via espn.com
NEW YORK — Major League Baseball has named its World Series Most Valuable Player Award after Willie Mays. The decision was announced Friday, the 63rd anniversary of Mays’ over-the-shoulder catch in deep center field at the Polo Grounds for the New York Giants against Cleveland’s Vic Wertz in Game 1 of the World Series.
The Giants went on to sweep the Indians. The Series MVP award was given out for the first time the following year, when it was won by Brooklyn Dodgers pitcher Johnny Podres.”I’d like to thank Commissioner Rob Manfred and his team at Major League Baseball for honoring me with this recognition,” Mays said in a statement. “Baseball has always taken care of me, and for that I am grateful. I think it’s just a wonderful thing to know that at 86 years of age, I can still give something back to the game. I am proud to lend my name to this important award. What a day this has been!”
Now 86, Mays played in 24 All-Star Games during a 22-year career with the New York and San Francisco Giants and the New York Mets.”Once again, it’s going to remind people of who Willie is and how great a player he was,” Giants manager Bruce Bochy said.
Mays was also honored the same day in Harlem, where the corner of West 155th Street and Harlem River Drive was renamed Willie Mays Drive.
Source: Major League Baseball names World Series MVP award after Willie Mays
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via jbhe.com
On June 11, 1963, Vivian Malone and James Hood, under the protection of federal marshals and the federalized Alabama National Guard, broke the racial barrier and enrolled as undergraduate students at the University of Alabama. That day, Alabama Governor George Wallace made a ceremonial stand in the schoolhouse door protesting the federal court order that called for the admittance of the Black students. But Malone and Hood were not the first Black students at the university.
In 1952, after graduating with an English degree from Miles College, Autherine Lucy Foster applied to the graduate program in education at the University of Alabama but was rejected because of her race. After a three-year legal battle, she was admitted to the university by court order. In 1956 Foster enrolled in a graduate program in education at the university. Angry protests by White students ensued. Foster was suspended three days later “for her own safety” and she was later expelled.
In 1988, the University officially annulled her expulsion. The next year she re-enrolled at the University of Alabama with her daughter, Grazia. Foster earned a master’s degree in elementary education in 1991 and participated in the graduation ceremony in May 1992 with her daughter, a corporate finance major. In 1998, the University of Alabama named an endowed fellowship in Foster’s honor and unveiled a portrait of her in the Student Union Building. She was recognized again in 2010 when the university dedicated the Autherine Lucy Clock Tower.
Recently, the Autherine Lucy Foster Historical Marker was unveiled on the Tuscaloosa campus near where the mob gathered to protest her presence at the university. A video of the dedication ceremony for the historical marker can be seen below.
Source: A Historical Marker at the University of Alabama Honors Autherine Lucy Foster : The Journal of Blacks in Higher Education
via jbhe.com
Natasha Trethewey, the Board of Trustees Professor of English at Northwestern University in Evanston, Illinois, has been selected to receive the Heinz Award in the Arts and Humanities. The award comes with an unrestricted $250,000 prize. Teresa Heinz, chair of the Heinz Family Foundation, stated that Professor Trethewey’s “writing captivates us with its power and its ability to personalize and fearlessly illuminate stories of our past as a people and a nation. We honor her not only for her body of work, but for her contributions as a teacher and mentor dedicated to inspiring the next generation of writers.”
Professor Trethewey is the author of the Pulitzer Prize-winning poetry collection, Native Guard (Houghton Mifflin, 2006) and three other poetry collections. She is also the author of Beyond Katrina: A Meditation on the Mississippi Gulf Coast (University of Georgia Press, 2010). Professor Trethewey served two terms as poet laureate of the United States. A native of Gulfport, Mississippi, Professor Trethewey is a graduate of the University of Georgia. She holds a master’s degree from Hollins University in Roanoke, Virginia, and a master of fine arts degree from the University of Massachusetts at Amherst.
Professor Trethewey will be honored with three other Heinz Award winners at a ceremony in Pittsburgh on October 18.
Source: Natasha Trethewey Wins the $250,000 Heinz Award in Arts and Humanities : The Journal of Blacks in Higher Education
by Mike McPhate via nytimes.com
It has long been one of the lesser-known facts about the life of Barack Obama. For all the talk about the former president and his Ivy alma maters — Columbia University and Harvard Law School — he actually spent the first two years of his higher education life, from 1979 to 1981, attending Occidental College in Los Angeles.
For Occidental, or Oxy as it is known, Mr. Obama has long been its little-known claim to fame. That may be about to change for this 2,000-student private liberal arts college founded in 1887. Occidental is announcing on Wednesday the creation of the Barack Obama Scholars Program, a $40 million endowment intended to cover the $70,000 annual tab of tuition and board for 20 students a year.
It will be aimed at providing four-year scholarships to veterans, community college transfers and those who are the first in their family to go to college. “My years at Occidental College sparked my interest in social and political causes, and filled me with the idea that my voice could make a difference,” Mr. Obama said in a statement. He said he hoped this program would “train the next generation of leaders and active citizens, and fill them with the conviction that they too can change the world.”
The program has raised $7 million, enough to fund two scholarships, starting next fall. The goal is to create a big enough endowment to fund not only scholarships but post-graduation fellowships for students who head into low-paying fields. Mr. Obama, who has been doing quite well financially since leaving the White House, has not yet written a check, but the president of Occidental, Jonathan Veitch, said the former president was high on his list of asks. “I am going all over the world asking people for money,” he said. “Why wouldn’t I ask him?”
“There are not many liberal arts colleges that educate a president,” Mr. Veitch said. “We are very proud of the fact and very proud of him. We thought this would be a great way to honor him and have our students emulate the values he represents.”
Source: California Today: L.A. College Teams Up With a Former Student, Barack Obama – NYTimes.com
by Lori Lakin Hutcherson (@lakinhutcherson)
Opened just a year ago on Sept. 24, 2016, the National Museum of African American History and Culture (NMAAHC) became the 19th Smithsonian museum and the only national museum devoted exclusively to African American life, art, history and culture. The museum’s collections, which include art, artifacts, photographs, films, documents, data, books, manuscripts and audio recordings, represent all regions of the United States and acknowledge the cultural links of African Americans to the black experience around the world as well.
To commemorate NMAAHC, the United States Postal Service is issuing a Forever Stamp in its honor. The stamp art is based on a photograph of the museum showing a view of the northwest corner of the building. Text in the upper-left corner of the stamp reads “National Museum of African American History and Culture.”
The First-Day-of-Issue dedication ceremony will be held on Friday, October 13 in Washington DC at the NMAAHC, and the stamp will be available for purchase nationwide that same day.
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Kendrick Lamar will be Forbes’ keynote speaker at their fourth annual Forbes Under 30 Summit. The four-day gathering will take place at Boston’s City Hall Plaza and feature several addresses by young artists, entrepreneurs and activists, including Skylar Grey, Tyler Oakley and DeRay Mckesson. Lamar’s keynote, which will include a conversation with Forbes Senior Editor Media and Entertainment Zack O’Malley Greenburg, will take place on Tuesday, Oct. 3 at 1:00 p.m.
“Kendrick Lamar is the voice of the under-30 generation, and we can’t wait to hear more from him,“ says Greenburg in a statement. “Not only does he write and record groundbreaking songs, but he also embodies the same sort of spirit, drive and thoughtful passion of his peers across science, tech, the arts and beyond. Forbes is honored to host him in Boston.”
Source: Kendrick Lamar to Be Keynote Speaker at Forbes Under 30 Summit: Exclusive | Billboard
by Lori Lakin Hutcherson (@lakinhutcherson)
Civil Rights activist and grass roots hero Fannie Lou Hamer would have turned 100 years old this October 6. GirlTrek, the largest national public health nonprofit and movement for Black women and girls, is celebrating her legacy by hosting 100 national walks.
Known for her courage on the frontlines of the American Civil Rights Movement, Hamer stunned the world with her electrifying account of brutal attacks and local terror in the Jim Crow South. She stood strong, demanding the attention of U.S. President Lyndon B. Johnson by leading an unparalleled grassroots campaign and political party in Mississippi that delivered over 60,000 votes. Fannie Lou Hamer is responsible for helping secure the 1965 Voting Rights Act and changing the tide of justice.
The scale of her impact is made greater by her life story. Fannie Lou Hamer worked as a sharecropper from age 6. As a young woman, in an extralegal, violent act, she was given a forced hysterectomy. Unbroken, she adopted children. At 44 years old, Fannie Lou Hamer joined the American Civil Rights Movement. From church basements to the White House, Hamer was celebrated for her ability to inspire everyday people to action.
“In the iconic words of Fannie Lou Hamer, we’re ‘sick and tired of being sick and tired.’ She died too soon putting her body on the line for our freedom and we want to celebrate her life in a big way. In her honor, we are going to raise an army of sisters, #FanniesArmy, who will lead 100 walks across America at sunset on October 6th,” said GirlTrek cofounder T. Morgan Dixon.
To participate in #FanniesArmy, walk for 100 minutes at sunset on October 6th wherever you are with family and friends. To be counted, register your walk at https://rebrand.ly/fanniesarmy. The first 100 leaders to sign up will receive special edition #FanniesArmy T-shirts.
“While the country reels from conflict in Charlottesville, this is an opportunity to herald the legacy of an American hero who brought us together,” Dixon said. “Fannie Lou Hamer died too early at 59, her body riddled with heart disease and cancer. I’m reminded of the words of R. Boylorn, [Hamer] ‘never saw death coming because she was too busy taking care of others.’ She worked tirelessly in field offices and late hours registering people to vote. When pain rendered her homebound, she taught Freedom Riders the ways of resistance in her night gown from her front porch.”
Dixon and GirlTrek’s cofounder Vanessa Garrison, national staff and board of directors will travel to Hamer’s memorial statue in her hometown in Ruleville, Mississippi to walk with local trekkers on the centennial celebration of her birth.
by Nancy Armour via usatoday.com
Empty sidelines in Nashville and Chicago. Jacksonville owner Shad Khan standing arm in arm with his players. The Miami Dolphins wearing “I’m With Kap” T-shirts during warm-ups. Oakland Raiders owner Mark Davis eloquently explaining his change of heart about players protesting during the national anthem. The NFL had one of its finest moments before the games even began Sunday, coming together from every corner – players, coaches, owners and league office – in forceful rebuke of the latest torrent of hate from President Donald Trump.
Whether black, white or brown, on bended knee or with locked arms, the NFL’s rare show of unity was both a dignified condemnation of the wrongs we still must right and a reminder that, for all of our differences, America remains our common ground. “Over the last year, though, the streets have gotten hot and there has been a lot of static in the air and recently, fuel has been added to the fire,” Davis said in a statement. “… Not only do we have to tell people there is something wrong, we have to come up with answers.“That’s the challenge in front of us as Americans and human beings.”
Be it Jackie Robinson, Muhammad Ali, Billie Jean King or Magic Johnson, sports has long been the prism through which we see society. And fondly as we regard those trailblazers now, that wasn’t always the case. Changing hearts and minds, getting people to shed their stereotypes and ignorance, took sacrifice, anger and, yes, even protest.
In that way, the NFL’s league-wide show of unity was merely the latest in a long history of sports and activism being intertwined. It wasn’t even particularly radical when measured against the outspokenness and activism by current NBA players and coaches.
But what made Sunday so stunning was how out of character it was, a seismic shift for a league that has been loath to allow any kind of individuality or personal expression. The NFL barely tolerates touchdown celebrations, let alone a call to acknowledge the pervasive racism that marginalizes a good portion of our country.
Maybe that’s what Trump was counting on with his remarks Friday — and again Saturday and Sunday — that were as ignorant as they were inflammatory, yet more racist dog whistles for his base. Perhaps he figured the league that has effectively blackballed Colin Kaepernick would let his thinly veiled bigotry pass in uncomfortable silence.
But the NFL showed Sunday that Trump has badly overplayed his hand.
“We will not stand for the injustice that has plagued people of color in this country,” the Seattle Seahawks said in a statement announcing that the team would stay in the locker room during the national anthem.
Even in a league where blinders might as well be part of the uniform, it was not lost on anyone that Trump found a way to defend Nazi protesters yet called Kaepernick and anyone else who protested during the national anthem a “son of a (expletive).” Ditto for his history of calling out and criticizing people of color while letting egregious behavior by whites go unchallenged.
The demonstrations by Kaepernick and the other players who have joined in are not about the national anthem or the military or the flag. They never have been. They are about the racism that continues to be pervasive in our society, manifesting itself in police brutality, economic inequality and disparity in education and opportunity.
No one is naïve enough to assume the NFL will now be the standard bearer in this latest fight for civil rights; moving as all the demonstrations were, it did not go unnoticed that the theme was “unity” rather than inequality, and that very few white players took a knee.
To read full article, go to: NFL protests: League came together for a powerful day
via 11alive.com
HAMPTON, Va. (WVEC) — An American treasure is being honored in Hampton. A new facility at the NASA Langley Research Center is named after Katherine Johnson. She’s the woman featured in the movie “Hidden Figures” for her inspiring work at NASA Langley. People knew the mathematician as a “human computer” who calculated America’s first space flights in the 1960s. “I liked what I was doing, I liked work,” said Katherine.
The 99-year-old worked for NASA at a time when it was extremely difficult for African-Americans — especially women — to get jobs in the science field. “My problem was to answer questions, and I did that to the best of my ability at all time,” said Katherine. She was awarded the Presidential Medal of Freedom in 2015. She said, “I was excited for something new. Always liked something new.” U.S. Sen. Mark Warner, Virginia Governor Terry McAuliffe, Hampton Mayor Donnie Tuck, and “Hidden Figures” author Margot Lee Shetterly were among the dignitaries who were on hand to honor Johnson.
https://twitter.com/MeganShinn/status/911290544395079681
Governor McAuliffe said, “Thank goodness for the movie and the book that actually came out and people got to understand what this woman meant to our county. I mean she really broke down the barriers.” The Katherine G. Johnson Computational Research Facility (CRF) is a $23 million, 37,000-square-foot energy efficient structure that consolidates five Langley data centers and more than 30 server rooms. One NASA astronaut, Doctor Yvonne Cagle, said Katherine is the reason she is an astronaut today. “This is remarkable, I mean it really shows that when you make substantive contributions like this, that resonate both on and off the planet. There’s no time like the present.” Doctor Cagle said she’s excited the new building is named after Katherine. “Thank you all, thank everyone for recognizing and bringing to light this beautiful hidden figure,” said Cagle.
The facility will enhance NASA’s efforts in modeling and simulation, big data, and analysis. Much of the work now done by wind tunnels eventually will be performed by computers like those at the CRF. NASA Deputy Director of Center Operations, Erik Weiser said, this new facility will help them with their anticipated Mars landing in 2020.
Source: NASA legend Katherine Johnson honored in Hampton | 11alive.com
by Rachel Sadon via dcist.com
Since Ruth Odom Bonner joined President Barack Obama in ringing the bell to open the Smithsonian’s National Museum of African American History and Culture last year, more than 2.5 million people have visited the site.”What’s been so moving is that it’s clear after a year, the museum has already become a pilgrimage site,” says Director Lonnie Bunch, who began the “great adventure” of opening the museum in 2005. What followed was more than a decade of building a collection and a building from scratch. It culminated on September 24, 2016 when the daughter of a slave and the nation’s first black president tolled the 500-pound bell that had been lent by the historically black First Baptist Church in Williamsburg, Va. and ushered people in.
Visitors to the African American History and Culture Museum tend to stay more than triple the typical amount of time they spend at most museums. Even a year later, a pass system remains in place to prevent overcrowding, and the free tickets remain difficult to come by (they are released monthly, and a limited number of same-day tickets are available online starting at 6:30 a.m.). The cafe serves up over 1,500 meals a day. Bunch attributes the success in part to a pent up demand—generations worked to get the museum built, and the long-held dream was only fulfilled after more than a century of effort. But he also believes that the way the museum presents its subject matter has a lot to do with it.”It tells the unvarnished truth,” Bunch says. “I think there are people who were stunned that a federal institution could tell the story with complexity, with truth, with tragedy, and sometimes resilience. So I think the kind of honesty of it appeals to people.”
Museum officials know that even many Washingtonians still haven’t managed to get through its doors. So as they celebrate the year anniversary, much of the programming and performances they’ve planned are taking place outdoors. Music and tours of the grounds will take place on both Saturday and Sunday, and the museum’s hours have been extended for those who have passes to go inside.Ahead of the celebration, we spoke with Bunch about what it’s been like to shepherd the museum through its first year. Our conversation has been edited for length and clarity.
Congratulations! You’ve made it to a year.
Thank you. That’s the easy part. The hard part was getting it open.
You worked on this for more than a decade before it opened. What was it like to finally see it open after all that work, gathering all those artifacts, building this up from the ground (really a giant hole in the ground) up?
In many ways, it was probably one of the most emotional moments of my life, both professional and personal. To actually not only fulfill a dream of all the staff, but a dream of generations who wanted this, it was really very humbling. But quite honestly it was also very motivating. Whenever you hit a bump or you worry about how you’re going to pull it off, recognizing that I didn’t want to let down all these other generations who had tried, that was a great motivating factor.
You had this moment celebrating the opening, you had the president and all these people who had traveled to D.C., and then it was day one on the grounds. What’s been your experience like shepherding it through this first year?
It’s been wonderful in that it’s become, within the first year already, part of the American lexicon. There’s almost no one that doesn’t know about the museum, doesn’t know about how hard it is to get in, or how much they enjoyed it. But also I think that what’s been so moving is that it’s clear after a year, the museum has already become a pilgrimage site—that there are thousands of people who come to share their story with their grandchildren or to connect over an object with people who shared maybe a comparable experience in the Civil Rights movement. I think it’s really become what we wanted, which was to be a place that was as much about today and tomorrow as it is about yesterday.
You’ve had a long museum career. How has this particular museum been different from previous places you’ve worked at?
It’s different in that you had to start from scratch—you didn’t have a collection, you didn’t have a building. What it allowed us to do is say “what should a 21st century museum that explores race, what should it do?” So it helped us put the way that museums interpret race on its end. Instead of saying “this is a story about the African American community,” we’re saying “this is a story about America through the lens of the African American community.” And so that’s very different.Being able to start from scratch allowed us to think innovatively about how do you actually collect by working with communities and going into peoples homes, in their trunks and attics. In essence, because we had nothing, it forced us to be different than most museums. We have to be more creative, more nimble.
I’ve heard you say this a number of times, that this is an “American story told through an African American experience.” That story is obviously still happening; what is the museum’s role in responding to that story as it occurs, as we’re seeing things like Charlottesville happen in real time.
First of all, part of the museum’s job is to collect today for tomorrow, so that there are things—like we’ve collected Black Lives Matter artifacts, we’ve collected things in Ferguson, things in Baltimore—and some of those are on display in the museum. Some maybe won’t be in display until a curator 30, 40, or 50 years from now wants to use it. Our goal is to make sure that it never happens, like it used to happen early in my career—there were exhibits I wanted to do, stories I wanted to tell, and museums didn’t have those collections. I wanted to make sure that future curators wouldn’t have that problem.