by Adam Manno via charlestoncitypaper.com
A renewed interest in Gullah has propelled the language to one of the highest rungs in academia.
Charleston native and performance artist Sunn m’Cheaux spent the fall semester at Harvard teaching an introductory version of a course on Gullah: A language indigenous to the Lowcountry region often described as a combination of English and Central and West African languages.
The pidgin language originally allowed enslaved African people from various tribes to communicate with each other and with their overseers, and is still spoken by African-American communities across coastal regions of South Carolina, Georgia, and Florida.
The Gullah class is the first of its kind at the Ivy League school. It’s part of the African Language Program within the Department of African and African American Studies.
The class is the brainchild of a graduate student who knows m’Cheaux. The student phoned him and asked if he would be willing to meet with the head of the program, Dr. John Mugane. M’Cheaux, who graduated from Goose Creek High School and didn’t go to college, found that Dr. Mugane was impressed with how quickly m’Cheaux was able to teach him some Gullah basics.
“He starts talking about getting my information and taking a picture for the website, and I’m thinking to myself, ‘Wait a minute — did I just get hired?'” m’Cheaux said in a phone interview with CP.
Mugane argues that offering Gullah, along with the 44 other languages taught in the program, increases students’ chances of accurately portraying different communities. “To engage in intellectual and professional work in the Gullah community, we deem it necessary even critical that scholars be literate in Gullah whose basic demonstration is an ability to hold non-trivial conversations with the people they write about, including (and especially) in Gullah, the language of the people they write about,” Dr. Mugane said in an e-mail to CP.
M’Cheaux says that his time bouncing between Charleston, Los Angeles, and New York as an artist and activist influenced his teaching methods. “Ultimately, my arts and entertainment career kind of dovetailed into social activism and commentary, and in a sense, I feel like this is an extension of that as well,” m’Cheaux said. “How to use literal and figurative language to communicate with people and teach people how to make it their own.”
This kind of approach is especially necessary with Gullah — a language that is passed down orally without established standards for grammar and spelling. Aspects of the language may be familiar to English speakers, such as “han’ baby,” which means small infant, and “knee baby,” which can be interpreted as toddler in English.
“I want to build these students’ intuition in order to know when to apply something literally and figuratively, because that will help bring the language to life,” m’Cheaux said. “Those are figurative terms, not necessarily literal terms, but once you look at them literally, it makes total sense.”
M’Cheaux uses the few Gullah reference books and literature available as course materials, but has largely stuck to developing his own curriculum throughout the semester, which includes video chats between students and native speakers.
To read more, go to: https://charlestoncitypaper.com/TheBattery/archives/2017/12/19/harvard-introduces-gullah-class-taught-by-a-charleston-born-artist
Posts published in “U.S.”
by Cynthia Littleton via Variety.com
John Legend will star in the title role in NBC’s live staging of “Jesus Christ Superstar,” set for Easter Sunday.
“We’re all overjoyed to have world-class musical artist and producer John Legend starring as Jesus,” said Robert Greenblatt, chairman of NBC Entertainment. “This score demands a singer with an amazing range and an actor with great depth, and there isn’t anyone better to bring this story to a new audience. His casting is also groundbreaking as the traditional image of Christ will be seen in a new way.”
Legend is a multi-hyphenate musician, songwriter, actor and producer who has become active in television as a thesp and producer. He’s a 10-time Grammy winner and an Oscar winner for his work on the song “Glory” from the 2014 drama “Selma.” He won a Tony Award earlier this year as a producer of “Jitney,” the August Wilson revival.
“I’m thrilled to join the cast of this production of ‘Jesus Christ Superstar Live in Concert,’” Legend said. “It’s such a powerful, meaningful musical and I’m humbled to be part of this performance. We’ve already formed an incredible team, and, as we finish casting, I’m certain we will put together some of the greatest talents around to do this work justice.”
NBC announced in May that its latest live musical will bow on April 1. Rocker Alice Cooper has been cast as King Herrod.
“Jesus Christ Superstar Live in Concert” is based on the 1971 Broadway musical revolving around the last week of Jesus’ life.
To read more, go to: http://variety.com/2017/tv/news/jesus-christ-superstar-john-legend-nbc-live-stage-1202644647/
via jbhe.com
In 1953 the Marshall Scholarship program was established by an act of the British Parliament. Funded by the British government, the program is a national gesture of thanks to the American people for aid received under the Marshall Plan, the U.S.-financed program that led to the reconstruction of Europe after World War II.
The scholarships provide funds for up to three years of study at a British university, travel, living expenses, and a book allowance. Since the inception of the program, more than 1,900 Americans have studied in the United Kingdom as Marshall Scholars.
This year 43 Marshall Scholarships were given out. While the British government does not publicize the race or ethnicity of Marshall Scholars, it appears that there are four African Americans among the 43 Marshall Scholars. The four African American Marshall Scholars are in sharp contrast to the record of 10 African Americans who were among the 32 American students awarded Rhodes Scholarships this year. (See JBHE post.)
Josephine Cook is a senior neuroscience and psychology double-major at Queens College of the City University of New York. She plans to complete a Ph.D. at either Imperial College London or Brunel University, focusing on how dance therapy can be used to rehabilitate neurological disorders. Upon completing the degree and returning to the United States, she hopes to open a clinic dedicated to arts therapy and neurorehabilitation.
Kobi Felton is a senior at North Carolina State University in Raleigh, where he is majoring in chemical engineering and minoring in Spanish. He will pursue a master’s degree in chemical engineering at the University of Cambridge beginning in fall 2018 and then a master’s degree in nanomaterials at Imperial College London in the second year of his Marshall Scholarship.
Aasha Jackson is a 2015 graduate of Brown University in Providence, Rhode Island. While at Brown, Jackson served as senior editor for the Brown Human Rights Report, a student-run online publication, and co-founded the university’s chapter of She’s the First, a national nonprofit that supports girls who will be the first in their families to graduate from high school. She is now serving as a policy associate in the Office of Population and Reproductive Health at the United States Agency for International Development. Jackson plans to use her Marshall Scholarship to pursue a master’s degree in public policy at the University of Cambridge and a master’s degree in reproductive and sexual health research at the London School of Hygiene and Tropical Medicine.
Craig Stevens graduated from American University in Washington, D.C., this December with a bachelor’s degree in anthropology. Currently, Stevens is an archaeological technician at AECOM, a civil engineering firm that employs archaeologists to assess construction sites prior to breaking ground. As a Marshall Scholar at University College London, he will study advanced techniques for analyzing ceramics and conducting mixed-methods research relevant to archaeological practice.
Source: https://www.jbhe.com/2017/12/four-african-americans-win-marshall-scholarships-2017/
by Associated Press via nbcnews.com
KEARNS, Utah — Maame Biney became the first black woman to qualify for a U.S. Olympic speedskating team with a pair of victories in the 500 meters.
The 17-year-old native of Ghana cruised to victory in the first 500 final at the short track trials on Saturday, beating Olympians Lana Gehring, Jessica Kooreman, and Katherine Reutter-Adamek.
“I can’t believe it, aww geez,” she said after squealing with joy. “It’s a really good feeling, but it has to set in first because it takes me a while. I’m like, ‘Holy cow.'”
Before the second final, her father sitting in the stands held up a sign reading: “Kick some hiney Biney.”
She sure did.
Biney set a blistering pace in taking an early lead that widened as the wild and wooly race went on. She crossed the finish line on the hockey-sized rink and began clapping and then pumping her arms so hard she lost her balance and fell.
She went down laughing all the way.
“When I realized that I made the Olympic team, I started cheering like crazy and then I made my epic fall,” she said.
Biney will be the second black speedskater on a U.S. Olympic team. Shani Davis, the first African-American athlete to win an individual gold medal at the Winter Olympics, was 19 when he qualified for the short track team in 2002. He later switched to long track and won four medals, including two golds.
Source: https://www.nbcnews.com/news/nbcblk/maame-biney-17-first-black-woman-make-olympic-speedskating-team-n830481?cid=sm_npd_nn_tw_blk
If you live in Lowndes County and are of voting age, it’s a safe bet that Perman Hardy has spoken with you about voting at some point in the past 25 years.
As one of the thousands of sharecroppers who worked white men’s land in Lowndes County over the years, 59-year-old Hardy recalls picking cotton after school growing up. She eventually finished her education, bought her own home, and had a successful career as a home health nurse.
But for the past two-and-a-half decades, Hardy has dedicated much of her free time to another pursuit: trying to ensure that every single person in Lowndes County shows up to the polls for every election in Alabama. A native of the unincorporated community of Collirene, she has done about as much as one person possibly could to boost turnout in the impoverished, majority-black county with a population of just 10,458 people.
“That’s my goal is to make sure everyone votes. That’s always been my goal. This is what I do every election,” she said as she steered her forest-green Chevrolet Tahoe through Collirene, a rural area that was once home to several cotton plantations that employed generations of slaves and sharecroppers. “We’re in an epidemic poverty county so it’s so important for us to vote today,” she told AL.com. “I took some people today who’ve never cast a ballot before.”
Most of the people Hardy transported Tuesday were black supporters of Democrat Doug Jones, which contributed to his win in the Black Belt county, where 3,779 people voted for Jones and just 988 voted for Republican Roy Moore, a margin of 79.1 percent to 20.7 percent. Black voters played a decisive role in Jones’s victory in the hotly contested Senate election, with 96 percent of African-Americans voting for Jones, versus the 30 percent of white voters who backed him Tuesday, according to a Washington Post poll.
via blavity.com
According to the Washington Post, a recent Color of Change and Family Story study found that the news media has had a significant hand in negatively skewing the perceptions of black families.
The study’s researchers reviewed over 800 local and national news pieces published or aired between January 2015 and December 2016, sampling major networks such as ABC, CBS, NBC, CNN, Fox News and MSNBC as well as major print publications such as The Washington Post, Wall Street Journal, New York Times, USA Today, Los Angeles Times and the Chicago Tribune.
The study — conducted by University of Illinois at Urbana-Champaign communications professor Travis L. Dixon — found that national news outlets were more likely to show black families as broken and dysfunctional while white families were depicted as possessing social stability.
These images are not only distorted, but contradict government data.
Dixon found that black families represented 59 percent of poor people portrayed in media, but actually only make up of 27 percent of Americans living in poverty. In contrast, white families only make up 17 percent of the poor representated in media, but make up 66 percent in reality. As far as criminal depictions go, black criminals represented 37 percent of the media’s criminals while only 26 percent of those arrested on criminal charges are black in real life. White criminals represented 28 percent the criminals portrayed in the media, but make up 77 percent of real life’s crime suspects.
The report argues that constant depictions of black people living in poor, welfare-dependent and broken homes due to absentee fathers has created a negative image of black families in general.
“This leaves people with the opinion that black people are plagued with self-imposed dysfunction that creates family instability and therefore, all their problems,” said Dixon.
Further, these depictions can affect black families on a systematic level. Dixon noted that the images can spark political rhetoric and the powerful buying into these narratives are what causes Congress to “gut social safety net programs,” bosses to implement harsher work and drug testing requirements and general disdain for welfare programs.
The study also notes that during the Great Depression, white families suffering from poverty were presented in the media as having run into “hard luck,” and that there were campaigns to “help them through tough times.”
However, over time, the media and political leaders have “worked to pathologize black families in the American imagination to justify slavery, Jim Crow, mass incarceration, widespread economic inequity and urban disinvestment — as well as to gain and maintain political and social power,” argues Nicole Rodgers, founder of Family Story.
And this effort has borne terrible fruit, according to Color of Change’s executive director, Rashad Robinson, who said, “There are dire consequences for black people when these outlandish archetypes rule the day: abusive treatment by police, less attention from doctors, harsher sentences from judges.”
Overall, the report concluded that in order to make real change in the news industry, stricter sourcing requirements will have to be implemented, journalists must be encouraged to provide social and historical context and the editorial standards process should include people of color.
Source: https://blavity.com/color-change-study-news-outlets-promote-false-negative-portrayals-black-families-reality
According to the Washington Post, a recent Color of Change and Family Story study found that the news media has had a significant hand in negatively skewing the perceptions of black families.
The study’s researchers reviewed over 800 local and national news pieces published or aired between January 2015 and December 2016, sampling major networks such as ABC, CBS, NBC, CNN, Fox News and MSNBC as well as major print publications such as The Washington Post, Wall Street Journal, New York Times, USA Today, Los Angeles Times and the Chicago Tribune.
The study — conducted by University of Illinois at Urbana-Champaign communications professor Travis L. Dixon — found that national news outlets were more likely to show black families as broken and dysfunctional while white families were depicted as possessing social stability.
These images are not only distorted, but contradict government data.
Dixon found that black families represented 59 percent of poor people portrayed in media, but actually only make up of 27 percent of Americans living in poverty. In contrast, white families only make up 17 percent of the poor representated in media, but make up 66 percent in reality. As far as criminal depictions go, black criminals represented 37 percent of the media’s criminals while only 26 percent of those arrested on criminal charges are black in real life. White criminals represented 28 percent the criminals portrayed in the media, but make up 77 percent of real life’s crime suspects.
The report argues that constant depictions of black people living in poor, welfare-dependent and broken homes due to absentee fathers has created a negative image of black families in general.
“This leaves people with the opinion that black people are plagued with self-imposed dysfunction that creates family instability and therefore, all their problems,” said Dixon.
Further, these depictions can affect black families on a systematic level. Dixon noted that the images can spark political rhetoric and the powerful buying into these narratives are what causes Congress to “gut social safety net programs,” bosses to implement harsher work and drug testing requirements and general disdain for welfare programs.
The study also notes that during the Great Depression, white families suffering from poverty were presented in the media as having run into “hard luck,” and that there were campaigns to “help them through tough times.”
However, over time, the media and political leaders have “worked to pathologize black families in the American imagination to justify slavery, Jim Crow, mass incarceration, widespread economic inequity and urban disinvestment — as well as to gain and maintain political and social power,” argues Nicole Rodgers, founder of Family Story.
And this effort has borne terrible fruit, according to Color of Change’s executive director, Rashad Robinson, who said, “There are dire consequences for black people when these outlandish archetypes rule the day: abusive treatment by police, less attention from doctors, harsher sentences from judges.”
Overall, the report concluded that in order to make real change in the news industry, stricter sourcing requirements will have to be implemented, journalists must be encouraged to provide social and historical context and the editorial standards process should include people of color.
Source: https://blavity.com/color-change-study-news-outlets-promote-false-negative-portrayals-black-families-reality
by Danielle Turchiano via Variety.com
Oprah Winfrey will be honored with the 2018 Cecil B. DeMille Award at the 75th Annual Golden Globes.
Each year the recipient of the prestigious award is selected by the Hollywood Foreign Press Association (HFPA) board of directors and must be someone who has made “an incredible impact on the world of entertainment.” HFPA president Meher Tatna said Winfrey embodies this qualification for the generations she has “celebrated strong female characters on and off screen, and has been a role model for women and young girls for decades.”
“As a global media leader, philanthropist, producer and actress, she has created an unparalleled connection with people around the world, making her one of the most respected and admired figures today,” Tatna said in a statement. “Holding titles such as Chairman, CEO and Founder, Oprah is one of the most influential women of our time, and this honor is well deserved especially in this 75th anniversary year of the Golden Globe Awards.”
Chairman and CEO of her own cable network — OWN: Oprah Winfrey Network — Winfrey is currently an executive producer on series such as “Greenleaf,” “Queen Sugar” and “Oprah’s Master Class.” In 2017 she executive produced and starred in the Emmy nominated HBO original movie “The Immortal Life of Henrietta Lacks,” and in 2018 she will appear in “A Wrinkle in Time” from Ava DuVernay. She is also the founder of O, The Oprah Magazine, and oversees Harpo Films.
Perhaps best known as the host of her multi-award-winning talk show, “The Oprah Winfrey Show,” which came to an end in 2011, Winfrey is also the founder of the Oprah Winfrey Leadership Academy for Girls in South Africa, which provides education for “academically gifted” girls from disadvantaged backgrounds and is celebrating its 10th anniversary this year and celebrating the school’s seventh graduating class.
Winfrey has been celebrated by the HFPA before, with a Golden Globe Award nomination for her role in “The Color Purple” in 1986.
Morgan Freeman, who received the same award in 2012, announced Winfrey’s honoree status during the airing of the Hollywood Foreign Press Association’s (HFPA) “Golden Globe 75th Anniversary Special,” which aired on NBC.
In addition to Freeman, recent honorees include Audrey Hepburn, Barbra Streisand, Denzel Washington, George Clooney, Harrison Ford, Jodie Foster, Lucille Ball, Martin Scorsese, Meryl Streep, Michael Douglas, Robert De Niro, Robin Williams, Sidney Poitier, Sophia Loren and Steven Spielberg.
The 75th Annual Golden Globes will be hosted by Seth Meyers and air live coast-to-coast on Jan. 7, 2018 starting at 8pm ET/5pm PT on NBC.
Watch Freeman announce Winfrey as the 2018 Cecil B. DeMille Award recipient below:
Source: http://variety.com/2017/tv/awards/2018-cecil-b-demille-award-recipient-oprah-winfrey-1202640271/
by Lori Lakin Hutcherson (@lakinhutcherson)
The 22nd American Black Film Festival (ABFF) will include an exciting lineup of film screenings, events and innovative programming, and will return to Miami from June 13-17, 2018. The week will include several new experiences, including Smartphone movie screenings, a master class on film financing, music-focused sessions and new networking opportunities for festival attendees. ABFF continues to be dedicated to introducing emerging content creators of African descent to the industry at large and is recognized as one of the leading film festivals in the world.
Actor Jay Ellis will serve as the 2018 ABFF Celebrity Ambassador. Annually, the festival showcases dynamic content by and about people of African descent from around the world and consists of five competitive categories: Narrative Features, Documentaries, Short Films, Web Series and Smartphone Originals. Submissions are now open and below is a list of film submission deadlines, Awards and direct submission links:
*Narrative Features:
Regular Submissions Deadline: February 15, 2018
Early Submissions Deadline: December 31, 2017
- Grand Jury Award–Best Narrative Feature (Prize TBD)
- Grand Jury Award–Best Director, Narrative Feature (Prize TBD)
Audience Award–Best Narrative Feature (Prize TBD)
http://www.abff.com/submissions/narrative-features/
*Documentaries:
Early Submissions Deadline: December 31, 2017
Regular Submissions Deadline: February 15, 2018
Grand Jury Award for Best Documentary (Prize TBD)
http://www.abff.com/submissions/documentaries/
by Marie Solis via newsweek.com
Doug Jones defeated Roy Moore in Tuesday’s Alabama Senate race with the overwhelming support of black women voters, 98 percent of whom cast their ballots for the Democrat. According to CNN’s exit polls, only 34 percent of white women voted for Jones, with 63 percent of that voter bloc offering their support to Moore instead. The Republican has been accused of pursuing inappropriate relationships with teen girls as an adult.
“Doug Jones would not have won today without the turnout we saw from African-American voters,” Symone Sanders, a Democratic strategist, told Newsweek. “Black women have been absolutely clear in their support for Democratic policies and Democratic candidates. It’s high time for Democrats…to invest in that effort.”
Sanders said it was the grassroots, on-the-ground efforts of Jones’s African-American supporters that helped bring black voters to the ballot box on Tuesday and push him across the finish line. But if Democrats want to carry their 2017 successes into the 2018 midterms, they can’t count on black women alone to carry the party.
“Black women have been attempting to save America since the dawn of time,” Sanders said. “That doesn’t mean we should allow the fate of America to be laid at the feet of black women. It has to be a multicultural effort.”
Still, others couldn’t help but notice the poetic justice of a Democrat with an upstanding record on civil rights winning in deep-red Alabama. “It’s no coincidence that Selma, where blood was shed in the struggle for voting rights for Black people, pushed Doug Jones ahead for good,” Bernice King, Martin Luther King Jr.’s daughter, tweeted following Jones’s win. Selma, Alabama—the site of 1965’s “Bloody Sunday”—was one of the Democratic candidate’s strong spots with black voters.
The Jones camp had tried to leverage the candidate’s civil rights record to appeal to African-American voters in the state. When he served as a prosecutor, Jones was responsible for convicting members of the Ku Klux Klan who bombed a Birmingham, Alabama, Baptist church, killing four young girls. “I’m very humbled and honored to have played a part in the civil rights saga, if you will, many years after the fact,” Jones said during a campaign rally in Montgomery, Alabama, another famous site for the civil rights movement.
According to Variety.com, Universal Pictures has optioned the rights to Jason Reynolds‘ best-selling young adult novel “Long Way Down,” which was also a National Book Award finalist. John Legend‘s Get Lifted Film Co. and Michael De Luca‘s Michael De Luca Productions have signed on to produce the film.
Reynolds’ book has an unusual premise – the whole story takes place in 60 seconds, as a young man struggles to decide whether or not he’s going to murder the person who killed his brother. Additionally, the book is written in free verse and is set in an elevator.
Although Legend is best known for his work as a singer and songwriter, but he has also racked up some major film credits, appearing in the likes of “La La Land” and “Soul Men,” and has produced the television series “Underground.” Legend also shared an Academy Award with rapper Common for best original song in 2015 for writing “Glory” from the film “Selma.”
Reynolds’ novels include “All American Boy” and “As Brave as You.” De Luca is the former president of New Line Cinema as well as an Oscar-nominated producer whose credits include the “Fifty Shades” trilogy, “The Social Network,” and “Moneyball.”