Press "Enter" to skip to content

Posts published in “U.S.”

Ibram X. Kendi, Jordan Casteel, Desmond Meade Among 2021 MacArthur “Genius” Fellows Awarded $625K Grant

Ibram X. Kendi, Jordan Casteel, Desmond Meade Among 2021 MacArthur “Genius” Fellows Awarded $625K Grant

By goodblacknews on October 2, 2021

Every year, the MacArthur Fellows Program awards its recipients a $625,000 “no strings attached” grant, an investment in a person’s originality, insight, and potential so they may continue to “exercise their own creative instincts for the benefit of human society.”

In 2021, 12 of the 25 “geniuses” that have been selected and were announced this week identify as Black.

Among them are historian Ibram X. Kendi, who founded and directs the Center for Antiracist Research at Boston University as well as wrote the best-selling books How to Be an Anti-Racist (2019) and Stamped From The Beginning (2016), and civil rights activist Desmond Meade who helped strike down restrictive voting laws for formerly incarcerated citizens in Florida.

Artist Jordan Casteel, internet studies and digital media scholar Safiya Noble, biological physicist Ibrahim Cissé, art historian and curator Nicole Fleetwood, film scholar, archivist and curator Jacqueline Stewart, and choreographer and dance entrepreneur Jawole Willa Jo Zollar are among the other 2021 MacArthur Fellows.

A full list (in alphabetical order) of the Black fellows and summaries of their work follow below:

Hanif Abdurraqib is a music critic, essayist, and poet using the lens of popular music to examine the broader culture that produces and consumes it. Many of the essays in Abdurraqib’s first collection, They Can’t Kill Us Until They Kill Us (2017), grew out of reviews and articles he wrote while a journalist; taken together, they form a deeply personal consideration of self-identity and the continued suffering inflicted on Black bodies at the hands of police and others. For example, he writes about attending a Bruce Springsteen concert days after visiting a memorial for Michael Brown in Ferguson, MO, and struggling to reconcile his technical appreciation of the music with the racialized and gendered stories told by the lyrics.In his book Go Ahead in the Rain: Notes to A Tribe Called Quest (2019), Abdurraqib traces the three-decade history of the pioneering hip-hop group and its impact within the larger hip-hop movement. He writes with clear affection for the group, and his assessment of the social and political atmosphere in which it operated includes reflections on how those same forces shaped his childhood and his experience of the music.

Abdurraqib delves more deeply into historical research for his most recent book, A Little Devil in America: Notes in Praise of Black Performance (2021). His thought-provoking observations on key artists and cultural moments in music, film, dance, and comedy—ranging from William Henry Lane, a nineteenth-century minstrel dancer who performed for White audiences in blackface, to Beyoncé’s 2016 Super Bowl appearance and the dance and music television show Soul Train—form a focused analysis of Blackness and a celebration of Black identity.

New York City Public School District to Implement Black Studies Program for All Students in Grades K-12

New York City Public School District to Implement Black Studies Program for All Students in Grades K-12

By goodblacknews on September 30, 2021

The New York city school district announced a groundbreaking curriculum change yesterday to teach all children in grades K-12 in all five boroughs about the history and contributions of Black Americans, according to abc7ny.com.

The initiative will teach children about the early African civilizations, the Black experience in America and the contributions and accomplishments and contributions of the African diaspora.

To quote abc7ny.com:

“It was not until I stepped foot onto the campus of Spelman College in Atlanta, Georgia, a historically black all women’s college, that I gained that deeper knowledge — not just the beginning of slavery in America,” said  City Council Member Adrienne Adams, co-chair of the Black Latino and Asian Caucus.

The BLAC secured $10 million in next year’s budget for the program. That money will go to a handful of organizations including the Black Education Research Collective at Columbia University and the Eagle Academy Foundation who will help craft the curriculum.

“In the wake of the murder of George Floyd, the ensuing social unrest, and the calls for racial justice that followed the need for a systemic approach to cultivate a better a deeper appreciation of the contributions of black people within New York City Schools was more pressing than ever,” said Jawana Johnson with the Eagle Academy Foundation.

“I am so proud to be a chancellor who ushered our children back into school, but what I know is in ushering them back, they have to see and experience themselves every single day in the curriculum,” said Chancellor Meisha Porter.

The program is expected to be implemented next year.

Read more: https://abc7ny.com/amp/nyc-public-schools-black-studies-americans-african/11061658/

[Photo via video screen capture at abc7ny.com]

MUSIC MONDAY: “Nightbird, Fly” – a Sarah Dash Tribute Playlist (LISTEN)

MUSIC MONDAY: “Nightbird, Fly” – a Sarah Dash Tribute Playlist (LISTEN)

By goodblacknews on September 27, 2021

by Jeff Meier (FB: Jeff.Meier.90)

On this week’s Music Monday playlist, “Sarah Dash: Nightbird, Fly,” we take a closer look at the musical career of the late Sarah Dash, most known as one third of the pioneering rock/soul trio LaBelle.  Sarah passed away early last week at the age of 76.

Six decades ago, at a time when young musical acts still formed from local friends getting together instead of backstage at the Disney Channel, Sarah and Nona Hendryx were two members of the Trenton, NJ-based Del-Capris.  They soon paired up with Patricia Holte and Cindy Birdsong from across the river, who were part of the Philly-based Ordettes. And Patti LaBelle and the Bluebelles were soon born.

This traditional 1960s girl group survived the decade touring the chitlin circuit, becoming favorite live performers (nicknamed The Sweethearts of the Apollo) even if their string of mid-60s Atlantic Records singles was commercially unremarkable amid competition backed by powerhouses like Motown, Stax, and Phil Spector.

When Birdsong left the group to take Florence Ballard’s spot in The Supremes, and as Aretha Franklin took up residence as Atlantic’s reigning diva, it’s a wonder the group survived.

But the remaining trio’s inescapable singing talents were recognized in the United Kingdom – where the British rock music community often championed the Black artists and sounds that had provided rock’s roots. They connected with British music manager Vicki Wickham (known for her work with Dusty Springfield), and were soon re-invented as LaBelle.

As if to symbolically transition from their ‘60s sound to their new world, among their first projects was a 1971 collaboration with legendary folk rock singer/songwriter Laura Nyro on the album Gonna Take A Miracle. On it they offered prominent backing vocals for Nyro’s tribute to the hits of ‘60s soul, kissing goodbye the sounds of their past.

Way ahead of their time, Labelle were by the early ‘70s three Black women performing funk-infused rock music, trading their matching dresses and wigs first for jeans and afros, but later for futuristic space outfits of silver and feathers. (Costume designer Larry Legaspi later went on to design the costumes for the group KISS.)

They were no longer playing the chitlin’ circuit – now they were opening for The Who (The Who’s manager Kit Lambert actually produced Labelle’s first album as a trio). They even became the first Black female group on the cover of Rolling Stone. They were Afro-punk – decades before that phrase existed.

Artist Kerry James Marshall to Create Racial Justice-Themed Stained Glass Art for Washington National Cathedral to Replace Confederate Iconography

Artist Kerry James Marshall to Create Racial Justice-Themed Stained Glass Art for Washington National Cathedral to Replace Confederate Iconography

By goodblacknews on September 25, 2021

Washington National Cathedral recently announced it will replace its stained-glass windows that formerly featured Confederate iconography (removed in 2017) with racial-justice themed windows created by world-renowned artist Kerry James Marshall.

The Cathedral’s commission represents Marshall’s first time working with stained-glass as a medium, and the windows are expected to be his first permanent public exhibition anywhere in the country. 

In addition, celebrated poet, author, and scholar Dr. Elizabeth Alexander has agreed to create a new poem that will be inscribed in stone tablets alongside Marshall’s window installation, overlaying the previous stone tablets which venerated the lives of Confederate soldiers.

Completion of both Marshall’s new windows and the stone tablets featuring Dr. Alexander’s new poem is expected in 2023, at which time they will be permanently installed at the Cathedral.  

Dr. Elizabeth Alexander (photo via elizabethalexander.net)

The Cathedral removed windows featuring Confederate Generals Robert E. Lee and Thomas “Stonewall” Jackson – which were located along the southern face of its nave, or its main worship space – in September 2017, following the white nationalist violence in Charlottesville, Virginia.

In the summer of 2020, amid the historic movement for racial justice following the police killing of George Floyd, the Cathedral began collaborating with the Smithsonian’s National Museum of African American History and Culture (NMAAHC) to plan the public exhibition of the Robert E. Lee window. 

“For nearly 70 years, these windows and their Confederate imagery told an incomplete story; they celebrated two generals, but they did nothing to address the reality and painful legacy of America’s original sin of slavery and racism. They represented a false narrative of what America once was and left out the painful truth of our history,” said The Very Rev. Randolph Marshall Hollerith, dean of Washington National Cathedral.

“We’re excited to share a new and more complete story, to tell the truth about our past and to lift up who we aspire to be as a nation.”   

Marshall—the artist and professor whose paintings depicting Black life in America have been sold, viewed, and showcased across the world for decades—will design the stained-glass windows that will replace the Lee/Jackson windows.

Janelle Monáe and 15 More Black Women Artists and Activists Drop 17-Minute “Say Her Name” Anthem to Protest Police Violence Against Black Woman (VIDEO)

Janelle Monáe and 15 More Black Women Artists and Activists Drop 17-Minute “Say Her Name” Anthem to Protest Police Violence Against Black Woman (VIDEO)

By goodblacknews on September 24, 2021

Musician, actor and activist Janelle Monáe partnered with the African American Policy Forum to create “Say Her Name (Hell You Talmbout),” an anthem protesting police violence and calling attention to 61 Black women and girls who were killed by law enforcement.

The 17-minute song features 15 other Black female artists and activists, including Professor Kimberlé Crenshaw, Beyoncé, Alicia Keys, Chloe x Halle, Tierra Whack, Isis V., Zoë Kravitz, Brittany Howard, Asiahn, Jovian Zayne, Angela Rye, Nikole Hannah-Jones, Brittany Packnett-Cunningham, Alicia Garza and MJ Rodriguez.

“This International Daughter’s Day and we are proud to stand with the African American Policy Forum’s #SayHerName Mothers Network & Kimberlé Crenshaw as we honor the Black women and girls who lost their lives at the hands of police,” Monáe said in a statement.

“We support the tireless work that #SayHerName has been doing for years to help bring these mothers justice for their daughters. This work is too important to do alone and can only be sustained through our collective voices,” she added. “We take up this call to action as daughters ourselves trying to create a world where stories like these are no longer commonplace. This is a rally cry.”

https://twitter.com/AAPolicyForum/status/1441080268727615495?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Etweet

MUSIC MONDAY: “Things With Strings” – A Funky Collection of Harp, Violin, Cello and Bass-Based Songs (LISTEN)

MUSIC MONDAY: “Things With Strings” – A Funky Collection of Harp, Violin, Cello and Bass-Based Songs (LISTEN)

By goodblacknews on September 20, 2021

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Happy Monday, you all!

This week’s playlist was suggested and titled by our fearless leader, Lori Lakin Hutcherson. “Things With Strings” is a collection funky harps, string quartets, and violin virtuosos playing over beats of all kinds.

We’ve also thrown I a few Soul and Hip-Hop tracks that feature strings prominently.

I hope you enjoy this freewheeling collection of string music of all kinds.

And as always, stay safe, sane, and kind.

Marlon West (photo courtesy Marlon West)
MUSIC MONDAY: “Yacht Soul” – What It Is, Who Made It, and Why It’s Everything You Love About Yacht Rock But Cooler (LISTEN)

MUSIC MONDAY: “Yacht Soul” – What It Is, Who Made It, and Why It’s Everything You Love About Yacht Rock But Cooler (LISTEN)

By goodblacknews on September 13, 2021

by Lori Lakin Hutcherson (@lakinhutcherson)

As we sail away from summer into the (hopefully) cooler climes of autumn, a playlist filled with Yacht Soul might just be the perfect accompaniment to those post-Labor Day outdoor gatherings.

In case you’re thinking, “Sounds fun, but what exactly is ‘Yacht Soul’?,” it’s the supercool, sophisticated sibling of the “Yacht Rock” genre, a term coined fifteen years ago to describe 1970s and 1980s adult-oriented rock music infused with jazz and R&B recorded primarily in California by acts such as Steely Dan, The Doobie Brothers, Toto, Kenny Loggins and Christopher Cross.

“Yacht Soul” heightens the soul, R&B and jazz elements of the music while dropping a dollop of funk in the mix.

The following quotes from soultracks.com perhaps illuminate the distinctions best:

…Donald Cleveland says that we have Yacht Soul question entirely backwards. “To be honest, Yacht Rock should have been called Yacht Soul from the start. Anybody with ears knows that. The only thing ‘rock’ about Yacht is the label that was on the albums as originally released, so they could be filed separately from the ‘Soul’ albums. It was just easier for the White people listening to this music with obvious soulful stylings to just keep the White ‘rock’ labeling going, even if the musicians themselves were influenced by and working from a framework of Black Soul.”

Mama’s Gun lead singer Andy Platts agrees. “Really if we’re honest, you don’t get ‘Yacht Rock’ without the evolution of Black music in the first place, from which it borrows heavily, so perhaps this just underscores the issues with appropriating and using terms like the ‘yacht’ label.”

Songs like “Just The Two of Us” by Grover Washington, Jr. and Bill Withers, “Forget Me Nots” by Patrice Rushen, “Give Me The Night” by George Benson, “Rio De Janiero Blue” by Randy Crawford and Joe Sample and “Golden Time of Day” by Maze are strong examples of the style.

ART: “Woody De Othello:Hope Omens” Exhibition of Ceramics at John Michael Kohler Arts Center in WI Opens 9/26

ART: “Woody De Othello:Hope Omens” Exhibition of Ceramics at John Michael Kohler Arts Center in WI Opens 9/26

By goodblacknews on September 12, 2021

SHEBOYGAN, WI —An exhibition of ceramics by the artist Woody De Othello will be on view at the John Michael Kohler Arts Center from September 26, 2021 through September 25, 2022.

Woody De Othello: Hope Omens presents a series of nearly 20 large anthropomorphic vessels based on African spiritual objects that, among other things, address the tumultuous nature of the last year.

Woody De Othello is best known for his large-scale sculptures of familiar domestic objects, which are often imbued with a kind of human personage. For Hope Omens, he presents an entirely new body of work.

Woody De Othello, Closed Reflection, 2021; ceramic and glaze. Courtesy of the artist and Jessica Silverman, San Francisco. (Photo: John Wilson White)

Many of the sculptures were produced using molds that Othello created during his Arts/Industry Pottery residency at the Kohler Co. factory in early 2020. While he was in residence, the world outside the factory began to shift with the beginning of the pandemic. The residency was cut short by several weeks and forced Othello to bring home some of the molds to continue his work.

“Woody De Othello’s work has always been prescient in its combination of humor, history, and composition. But the saliency of this newest body of work speaks poignantly and pointedly about the time we are living in, reaffirming the role that artists can play in articulating a kinder and more just world for us all. The Arts Center is thrilled to be showing these works for the first time,” said Laura Bickford, curator, John Michael Kohler Arts Center.

Woody De Othello. (Photo: Josh Gruetzmacher)

Othello draws on African nkisi, or objects that are believed to be invested with spiritual energy. Breath and breathing are ideas often expressed in Othello’s vessel-like forms covered in mouths. Many of his new works feature hands and arms, evoking embrace and consolation, or ears and mouths, offering meditations on listening, hearing, and being present.

“Surviving 9/11”: The Story of Genelle Guzman-McMillan, the Last Survivor Pulled From the World Trade Center Rubble 20 Years Ago

“Surviving 9/11”: The Story of Genelle Guzman-McMillan, the Last Survivor Pulled From the World Trade Center Rubble 20 Years Ago

By goodblacknews on September 11, 2021

[Photo: Genelle Guzman-McMillan and family. Credit: Courtesy Genelle Guzman]

In commemoration of the lives lost and forever changed by the September 11, 2001 attacks on the U.S., today Good Black News highlights the story of the last person pulled alive from the rubble at the World Trade Center in New York — Genelle Guzman-McMillan.

Trapped under the rubble for 27 hours before being rescued, Guzman-McMillan, a young Black immigrant woman from Trinidad, was working as an office assistant for the Port Authority of New York and New Jersey on the 64th floor of the World Trade Center’s North Tower when it was hit by a plane hijacked by terrorists.

Guzman-McMillan had made her way down to the staircase to the 13th floor before the entire building collapsed, shattering her leg, injuring her head and burning her face. It took over a day for first responders to find her, and she kept herself alive with thoughts of reuniting with her daughter Kimberly, who was 12 at the time, and through her faith.

After spending over a month in the hospital healing from her wounds, on November 7, 2001 Guzman-McMillan (then Guzman) affirmed the continued gift of her life by marrying boyfriend Roger McMillan, who proposed not long after her rescue. They since have had two more daughters and live in Long Island.

“I was given a new life,” says Guzman McMillan to people.com, now a supervisor for the Port Authority at LaGuardia airport. “I know that God has a bigger plan for me and I just try to do what is right. And encourage people in order to try to move forward despite the adversity in life. My faith is just growing stronger and stronger.”In 2011, Guzman-McMillan wrote her memoir Angel in the Rubble about her experience, which is available on Amazon.

She discusses her story with Robin Roberts on ABC below:

Guzman-McMillan is also featured in Surviving 9/11: 27 Hours Under the Rubble (trailer above) available for free in Oculus TV on the Oculus Quest Platform. You can read more about her story and journey by clicking through the links below:

https://tech.fb.com/how-one-woman-survived-9-11-and-shared-her-story-through-vr/

https://people.com/human-interest/9-11-woman-survived-27-hours-in-rubble-september-2001-north-tower-genelle-guzman-mcmillan/

GBN’s “A Year of Good Black News” Page-A-Day Calendar for 2022 Now Available for Pre-Order

GBN’s “A Year of Good Black News” Page-A-Day Calendar for 2022 Now Available for Pre-Order

By goodblacknews on September 10, 2021
by Lori Lakin Hutcherson, Good Black News Editor-in-Chief

This March in our Good Black News anniversary post, I mentioned GBN would be coming out with its first physical product this fall: a Page-A-Day® Calendar from Workman Publishing entitled A Year of Good Black News for 2022. Well, guess what – it’s fall!

A Year of Good Black News, written by yours truly, is filled with facts, history, bios, quotes, jokes and trivia in easy-to-read entries delivered on the daily.

The calendar’s official drop date is Tuesday, October 12, and if you pre-order at Workman.com using the code: GOODBLACKNEWS from now until December 31, you will receive 20% off.

A Year of Good Black News offers fun Black facts about inventors, entrepreneurs, musicians, comedians, historians, educators, athletes and entertainers, as well as info shared in fun fact categories like “Lemme Break It Down: Black Lexicon,” “We Got Game: Black Trivia,” “Get The Knowledge: Black Museums and Landmarks” and “You Know We Did That, Right?: Black Inventors.”

Here’s a sneak peek inside:

Although I’m biased because I wrote it, the A Year of Good Black News Page-A-Day 2022 calendar is an awesome way to get inspired every day by the good things Black people do (and have done) for centuries, but haven’t always been widely known or shared.

Well, no more! If this site is for you, this calendar is, too!

It’s also a great gift for family members, friends, teachers, kids and loved ones. Did I mention if you use the code: GOODBLACKNEWS at Workman.com, you get 20% off?

Or, if you prefer, you can also order from the retailers below:

Bookshop: https://www.bookshop.org/a/368/9781523514298

IndieBound: https://www.indiebound.org/book/9781523514298?aff=workmanpub

Barnes & Noble: https://www.barnesandnoble.com/s/9781523514298

Books-A-Million: http://www.booksamillion.com/p/9781523514298

Amazon: https://www.amazon.com/dp/1523514299?tag=workmanweb-20

Workman.com: https://www.workman.com/products/a-year-of-good-black-news-page-a-day-calendar-for-2022

Onward and upward –  hope you enjoy – and share!