An elementary school in Utah has traded one Jackson for another in a change that many say was a long time coming.
Jackson Elementary School in Salt Lake City will no longer be named for Andrew Jackson, the seventh U.S. president, whose slave ownership and treatment of Native Americans are often cited in the debate over memorializing historical figures associated with racism.
Instead, the school will honor Mary Jackson, the first black female engineer at nasa whose story, and the stories of others like her at the space agency, was chronicled in Hidden Figures, a 2016 film based on a book of the same name by Margot Lee Shetterly.
A unanimous vote by the the Salt Lake City school board this week was met with a standing ovation from the crowd in the room, reportsThe Salt Lake Tribune’s Erin Alberty. School employees and parents have discussed changing the elementary’s school name “for years,” Alberty reported, and last year started polling and meeting with parents, alumni, and others. More than 70 percent supported the change. Of the school’s 440 students, 85 percent are students of color, according to the Salt Lake City School District.
Mary Jackson, a native of Hampton, Virginia, worked as a math teacher, a receptionist, and an Army secretary before she arrived at NASA’s Langley Research Center in 1951 as a member of the West Area Computing unit, a segregated division where African American women spent hours doing calculations with pencil and paper, including for the trajectories of the country’s earliest space missions.
Two years in, a NASA engineer picked Jackson to help him work on a wind tunnel that tested flight hardware by blasting it with winds nearly twice the speed of sound. The engineer suggested Jackson train to become an engineer. To do that, Jackson had to take night courses in math and physics from the University of Virginia, which were held at the segregated Hampton High School. Jackson successfully petitioned the city to let her take the classes. She got her promotion to engineer in 1958. After 34 years at the space agency, Jackson retired in 1985. She died in 2005, at the age of 83.
Elizabeth Alexander, whose memoir was a finalist in 2016 for the Pulitzer Prize and the National Book Critics Circle Award and who wrote and recited an original poem at Barack Obama’s 2009 inaugural, will be the next president of theAndrew W. Mellon Foundation, the country’s largest humanities philanthropy.
“All of the things that I’ve cared about my whole life and worked toward my whole life Mellon does,” said Ms. Alexander in a telephone interview, citing areas like higher education and scholarship, arts and cultural heritage, and diversity.
She added that “arts and humanities are not the most protected entities right now.”
Ms. Alexander succeeds Earl Lewis, who has served since 2013. She will start in March, becoming the foundation’s first female president.
“She has deep experience in cultivating partnerships that extend and amplify creative vision,” Danielle Allen, the foundation’s chairwoman, said in a statement, adding that Ms. Alexander “brings an artist’s forward-looking energy to institutional purpose.”
Ms. Alexander, who has written six books of poetry and two essay collections, was most recently a humanities professor in the Department of English and Comparative Literature at Columbia University. Before that, she served as the director of creativity and free expression at the Ford Foundation, where she helped design Agnes Gund’s $100 million Art for Justice Fund.
“This appointment is a milestone in the history of American philanthropy,” said Darren Walker, the president of the Ford Foundation. “It’s the combination of being both rooted in the arts and grounded in the humanities and understanding philanthropy that is going to make her a success.”
Ms. Alexander has also worked closely with the Poetry Center at Smith College; the nonprofit Cave Canem, which trains aspiring poets; and Yale University, where she spent 15 years on the faculty and helped rebuild the African-American Studies department.
Credit: Getty Images by J’na Jefferson via vibe.com Taylor Richardson, a 14-year-old aspiring astronaut from Jacksonville, Fla., exceeded her goal of raising money to send 1,000 girls to see the upcoming film A Wrinkle In Time. As of press time, her GoFundMe page for the goal has raised $17,455 of her $15,000 goal.
“This campaign is so very important to me because it will give me the opportunity to change not only girls perception of STEM [science, technology, engineering, mathematics] and space exploration but boys as well,” explains Richardson in her original post about her goal. A Wrinkle In Time stars Oprah Winfrey, Mindy Kaling and Reese Witherspoon, and is directed byAva DuVernay. The story tells the tale of a young girl, her friend and her brother, who are transported through time and space to a new world to rescue the girl’s father, a scientist who is being held prisoner on another planet.
Richardson was recently named a member of Teen Vogue’s Class of 2017 21 under 21 for girls who are changing the world. The self-proclaimed “STEMinist” recently attended the publication’s first ever Teen Vogue Summit in Los Angeles, and also spoke on the panel of TEDxFSCJ [Florida State College at Jacksonville] Salon: Rediscovering Space. Last year, Richardson raised money to have 1,000 girls see the science film, Hidden Figures.
I cannot believe it but I have the best news ever! Thanks to the kindness of… https://t.co/GiZ94W5FKQ
“This campaign [“Send 1,000 Girls To Wrinkle In Time”] means a lot to me because it shows a female protagonist in a science fiction film,” she wrote in her most recent update. “Girls will know that the possibility of going into space, exploring other planets, being rocket scientists, engineers, mathematicians and astronauts for them is not that it is limited but limitless!” A Wrinkle in Time is based on the 1962 science fiction novel by Madeleine L’Engle. Source: https://www.vibe.com/2018/02/a-wrinkle-in-time-gofundme/
In a Jan. 19, 2018 photo, Gladys West and her husband Ira West stand in their home in King George, Va. West was part of the team that developed the Global Positioning System in the 1950s and 1960s. (Mike Morones/The Free Lance-Star via AP)
byCathy Dyson, The (Fredericksburg, Va.) Free Lance-Star/AP via militarytimes.com
Gladys West was putting together a short bio about herself for a sorority function that recognized senior members of the group.
She noted her 42-year career at the Navy base at Dahlgren and devoted one short-and-sweet line to the fact she was part of the team that developed the Global Positioning System in the 1950s and 1960s.
Fellow Alpha Kappa Alpha Sorority member Gwen James was blown away by the statement. The two had known each other for more than 15 years, and James had no idea that the soft-spoken and sharp-minded West played such a “pivotal role” in a technology that’s become a household word.
“GPS has changed the lives of everyone forever,” James said. “There is not a segment of this global society — military, auto industry, cell phone industry, social media, parents, NASA, etc. — that does not utilize the Global Positioning System.”
The revelation that her 87-year-old sorority sister was one of the “Hidden Figures” behind GPS motivated James to share it with the world. “I think her story is amazing,” James added.
West, who lives in King George County, VA, admits she had no idea at the time — when she was recording satellite locations and doing accompanying calculations — that her work would affect so many. “When you’re working every day, you’re not thinking, ‘What impact is this going to have on the world?’ You’re thinking, ‘I’ve got to get this right.’ ”
And get it right she did, according to those who worked with her or heard about her.
In a 2017 message about Black History Month, Capt. Godfrey Weekes, then-commanding officer at the Naval Surface Warfare Center Dahlgren Division, described the “integral role” played by West.
“She rose through the ranks, worked on the satellite geodesy (science that measures the size and shape of Earth) and contributed to the accuracy of GPS and the measurement of satellite data,” he wrote. “As Gladys West started her career as a mathematician at Dahlgren in 1956, she likely had no idea that her work would impact the world for decades to come.”
As a girl growing up in Dinwiddie County south of Richmond, all Gladys Mae Brown knew was that she didn’t want to work in the fields, picking tobacco, corn and cotton, or in a nearby factory, beating tobacco leaves into pieces small enough for cigarettes and pipes, as her parents did. “I realized I had to get an education to get out,” she said.
When she learned that the valedictorian and salutatorian from her high school would earn a scholarship to Virginia State College (now University), she studied hard and graduated at the top of her class. She got her free ticket to college, majored in math and taught two years in Sussex County before she went back to school for her master’s degree.
She sought jobs where she could apply her skills and eventually got a call from the Dahlgren base, then known as the Naval Proving Ground and now called Naval Support Facility Dahlgren. “That’s when life really started,” she said.
Photo of Philadelphia’s Mayor’s Office of Black Male Engagement Team from 2016, on which Baltimore’s new program is modeled. (via mayorsofficeofblackmaleengagement.wordpress.com) by Nigel Roberts via newsone.com
Next week, Baltimore is expected to open the Office of African American Male Engagement to reduce the Black male incarceration rate, at a time when the city’s homicide rate is sky high–setting a record per capita rate in 2017. This program will hopefully save lives and end the cycle of incarceration.
“We want to save lives. The reason the office is important is because too many Black men are either the perpetrators of crime or victims of it. It is about saving lives,” said Andrey Bundley, who’s leaving his position as safety director for Baltimore City Public Schools to lead the new office, according to the Baltimore Sun.
Mayor Catherine Pugh opens the new office on Feb. 12. Modeled on a similar program in Philadelphia, the Baltimore initiative focuses on providing mentoring and a range of services for boys and men. It will connect to existing mentoring programs and includes a focus on men returning home from prison.
This effort is much needed. Baltimore was one of the most dangerous cities in America in 2017, setting a new per-capita homicide record of 343 killings. The police arrested tens of thousands of African-American males last year. And in many cases, once these young men were caught in the criminal justice system, many of them become repeat offenders. It was estimated in 2015 that 73 percent of former inmates in Baltimore City re-offend within three years.
The program seeks to create a support network, Bundley said. “We need that kind of space for individuals who don’t have a father or who have come out of prison or who are going through the process of getting a job,” he added, noting that scores of young Black men in the city lack families that can help them readjust and stay out of trouble after incarceration. To read full article, go to: https://newsone.com/3772849/baltimores-mayor-launches-program-to-reduce-black-male-incarceration/
Tiffany Haddish is one of four women being honored at the March 1, 2018 event in Beverly Hills, Calif. (Photo by Charles Sykes/Invision/AP, File) (Associated Press)
by Associated Press via washingtonpost.com
NEW YORK — “Girls Trip” changed the game for Tiffany Haddish, and now she’s being honored as one of Essence Magazine’s “game-changers” at its annual “Black Women in Hollywood” awards.
“Girls Trip” was one of last year’s big hits and made Haddish a breakout star. The comedian is one of four women being honored at the March 1 event in Beverly Hills, California. “The Chi” creator and “Master of None” star Lena Waithe will also be celebrated; she became the first black woman to win an Emmy for comedy writing last year. Danai Gurira of “The Walking Dead” stars in the upcoming “Black Panther.” Gurira also created the Tony-nominated “Eclipsed,” among other works. Tessa Thompson broke new ground in her role in last fall’s superhero hit “Thor.”
Essence magazine editor Vanessa De Luca says the honorees are “raising their voices to benefit all women.” Source: https://www.washingtonpost.com/entertainment/celebrities/essence-honors-game-changers-haddish-waithe-among-others/2018/02/06/54083e84-0b46-11e8-998c-96deb18cca19_story.html?utm_term=.ad9ee8c26f95
People break a traffic light while celebrating the Philadelphia Eagles’ victory in Super Bowl LII game against the New England Patriots on February 4, 2018 in Philadelphia, Pennsylvania. (Photo: Eduardo Munoz Alvarez/Getty Images)
by Sameer Rao via colorlines.com
Tens of thousands of Philadelphia sports fans flooded the city’s streets on February 4 to celebrate the hometown Eagles’ 41-33 win over the returning champion New England Patriots in Super Bowl LII. According to U.S. News and World Report, many fans’ belligerence led to various instances of property damage, including a collapsed Ritz-Carlton Hotel awning, an overturned car, destroyed traffic poles and two reportedly stolen police horses.
Photos detailing this destruction on Getty Images and Twitter largely show white male perpetrators. The Philadelphia Police Department has not yet released a final arrest tally for the vandalism, but Ajennah Amir, a spokesperson for the the mayor’s office, told CNN of just three arrests. Black Lives Matter of Greater New York president Hawk Newsome called out the department’s treatment of these people—as compared to the aggressive policing of Black protesters at actions against police violence—in an interview with Newsweek.
“Somehow, it seems there’s a line drawn in the sand where destruction of property because of a sports victory is okay and acceptable in America,” Newsome explained. “However, if you have people who are fighting for their most basic human right, the right to live, they will be condemned.”
Newsome pointed out city officials’ seeming reluctance to condemn the property damage, including police sergeant Brian Geer’s tweet telling people to simply “go home”:
Newsome told Newsweek that this response was “a glaring example of White privilege.”
“You can riot if you’re White and your team wins, but if you’re Black and being killed, you can’t speak out,” he added.
Newesome also contrasted the situation in Philadelphia with the Baltimore Uprising, when Black city residents demonstrated following the death of Freddie Gray in police custody. Newsweek says those actions led to 34 arrests. “I can’t condemn them and neither can anyone else, especially not the media, especially not politicians when they condone people who are just drunk and destroying property because their team won,” Newsome said. Source: https://www.colorlines.com/articles/black-lives-matter-activist-calls-out-white-privilege-post-super-bowl-property-damage
via thegrio.com
On Saturday, the Houston Museum of African American Culture opened an exhibit dedicated to the life and death of Sandra Bland.
The 28-year old was pulled over for a minor traffic violation, arrested, and found dead in her Waller County, Texas jail cell three days after in July 2015. Although her death was ruled a suicide, activists and others criticized the jail’s handling of Bland.
On opening night, visitors were able to walk through the exhibit featuring smiling images from Bland’s life before sitting in a makeshift car to watch footage from the traffic stop that ultimately led to her death.
For her mother, Geneva Reed-Veal, sitting in that car was the hardest part of the exhibit. “It felt like when that officer was walking, he was walking towards you,” she told local station KTRK.
Reed-Veal added that she felt like her daughter was telling her story even after her death. “People seeing this exhibit should say to themselves hold on, I’m going to think a little differently about the way I do things—with my interactions with everyone but more so police officers,” she said.
Touching the lives of those who visit
The artists who worked on the exhibit clearly did their homework. Many of the pieces give a glimpse into the type of woman Bland was at the time of her death. “I’m discovering we were very similar. She was a woman who took over 50 selfies, she had very healthy self-esteem, was in a sorority, educated, young had a future ahead of her,” said Lee Carrier, the designer behind the central mural in the exhibit.
Visitors have also been blown away by the emotion of the exhibit.
“The struggles that African American’s face, whether light, brown, or black as it’s called, our realities are sometimes different than our counterparts,” visitor Erinn Miller told the station. “It doesn’t matter if you’re educated or not educated, from the city or the country. Sandra Bland was a classic case.”
Visitors will be able to see the exhibit from now until Feb. 28. Source: https://thegrio.com/2018/02/05/sandra-bland-exhibit-opens-houston-area-museum/
by Ramin Satoodeh via Variety.com Chadwick Boseman struggled to catch his breath after he was cast as Black Panther. When he first tried on his spandex suit for 2016’s “Captain America: Civil War,” it felt too restricting. “It was suffocating,” recalls Boseman. “Literally, it closed off every possibility of air getting to you. I was in it, put the mask on. I said, ‘Hey, you got to get me out of this!’” By the time he headlined his own movie, as the first black Marvel superhero with his name on the poster, Boseman was more comfortable in his re-engineered costume. “I think it begins to feel like skin after a while,” says the 41-year-old actor. “But it takes time to get to that place.”
The same can be said for Disney’s long-awaited tentpole “Black Panther,” which opens in theaters on Feb. 16. For decades, actors, directors, producers and fans have wondered why Hollywood was so slow to bring black superheroes to the big screen. It’s not that there weren’t attempts along the way. In the ’90s, Warner Bros. had originally tapped Marlon Wayans to portray Robin in a “Batman” movie, before Chris O’Donnell landed the sidekick role. Wesley Snipes starred in the vampire superhero franchise “Blade,” which spawned two sequels. In 2004, Halle Berry headlined “Catwoman,” which was ridiculed by critics and tanked at the box office. And 12 years later, Will Smith, the co-star of the juggernaut “Men in Black,” popped up in “Suicide Squad” as the under-seen assassin Deadshot.
“Black Panther,” directed by Ryan Coogler, is a movie that doubles as a movement, or at least a moment that feels groundbreaking in the same way that last year’s runaway hit “Wonder Woman” inspired millions of women. “Panther” marks the first time that a major studio has greenlit a black superhero movie with an African-American director and a primarily black cast, including Forest Whitaker, Angela Bassett, Michael B. Jordan, Lupita Nyong’o, Danai Gurira and Letitia Wright as Shuri, the princess of the fictional African country Wakanda.
The reality of this milestone isn’t lost on Coogler, the 31-year-old director of the Sundance darling “Fruitvale Station” and the “Rocky” sequel “Creed.” “I think progress comes in ebbs and flows,” Coogler says. “I hope things continue to open up. As more content gets made, more opportunities like ours can come about for folks. But you’ve got to put your foot on the gas when it comes to that or things can go back to where they were.”
“Black Panther” chronicles an origin story for a Marvel character who first made his debut in the comic books in 1966. On the big screen, he’s a warrior named T’Challa, who returns home to an Afro-futuristic country to inherit the throne as king. The release of the movie coincides with a crossroads in America. Racial tensions are heightened as a result of a president who continually makes reprehensible remarks about immigrants from nonwhite countries. “Black Panther” also arrives on the heels of #OscarsSoWhite, the two consecutive years (2015 and 2016) that the Motion Picture Academy failed to nominate any actors of color for awards.
Anticipation for the release of “Black Panther” is much higher than for the last outings from Batman and Thor. In May 2016, the hashtag #BlackPantherSoLIT started trending on Twitter as casting details around the movie emerged. “Panther” is poised to break box office records for February, a typically quieter time as audiences catch up on romantic comedies around Valentine’s Day. Marvel’s latest crown jewel is tracking to gross an estimated $150 million on its opening weekend. Strong business for “Black Panther,” which cost nearly $200 million to produce and roughly $150 million more to market, would send a clear message to the movie industry that certain communities are still widely underserved. While domestic ticket sales plummeted last year, the number of frequent African-American moviegoers nearly doubled to 5.6 million in 2016, according to a survey by the Motion Picture Assn. of America.
Some are paying attention. “Representation matters,” says Alan Horn, chairman of Walt Disney Studios, which owns Marvel. “It’s a powerful and important thing for people to know they are seen and to see themselves reflected in our films and the stories we tell.” Horn believes that “Black Panther” is part of a wave of change. “In terms of gender diversity, we’ve done very well,” he says, pointing to his studio’s own roster that includes “Beauty and the Beast,” “Coco” and the upcoming live-action “Mulan.” “When it comes to diversity reflecting color and ethnicity, I’d say yes, you will see more.”
Tarana Burke attends the National CARES Mentoring Movement’s third annual For The Love Of Our Children Gala on January 29, 2018 in New York City. (Photo: Bennett Raglin/Getty Images) by Sameer Rao via colorlines.com Tarana Burke first launched the #MeToo campaign in 2007 to build solidarity and healing power among Black girls and women who survived sexual assault. Nearly 11 years later, the organizer and activist will chronicle her and the movement’s journey in a memoir.
The Associated Press (The AP) reported today (February 2) that Burke is working with writer and fellow activist asha bandele on the upcoming book, titled “Where the Light Enters.”Simon & Schuster will publish it next year through 37 Ink, its imprint that previously released books by Issa Rae and Dr. Willie Parker.
Burke told The AP that the memoir will address her own “ordinary, extraordinary journey from victim to survivor to thriver,” as well as the evolution of the movement.
“The book will also help readers understand the often overlooked historical connections of the role sexual violence plays in communities of color, specifically Black communities, even today, while exploring ways the same communities have been both complicit and resilient,” Burke added. “More than anything, this memoir will provide survivors across the spectrum of sexual abuse a road map for healing that helps them understand that the ‘me too’ movement is more about triumph than trauma, and that our wounds, though they may never fully heal, can also be the key to our survival.” via #MeToo Founder Tarana Burke Writes Memoir, ‘Where the Light Enters’ | Colorlines
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