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Young Guru Encourages Coding Interest With $1 Million In Scholarships

Young Guru is looking to provide resources for the best of the best in the world of coding. On Wednesday (Aug. 22), the famed audio engineer for Jay Z and renowned beatsmith, announced the give away of one million dollars in scholarship funds for people of color interested in coding.

In partnership with Opportunity Hubs and Rodney Sampson, Guru will also team with the Flatiron Schoolwhich is dedicated to this field and serves as an incubator of knowledge for 10,000 people. The announcement was accompanied by a national Tech To Wealth tour, ending on Oct. 3 in Seattle.

In an interview with Highsnobiety, Guru discussed how music and technology go hand-in-hand and why creatives should take advantage of the tools that are at their disposal.

“The technologies we have, some of them are better than what we’ve imagined on Star Trek,” he said. “Those type of things, as an engineering feat, are amazing. Also, what these technologies do in terms of power, what they give to the user and to the artist in terms of creative power is just incredible.”

Source: https://www.vibe.com/2018/08/young-guru-coding-scholarships/

Lyft Teams Up With Urban League, Voto Latino, TurboVote and Others to Offer Free and Half-Price Rides on Election Day

Noam Galai/Getty Images for TechCrunch

by Doug Criss via cnn.com

Lyft is getting some help to get people in underserved communities to the polls this fall. The ride-sharing company says it’s working with community groups to offer free and reduced-price rides on November 6, the date of the midterm elections.

To increase encourage voter turnout, Lyft will offer free rides to people in underserved communities that day by working with Voto Latino, the Urban League and the National Federation of the Blind.

Lyft is also teaming up with Vote.org, Nonprofit Vote, TurboVote and others to give away 50% off promo codes to riders. Riders can get help finding their polling location through the Lyft app.

The company plans to remind riders about voter registration deadlines, give drivers voter registration handouts and offer in-office voter registration to its employees. Lyft will provide online voter information through partner organizations When We All Vote and National Voter Registration Day and encourage people to participate in early voting.

Lyft says it’s doing this because over “15 million people were registered but didn’t vote in 2016 because of transportation issues.”

Why turnout in some communities is so low

Elections are held on a work day, when time often equals money — especially if you get paid by the hour. And having a car or paying extra for public transportation to get to the polls can just add to that expense.

Being ‘”too busy” or encountering “transportation problems” were the reasons 28% of people making less than $20,000 did not vote in the 2012 presidential election, according to the U.S. Census.

Perhaps the biggest change to the electoral process in the last few years is the proliferation of Voter ID laws, which many states put in place to prevent fraud. Since 2008, 17 states have enacted laws requiring citizens to prove who they are at the polls, according to the National Conference of State Legislators. The cost of getting an ID is a hurdle for some people.

Not only do low-income people potentially lose pay when they vote, but some have to wait longer, too. The Presidential Commission on Election Administration found that 10 million people waited in line for more than 30 minutes to vote during previous presidential election cycles.

Source: https://www.cnn.com/2018/08/24/politics/lyft-election-ride-trnd/index.html

HISTORY: Library Science Pioneer Dorothy Porter Wesley Created Archive at Howard University that Structured New Field of Africana Collections

Dorothy B. Porter (photographed by Carl Van Vechten, 1951)

by Kara Bledsoe via daily.jstor.org

For more than 150 years, Howard University has been associated with the highest caliber of scholarship on the African diaspora. Howard’s legacy as a hub for the intellectual exploration of Blackness is widely appreciated in the Africana subset of academia. Lesser known is the woman who conceived and facilitated the development of Howard’s wealth of archival resources into one of the primary centers for the study of people of African descent. The story of Dorothy Porter Wesley, a pioneer in the field of library and information science, is also the story of the triumphant beginnings of a new discipline. As a result of Porter’s vision and dedication, Black special collections began to occupy more prominent roles in their institutions, allowing engagement with historically marginalized narratives through the palpable past.

The Moorland-Spingarn Research Center, an administrative unit containing the libraries, university archives, museum, and additional special collections at Howard University is the realization of a vision from centuries past. During Reconstruction, former Union general Otis Howard and his supporters in Washington D.C., founded the university that bears his name. From its inception, the school was to have a library. The first board members, many of whom were prominent figures in the local Black community or wealthy northern abolitionists, donated swaths of manuscript material, mostly concerning Africa and abolitionism.

These contributions reflected a wave of interest in studying Black history that coincided with the introduction of Black historical societies across the country in the late nineteenth and early twentieth centuries. In significant numbers, the Emancipated were reclaiming a history that white supremacy attempted to erase. After hundreds of years of white people in the United States denying Black people their agencies, histories, languages, and cultures, the very act of consolidating materials for study was radical, and the undercurrent of this practice is the genesis of a dedicated examination of Blackness.

Growing in an ebb and flow of major donations and smaller, continuous gifts, the Moorland-Spingarn Research Center evolved from a one-room study in 1917 to a large-scale Foundation by the turn of the century. The University accepted donations of personal libraries and papers, including first editions and other rare texts and writings from Howard and his contemporaries. The generosity of donors was not unique to the University. Wherever freedmen settled, one of the first institutions in their communities was a school, and teachers were highly regarded. Additionally, wealthy, white, northern philanthropists felt strongly that contributing to the education of the formerly enslaved would partially atone for the “earthly torment” of the Atlantic Slave Trade. In these respects, the origins of Howard’s collections are comparable to those of peer institutions, although the school’s Du Boisian ethos differentiated it from its primarily vocational contemporaries.

By the 1930s, Howard University was one of the premier academic establishments for Black elites and their progeny. Sixty-five years removed from enslavement, the first generation of Howard graduates made way for a new crop. Among this number was Dorothy Porter.

Born on May 25, 1904, to a middle-class family in Virginia, Dorothy Louise enjoyed a comfortable lifestyle, supported by her parents, the Burnetts. Her father Hayes Joseph Burnett, was a physician, and her mother Bertha (née Ball) was a tennis pro-turned-homemaker. As a girl, Porter’s family moved to suburban Montclair, New Jersey, where she and her three younger siblings grew up. In 1923, Porter moved to Washington, D.C., to attend Miner Normal School, receiving a diploma two years later.

An avid bibliophile and writer, Porter earned a bachelor’s degree from Howard, then made her way to New York at the height of the Harlem Renaissance, where she became acquainted with some of the movement’s biggest names. Throughout her education, she coupled her passion for Africana with her interest in cataloguing and preservation. She persevered through discouragement and discrimination, becoming the first Black woman to receive a library science degree from Columbia.

Serena Williams Tops ‘Forbes’ List as Highest-Earning Woman Athlete

Serena Williams (Photo by Jed Leicester/AELTC – Pool/Getty Images)

by Lydia Arevalo via vibe.com

Despite a 14-month maternity leave, Serena Williams has topped Forbes’ “Highest-Paid Female Athlete” list for the third consecutive year.

Due to her pregnancy in January 2017, Williams was off the court for the majority of the past year, leaving her with only $62,000 in winnings. Still, the 23-time Grand Slam champion collected twice as many off-court coins than any other female athlete.

Earning $18.1 million in endorsements, Williams was able to top the list by over $5 million, with Australian Open winner Dane Caroline Wozniacki second in line.

Though Forbes did not include a woman in their ranking of the world’s top 100 highest earning athletes of 2018 after Williams’ earnings fell by approximately $10 million since the year prior, only 16 male athletes earned more than Williams in sponsorship money over the last 12 months.

In addition to over a dozen sponsors including Nike, Intel, Audemars Piguet, JPMorgan Chase, Lincoln, Gatorade and Beats, Williams also launched her first solo fashion compilation, Serena, in May.

Williams is currently gearing up to match Margaret Court’s 24 grand slam title record at this year’s US Open.

Check out the full list of rankings below.

  1. Serena Williams (tennis) — $18.1m
  2. Caroline Wozniacki (tennis) — $13m
  3. Sloane Stephens (tennis) — $11.2m
  4. Garbine Muguruza (tennis) — $11m
  5. Maria Sharapova (tennis) — $10.5m
  6. Venus Williams (tennis) — $10.2m
  7. P. V. Sindhu (badminton) — $8.5m
  8. Simona Halep (tennis) — $7.7m
  9. Danica Patrick (race car driving) — $7.5m
  10. Angelique Kerber (tennis) — $7m

Source: https://www.vibe.com/2018/08/serena-williams-tops-forbes-as-highest-earning-woman-athlete/

Alice Allison Dunnigan, 1st Black Woman Journalist to Cover the White House, to be Honored with Statue in D.C.

White House correspondent Alice Allison Dunnigan (photo via Wikipedia)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to the Associated Press, Alice Allison Dunnigan, the first African-American woman journalist credentialed to cover the White House, will be honored with a life-sized statue to be erected next month in Washington D.C.

Dunnigan, a Kentucky native who died in 1983, was the first Black female journalist to cover a presidential campaign — President Harry Truman’s whistle-stop campaign tour in 1948. She subsequently received credentials to cover the White House.

As head of the Associated Negro Press’ Washington bureau for 14 years, Dunnigan supplied stories to 112 African-American newspapers across the nation. She was also the first Black woman to obtain press credentials to cover the U.S. Congress, the State Department, and the Supreme Court.

“Throughout Dunnigan’s career, she battled the rampant racism and sexism that dominated the mostly white and male professions of journalism and politics. She once famously stated, ‘Race and sex were twin strikes against me. I’m not sure which was the hardest to break down,’” the Newseum, the non-profit news museum in the nation’s capital that will be displaying the sculpture, said in a statement.

The bronze sculpture, created by fellow Kentuckian Amanda Matthews, will be displayed at the Newseum from Sept. 21 until Dec. 16, before moving to Dunnigan’s hometown of Russellville, KY.

It will be installed on the grounds of the West Kentucky African American Heritage Center as part of a park dedicated to the Civil Rights Movement, the Newseum said.

Taraji P. Henson Launches the Boris Lawrence Henson Foundation to Provide Support Around Mental Health Issues in African-American Community

Taraji P. Henson (photo via lasentinel.net)

via lasentinel.net

Academy Award and Emmy Award-nominated actress Taraji P. Henson launched The Boris Lawrence Henson Foundation (BLHF) in honor of her late father in order to help eradicate the stigma around mental health issues in the African-American community and provide support for and bring awareness to mental health issues that plague this community.

“I named the organization after my father because of his complete and unconditional love for me; his unabashed, unashamed ability to tell the truth, even if it hurt; and his strength to push through his own battles with mental health issues,” said Henson. “My dad fought in the Vietnam War for our country, returned broken, and received little to no physical and emotional support. I stand now in his absence, committed to offering support to African Americans who face trauma daily, simply because they are Black.”

To celebrate the foundation’s launch, the star will host a special fundraising event in Beverly Hills, CA on Saturday, September 22. Taraji’s Boutique of Hope will introduce BLHF to the world and will raise funds to support one of the foundation’s pillar goals of advocating for and providing resources to increase mental health support in urban schools. With partnering school districts, BLHF will help to provide more culturally competent mental health therapists, social workers, and counselors to African-American children in need.

“BLHF is breaking the silence by speaking out and encouraging others to share their challenges with mental illness and get the help they need,” said BLHF Executive Director Tracie Jenkins. “African-Americans have regarded such communication as a sign of weakness and our vision is to change that perception.”

BLHF will partner with other nonprofit organizations who offer programs that educate, celebrate, and make visible the positive impact of mental health wellness. Through these partnerships, the foundation will ensure cultural competency in caring for African Americans who struggle with mental illness by providing scholarships to African-American students who seek a career in the mental health field; offer mental health services and programs to young people in urban schools; and combat recidivism within the prison system.

For more information about BLHF, please visit www.borislhensonfoundation.org.

Georgia ACLU and Voting Rights Activists Move to Block Plan to Close Two-Thirds of Randolph County’s Polling Places

Georgia ACLU Staff (photo via aclu.org)

by Vanessa Williams, WashingtonPost via sandiegouniontribune.com

Voting rights activists in Georgia say they will launch a petition drive in an effort to collect enough signatures of registered voters to block a proposal to close more than two-thirds of polling precincts in a predominantly black county ahead of this fall’s general election.

The plan to shutter the voting sites in Randolph County, a rural community about 2½ hours south of Atlanta, has been drawn dozens of local residents and progressive groups to two public hearings in recent days. The American Civil Liberties Union filed a formal protest with the county’s board of elections.

Brian Kemp, Georgia’s secretary of state, which oversees elections operations throughout the state, has issued a statement urging Randolph County officials to “abandon this effort.” Kemp also is the Republican nominee in one of the country’s most-watched gubernatorial contests. The Democratic nominee, Stacey Abrams, a former state legislator, is seeking to become the nation’s first black female governor.

The two-member county election board – a third member stepped down recently – has scheduled a vote for Friday on the proposal to shutter seven of the county’s nine polling places, citing problems including facilities in disrepair or inaccessible to persons with disabilities. But some activists are suspicious of the board’s motives, noting that Randolph County is 60 percent black and many residents have low incomes. The county, which covers 431 square miles, has no public transportation system.

All nine of the polling places were used for the May primaries and less than a month ago for statewide run-offs, in which Kemp, helped by an endorsement from President Donald Trump, beat Lt. Gov. Casey Cagle for the GOP nomination.

Local news outlets reported heated discussions at meetings on Thursday and Friday, with residents and activists alleging the move was aimed at suppressing turnout in the county, in which more than 55 percent of the voters are black and have backed Democratic candidates in statewide elections.

County officials and a consultant hired by local officials said the closures were necessary because the sites were not compliant with the Americans With Disabilities Act and there was not time to fix them before the Nov. 6 general election. They also suggested that affected residents could vote by absentee ballot.

“You don’t solve problems of accessibility for people with disabilities by reducing access for people without disabilities,” said Andrea Young, executive director of the Georgia ACLU, which wrote a letter to the board stating that the closures would be a violation of the Voting Rights Act because it would have a negative effect on African-American voters. The group noted that African-Americans make up more than 96 percent of the voters at one of the polling places slated for closure.

Unsure if the board will be persuaded by the arguments for keeping the polling places open, some activists will try to stop the plan by using a state law that forbids the closure of voting sites if 20 percent of the registered voters in the affected precinct object to the change. The county currently has just over 4,000 registered voters.

Nse Ufot, executive director of the New Georgia Project, a voter registration and education group, said activists will begin collecting signatures Sunday, spreading the word at morning church services.

“We want to see to it that the hundreds of students we registered at Andrew College and the people we’ve registered in Randolph are able to exercise their sacred, fundamental right to vote,” Ufot said. The goal is to submit the petition before the board’s scheduled Friday vote.

A similar petition drive overturned a decision two years ago by elections officials in Macon-Bibb County to relocate a polling place from a school to the sheriff’s office.

“These polling place closures are part of a stark pattern that we are seeing across Georgia whereby officials are working to make it harder for African Americans and other minorities to vote,” said Kristen Clarke, president and executive director for the Lawyers’ Committee for Civil Rights Under Law. “The more communities mobilize to turn out the vote, the harsher the voter suppression efforts undertaken by officials. We are prepared to use every tool in our arsenal to ensure that African American voters are able to have meaningful access to the polls this election cycle.”

Read more: http://www.sandiegouniontribune.com/news/us-politics/ct-georgia-voting-rights-polling-places-20180818-story.html#

“Black-ish” and “Grown-ish” Producer Kenya Barris Signs $100 Million Netflix Deal

Kenya Barris (photo via deadline.com)

by Daniel Holloway via Variety.com

Kenya Barris has become the newest big-ticket addition to Netflix’s lineup of television producers.

The “Black-ish” creator has signed a three-year overall deal with the streaming service that will see him produce series exclusively for Netflix. According to a source with knowledge of the negotiations, the deal, which carries an option for an additional two years, is valued at roughly $100 million — putting Barris in the same ballpark as recent Netflix recruits Shonda Rhimes and Ryan Murphy.

Barris’ departure from ABC Studios, where he was under an overall deal, became official last month. But according to insiders, his release from his ABC deal had been secured several months ago, and the basics of his new Netflix agreement had also been in place for some time.

Barris’ relationship with ABC began to show signs of strain in March when Variety reported that the network had indefinitely shelved an episode of “Black-ish” that he wrote and directed, titled “Please, Baby, Please,” which touched on current events, including controversy over athletes kneeling during performances of the national anthem. Barris told Variety at the time, “Given our creative differences, neither ABC nor I were happy with the direction of the episode and mutually agreed not to air it.”

According to a source with knowledge of the situation, Disney-owned ABC’s concerns were related to comments that characters made in the episode about President Donald Trump, not to the football storyline.

A month later, reports surfaced that Barris was being courted by Netflix for an overall deal. But his ability to pursue a Netflix deal was complicated by the renewal of his ABC agreement that he signed last year, and which ran through 2021. Barris had to secure an exit from ABC before moving to Netflix.

With his departure from ABC Studios last month, Barris stepped away from his post as co-showrunner of “Black-ish,” but will continue to serve as executive producer. Barris also has “Black-ish” spinoff “Grown-ish” at Disney cable channel Freeform, where he will continue to be an EP.

“Black-ish” has been a rarity among broadcast comedies in recent years — drawing solid ratings and robust critical praise, particularly for episodes addressing complex social issues. It also, when it premiered in 2014, was the first broadcast comedy in years to feature an African-American family. It has been nominated for 12 Primetime Emmy Awards over its run, and this year received its third Emmy nomination for outstanding comedy series. It received a Peabody Award in 2016, and a Golden Globe Award in 2017 for actress Tracee Ellis Ross.

“Kenya Barris is one of our great modern storytellers,” said Cindy Holland, vice president, original content at Netflix. “Kenya uses his voice to make audiences more aware of the world around them, while simultaneously making them laugh. His honesty, comedic brilliance and singular point of view, combined with the creative freedom he will enjoy at Netflix, promises to create powerful new stories for all our members around the world.”

Barris added, “When my agents reached out to me about this little garage start-up called Netflix, I wasn’t sure what to think. But after I talked to Ted and Cindy, I started to believe that maybe this mom-and-pop shop with only 130 million subscribers might just be something… so I decided to take a swing… a leap of faith if you will, and take a chance with the new kids on the block.”

With his new agreement, Barris joins the ranks of television’s highest paid creators. In the last year, Netflix has signed Rhimes and Murphy to nine-figure deals as it continues to grow its original-programming volume in an increasingly robust challenge to the traditional pay-TV business. The streaming service last month revealed an initial programming slate from Rhimes that includes eight new series projects.

Read more: https://variety.com/2018/tv/news/kenya-barris-100-million-netflix-deal-1202907726/

R.I.P. Artistic Genius and Musical Legend Aretha Franklin, 76, Forever the Queen of Soul

(photo via arethafranklin.net)

by Lori Lakin Hutcherson (@lakinhutcherson)

According to nytimes.com, American singer, pianist, and composer Aretha Franklin died at her home in Detroit surrounded by family and loved ones at the age of 76. The cause was advanced pancreatic cancer. She is survived by her four sons, Ted White Jr., Kecalf Cunningham, Clarence Franklin, and Edward Franklin.

Franklin, who began her unparalleled music career singing at her father Rev. C.L. Franklin‘s New Bethel Baptist Church, became an international superstar and chart-topper in the 1960s with such classic songs as “Never Loved A Man The Way I Love You,” “Chain of Fools,” “Do Right Woman, Do Right Man,” “(You Make Me Feel Like) A Natural Woman” and “Respect,” and again in the 1980 and 1990s with “Jump To It,” “Freeway of Love,” “I Knew You Were Waiting For Me,” “Sisters Are Doin’ It For Themselves” and “A Rose Is Still A Rose.” Franklin was the first woman inducted into the Rock and Roll Hall of Fame, won 18 competitive Grammys across multiple decades, was a Kennedy Center Honoree in 1994, recipient of the National Medal of Arts in 1999, and was bestowed the Presidential Medal of Freedom in 2005.

Aretha was also involved in civil rights activism and philanthropy during her lifetime. Franklin, who Elle Magazine noted had it written into her contract in the 1960s that she would never perform for a segregated audience, was glad that the song “Respect” became linked to feminist and civil-rights movements. She added that the line “you know I’ve got it” has a direct feminist theme. “As women, we do have it,” Franklin said. “We have the power. We are very resourceful. Women absolutely deserve respect. I think women and children and older people are the three least-respected groups in our society.”

According to Vanity Fair, though Franklin didn’t participate in civil disobedience herself, she lent very public support to at least one person who did. In 1970, famous feminist activist, scholar, and a then-avowed member of the Communist Party Angela Davis was arrested at the Howard Johnson Motor Lodge in Midtown Manhattan and incarcerated for 16 months for what were found to be wrongful kidnapping and murder charges. Jet magazine reported that Franklin was ready to cover Davis’s bond, “whether it was $100,000 or $250,000.” Davis was released on bail and cleared of her charges in 1972.

Locally, Aretha donated meals and hotel rooms to Flint residents at the onset of the city’s water crisis, last year she was honored with the dedication of Aretha Franklin Way in Detroit, and worked to renew and revitalize her hometown with projects and concerts.

To read more about Franklin’s life and music, coverage from the Detroit Free Press, the Los Angeles Times and the Washington Post. To witness a touch of her genius, click below:

https://youtu.be/SlTQJzZwBSY

THIS WAY FORWARD: John Legend Teams Up with New Profit to Help Formerly Incarcerated Entrepreneurs Succeed via Unlocked Futures Program

by Dena Crowder

“I care deeply about issues of incarceration and criminal justice reform,” says Tulaine Montgomery, managing partner at New Profit, a philanthropic venture capital fund. It’s a passion she shares with Grammy award-winning singer/songwriter John Legend.  Like Legend, whose mother cycled “in and out of jail for charges related to drug addiction” when he was growing up, Montgomery has seen the impact of prison on families firsthand.

“This idea that there is a group of people we can *other*…that we cannot advocate for – that’s not something I’ve been able to entertain,” she explains. Montgomery believes that when someone who’s been incarcerated faces barriers preventing successful re-entry into society, it doesn’t just damage them alone.  On the contrary, it wreaks havoc on their extended family, community and nation, often for multiple generations. 

In addition, she says that treating entire groups of people as “expendable” and “counting them out” of making productive contributions makes zero economic sense. The USA spends $80 billion a year to keep people behind bars. Once paroled, even non-violent, first-time offenders struggle to find housing, jobs, or chances for further education.  Feeling locked out of opportunity and unable to sustain themselves, many end up right back in prison.  It’s a costly revolving door. Providing a path to success rather than creating a class of “throwaway people” is not only morally redemptive, it’s also economically sound. 

Tulaine Montgomery, New Profit’s Managing Partner (Photo Courtesy of New Profit)

Transforming inequities and imbalances in the criminal justice system is part of the larger mission behind Unlocked Futures, a partnership between New Profit, John Legend’s Free America campaign, and Bank of America. A 16-month accelerator program that supports entrepreneurs who have been previously incarcerated, Unlocked Futures provides funding, leadership training, business skills building, executive coaching, content development and peer support to eight members or cohorts. 

The program identifies innovative entrepreneurs whose businesses solve problems that affect those impacted by the criminal justice system.  They are uniquely qualified to address the “most pressing challenges” and break down barriers, precisely because they’ve been there, Montgomery says.   

It’s her belief that “someone who has served time—one of the most dehumanizing conditions we pay federal dollars to create—and emerged mentally intact and ready to lead a business, that’s a leader I want to know.

Topeka Sam is one of the eight inaugural Unlocked Futures cohorts and a case in point. Her organization, Ladies of Hope Ministries, helps women transition from incarceration back into meaningful participation. She knows the terrain and has insight into how to navigate the road to re-entry because she’s lived it.  

Marcus Bullock, CEO of Flikshop, a mobile app company that delivers postcards to inmates from loved ones, says the idea came to him because it was “connection” with family and his mother in particular that gave him a thread of hope during imprisonment.

Every dollar invested in correctional education returns $19.76 back to society,” according to Dirk Van Velzen, founder of the Prison Scholars Fund. Van Velzen’s organization helps inmates gain degrees and skills that are marketable in the job sector because he knows that if they’re employable, they’re far less likely to commit new crimes. The statistics are staggering: national recidivism stands at 68%. For graduates of the Prison Scholars’ Fund, that rate plummets to 4%. 

When Unlocked Futures kicked off at the end of last year, John Legend joined New Profit and the eight cohorts for a round table discussion. After listening to their stories, Legend remarked “with people like you working tirelessly to change the system and the narrative, I’m optimistic.”