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MUSIC MONDAY: “AfroZeppelin” – A Rhythm & Blues-Filled Led Zeppelin Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Labor Day, y’all! It is no toil for me to offer up another playlist on this holiday Monday.

After June’s AfroBowie collection, our editor-in-chief, Lori Lakin Hutcherson, suggested a few more in a series of collections of rock musicians inspired by and in collaboration with Black artists.

So here is the second offering: AfroZeppelin. While David Bowie championed and collaborated with Black music-makers throughout his long career, Led Zeppelin’s connections were not as overt.

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Outselling the Beatles and toppling them as icons of a new era of rock and roll, Zeppelin was the perfect combo of the Delta blues, London’s swinging scene and the myriad of cultural influences.

The influence of the street-tough Chicago blues of Muddy Waters and Howlin’ Wolf taught them much about swinging boogie. Over the decades many of their famous riffs and lyrics would come under fire. The allegations have brought several lawsuits as well, most of them settled out of court discreetly.

In the case of “Whole Lotta Love”, the song credits were later amended to include Willie Dixon, who claimed Robert Plant used his lyrics from “You Need Love”.

“The Lemon Song” is an expansion of a musical phrase featured in Robert Johnson’s “Traveling Riverside Blues”.

I’ve gathered many of the songs covered and referenced by Led Zeppelin, and their own versions of said tracks. Of course, they have been covered many times themselves.

I’ve included Zeppelin covers by Mary J. Blige, Lizz Wright, and Stanley Jordan. You’ll also find many classic cuts that feature Led Zeppelin samples too.

Here’s Beyoncé, Ice T, Jurassic 5, D12, Dr. Dre, Beastie Boys and many others.

This collection of great tracks stands as another example that no artist creates in a vacuum. Whether the influences are readily acknowledged, each creator makes offerings informed by what came before.

Do enjoy! Until next month! Stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

Documentary “Donayle Luna: Super Model” on 1st Black Supermodel Debuts September 13 on HBO

“Donayle Luna was the first Black woman to be on the cover of Vogue. Why don’t we know more about her?”

This pointed question from the recently released trailer for Donyale Luna: Super Model will hopefully no longer be relevant after the feature-length documentary about Luna’s life and career debuts on HBO September 13.

Born Peggy Anne Freeman in Detroit, Donyale Luna went on to revolutionize the fashion industry in the 1960s and 1970s, becoming the muse to some of the foremost photographers of the 20th century until her untimely death at the age of 33 in 1979.

Though Luna was one of the first Black models who graced the covers of both Vogue and Harper’s Bazaar in Europe, today, most people have never heard of her.

Directed by Nailah Jefferson, produced by Melissa Kramer, Isoul H. Harris, Melanie Sharee and executive produced by Jonathan Chinn, Simon Chinn, Jeff Friday, Dream Cazzaniga, participants in the doc include Luna’s daughter, Dream Cazzaniga, husband, Luigi Cazzaniga, supermodels Beverly Johnson and Pat Cleveland; Vogue global editor-at-large Hamish Bowles; photographers David Bailey, David McCabe, and Gideon Lewin; and many more.

GBN highlighted Luna last February in our post GBN’s Daily Drop: Donyale Luna – the First Black Supermodel (LISTEN) based on our entry about her in the Good Black News Page-A-Day Calendar for 2022.

We are looking forward to learning even more about this mostly unsung trailblazer in the global fashion industry.

MUSIC MONDAY: “I’ll Take You There” – The Best of Mavis Staples (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Mavis Staples is eighty-four years old as I peck these words. She has been a gospel and soul singer longer than Elizabeth II wore the crown.

Many R&B vocalists started in gospel music, though she and her family have always kept a foot in both worlds. The Staple Singers have brought their spirituality, and devotion to civil rights to all of their studio and stage offerings.

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From the churches across the South Side of Chicago and the Rock ‘n Stages with artists a third her age, Mavis Staples has brought her unique smokey voice to audiences for decades.

This collection brings together her many works with The Staple Singers from 1948 until 1999, and her own solo offerings from 1969 to the present.

Mavis Staples is still an in-demand guest vocalist to boot. She has dueted or sung background with Mahalia Jackson, The Band, Gorillaz, Jon Batiste, Run the Jewels, Hozier, Benjamin Booker, Sheryl Crow, Abraham Alexander and so many others.

Mavis Staples is the only subject of one of these playlists that I have had the pleasure of spending any meaningful time with. Back in 2012 I was honored to be one of the Alumni Of The Year at Columbia College Chicago. She received an honorary doctorate from the college.

I was delighted to spend hours visiting with her that graduation weekend. She could not have been more warm, insightful, and kind.

Please enjoy this collection featuring decades of Doctor Mavis’ work with The Staple Singers, as a solo artist, and generous collaborator.

As always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: “AfroBowie” – A Soul-Filled David Bowie Collection (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

I’m back with another batch of tracks. AfroBowie” is a collection devoted to David Bowie, who,  in a 1976 Playboy interview, described his own album Young Americans as “the definitive plastic soul record. It’s the squashed remains of ethnic music as it survives in the age of Muzak, written and sung by a white limey.”

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Though those funky soulful tracks made Bowie one of the few white performers to be invited to perform on Soul Train.

He would also go on to call out MTV on not featuring Black artists: “I’m floored by the fact that there are so few Black artists featured on [MTV]. Why is that?” “The only few black artists one does see are on in about 2:30 in the morning until 6:00,” Bowie continued, “Very few are featured prominently during the day.”

Almost a decade before James Brown would become constantly sampled, the Godfather of Soul would borrow Carlos Alomar’s guitar riff from David Bowie’s crossover hit “Fame” to create his track “Hot”.

Bowie would later team up with Queen Latifah for a version “Fame” in 1990. This collection features Bowie covers from Black artists like Robert Glasper & Bilal, Durand Jones & The Indications, Rhonda Dakar and others.

There are Bowie tracks written with his longtime collaborator Alomar including: “D.J.”, “Fame”, “Never Let Me Down”, “Red Money” and “The Secret Life of Arabia”. And of course his team-up with young Luther Vandross on “Young Americans” is in the mix.

I’ve included David Bowie’s covers of “Almost Grown” by Chuck Berry, Nina Simone’s “Wild is the Wind” and versions of “Knock on Wood” (by Eddie Floyd) and “Here Today, Gone Tomorrow” (by Ohio Players) from DAVID LIVE.

There are a few tracks from Ziggy Stardub, a spectacular reggae recasting “Ziggy Stardust” by the Easy Star All-Stars.

There are also songs from the tribute record Modern Love. It features covers from across Bowie’s catalog by Helado Negro, Khruangbin, Jeff Parker, We Are KING, Meshell Ndegeocello, and more. P

lus, Seu Jorge’s beautiful set of Bowie covers from Wes Anderson’s The Life Aquatic with Steve Zissou. Hope you enjoy AfroBowie as much as I’ve enjoyed making it.

As always, stay safe, sane, and kind. See ya next month.

Marlon West (photo courtesy Marlon West)

Rep. John Lewis Honored by USPS with New Commemorative Forever Stamp

The United States Postal Service celebrated the life and legacy of the late Rep. John Lewis (1940-2020), a long-term Congressperson and key figure in several pivotal moments of the Civil Rights Movement, by issuing a Forever stamp on Friday with his portrait.

The issue date was marked with a ceremony at HBCU Morehouse College in Atlanta, GA.

Michael Collins, Lewis’ former congressional chief of staff, spoke about Lewis’ passion for stamps.

“Whenever a new forever stamp came out, he was like a kid in a candy store, purchasing more than he could ever use. There were so many stamps. He loved too many to count. Generations of his staff in both the district and DC offices could tell you about the countless trips to every post office. From Atlanta to the house office building to buy stamps and post his mail,” Collins said.

“This commemorative stamp serves as a timeless reminder of his remarkable legacy and the enduring impact of his lifelong dedication to the betterment of our society,” Collins stated. “May it inspire and encourage all Americans to continue the necessary work and the ‘good trouble’ of building a more just and inclusive nation.”

A young John Lewis first reached out to Dr. Martin Luther King, Jr. through a letter, which led to them meeting. Lewis’ son, John Miles-Lewis, considers his father being honored with a stamp as a full circle moment:

“From the son of sharecroppers to being a civil rights revolutionary, to be considered the conscience of the Congress. That’s a journey that started with an envelope, a letter and a stamp.”

News about the stamps is being shared with the hashtag #JohnLewis, and you can view the ceremony at John Lewis Commemorative Forever® Stamp Dedication Ceremony – YouTube.

Insights in telling the story of this stamp can also be found on the Postal Service’s Facebook and Twitter pages at facebook.com/USPS, and twitter.com/usps.

“Look carefully at how the shadow falls on the right side of his face, illuminating the left side, in a way that seems to take the viewer from darkness into the light. A fitting tribute to a man who sought to awaken the conscience of a country,” said Ronald A. Stroman, a member of the U.S. Postal Service Board of Governors and dedicating official for the stamp. “The Postal Service is proud to celebrate Lewis — a national treasure — and to honor his legacy with the tribute of this Forever stamp that is as beautiful visually as was the spirit of the man whose image it bears.”

Among those joining Stroman for the ceremony were mistress of ceremonies Alfre Woodard; Lawrence Edward Carter Sr., professor and founding dean of the Martin Luther King, Jr., International Chapel at Morehouse College; John-Miles Lewis, son of John Lewis; Linda Earley Chastang, president and chief executive officer of the John and Lillian Miles Lewis Foundation; Michael Collins, chair of the board for the John and Lillian Miles Lewis Foundation and U.S. Senator Raphael Warnock.

The stamp features a photograph of Lewis taken by Marco Grob for the Aug. 26, 2013, issue of Time Magazine. Lewis’s name is at the bottom of the stamp. The words “USA” and “Forever” appear in the stamp’s top left corner. Derry Noyes, an art director for USPS, designed the stamp.

Background on John Lewis

A key figure in some of the most pivotal moments of the Civil Rights Movement, John Lewis was the face of the Nashville Student Movement, chairman of the Student Nonviolent Coordinating Committee, an original Freedom Rider, and one of the keynote speakers at the historic 1963 March on Washington. Even in the face of hatred and violence, Lewis remained resolute in his commitment to what he liked to call “good trouble.”

Devoted to equality and justice for all Americans, Lewis spent more than 30 years in the U.S. House of Representatives steadfastly defending and building on key civil rights gains that he helped achieve in the 1960s. He was a staunch and unwavering believer in and advocate for nonviolent protests. The recipient of more than 50 honorary degrees, he was called a “saint” by Time magazine and “the conscience of the Congress” by his colleagues.

He served as executive director of the Voter Education Project; as associate director of ACTION, the federal volunteer agency that oversaw the Peace Corps and Volunteers in Service to America (VISTA); and as a member of the Atlanta City Council. He was also the author of several bestselling books, including the “March” comic book series and the inspiring autobiography “Walking With the Wind.”

Elected to represent Georgia in the U.S. House of Representatives in 1986, Lewis garnered the support needed to pass the Civil Rights Act of 1991, sponsored the legislation that created the 54-mile Selma-to-Montgomery National Historic Trail, and worked for more than a decade to establish the National Museum of African American History and Culture on the National Mall in Washington, DC. He was awarded the Presidential Medal of Freedom, the nation’s highest civilian honor, by President Barack Obama.

Black Harvard, Princeton, Cal Tech and University of Chicago Students Graduate At Higher Rates Than Classmates Overall

According to Forbes.com, statistics from a publicly-available U.S. Department of Education database reveal that six-year graduation rates (a commonly-used metric in higher education) for Black students are higher at Harvard and Princeton than they are for the overall student body (equal at Ivy League sister school Yale), as well as at other highly-selective private institutions like Cal TechUniversity of Chicago, Johns Hopkins University, Case Western Reserve University, and Wake Forest University.

To quote the article:

The U.S. Supreme Court has ruled race-conscious college admissions policies and practices unconstitutional. Affirmative Action opponents have long argued that admitting presumably unqualified applicants of color to highly-selective institutions sets those students up for failure because they can’t do the work.

If completing a bachelor’s degree is a reasonable measure of whether someone has what it takes to succeed in the Ivy League or at another highly-selective university, then federal data from the three institutions where admission slots are among the most coveted in the world confirm that Black students are indeed more than capable and deserving of the opportunities they earned.

At Harvard, it’s 98% for undergraduates overall and 99% for Black collegians. It’s also 99% for Black students at Princeton, compared to 97% of bachelor’s degree seekers there overall. Additionally, 98% of Yale students graduate within six years – the exact same for Black Yalies.

Read more: www.forbes.com/sites/shaunharper/2023/07/03/graduation-rates-higher-for-black-collegians-than-for-students-overall-at-harvard-and-princeton-equal-at-yale/

MUSIC MONDAY: “Summer Breeze” – Summer Songs Playlist for 2023 (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

This July, as we endure the latest triple digit temperature heatwave, or navigate flight cancellations in our attempts at a vacation, we can always count on summer music to lighten the mood and keep our heads cool in the comfort of our own backyard.

So, with that in mind, we’re back again this holiday week with the latest update to our popular playlist entitled Summer Breeze – Soulful Summer Songs.” We introduced this playlist a few years ago and have been updating it annually with both new and old musical finds uncovered deep in the recesses of Spotify.

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The goal of the playlist is simple – find music by Black artists (or, in a few cases, soul-influenced artists of various ethnic backgrounds) that have the word “summer” in their song title – these songs are literally written about summer.

Some are big BBQ standards, like “Summer Breeze” by the Isley Brothers, Will Smith‘s “Summertime”, Sly & The Family Stone‘s “Hot Fun in the Summertime” and “Summer” by War.

But many are lesser known from across the decades, from artists ranging from Nat King Cole and Nancy Wilson to Anderson.Paak and Aloe Blacc – all unified by their seasonal theme.

This year we’ve added 35 new songs, sprinkled throughout the list. Some are fresh out of the oven, like Chris Brown‘s “Summer Too Hot” and “Summer Renaissance” by Beyoncé. Others include older songs we found anew on Spotify since our last update, from name artists like Uncle Charlie Wilson (“Just Like Summertime”), Rick James (“Summer Love”), Tony! Toni! Toné! (“Til Last Summer”), reggae group Big Mountain (“Reggae Inna Summertime”) and Kelly Rowland (“Summer Dreaming”).

For this OG soul music fan, the most fun, perhaps, is uncovering via the magic of Spotify all sorts of artists new to my ears. Many are already successful with millions of monthly Spotify listeners, such as SiR (“Summer in November”), Fana Hues (a lovely cover of Stevie’s “Never Dreamed You’d Leave in Summer”), girl group FLO (“Summertime”), Khruangbin (a cool new take on “Summer Madness”) and KYLE (“SummertimeSoul”). 

We’ve also got songs from newcomers like Kenya Vaun (“Summer”), Tay Iwar with Juls (“Summer Breeze”), and NoMBe (“Summer’s Gone” remix with Sonny Alven and Thutmose).

Spotify has opened up American ears to artists from all over the globe that we may never have heard before the internet. South Africa’s Soweto-born DJ Kent brings us the hypnotic “Summer Heartbreak.” Suriname-born Jeangu Macrooy (“Summer Moon”) has represented Netherlands in Eurovision. Pheelz (“Pheelz Like Summer”) is a prolific Nigerian producer/artist with a following in both his home country and throughout Europe. And from the UK comes newcomer Debbie, with her tune “Summer in December.”

Of course, we also had to dig for a few more deep classics. Those include the Chic-like British soul tune “Summer Grooves” by Mirage, doo-wop classics from Ruby & The Romantics (“My Summer Love”), The Danleers (“One Summer Night”), and The Tymes (“Summer Day”), and some newly found standards, including a lovely version of “The Summer Knows” from Leslie Uggams and Sarah Vaughan‘s “The Green Leaves of Summer.” And, love it or hate it, you simply must check out LGBT icon Sylvester‘s version of the Porgy & Bess standard “Summertime” in which the disco star merges Gershwin with Soft Cell’s “Tainted Love.”

If you’ve enjoyed this playlist in the past, here’s the annual reminder to check in with it again for some fresh additions. And if you are new to it, check out all the above and more on what is now a full day’s worth of summer songs with a soulful sensibility to explore. Feel free to let us know in the comments your favorite “summer” songs, including any we’ve missed!

Enjoy!

MUSIC MONDAY: “Move on Up” – The Best of Curtis Mayfield (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

This June 3rd was the 81st anniversary of Curtis Mayfield’s birth. Today, on Juneteenth, we offer Move On Up: The Best of Curtis Mayfield playlist to celebrate the Chicago native who made an indelible mark on popular music through his protest songs and on the movie soundtrack album in particular.

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As a singer, songwriter, and producer, Mayfield is widely regarded as one of the most influential figures in soul and R&B music. His early days with The Impressions showcased his distinctive falsetto vocals and he penned hits like “I’m So Proud” “It’s All Right,” and “Woman’s Got Soul,” among others.

However, it was his solo career that solidified his place as a musical pioneer and visionary. Beyond his musical contributions, Mayfield was a vocal advocate for civil rights and social equality.

His songs, including “Move On Up,” “People Get Ready,” “Keep On Pushing,” “Choice of Colors” and “We’re a Winner” became anthems for the Civil Rights Movement. They have empowered marginalized communities and inspired change for decades.

The soundtrack of Superfly was a smash by any measure. The record’s first single, “Freddie’s Dead” came out in July 1972, before the full album and the movie, and hit No. 4 on the Billboard Hot 100 chart.

Mayfield also crafted and composed the 1976 soundtrack to Sparkle, on which Aretha Franklin recorded the now classic #1 R&B hit “Something He Can Feel.” En Vogue remade the song in 1992 and repeated that feat, along with taking their cover to No. 6 on the Hot 100 chart.

This collection features his many hits, collaborations, remixes of his work and covers made in tribute to his impact. Enjoy.

Happy Juneteenth!! Stay sane, safe, and kind. See ya next month, y’all.

Marlon West (photo courtesy Marlon West)

Apple Adds $25 Million to Racial Equity and Justice Initiative, Increasing Financial Commitment to over $200M since 2020

This week, Apple announced its Racial Equity and Justice Initiative (REJI), a long-term global effort to advance equity and expand opportunities for Black, Hispanic/Latinx, and Indigenous communities, has more than doubled its initial financial commitment to total more than $200 million over the last three years.

Since launching REJI in June 2020, Apple has supported education, economic empowerment, and criminal justice reform work across the U.S., with recent expansion to Australia, the U.K., and Mexico.

Apple launched REJI at a pivotal moment in the U.S., as protests against racial injustice in the wake of the murders of Ahmaud Arbery, George Floyd and Breonna Taylor swept the nation.

“Building a more just and equitable world is urgent work that demands collaboration, commitment, and a common sense of purpose,” said Tim Cook, Apple’s CEO. “We are proud to partner with many extraordinary organizations that are dedicated to addressing injustice and eliminating barriers to opportunity. And we’ll continue to lead with our values as we expand our efforts to create opportunities, lift up communities, and help build a better future for all.”

Apple has reported that REJI’s education grants have reached more than 160,000 learners through in-person courses and out-of-school offerings, while committing over $50 million to Historically Black Colleges and Universities (HBCUs) and Hispanic-Serving Institutions (HSIs) to support science, technology, engineering, arts, and math opportunities.

With a focus on economic empowerment, REJI funds financial institutions — including venture capital firms, Community Development Financial Institutions, and Minority Depository Institutions — that support Black, Hispanic/Latinx, and Indigenous entrepreneurs and businesses.

As part of its expanding work, Apple also announced a new partnership with the My Brother’s Keeper Alliance (MBKA), a program of the Obama Foundation. Through this strategic partnership and funding, Apple aims to help close opportunity gaps faced by boys and young men of color by supporting training for community leaders and MBKA staff, expanding programming for boys and young men of color, and strengthening the MBKA network through targeted community impact microgrants. The program plans to train more than 500 leaders and engage over 50,000 youth across the U.S.

“Apple’s continued support of the My Brother’s Keeper Alliance empowers the foundation to develop and implement new initiatives that create opportunities for our young people,” said Valerie Jarrett, the Obama Foundation’s CEO. “Together, we are building a more inclusive educational system that nurtures creativity, fosters innovation, and transforms the lives of boys and young men of color across the country. We are grateful for their partnership and look forward to our continued collective efforts to ensure all youth can reach their full potential.”

REJI’s criminal justice reform grants are reported to have supported providing legal services, safe housing, identification services, healthcare access, and other vital reentry services for more than 19,000 justice-impacted individuals.

To combat systemic racism, REJI and Apple have partnered with several community colleges — including the Los Angeles Community College District, Delgado Community College in New Orleans, and Houston Community College — to implement programs to help incarcerated and paroled individuals learn new skills, prevent recidivism, and create economic opportunity for parolees and probationers.

Apple has also made meaningful contributions to various nonprofit organizations that advance equity and justice, including the Anti-Recidivism Coalition, Defy Ventures, Vera Institute of Justice, and The Last Mile.

To learn and read more about Apple’s Racial Equity and Justice Initiative, check out its REJI Impact Overview.

U.S. Representative Cori Bush Introduces New Bill to Congress Calling for Reparations for Black Americans

According to npr.org, U.S. Rep. Cori Bush (D, Missouri) has introduced new legislation calling for $14 trillion in reparations for Black Americans, in an effort to see the federal government atone and attempt to compensate for the practice of chattel slavery for over 250 years and the generations of racist policies that have followed.

To quote from npr.org:

“The United States has a moral and legal obligation to provide reparations for the enslavement of Africans and its lasting harm on the lives of millions of Black people,” Bush said in a Wednesday news conference attended by Reps. Barbara Lee, D-Calif., and Jamaal Bowman, D-N.Y., as well as other stakeholders.

“America must provide reparations if we desire a prosperous future for all,” Bush said.

Rep. Bush’s resolution is the latest in a long line of congressional efforts by Democrats to compensate Black Americans for centuries of racial inequity. Similar language about reparations has been introduced in every legislative session since 1989.

“We know that we continue to live under slavery’s vestiges. We know how slavery has perpetuated Jim Crow. We know how slavery’s impacts live on today,” Bush said, citing the racial wealth gap, voter suppression, infant mortality rates and other negative health outcomes for Black people.

U.S. Congressmember Cori Bush (D, Missouri)

“It’s unjust and it wouldn’t happen in a just and fair and equitable society,” Bush also remarked. “Those are not the natural consequences of human society… They are directly caused by our federal government’s role in the enslavement and exploitation of Africans and Black people throughout our history.”

California is currently exploring reparations on a state level, San Francisco is proposing reparations to bring Black people back to the city, while Evanston, Illinois started offering a form of reparations in 2019 through its Restorative Housing Reparations Program.

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