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Princeton University’s Deana Lawson Becomes 1st Photographer to Win $100,000 Hugo Boss Prize

Princeton University’s Deana Lawson Becomes 1st Photographer to Win $100,000 Hugo Boss Prize

By goodblacknews on November 18, 2020

[Photo: Mama Goma, Gemena, DR Congo, 2014. Pigment print. © Deana Lawson, courtesy of Sikkema Jenkins & Co., New York; and David Kordansky Gallery, Los Angeles]

According to nytimes.com, Deana Lawson, professor of visual arts in the Lewis Center for the Arts at Princeton University in New Jersey, has been awarded the Hugo Boss Prize. Professor Lawson is the first photographer to win the award, which comes with a $100,000 prize.

The prize, presented by the Solomon R. Guggenheim Foundation and sponsored by the Hugo Boss German fashion label, has been awarded biannually since 1996 and was established to “embrace today’s most innovative and critically relevant cultural currents.”

The Hugo Boss prize is considered among the most prestigious awards within the contemporary art world.

To quote jbhe.com:

Lawson began teaching at Princeton in 2012. Earlier she taught at the California College of Arts in San Francisco, the International Center for Photography in New York, and the Rhode Island School of Design. Her photographs speak to the ways that sexuality, violence, family, and social status may be written, sometimes literally, on the body.

A native of Rochester, New York, Professor Lawson is a graduate of Pennsylvania State University. She earned a master of fine arts degree from the Rhode Island School of Design.

To read more: https://www.jbhe.com/2020/11/prineton-universitys-deana-lawson-is-the-first-photographer-to-win-the-hugo-boss-prize/

Commander Victor Glover Makes History as 1st African American Astronaut to Live on International Space Station

Commander Victor Glover Makes History as 1st African American Astronaut to Live on International Space Station

By goodblacknews on November 17, 2020

[Official NASA/Commercial Crew Portrait – Victor Glover. Photo Date: July 31, 2018. Photographer: Robert Markowitz]

Victor Glover is making history as first African American NASA astronaut to live on the International Space Station. Commander Glover and three other astronauts left Earth on Sunday in a capsule called Resilience and will spend about six months aboard the space station.

Glover is not the first African American astronaut to visit the space station, but previous members were parts of space shuttle crews that only stayed briefly on ISS.

Southern California native Glover is a graduate of California Polytechnic State University and holds three master’s degrees — in systems engineering, in-flight test engineering,  and military operational art and science.

Guion S. Bluford Jr. became the first Black American in space in 1983 when he flew as part of the crew of the space shuttle Challenger. The second, Ron McNair, died three years later when the shuttle exploded alongside six other astronauts. Mae Jemison became the first Black American woman in space in 1992.

MUSIC MONDAY: “Nothing Comes Easy” – A Celebration of Dub Reggae (LISTEN)

MUSIC MONDAY: “Nothing Comes Easy” – A Celebration of Dub Reggae (LISTEN)

By goodblacknews on November 16, 2020

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Dub has become its own genre of electronic music. Though it grew out of reggae in the late 1960s and early 1970s.

Dub reggae started as a “version” of an existing song. The cuts were achieved by significantly manipulating and reshaping the recordings, often through the removal of some or all of the vocals, with the emphasis on the drums and bass. They were usually pressed on the B-sides of 45 RPM records.

The dub version is often made for a DJ to “toast” over. That tradition continues to this day across many music genres.

[spotifyplaybutton play=”spotify:playlist:4boJM1E6ytVpdhSv5SMxs3″/]

Dub was pioneered by recording engineers and producers like Osbourne “King Tubby” Ruddock, Lee “Scratch” Perry, Errol Thompson, and others in the late 1960s. Augustus Pablo is credited as one of the pioneers and creators of the genre, and for bringing the melodica to dub.

The “Roland Space Echo” was widely used by dub producers in the 1970s to produce echoes and delay effects. These artists, especially King Tubby, Scientist, Lee Perry, and many that would follow, look upon the mixing console as an instrument itself.

This collection brings together early pioneers, and tracks by current artists. Enjoy! And as always, stay safe, sane, and kind.

(A note to the Spotify adherent: This collection will benefit from going to your “Advanced Preferences”, and setting your crossfade to its maximum of 12 seconds. Lean into that Dub-stylee.)

Marlon West (photo courtesy Marlon West)
Happy 60th Birthday, Karen Clark-Sheard!

Happy 60th Birthday, Karen Clark-Sheard!

By goodblacknews on November 15, 2020

by Jeff Meier (FB: Jeff.Meier.90)

Today, Good Black News celebrates the milestone 60th birthday of gospel music icon Karen Clark-Sheard, famous as the youngest member of the legendary Clark Sisters, as well as for her dynamic solo recordings.

Amidst the craziness of the coronavirus pandemic, lockdowns and quarantines, 2020 has nevertheless been a milestone year for Karen and her sisters, as they issued the acclaimed The Return in March, their first group release in over a decade.

Following the album drop was the April broadcast of The Clark Sisters: First Ladies of Gospel, a Lifetime movie about their lives that was seen by millions of people across numerous airings in its first few weeks, becoming Lifetime’s highest original rated movie in 4 years – and one of the top cable telecasts of the year across all cable channels.

We wrote about the movie and the history of The Clark Sisters, at that time: (https://goodblacknews.org/2020/04/11/bringing-the-sunshine-gbn-offers-clark-sisters-playlist-to-celebrate-lifetime-biopic-airing-tonight-listen/).

After 25 years recording with her sisters (since she was just an early teenager) as the group’s dedicated soprano, a break in the sisters’ group activities allowed Karen to release her debut solo album, appropriately titled Finally Karen in 1998.

She stepped out solo in a big way – on a major label (Island Records), with multiple producers and a guest appearance from Faith Evans.  The results – a gospel bestseller that was nominated for a Grammy and won a Lady of Soul Award.

The album also included a duet with her daughter, Kierra ‘Kiki’ Sheard, ultimately kicking off the successful recording career for yet another generation of the Clark gospel dynasty (The Clark Sisters themselves are the daughters of gospel choir pioneer Dr. Mattie Moss Clark.)

Not long after the release and promotion of her first album, Clark-Sheard was hit with a major health crisis, when complications from a minor operation put her in a coma for multiple weeks.

UPS Finally Ends Ban on Natural Black Hairstyles and Beards

UPS Finally Ends Ban on Natural Black Hairstyles and Beards

By goodblacknews on November 13, 2020
According to cnn.com, United Parcel Service (UPS) finally is lifting several strict rules on how employees who interact with the public — mostly the delivery drivers — can wear their facial hair and hairstyles.
To quote from CNN.com:

The changes relax the strict limits on facial hair (no beards for most employees, and mustaches limited to above the crease of the lip), how long men could wear their hair (nothing longer than collar length) and hairstyles (no Afros or braids). While styles still must be business-appropriate and not pose a safety concern, those specific limits have been eliminated.

The UPS changes also include the lifting of gender-specific regulations, including rules like the length of the uniform’s shorts. The new rules, first reported by the Wall Street Journal, were posted on an internal company web site for employees.

“These changes reflect our values and desire to have all UPS employees feel comfortable, genuine and authentic while providing service to our customers and interacting with the general public,” UPS said in a a statement, adding that the company is “determined to continue to make UPS a great place to work for all of our more than 500,000 employees around the world.”

UPS had faced criticism that its appearance rules, particularly the hair guidelines, amounted to a form of discrimination. In 2018 it agreed to pay a $4.9 million fine and enter into a consent decree with the Equal Employment Opportunity Commission to allow greater freedom to wear beards and long hair by those who filed for a religious exemption.

UPS is likely also motivated to make the changes due to the need to add more staff to handle the increase of packages being sent because of the surge in online shopping due to the coronavirus pandemic.

To read more: https://www.cnn.com/2020/11/11/business/ups-end-beard-ban/index.html

 

Country Music Awards Honors Charley Pride with the Willie Nelson Lifetime Achievement Award Tonight on ABC

Country Music Awards Honors Charley Pride with the Willie Nelson Lifetime Achievement Award Tonight on ABC

By goodblacknews on November 11, 2020

by Jeff Meier (FB: Jeff.Meier.90)

We’re used to seeing Black musical artists honored regularly on the Grammy Awards, the American Music Awards, the MTV Awards, and, of course, the BET Awards. But this year, you can find several Black performers on the 54th annual CMA (Country Music Association) Awards, to be aired on ABC starting at 8P ET tonight.

Not that Black performers have never been on the CMAs before. Just last year rapper Lil Nas X won an award for his Billy Ray Cyrus collaboration “Old Town Road.”  In 2016, the Chicks (fka The Dixie Chicks) shocked the audience with an incredible live performance with fellow Texan Beyoncé of her song “Daddy Lessons” (see it here at https://www.youtube.com/watch?v=85Ksi-uzuIg). But there have been many years where the closest the CMAs have gotten to Blackness was to give awards to Keith “Urban.”

CMA hosts Darius Rucker and Reba McEntire (photo courtesy CMA Awards)

Black country fans actually have three reasons to cheer during this year’s awards.  First, newcomer Jimmie Allen is up for Best New Artist. Second, former Hootie & the Blowfish lead vocalist turned country singer Darius Rucker is co-hosting the show with Reba McEntire. Rucker is perhaps the most well-known Black performer in contemporary country music – and previously won the CMA for Best New Artist in 2009.

Most importantly, Rucker will be leading the tribute to this year’s recipient of the Willie Nelson Lifetime Achievement Award, the legendary Charley Pride.

The aptly named Pride was a symbol of Black pride back in the late ‘60s and early ‘70s when he was the first major Black country artist to hit the charts. Coming on the heels of the Civil Rights Movement, Pride won Male Vocalist of the Year two years running in 1971 and 1972, in addition to also picking up Entertainer of the Year in 1971.

Nominated for Entertainer of the Year six years in a row from 1968 through 1973, Pride, now 86 years old, is a singular figure in country music history, as no Black performer has been nominated even one time since then.

Pride also previously co-hosted the CMA Awards on TV with Glen Campbell in 1975, the only Black host prior to Rucker’s co-hosting duties this year. Pride had 30 #1 country hits and over 50 Top 10 performances, and is perhaps most known for the song “Kiss An Angel Good Mornin.”

Beyond Pride, Rucker and Allen, there are lots of other exciting things happening in country music these days for Black performers, including new female artist Mickey Guyton and recent chart-topper Kane Brown.  Earlier this summer, Good Black News offered up “I Can’t Stop Loving You: A Collection of Black Country Music” as an overview of Black country music history.

[spotifyplaybutton play=”spotify:playlist:5ST6HmIZCtbIjiYRXer6at”/]

Check out the awards tonight – and catch all of the artists we’ve mentioned (and many more) on our playlist!

Iraq War Soldier Alwyn Cashe to Receive Nation’s Top Award for Valor in Combat

By goodblacknews on November 11, 2020
Army Sgt. 1st Class Alwyn Cashe (photo via Facebook U.S. Department of Veteran Affairs)

According to the Washington Post, the U.S. Senate passed legislation on Tuesday that clears the way for to be awarded the nation’s highest award for valor in combat, the Medal of Honor.

Cashe repeatedly entered a burning vehicle in Iraq to save six fellow soldiers and an interpreter from harm. He died a few weeks later.

To quote the article:

The legislation, passed by unanimous consent, waives the legal requirement that the Medal of Honor be awarded within five years of a service member’s acts of valor. Cashe has long been considered one of the war’s great American heroes and would be the first African American to receive the award for actions in Iraq or Afghanistan. Former defense secretary Mark T. Esper supported the move in a letter to Congress in August after years of deliberations within the Army.

“I am so grateful the Senate passed our bill to pave the way for the President to award Alwyn Cashe the Medal of Honor,” Rep. Stephanie Murphy (D.-Fla.) who co-sponsored the bill in the House, said in a statement. “We are now very close to recognizing this unbelievably heroic soldier, who died saving his men, with our nation’s highest award for combat valor — which he earned beyond a shadow of a doubt.”

Cashe, 35, hailed from Oviedo, Florida and served the U.S. Army as an infantryman with the 15th Infantry Regiment from 1989-2005. Cashe has already been awarded the Silver Star and Purple Heart for his selfless actions in the face of grave danger and is credited with saving the lives of his Soldiers.

To read more: https://www.washingtonpost.com/national-security/2020/11/10/iraq-war-soldier-alwyn-cashe-set-receive-medal-honor-after-senate-passage-legislation/

CBS Sets New Goal for Unscripted Shows — 50% of Cast to Be People of Color

CBS Sets New Goal for Unscripted Shows — 50% of Cast to Be People of Color

By goodblacknews on November 9, 2020

[Clockwise from top left: Earl Cole, Jolanda Jones, Sean Rector, Vecepia Towery | Screenshots: “Survivor” via CBS All Access]

According to Variety.com, CBS announced today it aims to be more inclusive with the casts of its unscripted shows by setting a target to make all such on-camera participants at least 50% Black, Indigenous, and People of Color (BIPOC).

The network’s goal is to make the change beginning with the 2021-2022 broadcast season. CBS also has stated it will allocate at least a quarter of its annual unscripted development budget to projects created or co-created by BIPOC producers in that same time frame.

CBS also plans to develop more initiatives with its production partners to increase diversity across the board in the unscripted space, though those specific plans have not yet been detailed.

MUSIC MONDAY: “Bustin’ Loose”: A Celebration of D.C. Go-Go Music (LISTEN)

MUSIC MONDAY: “Bustin’ Loose”: A Celebration of D.C. Go-Go Music (LISTEN)

By goodblacknews on November 9, 2020

[A child holds a billboard for Memorial Day shows at the Howard Theatre, featuring Trouble Funk and Experience Unlimited. Photograph by Thomas Sayers Ellis, used with permission.]

I can not imagine Washington D.C. was is not awash in its funnest export these days: Go-go. This subgenre of funk originated in and around D.C., during the late 1960s and remains popular to this day as a uniquely regional music style.

Singer-guitarist Chuck Brown and several bands are credited with having developed the style including Young Senators, Black Heat, and Trouble Funk.

Chuck Brown playing at a block party (photo via Flickr)

Go-go is primarily a dance hall music with an emphasis on live audience call and response. It has endured to include hip-hop influences recently and been around long enough to have retro adherents.

In February 2020, go-go was named the “official music” of Washington D.C. in a unanimous vote by the District’s city council. Please enjoy this dose of D.C. funky stuff.

[spotifyplaybutton play=”spotify:playlist:30XkB2fqvn4VhfM2djJP0T”/]

“See” ya next! And of course, stay safe, sane, and kind.

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)
“Black Americana”: Traditional and Modern Takes on Patriotic Songs by African American Artists (LISTEN)

“Black Americana”: Traditional and Modern Takes on Patriotic Songs by African American Artists (LISTEN)

By goodblacknews on November 8, 2020

[Photos: Jimi Hendrix at Woodstock; Marian Anderson at Lincoln Memorial; Whitney Houston at Super Bowl XXV]

by Lori Lakin Hutcherson (@lakinhutcherson)

Yesterday was a good day. As Joe Biden and Kamala Harris became President-Elect and Vice President-Elect of the United States of America, in several cities across the nation literal dancing broke out in the streets. So many people from all stripes of life — Black, Brown, white, Asian, Indigenous — were together exhibiting their joy at the victory.

The massive turnout — in the middle of a surging pandemic, no less — to celebrate the repudiation of the path towards division and exclusion in favor of the path towards inclusivity and diversity was the most patriotic thing I’ve witnessed on a national level in a long time. And so many were carrying and waving American flags.

It’s being acknowledged in the media – as well as in President Elect Biden’s speech – how vital the African American community was in saving this nation’s democracy.  The visuals and the fireworks brought home for me just how much at heart Black people are patriots.

Even though from jump we have been treated unjustly, cruelly, unfairly — we have worked tirelessly to fight for the ideals America is supposed to stand for. Justice. Freedom. Equality. Perhaps we believe in democracy the most because we have always been the most vulnerable when it doesn’t exist.

Hearing Vice President-Elect Harris strut out to Mary J. Blige‘s “Work That” and President Elect Biden sprint out to Bruce Springsteen‘s “We Take Care of Our Own” before their respective speeches, then enjoy the crowd and fireworks to some Jackie Wilson, Coldplay, Hall & Oates and Tina Turner, made me think about some of my favorite takes on patriotic American songs by African American artists that could have been cool to play as well. (My most recent favorite from the past few years? Jon Batiste‘s inventive, unexpectedly moving version of “The Battle Hymn of the Republic.”)

When my sister Lesa texted me a song she’d been listening to all day — “This Land Is Our Land” by Sharon Jones and the Dap Kings — my thoughts turned to action and I started making the playlist below I call “Black Americana” for inspiration now and in the months to come:

[spotifyplaybutton play=”spotify:playlist:5X7NWDviuh5ITT9e22wD2a”/]