Known by many as “The Architect of Rock and Roll,” Richard Wayne Penniman aka Little Richard, was a pioneer of the popular music that came to dominate in the 1950s and beyond.
With a fusion of blues, boogie woogie and gospel stylings, Little Richard helped create the sound that swept the United States and ultimately the world.
Songs like “Rip It Up,” “Long Tall Sally,” “Good Golly Miss Molly,” ‘Ready Teddy,”“Tutti Frutti” combined with his energetic, rousing performances helped Little Richard set the stage and the bar for any and all rock and R&B superstars that came after him. To quote a recent New York Times article, Little Richard offered “An Ecstasy You Couldn’t Refuse.”
In honor of his life’s work GBN Contributor Marlon West put together a Spotify playlist celebrating Little Richard.
In Marlon’s words:
“Vernon Reid Twittered this tribute to the late great, Little Richard:
“No Jimi, No Beatles No Bowie, No Bolan. NO GLAM, No Freddie, No Prince, No Elton, No Preston No Sly, No Stevie, WITHOUT Little Richard! They DON’T HAPPEN Without HIM BLAZING A TRAIL IN THE DARK.”
Little Richard’s talent and audaciousness was the springboard to so many. Here’s a collection of his music, and of a wide range of artists who he influenced greatly.
Little Richard was a standard-bearer for being whoever the eff you want.”
Stevie Wonder told us with his very first hit, ‘Fingertips,’ recorded when he was 12, that he was a harmonica master. Somehow, through all the genius songwriting, singing, production and keyboard innovation, we tend to forget about those harmonica skills.
But Stevie hasn’t.
His unmistakable harmonica blowing is right there, easy to find in such Stevie favorites throughout his career including ‘I Was Made to Love Her,’ ‘Isn’t She Lovely,’ ‘For Once In My Life,’ ‘That Girl,’ ‘We Can Work It Out,’ ‘Boogie On Reggae Woman,’ and even 1990s gems like ‘Treat Myself.’
Although he does play that Hohner Chromonica often on his own records, Wonder actually seems to utilize his harmonica skills most frequently as a means to collaborate with other artists.
From the 1960s to today, he’s played harmonica as a guest session man on over 150 songs from other artists. That’s more than 10 whole albums worth of additional Stevie-infused material!
To celebrate that part of Stevie’s career, today’s GBN Month of Stevie playlist is entitled “The Wonders of Stevie’s Harmonica,“ where we’ve amassed every Stevie Wonder harmonica guest appearance that we could find on Spotify into one huge list.
You’ll find a few famous hits – Chaka Khan’s ‘I Feel For You,’ Elton John’s ‘I Guess That’s Why They Call It The Blues,’ Sting’s ‘Brand New Day,’ R&B classics from DeBarge’s ‘Love Me In A Special Way’ to Jermaine Jackson’s smash ‘Let’s Get Serious’ (which Stevie also wrote and produced). And one of my personal favorites, the Eurythmics #1 UK hit ‘There Must Be An Angel (Playing With My Heart).’
And though he hasn’t released a full album of new work since 2005, Stevie Wonder has stayed relevant to the charts through these harmonica-based collabos. That’s Stevie’s harmonica on Drake’s ‘Take Care’ album – the #1 album of 2012.
He appears twice on the Mark Ronson 2015 album that contained the #1 song of that year, “Uptown Funk.” And just last year, that was Stevie’s harmonica again on rapper Travis Scott’s chart-topping album “AstroWorld.”
But going on Stevie Wonder’s harmonica journey through music takes you to more than just the top of the charts. One of the special things about being Stevie – a sonic force for nearly 60 years – is his wide-ranging love of music across all genres and generations, and his ability to play with all those people.
(photo via youtube.com)
While many associate the harmonica mostly with blues and folk sounds, Stevie takes the instrument to new places. To be expected, his harmonica is present in the work of his Motown compatriots from the Supremes to the Temptations to Smokey Robinson.
But he’s also played with the finest in rock music (Paul McCartney, James Taylor), popular standards (Barbra Streisand, Tony Bennett), world music (Sergio Mendes, Djavan), jazz (Robert Glasper, Herbie Hancock, Dizzy Gillespie), pop (NSync, 98 Degrees, Mariah Carey), hip hop (Drake, Snoop Dogg) and gospel (BeBe Winans, Andrae Crouch). (Stevie, of course, has also ventured into Broadway, but the version of Rent’s ‘Seasons of Love’ with his contributions isn’t available on Spotify. But you can hear it here.)
The list closes with another personal favorite, this one from Stevie’s own catalog – his harmonica infused take on the classical holiday piece ‘Ave Maria’ – written in 1825 and sung primarily by opera singers through the centuries.
The 45-second harmonica solo here is simple and majestic, and completely at home within a classical music space, something I think only Stevie Wonder could achieve with this instrument.
Come take a ride on Stevie’s harmonica highway – and listen out for that unmistakable sound. As with most musical adventures, we hope you will find something unexpectedly nice along with way.
Special thank you – assembling this playlist wouldn’t have been easily possible without the massive amounts of information on the fan website www.steviewonder.org.uk .
Hip hop artist D-Nice has brought joy to hundreds of thousands of people by DJ’ing viral quarantine parties on Instagram Live since March. According to Revolt, D-Nice is now planning to do the same for high school seniors across the country who won’t be able to attend their physical prom this year due to COVID-19.
D-Nice is teaming up with the social app Houseparty to throw a virtual prom for the Class of 2020. The House Party Prom will take place from 8 to 10 pm ET on May 7.
According to AJC, the teens can choose their musical theme, take prom photos and dance all from the safety of their own homes.
Before starting “Club Quarantine,” D-Nice started his career as a member of Boogie Down Productions alongside KRS-One, Lee Smith and the late Scott La Rock. He soon went solo and dropped albums such as To Tha Rescue and Call Me D-Nice.
Back in March, he came up with the idea to play music on Instagram Live for some friends and a few hundred people. As he continued to host the parties, he noticed that his numbers on Live began to grow tremendously. Everyone from Diddy to Michelle Obama made appearances at “Club Quarantine.”
Once the pandemic ends, he wants to be able to take his parties across the country. He has cities such as New York, Miami, Los Angeles and Atlanta in mind.
“Once we’re able to be able to be together again, I want to pick three cities to actually do a ‘Club Quarantine’ party live,” he told Rolling Stone last month. “Play that same vibe and celebrate with the same people we’ve been celebrating with virtually. Just to be able to see them face-to-face, play that music and feel that bass, that’s the ultimate goal that I have.”
“I’m thrilled to take part in Good Black News’ monthlong celebration of Stevland Hardaway Morris aka Stevie Wonder’s 70th Birthday.
My first offering is this collection of him performing covers and standards. Stevie Wonder’s songs have provided the soundtrack to our lives. Though he has been able to make so many other songs “his own.”
Starting with his childhood idol, Ray Charles, here’s a collection of songs by a wide-ranging batch of artists including Marvin Gaye, The Beatles, Cher, B.B. King, GlennMiller, The Doors, The Supremes and so many others.
Do enjoy. Stay safe, you all and “see” ya next week! Take care!!”
On May 13, 1950 a celestial event occurred: musical genius and living legend Stevie Wonder was born in Saginaw, Michigan, and the world has reaped the benefits ever since.
In commemoration of our collective extraordinary fortune, Good Black News is offering not just a day, but a month’s worth of Stevie Wonder-related content and playlists.
GBN contributors Jeff Meier (“The Clark Sisters”), whose brilliant idea this was, Marlon West (“Afrofuturism”, “Hidden Jazz Figures”, “Soul Jazz”) and I will be posting eclectic playlists and words about Stevie in the coming days and weeks, starting with my all-encompassing, comprehensive thoughtpiece:
STEVIE WONDER IS THE BEST MUSICIAN AND SONGWRITER ALIVE!!!!!!
That’s it.
Stevie Wonder (photo via commons.wikipedia.org)
As Stevie’s music speaks for itself, to kick off GBN’s tribute I offer an 80-track Spotify playlist of his Billboard Chart hits across six decades, in chronological order, from “Fingertips” from 1963 all the way through his 21st century hits from his last studio album, 2005’s “A Time To Love” so listeners can 1) hear the evolution of Stevie’s genius from child prodigy working in within the Motown sound to adult visionary who revolutionizes it and 2) hear all the hits you know and love (and some you don’t!) in one, grand compilation.
(Track 81, called “Stevie’s Dream” from Janelle Monae‘s “Dirty Computer” was not a chart hit, I know, but I added it as a “one to grow on” because it’s Stevie speaking about his mission in music and for the planet and it’s beautiful!)
GBN Contributor Marlon West is back once again with an excellent curation of songs that help define the breadth of music and culture of the diaspora. This week’s focus is a playlist that mixes genres but is tied together by the concept known as “Afrofuturism.”
In Marlon’s words:
“Hope this Monday finds you all staying safe, sane, and kind. Here’s another playlist from your friend and selector, Marlon. Afrofuturism addresses themes and concerns of the African diaspora through technoculture and science fiction. Afrofuturist ideas have been explored though literature, visual arts, film, and of course music. Hope you dig this playlist of artists working in that mode from the 1950s to the present-day.”
Singer-songwriter Bill Withers (photo via wikipedia.com)
According to Variety.com via Associated Press, Grammy winner and Rock and Roll Hall of Fame member Bill Withers, whose career in music blossomed in the early ‘70s via a string of highly-personalized hits such as “Lean On Me,” “Ain’t No Sunshine,” “Lovely Day,” and “Use Me,” died from heart complications on Monday in Los Angeles. He was 81. Withers is survived by his wife and two children.
To quote the article:
“We are devastated by the loss of our beloved, devoted husband and father. A solitary man with a heart driven to connect to the world at large, with his poetry and music, he spoke honestly to people and connected them to each other,” the family said in a statement to AP. “As private a life as he lived close to intimate family and friends, his music forever belongs to the world. In this difficult time, we pray his music offers comfort and entertainment as fans hold tight to loved ones.”
Withers was 33 years old and working on an aircraft assembly line in 1971 when his first hit, the self-penned, Grammy-winning “Ain’t No Sunshine,” soared up the charts. He quickly followed up that success with a run of hit singles that included “Use Me” and the gospel-soul smash “Lean On Me,” which won a belated Grammy Award as best R&B song in 1987.
While those songs are recognized today as classics, Withers was not able to top the surprise commercial success of his early career. His subdued, introspective, often acoustic-based style grew increasingly at odds with the hard funk and disco of the ‘70s, and disputes with his record labels slowed his production at the height of his popularity. He essentially retired from performing and recording in the mid-‘80s. He was inducted into the Rock and Roll Hall of Fame in 2015.
Withers was born July 4, 1938, in the mining town of Slab Fork, VA. He was afflicted with a stutter from an early age. He enlisted in the Navy at 18, and, as his speech disability receded, he began singing and songwriting. After nine years of service, he was discharged in 1965.
Relocating to Los Angeles, he began performing in local clubs at night while working assembly line jobs in the aviation industry. In 1970, a demo tape he had recorded caught the interest of the well-traveled black record exec Clarence Avant, who signed Withers to his label, Sussex Records.
Withers debut album “Just As I Am” was released in May 1971; Withers is pictured on the cover holding a lunchbox in his hand, for the shot was taken during his lunch break at Burbank’s Weber Aircraft, where he continued to install toilet seats in commercial airplanes.
The collection was the first major hit produced by Booker T. Jones, the former keyboardist for the Memphis instrumental soul act Booker T. & the MG’s, who appeared on the set with former band mates Donald “Duck” Dunn and Al Jackson. Stephen Stills, of Crosby, Stills, Nash & Young, and studio ace Jim Keltner also contributed to the record’s eclectic sound.
The LP contained “Ain’t No Sunshine,” an incantatory two-minute cry of pain that its author said was inspired by a viewing of Blake Edwards’ drama about alcoholism “The Days of Wine and Roses.” The song — released as the B-side of the “Harlem” 45, which was flipped by DJs — soared to No. 3 on the pop chart and No. 6 on the R&B rolls, garnered a Grammy as best R&B song, and pushed “Just As I Am” into the national pop top 40. The album’s moving “Grandma’s Hands” also reached No. 18 on the R&B side.
For his follow-up, Withers recruited four members of the Watts 103rd Street Rhythm Band, a popular L.A. act fronted by singer Charles Wright, to back him and co-produce his sophomore album. “Still Bill” (1972) topped its predecessor, shooting to No. 4 on the pop list and No. 1 on the R&B album chart; the LP was pushed by the massive hit singles “Lean On Me” (No. 1 pop and R&B) and “Use Me” (No. 2 pop, No. 1 R&B). In 1973, Withers wed “Room 222” sitcom star Denise Nicholas, but the marriage lasted only a year.
He made his last appearance in the national top 10 in 1981 with a guest vocal on “Just the Two of Us” (No. 2 pop, No. 3 R&B), a romantic ballad issued on hitmaking saxophonist Grover Washington, Jr.’s album “Winelight.”
After Columbia’s release of “Watching You Watching Me” (No. 143, 1985), Withers stepped away from performing. In later years, he explained his retreat from the stage and the studio, and ultimately from writing, to Alix Sharkey of England’s Telegraph: “That kind of stuff, to me, was a lot more interesting at 35…. I’m not motivated to wanna draw attention to myself or travel all over the place. There was a time for that. When it was done, it was done.”
To hear some of his best music, listen to the Spotify playlist below:
GBN would like to take a moment to commemorate the birth of one of the most talented musicians to ever grace planet Earth, Aretha Louise Franklin, on what would have been her 78th birthday.
Although 2020 will offer memorials to the Queen in the form of MGM‘s theatrical movie “Respect”starring Jennifer Hudson and the limited series under National Geographic Channel’s “Genius” banner starring Cynthia Erivo, it’s doubtful either will focus on an oft-overlook aspect of Franklin’s myriad talents: her songwriting.
Above you can watch Aretha performing “Think,” one of her best-known compositions in a clip from The Blues Brothers, while below you can listen to even more gems penned by Aretha in a Spotify playlist called “Rock Steady”: Songs Aretha Franklin Wrote:
Rihanna‘s Clara Lionel Foundation announced yesterday that it will donate $5 million to aid in the global coronavirus response.
The foundation will team up with on-the-ground partners to serve marginalized communities in the United States, Caribbean, and Africa to prepare and protect against the spreading virus. Justine Lucas, Executive Director of the Clara Lionel Foundation, said in a statement, “Never has it been more important or urgent to protect and prepare marginalized and underserved communities–those who will be hit hardest by this pandemic.”
• Local food banks serving at-risk communities and the elderly in the United States;
• Acceleration of testing and care in countries like Haiti and Malawi, as well as the mobilization of resources and additional capacity and support for Native communities;
• Protective equipment for frontline health workers and diagnostic labs, the establishment and maintenance of intensive care units, and acceleration of the development of vaccines and other therapies across the globe;
• Healthcare worker training, virus prevention and containment in countries that will be on the frontlines of the COVID-19 response; and,
• Distribution of critical respiratory supplies.
The Clara Lionel Foundation stated on its website that it “believes that one of the most powerful weapons we have against COVID-19 is preparedness. Protecting our frontline health workers and marginalized communities around the world requires getting ahead of it fast and the time to act is now.”
NFL Quarterback Russell Wilson and Musical Artist Ciara (photo via flickr.com)
According to NBCSports.com, Seattle Seahawks quarterback Russell Wilson and singer Ciara have pledged 1 million meals to Food Lifeline and Feeding America in an effort to help keep Americans in need fed in the wake of the COVID-19 outbreak.
To quote the article:
“Obviously this worldwide pandemic, coronavirus, is changing the world, second-by-second, minute-by minute. People are losing loved ones, the elderly and the young, people in between. … So what we’ve decided to do is partner with our local food bank in Seattle, Seattle Food Lifeline, and we’re going to donate a million meals and hopefully make a difference,” Wilson said in a video message.
Wilson and Ciara mentioned people losing jobs in the wake of increasing shut down initiatives in an effort to keep the spread of the virus from proliferating an exponential rates. They’ve already seen friends in the area that work for companies such as Alaska Airlines, the Seattle Sounders – where the pair are part owners – and Seattle Children’s Hospital hit with the effects of the virus.
“We want to encourage every out there to join us in whatever way that you can, big or small,” Ciara said. “Everything makes a difference. Everything that we do together makes a difference and together we will conquer this tough time that we’re going through.”
The Feeding America network of food banks “distributes 4.3 billion meals each year through food pantries and meal programs throughout the United States and leads the nation to engage in the fight against hunger.”
His unmistakable harmonica blowing is right there, easy to find in such Stevie favorites throughout his career including ‘I Was Made to Love Her,’ ‘Isn’t She Lovely,’ ‘For Once In My Life,’ ‘That Girl,’ ‘We Can Work It Out,’ ‘Boogie On Reggae Woman,’ and even 1990s gems like ‘Treat Myself.’
