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Kareem Abdul-Jabbar to Produce Documentary on U.S. Protests for A+E Networks History Channel

Columnist and former NBA All-Star Kareem Abdul-Jabbar will be executive producing Fight the Power: The Protests That Changed America with Deborah Morales for the A+E Networks History Channel, according to deadline.com.

The one-hour documentary will examine the effect key protests have had over time on the evolution of America to explore the question: Does the arc of the moral universe bend toward justice when pressure is applied?

This collaboration is the second between the NBA legend and the History Channel, having previously paired up on 2020’s one-hour documentary Black Patriots: Heroes of the Revolution.

Fight the Power is produced by Six West Media with Abdul-Jabbar and Morales exec producing via Iconomy Multi-Media & Entertainment.

“The history of protest in America is also the history of social progress,” Abdul-Jabbar said.

Read more: https://thegrio.com/2021/03/04/kareem-abdul-jabbar-social-progress-documentary/

(paid links)

Artist Sonya Clark’s “Tatter, Bristle, and Mend” Exhibition on View at the National Museum of Women in the Arts in D.C. from March 3 to May 31

[Above image: Sonya Clark, Nap, 2012; Glass beads and board, 16 x 20 x 5 in.; On loan from the artist; © Sonya Clark; Photo by Taylor Dabney]

Sonya Clark: Tatter, Bristle, and Mend will be on view at the National Museum of Women in the Arts (NMWA) in Washington D.C. today, March 3 through May 31, 2021. Confronting themes of race, visibility and Blackness, it is the first museum survey of the acclaimed textile and social practice artist’s 25-year career, exploring the social and cultural impacts of the African diaspora.

The exhibition will feature nearly 100 works, including Clark’s sculptures made from pocket combs, human hair and thread as well as works from flags, currency, beads, sugar, cotton plants, pencils, books and more.

(Sonya Clark (b. 1967); Photo by Nicholas Calcott)

The artist changes these everyday objects with a vast range of techniques: she weaves, stitches, folds, braids, dyes, pulls, twists, presses, snips or ties within each work. By stitching black thread cornrows and Bantu knots onto fabrics, rolling human hair into necklaces and stringing a violin bow with a dreadlock, Clark manifests ancestral bonds and reasserts the Black presence in histories from which it has been pointedly omitted.

Throughout her 25-year career, Clark has become renowned for her application of fiber art techniques to human hair, combs, currency, hair salon chairs and other everyday materials to explore the social and cultural impacts of the African Diaspora.

The exhibition features nearly 100 works that reflect the breadth and depth of the artist’s practice. Illuminating the central themes of Clark’s art—including heritage, labor, language and visibility—the show aims to reveal Clark’s radical ability to combine an intensity of handwork and subject matter with an economy of form.

“This timely exhibition affirms Clark’s prowess as both maker and visionary,” said NMWA Deputy Director for Art, Programs and Public Engagement/Chief Curator Kathryn Wat. “She uses concept, process and participation rather than didactic imagery to reflect questions and truths back to us.”

Clark describes “mining” common objects, particularly those bound to identity and power, because “they have the mysterious ability to reflect or absorb us.” The artist transmutes these objects through the application of a vast range of fiber-based processes: weaving, folding, braiding, trimming, pulling, rubbing, twisting, pressing, snipping, dyeing, tying or stacking her diverse source materials.

By stitching black thread cornrows and Bantu knots onto flags, rolling human hair into necklaces, or stringing a violin bow with a dreadlock, she reasserts the Black presence in histories from which it has been pointedly omitted.

(2010; Five-dollar bill and thread, 4 x 6 in.; National Museum of Women in the Arts, Gift of Heather and Tony Podesta Collection; © Sonya Clark; Photo by Lee Stalsworth)

For example, Clark’s Afro Abe II (2010)—a five-dollar bill embellished with black threads that form an Afro for President Abraham Lincoln—is witty, poignant and provocative. The stitched intervention induces a sharp, penetrating moment of recognition and connection and infuses the currency with new, layered meaning.

Clark’s use of currency-as-canvas evokes personal, cultural and historical associations with money, including freedom, self-determination and property ownership. As Clark observes, “It’s crowning the emancipator with the hair most associated with Black liberation and black power,” simultaneously embodying the historical absence of Black political agency as well as the promise of it. That liminality—the creation of objects that simultaneously denote humankind’s capacity to suppress as well as persevere—is the formidable essence of Clark’s practice.

About Sonya Clark

Born in 1967 in Washington, D.C., Sonya Clark is professor of art and the history of art at Amherst College, and formerly a Distinguished Research Fellow in the School of the Arts at Virginia Commonwealth University. She earned an MFA from Cranbrook Academy of Art and a BFA from the School of the Art Institute of Chicago. She also holds a BA from Amherst College, from which she received an honorary doctorate in 2015. She is the recipient of the Rappaport Prize, James Renwick Alliance Distinguished Educator Award, United States Artists Fellowship, Anonymous Was a Woman Award, ArtPrize Juried Grand Prize, Pollock Krasner Foundation award and The 1858 Prize, among others. Clark is one of 16 international artists selected to participate in the inaugural Black Rock Senegal residency program (2020) in Dakar, a project launched by artist Kehinde Wiley. Clark’s art has been presented in more than 350 museums and galleries around the world and reviewed in publications including Artforum, The Art Newspaper, The Los Angeles Times and The New York Times.

R.I.P. Civil Rights Leader and Former National Urban League President Vernon Jordan, 85

Vernon Jordan, a civil rights movement activist and leader, former National Urban League president and adviser to former President Bill Clinton, died yesterday evening according to CNN. He was 85. His cause of death has not yet been released.

To quote cnn.com:

Born on August 15, 1935, Jordan grew up in the segregated South and graduated from DePauw University in Indiana in 1957, the only Black student in his class.

He then studied law at Howard University and began his career fighting segregation, starting with a lawsuit against University of Georgia‘s integration policy in 1961 on the behalf of two Black students, Hamilton Holmes and Charlayne Hunter. Jordan accompanied the two students to the UGA admissions office that year through an angry mob of White students.

He worked as a field director for the NAACP and as a director of the Southern Regional Council for the Voter Education Project before he became president of the National Urban League. In 1980, he survived an assassination attempt on his life.

“Today, the world lost an influential figure in the fight for civil rights and American politics, Vernon Jordan. An icon to the world and a lifelong friend to the NAACP, his contribution to moving our society toward justice is unparalleled,” NAACP President Derrick Johnson said in a statement Tuesday. “In 2001, Jordan received the NAACP’s Spingarn Medal for a lifetime of social justice activism. His exemplary life will shine as a guiding light for all that seek truth and justice for all people.”

To read more about Jordan:

Naomi Campbell Welcomes Pharrell Williams on Limited-Time YouTube Series “No Filter With Naomi” Today at 3PM EST (VIDEO)

International supermodel, activist and philanthropist Naomi Campbell welcomes musician, record producer, songwriter, singer, fashion designer and entrepreneur Pharrell Williams for an iconic conversation on “No Filter with Naomi,”  a limited-time series under her “Being Naomi” YouTube channel, live today at 3pm EST / 12pm PST.

With more than 500,000 views, the web series has invited fans to #stayhome during this pandemic to save lives and has focused on intimate conversations on multiple topics between Naomi and a diverse collection of her friends, including a variety of designers, musicians, activists, actors and media personalities. Recently, during Black History Month 2021, Campbell used her platform to highlight the “New Black Talent You Need to Know in the Fashion Industry”:

The series debuted on April 6, 2020 and has since featured guests Tracee Ellis RossDemi Moore, Mariah Carey, Chelsea Handler, Cameron Diaz, Lenny Kravitz, Whoopi Goldberg, James Charles, Charlamagne Tha God, Mary J. Blige, Gabrielle Union, Kate Hudson, Cynthia Erivo, Cindy Crawford, Marc Jacobs, Nicole Richie, Ashley Graham, Pierpaolo Piccoli, Lee Daniels, Christy Turlington, Adut Akech, Sharon Stone, Paris Hilton, Serena Williams and Venus Williams, Karlie Kloss, Anna Wintour, and Sean “Diddy” Combs.

The “No Filter with Naomi” series returned after hiatus on June 23rd and featured a select group of episodes focused on impactful conversations dedicated to #BlackLivesMatter, social justice issues, racial and human inequalities. These critical conversations included featured guests: Opal Tometi, Rev. Al Sharpton, Alphonso Reed, Cleo Wade, Bethann Hardison, Tyler Mitchell, Indya Moore, Chase Strangio and Tori Cooper.

WHERE: Streaming live on Naomi Campbell’s YouTube Channel. View all “No Filter with Naomi” episodes here.

BHM: Good Black News Celebrates Fannie Lou Hamer, Sharecropper, Senate Candidate, Voting and Civil Rights Activist

by Lori Lakin Hutcherson (@lakinhutcherson)

This is Fannie Lou Hamer. A Mississippi plantation worker turned activist in the 1960s, who, from her own personal desire to claim her constitutional right to vote, was fired from her job, threatened by white supremacists and beaten while in police custody.

Hamer never stopped – she worked with other activists in her church and volunteers from the Student Nonviolent Coordinating Committee (SNCC), and traveled county to county to register other Black people to vote.

Hamer formed the Mississippi Freedom Democratic Party and demanded to represent her state at the 1964 Democratic Convention.

Hamer fought for voting rights, education rights, economic rights (she formed the Freedom Farm Collective to fight for redistribution of wealth from usurious sharecropping) and even ran for Senate.

She was not rich or traditionally educated or well-connected — Fannie was a person who saw injustice, got active and got involved. Among other microcosms of actionable wisdom, she is famous for the quotes, “I’m sick and tired of being sick and tired” and “Nobody’s free until everybody’s free” – the latter of which I proudly wear on my Fannie Lou Hamer T-shirt.

Hamer passed in 1977 after years of dealing with serious health issues, but her legacy as an outspoken and effective activist, organizer and champion for equal rights will never be forgotten.

In fact, it was announced a few days ago that rapper and activist Common is producing a biographical movie on Hamer based on her 1967 autobiography To Praise Our Bridges and the book God’s Long Summer by Charles Marsh, which chronicles of the Civil Rights Movement of the 1960s.

You can also read more about Hamer here: https://snccdigital.org/people/fannie-lou-hamer/ and here: https://en.wikipedia.org/wiki/Fannie_Lou_Hamer or read her speeches: https://bookshop.org/books/the-speeches-of-fannie-lou-hamer-to-tell-it-like-it-is/9781617038365

#blackhistorymonth #gettheknowledge

Black Lives Matter Foundation Expands $3 Million Survival Fund to Help Those Struggling Financially During Pandemic

The Black Lives Matter Global Network Foundation is formally expanding a $3 million relief fund it launched earlier this month to help people struggling financially during the ongoing COVID-19 pandemic, according to the Associated Press.

The foundation, which grew out of the creation of the Black Lives Matter movement nearly eight years ago, plans to give 3,000 microgrants of $1,000 each to people who it believes need it most.

The BLM foundation has already begun asking recipients to apply for the Survival Fund grants as it builds out its philanthropic arm. Those approved can have the money is deposited directly into their bank accounts or made available on prepaid debit cards, the foundation said — no strings attached.

As of Thursday afternoon, the foundation reported the response had been overwhelming and it was no longer accepting applications for the initial round of the fund.

To quote the Associated Press:

Patrisse Cullors, the foundation’s executive director, said that so far the Survival Fund’s first recipients have included the families of people killed by police or who died while incarcerated, grassroots community organizers, people who identify as transgender, single parents and formerly incarcerated individuals.

“This came from a collective conversation with BLM leadership that Black folks are being hurt the most financially during the pandemic,” Cullors said.“I believe that when you have resources, to hoard them is a disservice to the people who deserve them.”

During that time, mutual aid and direct assistance programs like BLM’s Survival Fund have increased in popularity. According to the nonprofit Town Hall Project, which created the Mutual Aid Hub to track various collective efforts last March, the number of mutual aid groups in the U.S. grew from 50 to more than 800 in 48 states by last May.

Black mutual aid efforts date back to antebellum times, when enslaved Americans pooled their money to buy each other’s freedom from bondage. In the 1960s, the Black Panther Party for Self Defense created programs in several stated where members provided groceries and breakfasts to the elderly and schoolchildren, as well as health care screenings through community clinics.

Cullors said the Survival Fund is a tribute to that legacy.

To read more: https://apnews.com/article/black-lives-matter-survival-fund-ad6c0c0777b3fdc44a4cd3aec8e09ccc

BHM: Good Black News Celebrates Ida B. Wells – Journalist, Anti-Lynching Activist, Women’s Rights Advocate

by Lori Lakin Hutcherson (@lakinhutcherson)

This is Ida B. Wells. Best known for being a late 19th/early 20th-century journalist, anti-lynching crusader and women’s rights advocate. In 2020, Wells received a posthumous Pulitzer Prize for journalism, and her face honored the centennial of the U.S. Suffragist Movement in a mosaic art installation in Washington D.C.’s Union Station.

Wells is a helluva historical figure who still far too few people know about. Her whole life is fascinating, so I’ll try to keep it short and focussed on her work. If you don’t have time for it now, right below is a great quote summing up Wells’ importance in the fight for equality and justice from the New York Times review of the 1999 biography on Wells:

Linda O. McMurry‘s important new biography, To Keep the Waters Troubled, tells the story of an extraordinary American who would have been at the very summit of our national pantheon except for two things: her sex and her race. But then again, being born into a society that promised individual freedom and personal power — just not to blacks, not to women and above all not to black women — was the source of Ida B. Wells’s remarkable story.”

Wells was one of the first African-American female journalists to run her own newspaper, was an outspoken feminist, suffragist, an international figure and speaker, and early leader in the Civil Rights Movement who helped found the NAACP with W.E.B. DuBois and others, and helped women get and consolidate their power around voting in Illinois when they won the right.

But what fascinates me the most is her near one-woman crusade against lynching, and how she used her investigative, reporting, and oratory skills not only to document lynchings in the 1890s, but also to disprove the lie that Black men were raping white women or committing crimes that justified their mob hangings.

Wells offered real proof that lynching was being used in the South as a way to control or punish Black people who competed with whites. Even after the offices of her newspaper, Free Speech and Headlight, were burned down and she had to relocate from Memphis to Chicago to escape death threats, Wells persisted with her work.

Although there was major resistance in the U.S., Wells garnered support from the British, who after reading her work and hearing her speeches (they also witnessed her being dragged unfairly in the American press), offered monetary support and formed the British Anti-Lynching Committee, which included prominent members such as the Duke of Argyll, the Archbishop of Canterbury, members of Parliament, and the editors of The Manchester Guardian, who put international pressure on the U.S. to address these horrific crimes against Black Americans.

Wells’ crusade against lynching started in 1889, when her friend Thomas Moss opened the Peoples Grocery in the “Curve,” a Black neighborhood just outside Memphis city limits. It did well and competed with a white-owned grocery store across the street.

In 1892, while Wells was out of town, a white mob invaded her friends’ store. During the altercation, three white men were shot and injured. Moss and two other black men were arrested and jailed pending trial. A white lynch mob stormed the jail and killed the three men.

After the lynching of her friends, Wells wrote an editorial and became an ersatz civil rights leader and firebrand, urging Blacks to leave Memphis altogether. More than 6,000 black people did leave Memphis; others organized boycotts of white-owned businesses. After being threatened with violence, Wells bought a pistol. She later wrote, “They had made me an exile and threatened my life for hinting at the truth.”

Wells began her investigation by looking at the charges given for her friends’ murders, which officially started her anti-lynching campaign. She spoke at various Black women’s clubs, and raised more than $500 to investigate lynchings and publish her findings. Wells found that Blacks were lynched primarily for social control reasons such as failing to pay debts, not appearing to give way to whites, competing with whites economically, or being drunk in public.

She found little basis for the frequent claim that Black men were lynched because they had sexually abused or attacked white women. This alibi seemed to have partly accounted for white America’s collective acceptance or silence on lynching, as well as its acceptance by many in the educated African-American community.

Wells published her findings in a pamphlet called Southern Horrors: Lynch Law in All Its Phases. She followed it with an editorial that said, unlike the myth that white women were sexually at risk of attacks by Black men, most liaisons between Black men and white women were consensual.

Her editorial enraged white men in Memphis. On May 27, 1892, while she was away in Philadelphia, a white mob destroyed the offices of the Free Speech and Headlight.

To quote again from the 1999 New York Times Review:

“Wells exposed as false the most common justification for these lynchings: that they were necessitated by sexual ”outrages” committed by Black men against white women. Perhaps only a woman could have spoken out effectively against these charges, but doing so exposed Wells to attacks against her sexual character. Her willingness to talk openly about rape and interracial sex kept her from succeeding the aging Frederick Douglass as ”leader of the Afro-American race,” the most respected Negro in the United States among whites. This role went instead to a man and a nonmilitant, Booker T. Washington.”

In continued efforts to raise awareness and opposition to lynching, Wells spoke to groups in New York City, where her audiences included many leading African-American women.

On October 5, 1892, a testimonial dinner held at Lyric Hall, organized by political activists and clubwomen, Victoria Earle Matthews and Maritcha Remond Lyons, raised significant funds for Wells’ anti-lynching campaign. The Women’s Loyal Union of New York and Brooklyn was formed to organize Black women as an interest group who could act politically.

Wells toured Europe in her campaign for justice, but the first tour in 1893 didn’t go so well. Wells went to Great Britain at the invitation of Catherine Impey, a British Quaker. An opponent of imperialism and proponent of racial equality, Impey wanted to ensure that the British public learned about the problem of lynching in the U.S.

Wells accompanied her speeches with a photograph of a white mob and grinning white children posing near a hanged Black man; her talks created a sensation, but some in the audiences remained doubtful of her accounts. Wells intended to raise money and expose the U.S. lynching violence, but received so little funds that she had difficulty covering her travel expenses.

Before her second visit to Britain in 1894, the enterprising Wells worked to get some backing. Wells called on William Penn Nixon, editor of Daily Inter-Ocean, a Republican newspaper in Chicago, the only major white paper that persistently denounced lynching.

After Wells told Nixon about her planned tour, he asked her to write for the newspaper while in England, making her the first African-American woman to be a paid correspondent for a mainstream white newspaper. This time, Wells was highly effective in speaking to European audiences, who were shocked to learn about the rate of violence against Black people in the U.S.

Wells called for the formation of groups to formally protest the lynchings and helped catalyze anti-lynching groups in Europe, which tried to press the U.S. government to guarantee the safety of Black people in the South.

When she spoke at home to Black crowds, Wells was a one-woman precursor to the 1950s Deacons of Defense or the 1960s Black Panthers or even Malcolm X: she recommended that Black people arm themselves to defend against lynching:

“The lesson this teaches and which every Afro-American should ponder well, is that a Winchester rifle should have a place of honour in every black home, and it should be used for that protection which the law refuses to give. When the white man who is always the aggressor knows he runs as great a risk of biting the dust every time his Afro-American victim does, he will have greater respect for Afro-American life. The more the Afro-American yields and cringes and begs, the more he has to do so, the more he is insulted, outraged and lynched.”

Wells subsequently published The Red Record (1895), a 100-page pamphlet describing lynching in the U.S. since the Emancipation Proclamation of 1863. It also covered Black people’s struggles in the South since the Civil War. The Red Record explored the alarmingly high rates of lynching in the United States (which was at a peak from 1880 to 1930).

Wells gave 14 pages of statistics related to lynching cases committed from 1892 to 1895; she also included pages of graphic accounts detailing specific lynchings. She notes that her data was taken from articles by white correspondents, white press bureaus, and white newspapers.

The Red Record had far-reaching influence in the debate about lynching. Her accounts grabbed the attention of Northerners who knew little about lynching or accepted the common explanation that black men deserved this fate.

(Ida B. Wells in Chicago in 1909 with her children: Charles, Herman, Ida and Alfreda Archivio GBB/Redux)

During this time, Wells also had to deal with dust-ups with white women suffragists such as Susan B. Anthony and Frances Willard. Anthony was critical of Wells for getting “distracted” by her young son who she had to bring with her on occasion to speaking engagements.

Willard went out of her way to try to discredit Wells in the press after Wells called Willard out for being silent lynching and for making racist statements where she said Black people drank too much and threatened the safety of women. Wells clapped back at Willard in The Red Record with an entire chapter dedicated to discussing “Miss Willard’s Attitude.”

In 1896, Wells founded the National Association of Colored Women’s Clubs and the National Afro-American Council. In Chicago, Wells also worked to improve conditions for its rapidly growing African-American population due to the Great Migration to northern industrial cities.

Wells worked on urban reform in Chicago during the last thirty years of her life. Wells began writing her autobiography, Crusade for Justice, in 1928 but never finished it; she died of uremia (kidney failure) in Chicago on March 25, 1931, at the age of 68.

In her hometown of Holly Springs, Mississippi, the Ida B.Wells-Barnett Museum acts as a cultural center of African American history. Awards have been established in Wells’s name by the National Association of Black Journalists, the Medill School of Journalism at Northwestern University, and the New York County Lawyers Assn., among others.

To learn more about Wells, consider reading her autobiography (which her youngest daughter worked for 40 years to get into print), Ida: A Sword Among Lions from 2009 by Paula J. Giddings, To Keep the Waters Troubled: The Life of Ida B. Wells by Linda O. McMurry from 2000 and To Tell the Truth Freely: The Life of Ida B. Wells by Mia Bay from 2010.

Also consider clicking on the Southern Horrors and Red Record links to download her original works via Project Gutenberg, reading this npr.org piece https://www.npr.org/…/ida-b-wells-lasting-impact-on… or watching below:

https://youtu.be/8f7TUBvbgrI

#blackhistorymonth #gettheknowledge

(paid links)

MUSIC MONDAY: “If 6 Was 9” – a Comprehensive Playlist of Black Rock Music (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Black artists have long been associated with R&B, Hip-Hop, Jazz, Funk, and Reggae, but not Rock. This is ironic as Rock ‘n’ Roll was derived from African American Jazz and Blues.

Sister Rosetta Tharpe, Chuck Berry, Bo Diddley, Little Richard are all often counted among Rock music’s pioneers. Jimi Hendrix and Prince appear on any serious list of greatest guitarists.

[spotifyplaybutton play=”spotify:playlist:6Wp9roH0OvXSFoAVaXbgw0″]

This collection gathers them all and features Black alternative rock, country, and heavy metal artists. It would not be a Marlon mix without the inclusion of folks that should be appreciated more for their rock and roll bonafides like The Isley Brothers and The Roots.

In addition to Living Color, TV On The Radio, Bad Brains and other established bands there are several emerging artists including Mint Green, Big Joanie, Baby Got Back Talk and others.

Do enjoy this eclectic and wide-ranging collection of Black Rock.

As always stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

Calvin E. Tyler Jr., former UPS Driver and Morgan State University Alumnus, Endows the HBCU with $20 Million

[Photo: Philanthropists Calvin E. Tyler Jr. and Tina Tyler with ‘Tyler Scholars,’ students with scholarships from the fund established in the Tylers’ name. September 2017, at groundbreaking for the Calvin and Tina Tyler Hall Student Services Center.]

Morgan State University recently announced receipt of a $20 million commitment from alumnus and philanthropist Calvin E. Tyler Jr. and his wife Tina Tyler, increasing an endowed scholarship fund previously established in the Tylers’ name.

In 2016, the Tylers made a commitment of $5 million to Morgan State — at the time the largest in Morgan’s history—bolstering the Calvin and Tina Tyler Endowed Scholarship Fund established in 2002 to provide full tuition scholarships for select need-based students residing in the Tylers’ hometown of Baltimore.

In light of the financial hardships and challenges a number of students and their families are facing as a result of the current pandemic, the Tylers were compelled to expand their giving to the HBCU. Once exclusive to students from Baltimore, the endowed scholarship is now national in scope and will benefit generations of future Morgan students seeking a college education.

To date, the endowed fund has supported 222 Morgan students by way of 46 full-tuition and 176 partial scholarships, with the promise of benefiting more ‘Tyler Scholars’ with the increased multimillion-dollar pledge and expanded scope.

“Morgan is so proud to call this son and daughter of the great City of Baltimore our own, and through their historic giving, the doors of higher education will most certainly be kept open for generations of aspiring leaders whose financial shortfalls may have kept them from realizing their academic dreams,” said David K. Wilson, president of Morgan State University.

BHM: Good Black News Celebrates Hazel M. Johnson, the “Mother of Environmental Justice”

by Lori Lakin Hutcherson (@lakinhutcherson)

This is Hazel M. Johnson. A working-class woman and mother of seven who lived in the Chicago housing project Altgeld Gardens for most of her adult life.

Because of Johnson’s grassroots efforts to combat environmental racism, she is now known as the “Mother of Environmental Justice.” In 1979, a decade after her husband died of lung cancer, Johnson saw a TV report saying South Side of Chicago residents had the highest incidences of cancer in the city. Hazel became determined to find out why.

Hazel learned that not only did the steel mills, refineries and chemical companies nearby shoot toxins into the air and dump into the local river (which locals fished in) making Altgeld Gardens a perfect storm of contamination of air, water and land which Johnson herself would later call (and coin) “the Toxic Doughnut,” but that Altgeld Gardens was originally established as a federal housing project for World War II African American veterans.

(Hazel Johnson and the ‘Toxic Doughnut’ map. Credit: PCR0

It was built atop land that had been an industrial sludge dump for the Pullman Motor Company from 1863 until the early 20th century. Altgeld Gardens, it turned out, had the highest concentration of hazardous waste sites in the nation.

Johnson went door-to-door collecting data from neighbors and started calling city and state health departments to investigate industrial pollution in her community. In 1982 Hazel founded People for Community Recovery to fight environmental racism.

Hazel Johnson working with young community organizer Barack Obama to draw attention to
environmental issues in Altgeld Gardens in 1989 (source: PowerShift.org)

PCR, made up mainly of mothers and local residents who were volunteers, pushed for city and state officials to do epidemiological studies of Altgeld Gardens (there was no legislative mandate before Hazel Johnson’s activism that addressed how industrial pollution was affecting the quality of life for low-income and minority communities).

Hazel and PCR also put pressure on the Chicago Housing Authority to remove asbestos from Altgeld Gardens.

Johnson was equally instrumental in convincing city health officials to test drinking water at Maryland Manor, a South Side neighborhood dependent on well water. After tests conducted in 1984 revealed cyanide and toxins in the water (Hazel convinced city and state officials to meet her in Altgeld Gardens and took them on a “toxic tour” so they could see the problems first-hand), officials installed new water and sewer lines.