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MUSIC MONDAY: “Harvest For The World” – A Tribute to The Isley Brothers (LISTEN)

MUSIC MONDAY: “Harvest For The World” – A Tribute to The Isley Brothers (LISTEN)

By goodblacknews on August 17, 2020

[The Isley Brothers (Photo Credit: Lewton Cole / Alamy Stock Photo)]

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

The Isley Brothers, all five of them, started as a gospel group in 1956. Twenty years later, they would create the funk classic Go For Your Guns.

The Isleys began their own record company, T-Neck Records, in 1964, shortly thereafter recruiting budding guitarist Jimi Hendrix for their band. They abandoned T-Neck and signed with Motown in 1965.

The list of Isley hits is long. It includes “It’s Your Thing,” “That Lady (Part 1),” “Fight the Power (Part 1),” and “For the Love of You (Part 1 and 2).”

More than any other band or artist, you can chart the changes in Black music via the Isley Brothers. Don’t take my word for it:

“With the possible exception of the Beatles, no band in the history of popular music, and certainly no African American act, has left a more substantial legacy on popular music than the Isley Brothers.” — Bob Gulla, Icons of R&B and Soul

“They’re the only group in the history of music to have a demonstrable influence on both the Beatles (who covered the Isleys’ take of “Twist And Shout” for one of their biggest early hits) and Ice Cube (who rapped over this album’s “Footsteps In The Dark, Pts. 1 & 2” on “It Was A Good Day”).” — Andrew Winistorfer

The Isleys have charted new music in every decade from the 1950s through the 2000s, without ever truly “crossing over” or betting any of the hyperbolic praise that other acts have received.

They have made the music they wanted to make for more than 50 years, and are arguably the most prolific and successful R&B /Rock group in the nation. Enjoy this playlist of their work.

And as always stay safe, sane, and kind.

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Marlon West (photo courtesy Marlon West)
MUSIC: “Grown Folks Vacation” – Smooth Jazz Covers of Classic Soul and Soft Rock by Shanachie Records Artists (LISTEN)

MUSIC: “Grown Folks Vacation” – Smooth Jazz Covers of Classic Soul and Soft Rock by Shanachie Records Artists (LISTEN)

By goodblacknews on August 15, 2020

by Jeff Meier (FB: Jeff.Meier.90)

It’s the middle of August and five months into the coronavirus pandemic – is anyone longing for that summer jazzfest they haven’t been able to attend?

With today’s GBN playlist, which we’ve dubbed “Grown Folks Vacation,” you can press play, imagine yourself slipping into your backyard hammock with a glass of wine, and let a wave of classic songs and sounds wash over you (with a twist) – hopefully getting a little bit of relaxation in these stressful times.

Today, we’re celebrating music coming from the independent New Jersey-based label Shanachie Records, which, for more than 20 years, has been keeping veteran artists and favorite songs alive after many major labels have passed them by.

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Shanachie was born in the 1980s as a niche independent label focusing on Celtic, folk, reggae and other branches of world music that the big companies usually ignore. But by the late ’90s, with expansion of the Quiet Storm and Wave radio formats, Shanachie expanded into a new area of music with releases from smooth jazz saxophonists like Walter Beasley and Kim Waters.

Airport in NY to be Renamed in Honor of Frederick Douglass

Airport in NY to be Renamed in Honor of Frederick Douglass

By goodblacknews on August 14, 2020

Rochester, New York‘s airport will be renamed to honor 19th-century abolitionist and freedom fighter Frederick Douglass, one of its most famous and influential residents.

According to usatoday.com, the Monroe County Legislature voted Tuesday night to change the airport’s name to the “Frederick Douglass – Greater Rochester International Airport,” adding the Douglass’ name to the existing airport’s title.

MUSIC MONDAY: “Snatch It Back and Hold It” – Celebrating Chicago Blues (LISTEN)

MUSIC MONDAY: “Snatch It Back and Hold It” – Celebrating Chicago Blues (LISTEN)

By goodblacknews on August 10, 2020

[Photo: Otis Spann & James Cotton rehearsing in Muddy Waters’ basement, Chicago, IL, 1965. Courtesy Chicago History Museum]

Chicago blues began to emerge following the Great Migration of African Americans from the southern U.S. to the industrial cities of the north, particularly Chicago.

This new population included musicians, and the blues evolved as a result of these influences from musicians playing as street musicians, at rent parties, and other events in African-American communities.

One of the most significant early incubators for Chicago blues was the open-air market on Maxwell Street in the 1930s and ’40s.

This collection includes some of the great including, McKinley “Muddy Waters” Morganfield, Chester “Howlin’ Wolf” Burnett, Little Walter Jacob, Junior Wells, Koko Taylor, and many others.

Enjoy, and of course, stay safe, sane, and kind.

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by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)
Zaila Avant-Garde, 13, Wins National Online Spelling Bee

Zaila Avant-Garde, 13, Wins National Online Spelling Bee

By goodblacknews on August 9, 2020

[Photo: Zaila Avant-Garde via Instagram | @basketballasart)]

According to wafb.com, 13 year-old Zaila Avant-Garde, a 7th grader from Harvey, LA, beat out 88 of the best young spellers in the country to win the first-ever Kaplan Online Spelling Bee, hosted in association with Hexco Academic.

Garde, who was the 2019 New Orleans regional spelling champion, won with the word “Qashqai” (definition: a migratory Turkic-speaking people of the Zagros mountains), after a hard-fought back-and-forth with runner-up Harini Logan, a 6th grader from San Antonio, TX. Chaitra Thummala, a 5th grader from San Ramon, CA, placed third.

“Candyman” Director Nia DaCosta to Helm “Captain Marvel” Sequel, 1st Black Woman to Direct a Marvel Universe Film

“Candyman” Director Nia DaCosta to Helm “Captain Marvel” Sequel, 1st Black Woman to Direct a Marvel Universe Film

By goodblacknews on August 7, 2020

Nia DaCosta, director of the upcoming MGM/Universal Candyman remake, will helm the sequel to Captain Marvel, becoming the first black woman to direct a film in the Marvel Cinematic Universe.

According to The Hollywood Reporter, 2019’s Captain Marvel was the first Marvel movie to feature a solo female lead. The sequel will again follow Brie Larson‘s adventures as Carol Danvers, fighter pilot turned superhero, this time written by WandaVision scribe Megan McDonnell.

The Captain Marvel sequel would also mark the fourth time a female director has steered an MCU film — and the third time they’ve done it solo. The first solo female director Marvel announced was Black Widow‘s Cate Shortland in July 2018, while the first Captain Marvel film was led by the directing duo of Anna Boden and Ryan Fleck.

Captain Marvel 2 is currently scheduled for release on July 8, 2022.

Black People Let’s Stop Just Surviving – It’s Time To Thrive! 8-Minute Power Shot with Dena (WATCH)

Black People Let’s Stop Just Surviving – It’s Time To Thrive! 8-Minute Power Shot with Dena (WATCH)

By goodblacknews on August 6, 2020

Over the past few months, TEDx speaker, performance coach and GBN’s “This Way Forward” contributor Dena Crowder has offered “Power Shot” guides on Mental Health and Well-Being, Transforming Trauma, Tapping into our Own Power to Affect Meaningful Change, Divining our Worth and Transforming the Internalized Face of Power.

This week, Dena offers an eight-minute Power Shot to help Black people move beyond the survival skills we’ve necessarily developed and employed to stay alive over the centuries into ones that allow us to live fully and thrive — on our own terms. Watch:

MUSIC: Celebrating Jamaican Independence Day with Stevie Wonder Reggae Covers (LISTEN)

MUSIC: Celebrating Jamaican Independence Day with Stevie Wonder Reggae Covers (LISTEN)

By goodblacknews on August 6, 2020

by Jeff Meier (FB: Jeff.Meier.90)

Jamaican Independence Day is celebrated every August 6th in honor of the date in 1962 when Jamaica gained its independence from England after more than 300 years of British colonial rule.

On the heels of Jamaica’s independence, Jamaican ska music partially shifted to celebrate the country’s newfound freedoms, eventually paving the way for the birth of reggae music, which has been the driving force of the nation’s music since then.

To enjoy the evolution of those sounds, you can check out the GBN playlists we posted earlier this year – Celebrating The History and Evolution of Ska Music and Celebrating Reggae Songs of Struggle and Peace.

All you faithful Good Black News readers may also remember that just a few months ago we saluted the amazing Stevie Wonder with a month-long series of themed playlists (see below). Well, believe it or not, we still had a few additional Stevie playlists we never got to share with you in May. So today, in honor of Jamaican Independence Day, we are showcasing “Stevie Wonder Goes to Jamaica – Reggae Wonder Covers.”

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Although it’s hard to remember a time when iconic reggae superstar Bob Marley wasn’t universally known, back in 1974, when Stevie Wonder first issued the song “Boogie on Reggae Woman,” Marley had yet to really break through on the U.S. music charts – and not that many people knew what Stevie was talking about.

Always one to infuse his music with innovative sounds, in the final years of the seventies when Stevie acknowledged reggae yet again with the smash hit “Master Blaster (Jammin’)” – in which he detailed “From the park I hear rhythms / Marley’s hot on the box” – the world had finally caught up with Stevie’s vision.

Later, in 1982, Stevie even wrote and produced the big R&B/reggae crossover hit ‘Try Jah Love” for Jamaica superstars Third World.

While Stevie was relatively early to jump on reggae sounds, reggae music had actually jumped on Stevie Wonder sounds even earlier. A longtime tradition of reggae music – particularly in the “lovers rock” genre – is to remake popular US chart hits in a reggae style.

Wonder’s hits provided fertile territory. From the late 1960s, all the way up through contemporary times, Stevie’s own hits as well as his compositions for others have yielded dozens of reggae cover versions, whether ballads or uptempo, more modern dancehall sounds.

Today’s playlist kicks off with Stevie’s version of “Master Blaster” and his Third World composition before heading into covers from today’s most known reggae hitmakers such as Wayne Wonder, Tanya Stephens, Sly & Robbie, Maxi Priest, Bob Marley scion Stephen Marley, as well as such legends as John Holt, Desmond Dekker, Dennis Brown, Toots & the Maytals, and Lee Perry & the Upsetters.

Finally, in honor of the “birth” of Jamaica’s independence from colonial rule, we close with Barry Biggs’ reggae rendition of Stevie’s classic “Happy Birthday,” which Wonder famously composed to honor Martin Luther King, Jr.’s birthday as well as Black America’s fight for equal rights and justice.

Happy Birthday, Jamaica!

 

Jay Z Partners With Long Island University in Brooklyn to Create Roc Nation School of Music, Sports and Entertainment

Jay Z Partners With Long Island University in Brooklyn to Create Roc Nation School of Music, Sports and Entertainment

By goodblacknews on August 5, 2020

The Carters are working their empowerment game on all ends. Just days after Beyoncé drops her “Black Is King” visual album on Disney+, Jay Z continues his commitment to Black and Brown people by employing his global entertainment company, Roc Nation, to teach the new generation the politics of the business.

According to a press release, Roc Nation and Long Island University, a nationally-ranked university, have engaged in a historic collaboration to form the Roc Nation School of Music, Sports & Entertainment, enrolling students at LIU Brooklyn beginning fall 2021.

The Roc Nation School of Music, Sports & Entertainment will prepare students for a wide range of careers in performance, entrepreneurship, all aspects of music, and sports business management.

Students will engage with university professors, alongside visiting guest artists and lecturers, while participating in immersive internships, ensuring they graduate with both hands-on experience and a network of professional contacts.

Located in JAY-Z’s hometown of Brooklyn, the Roc Nation School of Music, Sports & Entertainment will provide Roc Nation Hope Scholarships for 25 percent of enrolled students. These scholars will graduate from the Roc Nation School of Music, Sports & Entertainment debt-free, and will receive individualized support and mentorship.

The Roc Nation Hope Scholars will be selected from a pool of academically competitive, New York-based first-time freshmen with the highest need.

The Roc Nation School of Music, Sports & Entertainment will offer undergraduate degrees in music; music technology, entrepreneurship & production; and sports management.

“Pursuing higher education is an investment in one’s future. This partnership, envisioned alongside LIU President Dr. Cline, is a true investment in our community and young people in Brooklyn, in New York City and beyond,” said Desiree Perez, CEO of Roc Nation. “We’re excited that the Roc Nation School of Music, Sports & Entertainment will provide unique insight, knowledge, and experiences for students and introduce the world to the next generation of unmatched talent.”

“Our proximity in and around New York City’s epicenter of music and sports clearly positions us to offer unparalleled experiential learning and access to professional opportunities that will launch students to success,” said LIU President Dr. Kimberly Cline. “We look forward to joining with Roc Nation to offer an unprecedented educational resource that opens up the entertainment and sports world to a new and eager generation.”

The Roc Nation School of Music, Sports & Entertainment will begin accepting applicants for the Fall 2021 semester this fall.

In addition to the college program, the School will offer camps for aspiring students. Young talent will be developed through summer residential camps for high school students and year-round Saturday programs for ages 10-18 in music and sports management, starting in the spring of 2021. Need-based scholarships will also be available for the camps.

MUSIC MONDAY: “Black, Brown & Beige” – Celebrating Black Classical Composers, Musicians and Performers (LISTEN)

MUSIC MONDAY: “Black, Brown & Beige” – Celebrating Black Classical Composers, Musicians and Performers (LISTEN)

By goodblacknews on August 3, 2020

[Photo collage L to R, top then bottom: Florence Beatrice-Price, Julius Eastman, Scott Joplin, William Grant Still, Stewart Goodyear]

In a world that hasn’t always welcomed them with open arms, many of these performers, instrumentalists, and conductors shattered racial barriers on the concert stage and created landmark moments in classical music.

While you are likely familiar with the symphonic work of Duke Ellington, Scott Joplin, and William Grant Still, you probably don’t know Florence Beatrice-Price, Julius Eastman, and Stewart Goodyear.

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From the highly sophisticated instrumental musical forms, like the concerto, symphony and sonata, to spirituals, to the avant-garde, Black composers have made an impact on Classical music. Many of these artists languished in obscurity in life, and have been all but forgotten.

While other Black women and men are creating significant works of music right now. Here are some of the most influential Black voices in classical music history from the 18th century to today.

Enjoy. And as always, stay safe, sane, and kind.

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)