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MUSIC MONDAY: “Blackman Know Yourself” – Celebrating Afrobeat (LISTEN)

[Photo credit: Fela Kuti by Leni Sinclair / Getty Images]

The roots of Afrobeat began in Ghana during the early 1920s. When musicians incorporated influences like the foxtrot and calypso with Ghanaian rhythms like osibisaba (Fante).

Nigerian artists later solidified the Afrobeat groove in the late ’60s led by Fela Kuti. The sound is a complex fusion of jazz, funk, soul, Ghanaian highlife, psychedelic rock and traditional West African chants and rhythms.

This playlist features Kuti, his longtime collaborator Tony Allen, and his sons Femi and Seun. Plus The Funkees, Antibalas, Angélique Kidjo, Chicago Afrobeat Project, William Onyeabor, The Lijadu Sisters, and many other originators and modern practitioners of the art.

Enjoy, and don’t even try to sit still while it’s on.  Until next week, stay safe, sane, and kind.

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by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwestSpotify: marlonwest)

Marlon West (photo courtesy Marlon West)

MUSIC MONDAY: Celebrating Reggae Songs of Struggle and Peace (LISTEN)

[Photo: Girls dancing in youthclub, Wolverhampton, 1978 © Chris Steele-Perkins/Magnum Photos]

During this time of unprecedented demands of civil rights, our Good Black News playlists have focused on African-American artists during the month of June. But Reggae artists from Jamaica, the U.K., and Africa have long had a thing or two to say about the triumphs and struggle of people of the African diaspora as well.

Reggae came into being in the 1960s as an evolution of the Rocksteady and Ska musical styles. (More on those forms in the weeks to come.) Reggae is a soulful export of Jamaica that expresses in words the pain, struggle, hope, and emotion that is felt by the average person.

Reggae is often marked by its lament-like chanting and emphasizes the syncopated beat. It leans heavily on the use of the Jamaican vernacular and African drumming style.

This collection features a wide range of international artists including, Bob Marley, Linton Kwesi Johnson, Alpha Blondy, Steel Pulse, Hortense Ellis, Bim Sherman, Judy Mowatt, John Holt, and many others.

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by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

MUSIC: July 4th Celebration of ’70s “Slow Jams” (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

No matter what your take on “Independence Day,” July 4th weekend usually provides an opportunity for Americans to get together around good food and good music.

This year however, due to the coronavirus pandemic, we’ve got to find other ways to stay connected to community and family. So although Good Black News can’t serve good food, we can serve good music!

Today we’ve got the perfect musical background for your entire weekend, as we journey back in time to offer up a massive mega-playlist of exclusively ’70s slow jams from artists such as Earth, Wind & Fire, Stylistics, Norman Connors, The Spinners, Shalamar, Phyllis Hyman and Rose Royce that lasts even longer than a D-Nice DJ set on Instagram.

Just set it and forget it – whether you are cooking on the BBQ, laying by the pool, reading in the shade, social distance drinking from red Solo cups in the backyard, watching the kids squirt the hose at each other, or just cleaning up the house by yourself with the windows open and the ceiling fans spinning.  Crank it up and enjoy!

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#AAMAM: “Black Parade” – Celebrating African-American Women Vocalists (LISTEN)

by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

This is the last week of African-American Music Appreciation Month. And what a month it has been. 2020 is shaping up to be Black History Year.

I am honored to offer one more playlist for this final week of June. I hope you enjoy this freewheeling and eclectic collection of Black woman vocalists.

Here is almost a century of recordings spanning Blues, Gospel, Jazz, Soul, and Hip-Hop. Yes. You’ll find Beyoncé, Missy Elliott, Mahaila Jackson, Tina Turner, Chaka Khan, Erykah Badu, Big Mama Thornton, Sister Rosetta Tharpe, Brittany Howard and more all on this playlist.

Coming in at over 9 hours, it is barely the tip of the iceberg of the musical offering and impact of African-American women.

We’ve been keeping it American musicians here in June, though next week I plan to sling some reggae music. Sistas and brothas from Jamaica, UK, and Africa have had a thing or two to say about protest and conscious music as well.

Until next time! Stay safe, sane, and kind.

#blacklivesmatter #goodblacknews #musicheals

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Marlon West (photo courtesy Marlon West)

#AAMAM: “Black and Proud” – Celebrating Black LGBT Musical Pioneers (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

As June is both African-American Music Appreciation Month and Pride Month, and today is the anniversary of the beginning of the landmark Stonewall Riots marking the unofficial launch of the gay rights movement, Good Black News today brings you a musical playlist celebrating some of the Black LGBT musical pioneers of the contemporary music era.

Just last year, rapper Lil Nas X made history in multiple ways when his genre-bending country/rap tune, the infectious ‘Old Town Road’ (which, in remixed form, included country star Billy Ray Cyrus), launched on TikTok and headed straight to #1, where it stayed for 19 weeks.

In the process, the 1:53 minute song (which was the shortest song to hit #1 since the mid-1960s), literally became the longest running #1 in chart history, outlasting the 16 week #1 runs of  Mariah  Carey & Boyz II Men’s ‘One Sweet Day’ and Luis Fonsi/Daddy Yankee/Justin Bieber’s ‘Despacito’.

One year ago during Pride Month, in the middle of the song’s #1 run on the charts, Lil Nas X revealed himself to be gay and joined what has become a burgeoning scene of LGBTQ artists among the Gen Z crowd, many of them African-American. Frank Ocean, Kehlani, Brittany Howard, Azealia Banks, Janelle Monae, and Big Freedia are just some of the other artists that have broken through the pack in recent years, publicly claiming their respective LGBTQ identities even as their careers were still on the rise. 

And musically-talented TV personalities such as one-time reality star Todrick Hall, the now notorious, but nevertheless pioneering ‘Empire’ star Jussie Smollett, ‘Glee’ co-star Alex Newell and ‘The Flash’ co-star Keiynan Lonsdale have also helped pave the way, bringing Black, openly LGBT faces into millions of homes.  

Hopping around Spotify in the search for Black LGBT artists now leads to not just these artists, but dozens of other openly LGBT independent artists making it happen in rap, dance, soul, and pop.

It wasn’t always this way, however. So in today’s playlist, we are celebrating 15 significant, pioneering LGBT artists who got their starts between the late 1950s (when the contemporary pop/rock music era began) and the end of the 20th century. The truth is that we’ve always been watching and listening to LGBT artists – the general public just may not have known it at the time.

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Some of these artists we’re celebrating in our list were loud and proud right from the start. With others, we didn’t publicly know they were part of the LGBT community until after they passed away.  

The goal with this list is not to stir up controversy, but rather celebration and re-interpretation – so we’re steering away from the numerous popular artists about whom there are simply rumors.  Perhaps time and the history books will reveal more about the stories of many other artists from an era of music in which most prominent artists remained in the closet.  

For now, it’s interesting to look back at these 15 Black artists and see the array of musical and personal journeys, and examine them anew. We present the artists in roughly chronological order of their career prominence, and feature five songs from each – trying to include early work, a big hit or two and something recent if they are still making music.  

We hope this playlist will both introduce you to some talented but unheralded artists, and help you re-evaluate some artists you may already know and love – and can now see in a new light.  

#AAMAM: Celebrating New Orleans Funk and Soul (LISTEN)

As Good Black News continues to celebrate African-American Music Appreciation Month, today we get regional. In GBN contributor Marlon West‘s words:

“This collection of New Orleans Funk features acknowledged masters next to some of the earlier artists who shaped the meaning of funk. It covers the period from the emergence of New Orleans Funk in the early 1960s through to the present day.

My third #AAMAM mix offers The Meters, Queen Ida, Eddie Bo, Professor Longhair, Lee Dorsey, Wild Magnolias and many more.

New Orleans is a port town. Originally owned by the French. Many of the Africans who ended up there came from Haiti and brought with them the religion of Voodoo and its drums and music.

The Crescent City became one of the first parts of America to develop a strong African-American culture leading to the invention of Jazz.

This playlist offers the sound of the New Orleans Funeral March Bands, Mardi Gras Indian Tribes and Saturday Night Fish Fries.

Enjoy. Stay safe, sane, and kind, you all.”

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(FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

#AAMAM: “Summer Breeze” – Celebrating Soulful Summer Songs (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

Through good years and bad, years of triumph and years of struggle, there are some things that remain steady.  Like the seasons (at least before climate change).

Today, June 20, is officially the first day of summer, the longest day of the year (for us folks in the Northern Hemisphere), and the welcoming of our warmest weather season.

Packed together this year with Juneteenth yesterday and Father’s Day tomorrow, this weekend can be a true kickoff to summer vacation. Even amid ongoing protests and social distancing rules, school is now over, the grill is now out, the pool is inflated, and maybe, just for a few days, the mood is a little lightened.

And with that, we offer this playlist of “summer” songs – and by that, we mean songs that literally tell you in the title they are about “summer.”

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From the swaying Isley Brothers cover of Seals & Croft‘s “Summer Breeze” to DJ Jazzy Jeff & Fresh Prince‘s rap anthem “Summertime” to Sly & The Family Stone‘s warm, feel good “Hot Fun in the Summertime'” to the contemporary mellow moods of Childish Gambino‘s “Summertime Magic” (with over 156M Spotify spins), our list is packed with summer classics.

In the process we’ve also hopefully rediscovered some “shoulda-been” classics, like the mostly forgotten Nat King Cole standard ‘This Morning It Was Summer” (with arrangements by Nelson Riddle), the breezy Larry Graham album track “I’m So Glad It’s Summer Again” (trying to capture a little of the “Hot Fun In the Summertime” mood) and the driving ’60s Joe Simon track “Long Hot Summer.”

In the last couple decades, music archivists have uncovered hundreds of previously unreleased Motown tracks – many that measure up to the hits from the ’60s we all know and love. In that vein, we’ve included two sunny Marvelettes tunes “I Can’t Wait Til Summer Comes” (co-written by Gladys Knight) and “So Glad It’s Summertime” that both remained unreleased in the Motown vaults until a 2011 rerelease.

Finally, no soulful “summer” playlist would be complete without the haunting “Summertime” from Gershwin’s Porgy & Bess,one of the most recorded songs in history.

We’ve sprinkled our playlist with musically different takes on this classic, ranging from the ’60s pop hit version by Billy Stewart to the disco instrumental from MFSB to the recent American Idol revival by Fantasia, also including versions by icons like James Brown, Sam Cooke, Ethel Waters, Miles Davis, opera legend Leontyne Price, world music star Angelique Kidjo, and a funky treatment by Bobby Womack with The Roots.

Enjoy!

#AAMAM: “Just A Shot Away” – Rediscovering Legendary Session Singer Merry Clayton (LISTEN)

by Jeff Meier (FB: Jeff.Meier.90)

As part of Good Black News’ celebration of African-American Music Appreciation Month (#AAMAM), we are taking some time to honor quality artists whose music has nevertheless remained unappreciated.  Last week, we brought you a playlist from Ronnie Dyson.

This week we’d like to introduce/re-introduce you to Merry Clayton.

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Back in March 2014, as she was experiencing 50 years in the music business, legendary session singer Merry Clayton got one more chance at stardom when the documentary 20 Feet From Stardom, about the world’s most renowned backup singers, won the Best Documentary Oscar.

The doc brought renewed attention to performers such as Lisa Fischer, Judith Hill, Gloria Jones, and Clayton – whose voices you’ve undoubtedly heard, but whose names are a little less than familiar.

In the early ‘60s, Merry (who got her name because she was born on Christmas day) launched into a music career as a young teen, cutting a few one-off soul singles, and singing duet “Who Can I Count On?” with then 26 year-old pop hitmaker Bobby Darin when she was just a 14 year-old girl with a commanding voice.

Merry Clayton

By the late ‘60s, Merry Clayton’s role as a star backup singer hit its stride on The Rolling Stones’ “Gimme Shelter” opposite Mick Jagger.  Her cries of “Rape, Murder/It’s just a shot away” are known to any classic rock fan. The story goes that she got the random session call late at night from one of the song’s producers during an all-night mixing session – and showed up in curlers, heavily pregnant, belting out the iconic vocals in just a few takes before heading back home (where she subsequently suffered a miscarriage).

During that same era, Merry Clayton was also one of the backup crew on countless legendary records by Carole King, Joe Cocker, Barbra Streisand, Lynyrd Skynyrd, Linda Ronstadt, Billy Preston, Tori Amos, and, as recently as 2015, Coldplay.

Her prominent rock backup turns earned the attention of rock music producer/impresario Lou Adler, who signed her to his Ode Records label (most famous for Carole King’s Tapestry LP).  In 1972, she further cemented her rock bonafides by appearing as The Acid Queen in the first London stage production of The Who’s rock opera, Tommy.

The very enjoyable 20 Feet (you can check it out on Netflix right now) essentially argued that if only these women had gotten the chance, they could have been big stars.

#AAMAM: “This Land” – A Psychedelic Soul Collection (LISTEN)

From Marlon West:

“Week 2 of African American Music Appreciation Month. I hope you all are safe and well during these trying times. As you know, much of African American music deals with social upheaval, and today’s offerings are no different.

Psychedelic Soul or Psychedelic Funk  is a genre that borrows overtly from the psychedelia of the late ’60s.

Pioneering acts included Sly and the Family Stone, Jimi Hendrix, The Temptations, Marvin Gaye and Curtis Mayfield.

Those grooves had a resurgence during the ’90s neo-soul movement, with Jill Scott, D’Angelo, and Erykah Badu, to name a few.

They’ve been creeping back into the musical zeitgeist since around the start of the 2010s with artists like Gary Clark Jr., Leon Bridges, and Black Pumas. This collection celebrates 50 years of Psychedelic Soul music.

Enjoy! Take good care, you all.”

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(FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)

Marlon West (photo courtesy Marlon West)

#AAMAM: “Sign O’ The Times” – Celebrating Prince and his Protest Music (LISTEN)

We wanted to get this post up earlier, but today? Server issues. Thankfully, those are resolved and Good Black News is happy to grab a moment during African American Music Appreciation Month to honor what would have been the 62nd birthday of the one and only Prince.

His music is legendary, no question, and we could offer a playlist full of his genius output that could keep your ears busy into the end of next week.

But in light of current events – the literal revolution unfolding before us born in Prince’s hometown of Minneapolis – today we offer an appreciation and compilation of Prince’s protest music.

Ever since he started recording, Prince has composed songs addressing war, racism, gender issues, inequality, usury and police brutality.

From well-known singles such as “Controversy,” “1999,” “Pop Life,” and “Sign O’ The Times” to lesser-known album cuts like “PartyUp,” “Colonized Mind,” “Avalanche,” “We March” and “Baltimore,” his 2015 tribute to Freddie Gray, Prince constantly used his unparalleled talent and voice to highlight injustice.

To read more about several of his protest songs, click here. To listen, click below. Power to the New Generation!

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