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DOCUMENTARY: “Recorder: The Marion Stokes Project” Tells Story of Marion Stokes, Activist and Archivist Who Single-Handedly Preserved Over 30 Years of TV History

Marion Stokes privately recorded television twenty-four hours a day for over thirty years.

Stokes is the subject of Recorder: The Marion Stokes Project, a new documentary that highlights her work as an archivist, but paints a complex picture of a woman who was brushed off as an eccentric for most of her life. For thirty-plus years, multiple tapes (sometimes as many as eight) would record concurrently across multiple televisions as Stokes personally watched two monitors at once.

Former librarian Stokes, who became independently wealthy through technology and real estate investments, began casually recording television in 1977 and taped a variety of programs, but thought news was especially important.

In 1979 during the Iranian Hostage Crisis, which coincided with the dawn of the 24-hour news cycle, Stokes began recording MSNBC, Fox, CNN, CNBC, and CSPAN around the clock by running as many as eight television recorders at a time. Marion single-handedly built an archive of network, local, and cable news from her Philadelphia home, one tape at a time, recording every major (and trivial) news event until the day she died.

The taping ended on December 14, 2012 while the Sandy Hook massacre played on television as Stokes passed away from lung disease at the age of 83. In between, she recorded on 70,000 VHS tapes, capturing revolutions, lies, wars, triumphs, catastrophes, bloopers, talk shows, and commercials that tell us who we were, and show how television shaped the world of today.

“She was interested in access to information, documenting media, making sure people had the information they needed to make good decisions,” says the film’s director, Matt Wolf.

Stokes was no stranger to television and its role in molding public opinion. An activist archivist, she had been a librarian with the Free Library of Philadelphia for nearly 20 years before being fired in the early 1960s, likely for her work as a Communist party organizer.

From 1968 to 1971, she had co-produced Input, (which itself was recently recovered and digitized) a Sunday-morning talk show airing on the local Philadelphia CBS affiliate, with John S. Stokes Jr., who would later become her husband.

Input brought together academics, community and religious leaders, activists, scientists, and artists to openly discuss social justice issues and other topics of the day. Marion also was engaged in civil rights issues, helping organize buses to the 1963 civil rights march on Washington, among other efforts.

“Our vision is really aligned with Marion’s,” says Roger Macdonald, director of the television archives at the Internet Archive. “It’s really bold and ambitious: universal access to all knowledge.” Marion’s son had contacted the Internet Archive when he was trying to find a home for her tapes in 2013.

Macdonald immediately seized the opportunity. Those tapes were soon donated to the Internet Archive and are still in the process of being organized and digitized.

To read more about Marion Stokes and Recorder: The Marion Stokes Project (https://recorderfilm.com):

https://www.fastcompany.com/3022022/the-incredible-story-of-marion-stokes-who-single-handedly-taped-35-years-of-tv-news

https://www.atlasobscura.com/articles/marion-stokes-television-news-archive

https://theoutline.com/post/7370/recorder-documentary-marion-stokes-interview-matt-wolf?fbclid=IwAR3eFB6ld4rxYoKnFfEgR19qbBk76OAD1P_Ok2NcgQQeYylgacCKyoIBm0M&zd=3&zi=g25ve4g2

Upcoming screenings of Recorder: The Marion Stokes Project:

Montclair Film Festival
May 8, 12

Maryland Film Festival
May 9, 10

SF DocFest
June 8, 10

MCA Chicago
June 21

Interview with Recorder: The Marion Stokes Project director Matt Wolf, which includes clip from film at 6min mark:

Delaware State University Establishes Center for Global Africa to Educate Descendants of Enslaved People on Their African Past

via jbhe.com

HBCU Delaware State University has announced that it will soon establish a Center for Global Africa. The goal of the new center is to re-educate the descendants of enslaved people on not only their African past, but also to renew and strengthen their present connection to the continent of their ethnic origin.

Ezrah Aharone (photo via linkedin.com)

Ezrah Aharone, an adjunct professor of political science, has been the driving force behind the establishment of the center. He believes it will be a major conduit that connects scholars from HBCUs to Africa, where they will collaborate with the intellectual assets on that continent.

“The Center for Global Africa at DSU is designed to be a centralized location and agency to coordinate the diaspora involvement in the affairs of Africa,” Aharone said. “It is a coordinating institution that will involve other HBCUs, as well as corporation sponsors who will be directly involved in the economic facilitation in what we do.”

The new center already has plans to conduct an African economic development project involving asset mapping. Scholars from the center will travel to different African countries, evaluate their assets, and assist the country’s leaders in developing strategic plans for economic growth.

Faculty and students from the College of Business are also planning on contributing to the center’s efforts.

Dr. Akwasi Osei (via twitter.com)

Dr. Akwasi Osei, associate dean of the College of Humanities, Education, and Social Sciences, was a key contributor in the initial work for establishing the center. He believes that it is a great example of the global outreach and service that is happening at Delaware State.

“The idea of the descendants of Africa helping their kith and kin on the continent is not new; it has a long history,” said Dr. Osei. “The Center for Global Africa’s activities, therefore, represent a 21st Century contribution to this noble cause.”

Source: https://www.jbhe.com/2019/04/delaware-state-university-establishes-the-center-for-global-africa/

New Basquiat Exhibit at Guggenheim in NY to Center His Cultural Activism and Identity

Jean-Michel Basquiat Defacement (The Death of Michael Stewart), 1983 Acrylic and marker on wood, framed, 63.5 x 77.5 cm Collection of Nina Clemente, New York © Estate of Jean-Michael Basquiat. Licensed by Artestar Photo: Allison Chipak © Solomon R. Guggenheim Foundation, 2018

by Lori Lakin Hutcherson (@lakinhutcherson)

An exhibition of rarely-seen work by famed artist Jean-Michel Basquiat will be on display at the Solomon R. Guggenheim Museum in New York from June 21 to November 6 this year.

The Basquiat’s “Defacement”: The Untold Story exhibition will be supplemented with work by other artists of Basquiat’s generation and will explore a formative chapter in the artist’s career and the role of cultural activism in New York City during the early 1980s.

The exhibition takes as its starting point the painting Defacement (The Death of Michael Stewart), created by Basquiat in 1983 to commemorate the fate of the young, Black artist Michael Stewart at the hands of New York City transit police after allegedly tagging a wall in an East Village subway station.

Originally painted on the wall of Keith Haring’s studio, Defacement was not meant to be seen widely and has rarely been exhibited in a public context. With approximately twenty paintings and works on paper by Basquiat and his contemporaries, this presentation around Defacement will examine Basquiat’s exploration of Black identity, his protest against police brutality, and his attempts to craft a singular aesthetic language of empowerment.

The works on view by Basquiat will further illustrate his engagement with state authority as well as demonstrate his adaptation of crowns as symbols for the canonization of historical Black figures. Also featured will be archival material related to Stewart’s death, including diaries and protest posters, along with samples of artwork from Stewart’s estate.

Paintings and prints made by other artists in response to Stewart’s death and the subsequent criminal trial of the police officers charged in his killing to be presented include Haring’s Michael Stewart—U.S.A. for Africa (1985); Andy Warhol’s screenprinted “headline” paintings from 1983 incorporating a New York Daily News article on Stewart’s death; David Hammons’s stenciled print titled The Man Nobody Killed (1986), and Lyle Ashton Harris’s photographic portrait Saint Michael Stewart (1994), all of which are testaments to the solidarity among artists at the time and the years following.

To learn more: https://www.guggenheim.org/exhibition/basquiats-defacement-the-untold-story

Author Toni Morrison and Curator Thelma Golden to Receive 2019 Awards from American Academy of Arts and Letters

Toni Morrison and Thelma Golden (photos via artsandletters.org)

The American Academy of Arts and Letters has announced the recipients of its highest honors for excellence in the arts, to be presented at its annual ceremony in May. Toni Morrison will be awarded the Gold Medal for Fiction. The Gold Medal is awarded to those who have achieved eminence in an entire body of work.

Thelma Golden will be recognized with the Award for Distinguished Service to the Arts for her significant contribution as Director and Chief Curator of the Studio Museum in Harlem. Sculptor Lee Bontecou will also be honored this year.

The American Academy of Arts and Letters was founded in 1898 as an honor society of the country’s leading architects, artists, composers, and writers. Early members included Henry James, Theodore Roosevelt, Augustus Saint-Gaudens, Mark Twain, and Edith Wharton. The Academy’s 250 members are elected for life and pay no dues.

In addition to electing new members as vacancies occur, the Academy seeks to foster and sustain an interest in Literature, Music, and the Fine Arts by administering over 70 awards and prizes, exhibiting art and manuscripts, funding performances of new works of musical theater, and purchasing artwork for donation to museums across the country. This year’s total expenditures on awards and grants will be $1.2 million.

Entrepreneur Noëlle Santos Brings Bookstore to the Bronx By Opening Crowdfunded The Lit. Bar

Noëlle Santos (photo via thelitbar.com)

There is an article by Ginia Bellafante in the New York Times this morning about inspiring Bronx native Noëlle Santos, who is opening The Lit. Bar, the Bronx’s first general bookstore since Barnes and Noble shuttered its store there in 2016.

According to the article, Santos, a self-described millennial Afro Latina who was working in human resources at the time, came across a petition on Facebook in 2014 to save the Bronx’ Barnes and Noble (which it managed to for two more years). The petition pointed out how alarming it was that the Bronx was getting more and more cellphone stores and chain restaurants but would be left without a place to buy novels or training manuals or SAT preparation guides.

Santos, who grew up and went to college and graduate school in the Bronx, suddenly felt a radical need to do change things.

“Up to that point I had measured my success by how far I could get away from the Bronx,’’ she is quoted as saying. “I was disappointed in myself for thinking about leaving a community in no better condition that I had found it,’’ she said.

“I had never been inside an independent book store before I decided to open one.”

Santos took that inspiration and worked to make her dream real by calling the American Booksellers Association to learn how to do just that. From ABA Santos learned about a course called “Owning a Bookstore” – which was held in Florida. Undeterred, Santos pooled her vacation days and sick days to fly there and take it. In that course, she learned how to calculate sales projections, negotiate a lease, think about layouts, floor plans, foot traffic, etc.

When Santos returned to New York, she furthered her education by volunteering at small bookstores around the city in exchange for mentorship, and entered a statewide competition for entrepreneurs with promising business plans. She won, and with that prize money, opened a pop-up bookstore in the Bronx Museum of the Arts.

To open an actual store, however, Santos needed much more capital, so she started a crowdfunding campaign and called it, “Let’s Bring a Goddamn Bookstore to the Bronx.’’ With it, she quickly raised $170,000.

To read more of Santos’ story, go to: https://www.nytimes.com/2019/04/25/nyregion/bronx-bookstore.html?action=click&module=Features&pgtype=Homepage

To support The Lit. Bar in person, visit: 131 Alexander Avenue, Bronx, NY 10454

The Lit. Bar online: http://www.thelitbar.com

Viola Davis Narrates “A Touch of Sugar” Documentary Film to Bring Awareness to Type 2 Diabetes

Viola Davis (photo: flickr.com); A Touch of Sugar ( via ATouchOfSugarFilm.com)

Viola Davis has teamed up with pharmaceutical company Merck on A Touch of Sugar, a documentary film which addresses the health epidemic surrounding Type 2 diabetes, particularly among African-Americans.

According to PR Newswire, the film will debuted at the Tribeca Film Festival today. Davis narrates the project, which is personal to her, as several members of her family have been diagnosed with the disease.

“Type 2 diabetes has taken a toll on my family. My great-aunt suffered from complications of the disease, two of my sisters are currently living with it, and a few years ago, I was diagnosed with prediabetes,” Davis said. “I’m one of the 84 million American adults living with prediabetes and I’m sharing my story for the first time in an effort to inspire others to take action against the type 2 diabetes epidemic.”

“It’s not something I talk about because it’s a disease a lot of us simply accept – growing up my family just called it ‘sugar.’ But, this must change. I want people to know that type 2 diabetes can have consequences. It’s not something to be taken lightly – we need to take it seriously if we’re going to get it under control.”

A Touch of Sugar is an honest depiction of life with type 2 diabetes that puts a much-needed spotlight on the real people affected by it firsthand,” said Conrod Kelly, Executive Director, Diabetes Franchise at Merck. “Although the disease is a result of a combination of genetics, lifestyle, and environment, there are steps we can take together to help reduce its impact on individuals and their families. With this documentary, Merck is dedicated to increasing awareness and inspiring action to ultimately confront America’s type 2 diabetes epidemic head on – one community and one patient at a time.”

Merck spearheads a program, America’s Diabetes Challenge: Get to Your Goals to promote living a healthier lifestyle.

People can learn more about A Touch of Sugar and how to make a difference in their communities by visiting ATouchOfSugarFilm.com. On the website, they can watch the trailer, start the conversation by downloading a discussion guide, and find educational resources to help improve diabetes management.

Sylvia Rhone Rises from President to Chairman & CEO of Epic Records

Sylvia Rhone (photo via twitter.com)

According to Variety.com, Sony Music Entertainment announced today the promotion of Sylvia Rhone to Chairman and CEO of Epic Records. In this role, Rhone will lead the overall creative direction and management of Epic Records, overseeing Epic’s roster of hit-making artists such as Travis Scott, Future, Camila Cabello, 21 Savage, Meghan Trainor, DJ Khaled, and French Montana

Rhone has been President of Epic Records since 2014, and since then has overseen projects including Scott’s 2018 best-selling album “Astroworld”; Camila Cabello’s debut album “Camila” and the smash single “Havana,” as well as music from Future, 21 Savage and others.

“I am excited to continue my amazing journey at Epic Records supported by Rob Stringer’s vision and leadership,” stated Rhone. “Everything we do is a testament to our incredible artists who set the bar of the entire Epic culture, inspiring our dedicated executive team every day and enriching the legacy of this great label.”

Before joining Sony Music, Rhone was President of Universal Motown Records and Executive Vice President at Universal Records from 2004. From 1994-2004, Rhone was Chairman and CEO of Warner Music Group’s Elektra Entertainment Group, the first African American woman to be named Chairman of a major record company, where she oversaw releases from artists such as Missy Elliott, Busta Rhymes, Metallica, Staind, Third Eye Blind, Tracy Chapman, and Natalie Merchant. Rhone began her career at Buddah Records in 1974, a label best-known for its Gladys Knight and the Pips albums. 

Rhone is a graduate of the University of Pennsylvania‘s well-regarded Wharton Business School. She received an honorary doctorate from the Berklee College of Music on April 5, 2019, in recognition of her achievements as a leading female music executive who has headed labels multiple times during her career.

Intersection in Harlem Renamed in Honor of Acting Legends and Activists Ruby Dee and Ossie Davis

Ossie Davis and Ruby Dee (photo via Facebook)

According to New York Amsterdam News, on Saturday the northeast corner of 123rd Street and Saint Nicholas Avenue in Harlem was renamed in honor of famed acting and civil rights couple Ossie Davis and Ruby Dee (Purlie Victorious, Countdown At Kusini, Do The Right Thing, Jungle Fever).

The Dwyer Cultural Center hosted the ceremonial unveiling of ‘Ruby Dee Place’ and ‘Ossie Davis Way’. Dee and Davis’ children, Nora Day Hasna Muhammad and Guy Davis, attended the event, as did the Rev. Al Sharpton, former New York City mayor David Dinkins, Assemblywoman Inez Dickens and State Sen. Brian Benjamin.

The Dwyer opened its gallery to the public to view an exhibit dedicated to Dee and Davis with numerous storyboards displayed related to the work of the couple and Cliff Frazier. The public also participated in a community mosaic mural.

To learn more about Dee and Davis’ lives, work, philanthropy and scholarships, go to: https://ossieandruby.com or follow @EverythingOssieandRuby

Or check out their story in their own words:

To see video of the street re-naming, watch below:

GBN Wishes You and Yours a Happy Easter!

 

Here’s hoping that you, your loved ones, colleagues and friends are partaking of only the best during this year’s Easter celebration – enjoy your blessings and the day!

In gratitude,

The GBN Staff

Juilliard-Bound Amari Frazier, 18, Brings Dance to Underserved Groups Through Chicago Non-Profit, Step Into Joy

Amari Frazier (photo by Thomas More Photography)

The day after he turned 18, Amari Frazier learned he had been accepted into New York’s most prestigious arts college Juilliard to study dance. But the real gift could be how he rewards Chicago’s South Side with dance now and for decades to come.

Frazier, a soon-to-graduate senior dancer at The Chicago Academy for the Arts, has used dance to spread love with the non-profit he founded a year ago with friends called Step Into Joy. Step Into Joy performs at churches and groups for those who have been abused, first by dancing for the audience and then dancing with them.

Amari Frazier (photo via Donna Frazier)

After attending Juilliard, Frazier plans to return to Chicago and build on Step Into Joy to create a dance academy for those who can’t afford it.

“I feel like you need to spread love in the world, more than hate, and there’s a lot of hate on the South and West sides,” Frazier said. “I just want to change the world and change the look of the South and West sides and how people are there. There are better ways to go about things, and dance is a great way to communicate with people. I know I can use dance to really help people and putting smiles on people’s faces.”

To see the Step Into Joy dancers in action, click here.

“He wants to give back to his community,” Donna Frazier said. “He sees the struggles in people, and he realizes where dance has taken him, and where it can take others.”

Frazier is the 10th Academy student to be accepted into Juilliard during Chicago Academy Dance Chair Randy Duncan’s tenure. Duncan said Frazier is “is a dancer of enormous talent and has a solid dedication to the art of dance.”

“His ability to focus is outstanding! Amari is one of those rare dancers that catches on to movement after only seeing it once,”  Duncan said. “He understands and delivers the message a choreographer gives with all the technique and emotion necessary, which allows him to capture and magnify the spirit of the dance.”

Frazier said attending The Academy has been a godsend for him as a student and performer. And he said it’s only the beginning.

“I want to provide kids who don’t have the funds for dance – because dancing is very expensive – with the resources through my foundation because everyone should have the opportunity to be able to do what they want,” Frazier said. “Dreams should be fulfilled, and they’re possible.”

For more information on Step Into Joy, visit https://stepintojoy.wixsite.com/stepintojoy