Lewaro’s current owners and exceptional stewards, Ambassador and Mrs. Harold E. Doley, Jr., to recognize its architectural and historical significance and secure long-term protections before the property changes hands. The easement marks a successful culmination of those efforts.
Villa Lewaro stands as a living monument to Madam Walker’s entrepreneurial spirit and remains central to understanding her unprecedented achievement during an era when neither women nor African Americans were considered full citizens. Soon to be portrayed by award-winning actress Octavia Spencer in a series produced by LeBron James, Madam Walker’s story of persistence continues to inspire a growing number of African-American women taking leadership roles in business, politics, philanthropy, and other industries.
To learn more about the National Trust’s commitment to expand America’s view of history and bring attention to centuries of African-American activism and achievement, please visit: www.savingplaces.org/african-american-cultural-heritage
COURTESY OF SUNN M’CHEAUX by Adam Manno via charlestoncitypaper.com
A renewed interest in Gullah has propelled the language to one of the highest rungs in academia.
Charleston native and performance artist Sunn m’Cheaux spent the fall semester at Harvard teaching an introductory version of a course on Gullah: A language indigenous to the Lowcountry region often described as a combination of English and Central and West African languages.
The pidgin language originally allowed enslaved African people from various tribes to communicate with each other and with their overseers, and is still spoken by African-American communities across coastal regions of South Carolina, Georgia, and Florida.
The Gullah class is the first of its kind at the Ivy League school. It’s part of the African Language Program within the Department of African and African American Studies.
The class is the brainchild of a graduate student who knows m’Cheaux. The student phoned him and asked if he would be willing to meet with the head of the program, Dr. John Mugane. M’Cheaux, who graduated from Goose Creek High School and didn’t go to college, found that Dr. Mugane was impressed with how quickly m’Cheaux was able to teach him some Gullah basics.
“He starts talking about getting my information and taking a picture for the website, and I’m thinking to myself, ‘Wait a minute — did I just get hired?'” m’Cheaux said in a phone interview with CP.
Mugane argues that offering Gullah, along with the 44 other languages taught in the program, increases students’ chances of accurately portraying different communities. “To engage in intellectual and professional work in the Gullah community, we deem it necessary even critical that scholars be literate in Gullah whose basic demonstration is an ability to hold non-trivial conversations with the people they write about, including (and especially) in Gullah, the language of the people they write about,” Dr. Mugane said in an e-mail to CP.
M’Cheaux says that his time bouncing between Charleston, Los Angeles, and New York as an artist and activist influenced his teaching methods. “Ultimately, my arts and entertainment career kind of dovetailed into social activism and commentary, and in a sense, I feel like this is an extension of that as well,” m’Cheaux said. “How to use literal and figurative language to communicate with people and teach people how to make it their own.”
This kind of approach is especially necessary with Gullah — a language that is passed down orally without established standards for grammar and spelling. Aspects of the language may be familiar to English speakers, such as “han’ baby,” which means small infant, and “knee baby,” which can be interpreted as toddler in English.
“I want to build these students’ intuition in order to know when to apply something literally and figuratively, because that will help bring the language to life,” m’Cheaux said. “Those are figurative terms, not necessarily literal terms, but once you look at them literally, it makes total sense.”
M’Cheaux uses the few Gullah reference books and literature available as course materials, but has largely stuck to developing his own curriculum throughout the semester, which includes video chats between students and native speakers. To read more, go to: https://charlestoncitypaper.com/TheBattery/archives/2017/12/19/harvard-introduces-gullah-class-taught-by-a-charleston-born-artist
(Photo: girltalkhq.com) by Frederick Ngugi via face2faceafrica.com Ethiopian Airlines, the national flag carrier of Ethiopia made history on Saturday when it deployed an all-female crew for a special flight from Bole International Airport in Addis Ababa, Ethiopia to Murtala Mohammed International Airport in Lagos, Nigeria.
The historic airlift, which is the airline’s first flight to Nigeria in the hands of an all-female crew, has grabbed headlines across the world, with some people lauding it as a major milestone for the womenfolk.
Under the supervision of Captain Amsale Gualu and First Officer Tigist Kibret, the 13-member crew flew 391 passengers to the Nigerian capital on Boeing B777-300 ER, an exciting journey that took approximately four and a half hours.
Speaking at the reception party in Lagos, the chairperson of the Nigerian House Committee on Aviation Mrs. Nkiru Onyejeocha thanked Captain Gualu and the rest of her crew for the successful flight, saying it was enough proof that women can achieve great things when given the chance.
Onyejeocha added that the historic flight is an inspiration to Nigerian women to venture into the aviation sector and have the courage to hold key positions in the lucrative industry.
Speaking at the event, Captain Gualu, who called on women to have passion in what they do, said flying aeroplanes was her childhood dream. “Since I was a child, I wanted to be a pilot. After my University education, I joined Ethiopian Airlines as a first officer and flew the Fokker 50 and the Boeing B737 and then became a captain,” Captain Gualu was quoted by Nigerian news portal This Day.
Since the momentous flight on Saturday, many people have taken to social media to congratulate Ethiopian Airlines, which is the most profitable airline in Africa, for giving women an opportunity to prove their potential.
Some are even calling on other airlines, especially in countries and regions with a reputation of clamping down on women’s rights to follow suit.
I wish Saudi Arabia would also have all Women airlines. They were pioneers in promoting all women everything but never made all women airlines hospitals etc
John Legend will star in the title role in NBC’s live staging of “Jesus Christ Superstar,” set for Easter Sunday.
“We’re all overjoyed to have world-class musical artist and producer John Legend starring as Jesus,” said Robert Greenblatt, chairman of NBC Entertainment. “This score demands a singer with an amazing range and an actor with great depth, and there isn’t anyone better to bring this story to a new audience. His casting is also groundbreaking as the traditional image of Christ will be seen in a new way.”
Legend is a multi-hyphenate musician, songwriter, actor and producer who has become active in television as a thesp and producer. He’s a 10-time Grammy winner and an Oscar winner for his work on the song “Glory” from the 2014 drama “Selma.” He won a Tony Award earlier this year as a producer of “Jitney,” the August Wilson revival.
“I’m thrilled to join the cast of this production of ‘Jesus Christ Superstar Live in Concert,’” Legend said. “It’s such a powerful, meaningful musical and I’m humbled to be part of this performance. We’ve already formed an incredible team, and, as we finish casting, I’m certain we will put together some of the greatest talents around to do this work justice.”
NBC announced in May that its latest live musical will bow on April 1. Rocker Alice Cooper has been cast as King Herrod.
“Jesus Christ Superstar Live in Concert” is based on the 1971 Broadway musical revolving around the last week of Jesus’ life. To read more, go to: http://variety.com/2017/tv/news/jesus-christ-superstar-john-legend-nbc-live-stage-1202644647/
2017 African American Marshall Scholars (photos via jbhe.com) via jbhe.com
In 1953 the Marshall Scholarship program was established by an act of the British Parliament. Funded by the British government, the program is a national gesture of thanks to the American people for aid received under the Marshall Plan, the U.S.-financed program that led to the reconstruction of Europe after World War II.
The scholarships provide funds for up to three years of study at a British university, travel, living expenses, and a book allowance. Since the inception of the program, more than 1,900 Americans have studied in the United Kingdom as Marshall Scholars.
This year 43 Marshall Scholarships were given out. While the British government does not publicize the race or ethnicity of Marshall Scholars, it appears that there are four African Americans among the 43 Marshall Scholars. The four African American Marshall Scholars are in sharp contrast to the record of 10 African Americans who were among the 32 American students awarded Rhodes Scholarships this year. (See JBHE post.) Josephine Cook is a senior neuroscience and psychology double-major at Queens College of the City University of New York. She plans to complete a Ph.D. at either Imperial College London or Brunel University, focusing on how dance therapy can be used to rehabilitate neurological disorders. Upon completing the degree and returning to the United States, she hopes to open a clinic dedicated to arts therapy and neurorehabilitation. Kobi Felton is a senior at North Carolina State University in Raleigh, where he is majoring in chemical engineering and minoring in Spanish. He will pursue a master’s degree in chemical engineering at the University of Cambridge beginning in fall 2018 and then a master’s degree in nanomaterials at Imperial College London in the second year of his Marshall Scholarship. Aasha Jackson is a 2015 graduate of Brown University in Providence, Rhode Island. While at Brown, Jackson served as senior editor for the Brown Human Rights Report, a student-run online publication, and co-founded the university’s chapter of She’s the First, a national nonprofit that supports girls who will be the first in their families to graduate from high school. She is now serving as a policy associate in the Office of Population and Reproductive Health at the United States Agency for International Development. Jackson plans to use her Marshall Scholarship to pursue a master’s degree in public policy at the University of Cambridge and a master’s degree in reproductive and sexual health research at the London School of Hygiene and Tropical Medicine. Craig Stevens graduated from American University in Washington, D.C., this December with a bachelor’s degree in anthropology. Currently, Stevens is an archaeological technician at AECOM, a civil engineering firm that employs archaeologists to assess construction sites prior to breaking ground. As a Marshall Scholar at University College London, he will study advanced techniques for analyzing ceramics and conducting mixed-methods research relevant to archaeological practice. Source:https://www.jbhe.com/2017/12/four-african-americans-win-marshall-scholarships-2017/
Maame Biney reacts after winning women’s 500-meter during the U.S. Olympic short track speedskating trials Dec. 16, 2017, in Kearns, Utah. (AP Photo/Rick Bowmer) by Associated Press via nbcnews.com
KEARNS, Utah — Maame Biney became the first black woman to qualify for a U.S. Olympic speedskating team with a pair of victories in the 500 meters.
The 17-year-old native of Ghana cruised to victory in the first 500 final at the short track trials on Saturday, beating Olympians Lana Gehring, Jessica Kooreman, and Katherine Reutter-Adamek.
“I can’t believe it, aww geez,” she said after squealing with joy. “It’s a really good feeling, but it has to set in first because it takes me a while. I’m like, ‘Holy cow.'”
Before the second final, her father sitting in the stands held up a sign reading: “Kick some hiney Biney.”
She sure did.
Biney set a blistering pace in taking an early lead that widened as the wild and wooly race went on. She crossed the finish line on the hockey-sized rink and began clapping and then pumping her arms so hard she lost her balance and fell.
She went down laughing all the way.
“When I realized that I made the Olympic team, I started cheering like crazy and then I made my epic fall,” she said.
Biney will be the second black speedskater on a U.S. Olympic team. Shani Davis, the first African-American athlete to win an individual gold medal at the Winter Olympics, was 19 when he qualified for the short track team in 2002. He later switched to long track and won four medals, including two golds. Source: https://www.nbcnews.com/news/nbcblk/maame-biney-17-first-black-woman-make-olympic-speedskating-team-n830481?cid=sm_npd_nn_tw_blk
If you live in Lowndes County and are of voting age, it’s a safe bet that Perman Hardy has spoken with you about voting at some point in the past 25 years.
As one of the thousands of sharecroppers who worked white men’s land in Lowndes County over the years, 59-year-old Hardy recalls picking cotton after school growing up. She eventually finished her education, bought her own home, and had a successful career as a home health nurse.
But for the past two-and-a-half decades, Hardy has dedicated much of her free time to another pursuit: trying to ensure that every single person in Lowndes County shows up to the polls for every election in Alabama. A native of the unincorporated community of Collirene, she has done about as much as one person possibly could to boost turnout in the impoverished, majority-black county with a population of just 10,458 people.
“That’s my goal is to make sure everyone votes. That’s always been my goal. This is what I do every election,” she said as she steered her forest-green Chevrolet Tahoe through Collirene, a rural area that was once home to several cotton plantations that employed generations of slaves and sharecroppers. “We’re in an epidemic poverty county so it’s so important for us to vote today,” she told AL.com. “I took some people today who’ve never cast a ballot before.”
On Tuesday, like she says she does every time Alabamians head to the polls, Hardy spent more than 10 hours driving registered voters to polling stations who did not have transportation or were otherwise unable to make the trip without help. Over the course of the day, she personally drove more than 50 people to polling sites across Lowndes County.
Most of the people Hardy transported Tuesday were black supporters of Democrat Doug Jones, which contributed to his win in the Black Belt county, where 3,779 people voted for Jones and just 988 voted for Republican Roy Moore, a margin of 79.1 percent to 20.7 percent. Black voters played a decisive role in Jones’s victory in the hotly contested Senate election, with 96 percent of African-Americans voting for Jones, versus the 30 percent of white voters who backed him Tuesday, according to a Washington Post poll.