On Blu-ray, DVD and Digital HD July 25th, Unforgettable is a thriller directed by Denise DiNovi and written by Christina Hodson and David Leslie Johnson. The film stars Katherine Heigl, Rosario Dawson, Geoff Stults, Isabella Rice, and Cheryl Ladd.
What’s it about?
Tessa Connover (Katherine Heigl) is barely coping with the end of her marriage, and learns that her ex-husband David (Geoff Stults) is now happily engaged to Julia (Rosario Dawson). Trying to settle into her new life, Julia believes she has finally met the man of her dreams, the man who can help her forget her troubled past. Soon, Tessa’s jealousy starts to consume her, and she will stop at nothing to turn Julia’s paradise into the ultimate nightmare. Love will not be forgotten.
How can I win the prize?
Simply email us at goodblacknewsgiveaways@yahoo.com and list your name, email and mailing address for your chance to win the Unforgettable Blu-ray/DVD combo Pack. Contestants must be at least 18 years old. One entry per email. The winner will be notified by email. So hurry and enter by July 25th!
Trailer:
Posts published in “U.S.”
by Adam Smith via metro.co.uk
There is a museum like no other in Philadelphia. You would not have heard it, it is not listed anywhere and there are no signs from the motorway. Only the hand carved wooden sign in the garden hinted that the Victorian house was not like any other home in the world – and the woman who opened the door had the smile of someone who knew she was about to amaze you.
For years Vashti Dubois was sick of not seeing any images of black girls or women in museums and art galleries, so three years ago she decided to do something about it. The 56-year-old turned her house into The Colored Girls Museum, celebrating everything about black women and their place in the universe. Standing in the hallway, which screams with colour due to every inch being painted, she said: ‘If things ain’t right you got to make them right, and if you can change things, you gotta change them.’
After opening one room to the public, she decided to turn her bedroom, the bathroom, the kitchen and her son’s bedroom into art galleries. Dubois said: ‘There are a lot of museums about a lot of different things, so we thought there should be one about the colored girl because there are no places that look at their experiences. We want to show who she is in her day-to-day life as a sister, a lover, a friend, an artist, a victim. We want to show that if there were no coloured girls, the system would collapse.’
As well as the museum’s collection of artefacts, paintings, dolls, textiles and sculptures, artists take over rooms and spaces for art installations. At first Dubois sought the help of artists she knew personally – but word soon spread, and soon she was being contacted by some of the world’s best upcoming artists.
To see related video, click here: http://metro.co.uk/video/lack-female-images-exhibited-led-woman-create-gallery-1502225/?ito=vjs-link
And unlike most museums, this is personal. There are no walking tours headsets, no bored-looking security guards, and not a gift shop in sight.
So to enjoy culture for culture’s sake in Vashti’s home felt like an honor.
The Colored Girls Museum is a memoir museum, which honours the stories, experiences, and history of black girls. And it is Vashti’s story too.
She said: ‘Colored girls are an important part of the universe. You see us walking down the street. Everyday colored girls. You walk past us, but here we are in all of our extraordinary splendor doing the things that we do to make this world a great place to live.
‘We aren’t all Michelles (Obama) and Beyoncés. But look at how we are holding everything together for families across the world.’
When visitors arrive, Vashti explains to them that she started collecting paintings and sculptures three years ago after a personal tragedy. Then she takes them a tour of the house.
‘She distinguishes herself by exclusively collecting, preserving, honoring, and decoding artifacts pertaining to the experience and “her story” of colored girls,’ Vashti said.
by Daniel Holloway via variety.com
Diversity is on the uptick in comics-inspired TV and film. When “Luke Cage” exec producer Cheo Hodari Coker declared at his show’s San Diego Comic-Con panel last year, “The world is ready for a bulletproof black man,” the crowd erupted in cheers. So did the internet. “Right before I said it, I knew what I was feeling,” Coker later told Variety. “I had said variations of it during the day. It was coming from an emotional place, but I didn’t think it was going to reverberate the way that it did. But I’m glad that it did.”
The “Luke Cage” panel came in July on the heels of widespread protests sparked by the killings of unarmed black men by white police officers in Louisiana and Minnesota. When the show premiered in September, it became the first live-action series about a black superhero since 1994’s “MANTIS.” Now it’s getting some company. Next season the CW will premiere “Black Lightning,” based on the DC Comics superhero. And next year Marvel will debut “Black Panther,” the studio’s first feature with a black hero in the lead.
Social, political and business trends have converged to put black superheroes at the centers of burgeoning television and film franchises after years of being relegated to supporting status. Dan Evans, VP of creative affairs at DC Entertainment, cites the emergence of black superheroes on-screen as part of a larger trend in television and film. “There’s so many examples now, from ‘24’ to ‘The Fast and the Furious’ to ‘Creed,’” says Evans, whose office door features an oversize image of Cyborg, the black teen hero who will play a key role in the upcoming “Justice League” movie. “We’ve seen again and again that if you tell a good story with these characters, people will come.”
In superhero comics, the first appeals to underserved minority audiences came with the debuts of Black Panther (1966), Luke Cage (1972), Black Lightning (1977) and others. “These black superheroes emerge parallel to the changes in American race relations in the late 1960s with the emergence of the Black Power movement,” says Adilifu Nama, author of “Super Black: American Pop Culture and Black Superheroes.” The movement’s push for equality and representation rippled through popular culture. “It wouldn’t be very sensible to think that these demands for diversity would only be in the realm of lunch counters and bus transportation.”
To read full article, go to: ‘Black Panther,’ ‘Luke Cage’ Highlight Rise of Black Superheroes | Variety
OWN (Oprah Winfrey Network) has given a series order to “Love Is __,” a new drama from Mara Brock Akil and Salim Akil. The Akils will create and executive produce the series through their company Akil Productions. Mara Brock Akil will serve as show runner. The series, which had previously been in development at ABC as a multi-camera comedy, will be produced in association with Warner Horizon. It is slated to premiere in 2018.
“I’ve dreamed of working with the Akils,” said Oprah Winfrey. “I’ve been a huge fan of their work since first viewing ‘Girlfriends.’ They know just how to hit the cultural nerve to make you think and laugh at the same time.”
“To have a partner that brings the attention to detail and sheer excellence that Oprah has built an empire on is an absolute dream come true for Salim and me,” said Mara Brock Akil. “That, and it’s Oprah! ‘Love Is ___’ is not only a passion project, but is a personal one for us as well. We’re grateful to have her wholehearted support and magic touch behind this story.”
Based on the Akils’ relationship, the series will tell the story of a power couple navigating the landscape of Black Hollywood. Mara Brock Akil is the creator of “Girlfriends” and “Being Mary Jane.” She and husband Salim Akil, director of the film “Jumping the Broom,” co-created “The Game.” The two are executive producers of the CW’s upcoming DC Comics-based superhero series “Black Lightning,” on which Salim Akil serves as showrunner.
Source: Oprah Winfrey Network Orders Drama From Mara Brock and Salim Akil | Variety
by Taryn Finley via huffingtonpost.com
A 19-year-old is making history and disrupting the wealthy white male-dominated sport of polo at the same time. On June 30, Shariah Harris of Philadelphia became the first black woman to play high-goal polo, the top tier of polo in the U.S. This summer, the Cornell University sophomore hit the field at the Tony Greenwich Polo Club in Connecticut to play for the Postage Stamp Farm team in the Silver Cup tournament. Harris told HuffPost that she’s excited about this barrier-breaking opportunity. “It’s great. Everything’s going by really fast, actually so it’s been great. This is something I’ve always wished I could do but never thought would happen. It’s pretty amazing.”
Harris became interested in the sport at age 8 or 9 after her mom took a wrong turn while driving. The wrong turn led them to grounds where other black children were riding horses. Harris and her mom were intrigued and found that the stables were run by a non-profit called Work to Ride. The program allows underprivileged inner-city kids to work in the stables and care for the horses. In return, the kids learn about horsemanship and equine sports. “As a mother of three children on a single income, I saw it as an opportunity to make their lives better,” her mom, Sharmell Harris, told the Hartford Courant. “Instead of a soccer mom, I became a barn mom.”
Harris would report to the stables early in the morning to feed the horses, clean the barns, do maintenance work and other tasks. Though she admits that she wasn’t that good at riding in the beginning, she found a sense of comfort being on the horses. At 12, she joined the organization’s team and found a passion in polo. She would watch videos of the best players in the world and aspire to play at that level. So she incorporated some of their moves into her sport and challenged herself by playing with the boys of the program.
She carried her practice into college and became a force on Cornell’s polo team. In 2016 Harris was named the Polo Training Foundation’s 2016 National Interscholastic Player of the Year. The animal science major helped lead Cornell’s arena polo team into the finals this year. She credits much of her success to Work to Ride. Through Work to Ride, Harris was able to travel to play in different cities in the country as well as Nigeria and Argentina. While in Argentina in December, the teen met the owner of the Postage Stamp Farm team, Annabelle Garrett.
by Lexi Spivak via kspr.com
FORT LEONARD WOOD, Mo. (KSPR) – Brigadier General Donna Martin recently became the first African American female ever to serve as commandant of the U.S. Army Military Police School. In a ceremony on Friday, July 14, Martin’s title was made official as Brigadier General Kevin Vereen relinquished commandancy.
Brig. Gen. Martin described herself as a quiet, small town girl from Virginia. She stayed in Virginia to attend college at Old Dominion University until she was sent on her first assignment with the U.S. Army in Germany. She said she didn’t know if she was going to take the military route at the start of college, but a group of ROTC members made her feel at home. “They were really a group of kids who were just like me,” said Brig. Gen. Martin. “We all had common goals, we all had this feeling to serve and be apart of something that was bigger than ourselves.”
Martin said that’s where her love for the Army started nearly 30 years ago. “It never gets old… Every single assignment, every single move is a new adventure and I’m having a blast.” She called her new role one of the most important roles she has ever taken. She remembered the first time meeting her commandant at Fort McClellan in Alabama, where the U.S. Army Military Police School was before moving to Fort Leonard Wood. “I don’t know that I ever aspired to be the commandant, but I always looked up to this position,” she said. She described how the commandant would share his thoughts about the future and said ” we all bought it.” She said they all thought those conversations were amazing. “For me, 25 or 26 years later now to be assuming that role, it’s still kind of surreal.”
As for taking on this new role, she said she is excited to be apart of the team in Fort Leonard Wood. KSPR News asked what advice she had for anyone who finds her inspiring or looks to her for strength. She said it pretty simply, “You have to be determined, set a goal, and just work hard.”
To read and see more, go to: Historic Day at Fort Leonard Wood
by Rachael Dane via news.harvard.edu
S. Allen Counter, the founding director of the Harvard Foundation for Intercultural and Race Relations and a noted neurophysiologist, educator, and ethnographer, died on July 12. According to wikipedia.com, Counter was also known for his achievements as an explorer. In 1971, he located a group of people living in the rain forest in northern Brazil, Surinam and French Guiana; the group was descended from African slaves who had escaped from slave ships. In 1986, Counter located descendants of earlier U.S. explorers of the arctic, Matthew A. Henson and Robert E. Peary. Counter was elected to The Explorers Club in 1989. Counter also designed Arthur Ashe‘s memorial at Woodland Cemetery in Richmond, Virginia, dedicated on what would have been Ashe’s 50th birthday on July 10, 1993.
“Harvard has lost a great champion of inclusion and belonging in Dr. Allen Counter,” said President Drew Faust. “Through his leadership of the Harvard Foundation, he advanced understanding among members of our community and challenged all of us to imagine and strive for a more welcoming University and a more peaceful world. We remember today a campus citizen whose deep love of Harvard, and especially our undergraduates, leaves a lasting legacy.”
“During my years as president of Harvard, no one did more than Allen to make minority students feel welcome and at home at Harvard, to promote fruitful interaction among all races, and to serve as understanding adults to whom many undergraduates could turn in order to register their concerns, answer their questions, and have their legitimate problems communicated to the Harvard administration so that they could be understood and acted upon in appropriate ways,” recalled Derek Bok, who led the University from 1971–91 and from 2006–07. “Much of what he accomplished was unrecognized, but his contributions were invaluable, and I will always feel a great debt of gratitude for his service to the University.”
Counter did his undergraduate work in biology and sensory physiology at Tennessee State University and his graduate studies in electrophysiology at Case Western Reserve University, where he earned his Ph.D. He earned his M.D. at the Karolinska Institute in Sweden. He came to Harvard in 1970 as a postdoctoral fellow and assistant neurophysiologist at Harvard Medical School and Massachusetts General Hospital. Early in his University career, Counter lived in a student residence hall as dormitory director, resident tutor, and biological sciences tutor.
In the early 1970s, the U.S. Secretary of Health, Education, and Welfare (now the Department of Health and Human Services) named him to the National Advisory Mental Health Council of the National Institute of Mental Health. In 1975, several proposals came before the council requesting funding for projects involving psychosurgery and electrode implants in human brains. At that time, the government’s rules protecting human subjects were still evolving, and Counter believed the projects were inherently racist. He insisted the council not approve them, and they were not acted upon.
In the same decade, Counter taught inmates at MCI Concord with the Massachusetts Correctional Concord Achievement Rehabilitation Volunteer Experience, where he said he gave inmates the same advice his grandmother had given him: “Read a book. Develop your mind.” A later study showed that participants in the program had a lower recidivism rate than prisoners who did not take part. After a sabbatical fellowship at UCLA with neuroscientist Alan D. Grinnell in the late 1970s, Counter returned to Cambridge, where his research at Harvard Medical School focused on clinical and basic studies on nerve and muscle physiology, auditory physiology, and neurophysiological diagnosis of brain-injured children and adults.
by Mike Fleming Jr. via deadline.com
Remember the Titans scribe Gregory Allen Howard has teamed with Chris Columbus’ 1492 production company to tell the story of Fannie Lou Hamer, a sharecropper with a sixth-grade education who became an important voting-rights advocate and founded the first integrated political party in the South in mid-’60s Mississippi.
Hamer grew up in a family of 20 kids and picked cotton for most of her life. After going to a doctor to have a tumor removed, she discovered she was given a hysterectomy at age 47 by a white doctor, without her consent, because of a movement by the state to sterilize women to reduce the number of poor blacks in Mississippi.
Hamer became a Civil Rights activist, surviving assassination attempts
and a near-fatal beating to get her moment at the Democratic National Convention, where she challenged President Lyndon B. Johnson in 1968 with her legendary, “Is This America?” speech.
While LBJ hastily called a ruse press conference in the hope of diverting attention away from her speech, Hamer’s powerful words were widely broadcast and reverberated around the world. Howard, who studied Hamer’s accomplishments as a college student, has long been obsessed with bringing her story to the screen. Hamer died in 1977.
To read more, go to: Civil Rights Icon Fannie Lou Hamer Movie; Gregory Allen Howard script | Deadline
via jbhe.com
The University of Arkansas has debuted a new online archive of materials relating to Southland College in Phillips County, Arkansas. The school, established in 1864, was the first institution of higher learning for African Americans in the United States founded west of the Mississippi River.
Original funding for the school was provided by Quakers from Indiana. Funding and labor for the first buildings of the college were provided by veterans of the 56th U.S. Colored Infantry Regiment.
After a decade, the school’s enrollment reached 200. Southland College closed in 1925 due to financial difficulties. Hundreds of alumni graduated with teaching degrees from the college.
The new online exhibit includes photographs and scanned images of letters, forms, newspaper articles, course catalogs, a commencement program and a diploma. The online archive entitled, “Lives Transformed: the People of Southland College,” may be accessed here.
Source: University of Arkansas’ New Historical Digital Archive Tells the Story of an Early HBCU : The Journal of Blacks in Higher Education
by Lori Lakin Hutcherson (@lakinhutcherson)
The nominees for the 2017 Primetime Emmys were announced this morning, and among them are nods in the Best Comedy Series category for writer/creator/star Donald Glover‘s freshman FX half-hour “Atlanta” as well as writer/creator Kenya Barris‘ veteran ABC show “Black-ish,” which also garnered nods in the Lead Comedy Actor and Actress categories for its stars Anthony Anderson and Tracee Ellis Ross. Glover also picked up a nod for Lead Actor in a Comedy Series.
Emmy winner Viola Davis was recognized again for her role as Annalise Keating in ABC’s “How to Get Away With Murder,” and Sterling K. Brown came through in the Lead Actor in a Drama Series category for his work on the popular NBC hit “This is Us.” Jeffrey Wright and Thandie Newton were acknowledged for their Supporting Roles in “Westworld,” as was Samira Wiley for her work in the original Hulu series “The Handmaid’s Tale.” Up against Wiley in the same category is her former “Orange Is the New Black” castmate Uzo Aduba.
Additionally, Leslie Jones grabbed a nomination in the Supporting Role in Comedy category for her work on “Saturday Night Live,” and RuPaul Charles got some love in the Host for a Reality/Reality-Competition Program category for his work on “RuPaul’s Drag Race.”
Behind the scenes, Donald Glover earned his third Emmy nomination for “Atlanta” in the directing category, and his fourth, along with his brother Stephen Glover, for Writing for a Comedy Series. Ava DuVernay & Spencer Averick were nominated in the Writing for a Nonfiction Program category for their outstanding work on the Netflix documentary “13th.” The full list of nominees follows below:
Drama Series
“Better Call Saul” (AMC)
“The Crown” (Netflix)
“The Handmaid’s Tale” (Hulu)
“House of Cards” (Netflix)
“Stranger Things” (Netflix)
“This Is Us” (NBC)
“Westworld” (HBO)
Comedy Series
“Atlanta” (FX)
“Black-ish” (ABC)
“Master of None” (Netflix)
“Modern Family” (ABC)
“Silicon Valley” (HBO)
“Unbreakable Kimmy Schmidt” (Netflix)
“Veep” (HBO)
Drama Actress
Viola Davis (“How to Get Away with Murder”)
Claire Foy (“The Crown”)
Elisabeth Moss (“The Handmaid’s Tale”)
Keri Russell (“The Americans”)
Evan Rachel Wood (“Westworld”)
Robin Wright (“House of Cards”)
Drama Actor
Sterling K. Brown (“This Is Us”)
Anthony Hopkins (“Westworld”)
Bob Odenkirk (“Better Call Saul”)
Matthew Rhys (“The Americans”)
Liev Schreiber (“Ray Donovan”)
Kevin Spacey (“House of Cards”)
Milo Ventimiglia (“This Is Us”)
Comedy Actor
Anthony Anderson (“Black-ish”)
Aziz Ansari (“Master of None”)
Zach Galifianakis (“Baskets”)
Donald Glover (“Atlanta”)
William H. Macy (“Shameless”)
Jeffrey Tambor (“Transparent”)
Comedy Actress
Pamela Adlon (“Better Things”)
Tracee Ellis-Ross (“black-ish”)
Jane Fonda (“Grace and Frankie”)
Lily Tomlin (“Grace and Frankie”)
Allison Janney (“Mom”)
Ellie Kemper (“Unbreakable Kimmy Schmidt”)
Julia Louis-Dreyfus (“Veep”)