Eighteen year-old hip-hop dancer and Las Vegas street performer Du-Shant Stegall, better known as Fik-Shun, took the top male spot in last night’s So You Think You Can Dance finale on FOX. Fik-Shun beat out tapper Aaron Turner, and shares the Favorite Dancer title with jazz dancer Amy Yakima (pictured above with Fik-Shun), who beat out contemporary dancer Jasmine Harper for the top female spot. Fik-Shun and Amy each won $100,000 and will be featured on the cover of an upcoming issue of Dance Spirit Magazine. This was the 10th season of So You Think You Can Dance, which was renewed for an 11th season according to producer and head judge Nigel Lythgoe.
Check out one of Fik-Shun’s mind-blowing hip-hop solos that helped earn him his Favorite Dancer crown below:
[youtube=http://www.youtube.com/watch?v=zMY8YTVip1E&w=420&h=315]
article by Lori Lakin Hutcherson
Posts published in “TV”
Arsenio Hall’s return to the late night circuit after nearly 20 years produced some promising ratings results on Monday night. “The Arsenio Hall Show” averaged a 1.9 rating/4 share in Nielsen’s 53 metered markets, building from its lead-in on the stations that carried it by 27% (1.5/3). It’s nearly double the 1.0/2 that these stations averaged in the time slot in September of last year. The show is anchored by the 17 stations in the Tribune Broadcasting station group, which is also a partner in the show.
In key demographics, “Arsenio” scored a 1.0 rating/4 share in adults 18-49 and 1.2/5 in adults 25-54 in Nielsen’s markets with Local People Meters, beating every latenight program on the broadcast networks. “Arsenio” fared especially well in some of the largest markets, including Los Angeles, where it was the No. 1 show in its 11 p.m. time slot on KTLA with a 3.2 household rating/9 share — up about 90% from its local news lead-in (1.7/4). Among the top 20 markets, the only ones to fare better were Cleveland (4.6/10) and Chicago (3.3/6).
The premiere of “Arsenio” did a relatively modest 1.6/4 in New York on WPIZ, but that was a nice surge over its lead-in (1.0/2). It was also the No. 1 latenight talk show in the market in both adults 18-49 (1.2 rating) and adults 25-54 (1.5). In the first episode, Hall welcomed comedian and actor Chris Tucker as his first guest, as well as surprise guests Snoop Dogg and Paula Abdul and a tape appearance by Jay Leno.
article by Rick Kissell via variety.com
In key demographics, “Arsenio” scored a 1.0 rating/4 share in adults 18-49 and 1.2/5 in adults 25-54 in Nielsen’s markets with Local People Meters, beating every latenight program on the broadcast networks. “Arsenio” fared especially well in some of the largest markets, including Los Angeles, where it was the No. 1 show in its 11 p.m. time slot on KTLA with a 3.2 household rating/9 share — up about 90% from its local news lead-in (1.7/4). Among the top 20 markets, the only ones to fare better were Cleveland (4.6/10) and Chicago (3.3/6).
The premiere of “Arsenio” did a relatively modest 1.6/4 in New York on WPIZ, but that was a nice surge over its lead-in (1.0/2). It was also the No. 1 latenight talk show in the market in both adults 18-49 (1.2 rating) and adults 25-54 (1.5). In the first episode, Hall welcomed comedian and actor Chris Tucker as his first guest, as well as surprise guests Snoop Dogg and Paula Abdul and a tape appearance by Jay Leno.
article by Rick Kissell via variety.com
Superstar boxer Floyd Mayweather Jr. is breaking the record for being the highest-paid boxer for one fight. He will reportedly net more than $41 million for facing Saul “Canelo” Alvarez.
Mayweather’s Money Team signed a very lucrative contract with Showtime Networks earlier this year. The network will broadcast six of his fights over 30 months and they are set to pay him a whopping $200 million. Mayweather’s fight against Alvarez is the second fight of the agreement. Mayweather’s $41 million payday breaks the record he set when he fought Miguel Cotto and Robert Guerrero in May of 2012 and May of this year respectively. Each of those fights added $32 million to Mayweather’s bank accounts.
While $41 million is a hefty sum of money, Floyd Mayweather could possibly earn more through pay-per-view. According to reports by ESPN.com, people do expect the Mayweather-Alvarez bout to match or surpass the record of 2.44 million purchases. 2.44 million people generated about $130 million for the 2007 match between Mayweather and Oscar De La Hoya. It’s very likely This fight will be more successful than the bout between De La Hoya and Mayweather because Golden Boy boxing promoter Richard Schaefer says the fight has already broken the all-time record for ticket sales for an MGM Grand boxing match.
The Mayweather-Alvarez fight will take place on September 14.
article by Johnathan Hailey via theurbandaily.com
Mayweather’s Money Team signed a very lucrative contract with Showtime Networks earlier this year. The network will broadcast six of his fights over 30 months and they are set to pay him a whopping $200 million. Mayweather’s fight against Alvarez is the second fight of the agreement. Mayweather’s $41 million payday breaks the record he set when he fought Miguel Cotto and Robert Guerrero in May of 2012 and May of this year respectively. Each of those fights added $32 million to Mayweather’s bank accounts.
While $41 million is a hefty sum of money, Floyd Mayweather could possibly earn more through pay-per-view. According to reports by ESPN.com, people do expect the Mayweather-Alvarez bout to match or surpass the record of 2.44 million purchases. 2.44 million people generated about $130 million for the 2007 match between Mayweather and Oscar De La Hoya. It’s very likely This fight will be more successful than the bout between De La Hoya and Mayweather because Golden Boy boxing promoter Richard Schaefer says the fight has already broken the all-time record for ticket sales for an MGM Grand boxing match.
The Mayweather-Alvarez fight will take place on September 14.
article by Johnathan Hailey via theurbandaily.com
He wears a heavy tweed coat instead of a cape and a steely, brooding façade instead of a dark cowl, but for Luther star Idris Elba, his British copper might as well be London’s own Batman. “In concept, we straddle between detective and superhero. Although there aren’t any magic tricks or capes or anything like that, we put our central character through improbable — and probable — scenarios that ask the audience to suspend their belief,” says Elba, the British actor who returns as Detective Chief Inspector John Luther for a third installment of the series running Tuesday through Friday (10 ET/PT nightly, except at 9 ET/PT Wednesday) on BBC America.
Over the course of a trio of seasons since 2010, Luther has dealt with masked serial killers, pedophiles, twin killers, snipers and the psychopathically endearing murderer Alice Morgan (Ruth Wilson), who’s gone from Luther’s arch-enemy to confidante. That stuff is almost easiest for the grumpy lawman to deal with than other aspects of his life, like coming to grips with the death of his ex-wife and brandishing his own sense of justice that, while efficient, puts him at odds with most every other cop in town.
“He’s a spiritually wounded man, and one of the great malicious pleasures of writing for the character and this particular actor is what kind of hell can I put him through next?” says Luther creator and writer Neil Cross.
[youtube=http://www.youtube.com/watch?v=Cdv5FbuK4rY&w=420&h=315]
Even if Pharrell Williams isn’t a household name where you live, the music he’s had a hand in creating most likely is. He’s featured in this this year’s song of summer, “Blurred Lines,” Daft Punk’s “Get Lucky,” and he’s co-collaborated on songs such as Snoop Dogg’s “Drop it like it’s Hot” and Gwen Stefani’s “Hollaback Girl.”
Sixteen Grammy nominations (and three wins) later, the music producer-song writer-recording artist sat down with TODAY’s Savannah Guthrie to talk about the path to getting to top of the Top 40.
“I can write pretty much anywhere, but in the shower it’s, like, where it’s, like, really great,” Williams told Guthrie of where he’s come up with some of his best work, including “Hot in Herre” Nelly’s super-successful 1992 hit.
But before he was sharing top billing with the likes of Nelly, Justin Timberlake and Ludacris, he was any other kid growing up in Virginia Beach, playing the drums and going to band camp. “Most of us were kinda nerdy,” Williams said. “Nobody sort of walked in, like, you know, Kurt Cobain, Dave Grohl-cool.” It was at that camp where Williams, then 12, met his producing partner Chad Hugo. By the time they were 19, the duo had helped write and produce the 1992 Wreckx-N-Effect hit song, “Rump Shaker.”
Fast forward two decades and many successes, Williams says he can point to the singular best song he’s ever co-written. “My son,” he told Guthrie of Rocket, his little boy with new fiance Helen Lasichanh. “Every night’s like a sleepover,” he said of Lasichanh, who he calls his “bestie.”
So what else does the super-successful Williams hope to accomplish? “Honestly? It’s … more music,” he said. That said, music isn’t the only thing on the artist’s plate: Beginning Nov. 5, Williams will appear as a mentor on Rihanna’s new fashion reality competition show “Styled to Rock” on the Style Network.
article by Courtney Hazlett via today.com
LOS ANGELES (AP) — The Oprah Winfrey Network (OWN) is in the black for the first time since its rocky start two-and-a-half years ago. More than 30 new advertisers are joining original heavyweight sponsors Procter & Gamble and General Electric, and are paying higher rates as the channel has found its programming and distribution footing. Headlines about profitability and audience growth have replaced the drumbeat of speculation that her ambitious venture with Discovery Communications might end up a costly flop and an uncharacteristic failure for Winfrey.
Now, Winfrey says, “rewarding” is the word for her experience at OWN, both as the chairwoman and CEO shaping the channel and as a viewer lodestone who hosts several series including “Oprah’s Next Chapter” and “Oprah’s Lifeclass.”
“I no longer have such fear and anxiety about it. I really have more confidence in my decisions,” Winfrey said. “In the beginning, I was in a lot of meetings where people said, ‘You don’t understand cable.’ … I’d say, ‘But I do understand the audience. Aren’t people the same?’”
The answer is yes, says Winfrey, who’s enjoying a career renaissance with OWN’s turnaround and her return to big-screen acting in “Lee Daniels’ The Butler,” No. 1 at the box office for two weeks with more than $50 million in tickets sales.
Her confidence in OWN also is backed up by numbers. For the year to date, viewership is up 22 percent among the target audience of adult women and 23 percent among all viewers compared to last year, according to Nielsen Co. In the third quarter, prime-time viewership among women 25 to 54 and total viewers each are up more than 60 percent compared to 2012. For August, OWN drew a channel-high 536,000 prime-time viewers, a fraction of the millions that watched Winfrey’s talk show but respectable for a developing cable channel.
“I no longer have such fear and anxiety about it. I really have more confidence in my decisions,” Winfrey said. “In the beginning, I was in a lot of meetings where people said, ‘You don’t understand cable.’ … I’d say, ‘But I do understand the audience. Aren’t people the same?’”
The answer is yes, says Winfrey, who’s enjoying a career renaissance with OWN’s turnaround and her return to big-screen acting in “Lee Daniels’ The Butler,” No. 1 at the box office for two weeks with more than $50 million in tickets sales.
Her confidence in OWN also is backed up by numbers. For the year to date, viewership is up 22 percent among the target audience of adult women and 23 percent among all viewers compared to last year, according to Nielsen Co. In the third quarter, prime-time viewership among women 25 to 54 and total viewers each are up more than 60 percent compared to 2012. For August, OWN drew a channel-high 536,000 prime-time viewers, a fraction of the millions that watched Winfrey’s talk show but respectable for a developing cable channel.
Director Ron Howard will debut the “Made in America” documentary about the Jay Z-curated music festival in Philadelphia Oct. 11 on Showtime.
Close to 50,000 fans attended Jay-Z’s “Budweiser Made in America” festival on Labor Day weekend last year. The two-day event included performers such as Pearl Jam, Drake, Run DMC, Skrillex, D’Angelo and Calvin Harris.
The year’s festival kicks of this weekend with performances from Beyonce, Nine Inch Nails, Imagine Dragons, Deadmau5, Kendrick Lamar and Macklemore & Ryan Lewis. Howard’s documentary serves as a backstage pass to the event, which showcases performers sharing stories of how they are “making it in America.”
It will debut Sept. 7 at the Toronto International Film Festival.
article via eurweb.com
It seems like only yesterday that we bid farewell to Robin Roberts on “Good Morning America,” but it’s been a full year. The beautiful and inspiring anchor is set to make her full time comeback! Roberts came back to the show earlier this year, but is now back five days a week! “The day after Labor Day, I’ll be back to a five-day a week schedule,” Roberts explained. “I’m looking forward to it. I want to get back to my full life.”
Roberts revealed, “I’m really at peace now. I’m not as frightened. I feel 90 percent of myself again, and that’s a great feeling.” September 20th marks a full year since Roberts’ bone marrow transplant and she’s apparently feeling closer to her old self!
Recently getting back from a Maui vacation with a close group of friends, Roberts used that time to renew and reflect and called the trip meaningful. “To be able to feel stronger and a little more active, it’s great to feel that way again,” Roberts said of her trip. Roberts kept a photo of Maui up in her hospital room as motivation to get well. And it did the trick because we get to see her beautiful face every weekday morning. Welcome back Robin!
article by Danielle Young via blackamericaweb.com
Roberts revealed, “I’m really at peace now. I’m not as frightened. I feel 90 percent of myself again, and that’s a great feeling.” September 20th marks a full year since Roberts’ bone marrow transplant and she’s apparently feeling closer to her old self!
Recently getting back from a Maui vacation with a close group of friends, Roberts used that time to renew and reflect and called the trip meaningful. “To be able to feel stronger and a little more active, it’s great to feel that way again,” Roberts said of her trip. Roberts kept a photo of Maui up in her hospital room as motivation to get well. And it did the trick because we get to see her beautiful face every weekday morning. Welcome back Robin!
article by Danielle Young via blackamericaweb.com
FX, the cable network that carries Louis CK’s acclaimed comedy Louie, has put in development another autobiographical comedy starring a stand-up comedian. The untitled project toplined by DL Hughley is based on Hughley’s life experiences and revolves around him as an unapologetically honest family man and radio host.
Hughley has been married for more than 25 years and has three children. He had a New York radio show a couple of years ago and recently signed on to host a nationally -syndicated afternoon drive show. Hughley, one of The Original Kings Of Comedy, will co-write the script for the FX project with Sivert Glarum and Michael Jamin (Brickleberry). The three will executive produce with 3 Arts’ Michael Rotenberg and Dave Becky for FX Prods. Hughley previously co-created/toplined the sitcom The Hughleys that ran for four seasons on ABC and UPN.
article by Nellie Andreeva via deadline.com
The mother of Trayvon Martin spoke out Sunday against the stop-and-frisk police practice in New York City, saying neither police nor civilians have the right to stop someone because of their race. Critics say the stops target blacks and Hispanics who aren’t doing anything wrong. Earlier this week, a judge told New York City that its policy was racial discrimination. The city plans to appeal. “You can’t give people the authority, whether civilian or police officers the right to just stop somebody because of the color of their skin,” Martin’s mother, Sybrina Fulton said on NBC’s Meet the Press.
Over the past decade, New York police have stopped, questioned and sometimes patted down about 5 million people; 87 percent were black or Hispanic. About 10 percent of the stops spur an arrest or summons. Police find weapons a fraction of the time. New York Police Commissioner Raymond Kelly defended the use of stop and frisk Sunday and said violent crimes would increase if the practice were abandoned. “The losers in this, if this case is allowed to stand, are people who live in minority communities,” he said on CBS’ Face the Nation.
[youtube=http://www.youtube.com/watch?v=8zGRfLBRQEM&w=420&h=315]Fulton’s attorney, Benjamin Crump, said the stop and frisk policy targeted people by race and noted it was still being used as the 50th anniversary of Dr. Martin Luther King Jr.’s “I have a dream” speech approached. “It actually takes us away from his poignant words of, ‘I dreamed my children would be judged by the content of their character rather than the color of their skin,’” Crump said. Fulton has said neighborhood watch volunteer George Zimmerman “got away with murder” in the 2012 killing of her son, largely because of Florida’s self-defense law.
Protesters had been occupying part of the Capitol in Tallahassee, calling for an examination of the Florida law since Zimmerman was acquitted last month. Zimmerman claimed self-defense in shooting the 17-year-old Martin during a fight; Martin’s supporters say Zimmerman profiled and followed him because Martin was black.
article by Associated Press via blackamericaweb.com