“There’s a great difference between being concerned and being committed. When you’re concerned, it’s negotiable. When I went to Washington, I was committed. And what I was about was not negotiable.”
— Jocelyn Elders, the first African-American U.S. Surgeon General
Posts published in “Politics”
GBN Quote Of The Day: “When we allow freedom to ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God’s children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual, “Free at last! free at last! thank God Almighty, we are free at last!”
–Dr. Martin Luther King, Jr., from his “I Have A Dream” speech
In this Saturday, Aug. 25, 2012 photo, female opposition leader Isabelle Ameganvi calls on Togo’s women to observe a one-week sex strike beginning Monday, in Lome, Togo. The female wing of a civil rights group is urging women in Togo to stage a week-long sex strike to demand the resignation of the country’s president.(AP Photo/ Erick Kaglan)
LOME, Togo (AP) — The female wing of a civil rights group is urging women in Togo to stage a week-long sex strike to demand the resignation of the country’s president.
Women are being asked to start withholding sex from their husbands or partners as of Monday, said Isabelle Ameganvi, leader of the women’s wing of the group Let’s Save Togo. She said the strike will put pressure on Togo’s men to take action against President Faure Gnassingbe.

Far off from the public eye, the Brooklyn Navy Yard looms over the Brooklyn waterfront, quiet and unassuming as a warehouse. From its outside, you’d never guess this industrial landmass serves as a safe haven for businesspeople, photographers, media, and artists alike.
On a cool August morning, someone from the latter category stands right before the entrance. Clad in a green worksuit with blue and white splotches, Charlotta Janssen looks more like a hired house painter than a creative one. That perception changes once you enter her studio on the 8thfloor and give your head the 360 degree treatment. To your immediate left hangs pictures of a naked couple presumably after sexual intercourse, to the right, a man with a half-smile, half-scowl on his face.
The main part of the room, however, is where your eyes stay focused: A picture of young Black children at a 1920s Harlem pool lines the upper right (in tribute to Harlem Renaissance man James Van Der Zee). A side painting of Trinidadian activist Stokely Carmichael lies mere feet away. Civil rights staples Martin Luther King, Jr. and Rosa Parks sit nearby with stern looks at the camera.
These three paintings make up part of Jennsen’s “Freedom Riders” exhibit. Currently on display at Philadelphia’s African-American Museum through September 30th, the collection of oil canvas mugshots of those who participated in the 20th century Freedom Bus Rides for integrated public transit is juxtaposed with ID cards, secretly handwritten notes, and any other written documents Janssen could find.
Far off from the public eye, the Brooklyn Navy Yard looms over the Brooklyn waterfront, quiet and unassuming as a warehouse. From its outside, you’d never guess this industrial landmass serves as a safe haven for businesspeople, photographers, media, and artists alike.
On a cool August morning, someone from the latter category stands right before the entrance. Clad in a green worksuit with blue and white splotches, Charlotta Janssen looks more like a hired house painter than a creative one. That perception changes once you enter her studio on the 8thfloor and give your head the 360 degree treatment. To your immediate left hangs pictures of a naked couple presumably after sexual intercourse, to the right, a man with a half-smile, half-scowl on his face.
The main part of the room, however, is where your eyes stay focused: A picture of young Black children at a 1920s Harlem pool lines the upper right (in tribute to Harlem Renaissance man James Van Der Zee). A side painting of Trinidadian activist Stokely Carmichael lies mere feet away. Civil rights staples Martin Luther King, Jr. and Rosa Parks sit nearby with stern looks at the camera.
These three paintings make up part of Jennsen’s “Freedom Riders” exhibit. Currently on display at Philadelphia’s African-American Museum through September 30th, the collection of oil canvas mugshots of those who participated in the 20th century Freedom Bus Rides for integrated public transit is juxtaposed with ID cards, secretly handwritten notes, and any other written documents Janssen could find.
NEW YORK (AP) — For years, anti-gay epithets and sentiments in rap have largely been accepted, along with its frequent misogyny and violence, as part of the hip-hop culture — a culture that has been slow to change, even as gays enjoy more mainstream acceptance. But a shift appears to be on the horizon.
PHILADELPHIA (AP) — A plaintiff in a lawsuit seeking to overturn Pennsylvania’s tough new voter identification law has received the state-issued photo ID card necessary to vote, despite saying she’d been rejected for years because she lacked appropriate documentation to receive the card.
Viviette Applewhite, who recalled marching for voting rights in 1960 with Martin Luther King Jr., was issued the temporary card on Thursday, the same day lawyers for her and others opposing the law appealed a judge’s refusal to halt the law from taking effect in the Nov. 6 presidential election.





