October 24, 2026
by Jeff Meier (FB: Jeff.Meier.90)
Today is the 75th birthday of the late Donny Hathaway, who we are honoring here at Good Black News with our 75-song Spotify salute – “Someday We’ll All Be Free – The Donny Hathaway Master Collection”.
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In this chaotic time, is there a more prescient song/collective societal wish than Donny’s iconic composition, “Someday We’ll All Be Free”?
According to theguardian.com, The 2020 Mercury Prize for the year’s best British album has gone to Michael Kiwanuka for his self-titled album, Kiwanuka.
The son of Ugandan immigrants to the U.K, Kiwanuka won this third time after having been nominated twice before for previous albums: Home Again (2012) and Love & Hate (2016).
To quote from The Guardian:
“I’m over the moon, so so excited,” he said on receiving the prize. “This [prize] is for art, for music, for albums – it’s the only thing I’ve ever wanted to do, so to win a Mercury is a dream come true… It’s blown my mind.” He wins £25,000.
His album, released in November 2019, draws equally from folk and soul as the songwriter sings of freedom, love, and struggles both personal and collective; one track samples protests during the 1960s US civil rights movement. It was described in a Guardian review as a “bold, expansive, heartfelt, sublime album. He’s snuck in at the final whistle, but surely this is among the decade’s best.” It reached No 2 on release, and spent 18 weeks in the UK charts.
He thanked his producers, Inflo and Danger Mouse, “some of the best musicians, artists, creatives around, they’ve really helped me grow.” Asked why he given the album his name, he said he had experienced “imposter syndrome … it was taking things away from the experience of doing my dream job. So I made a decision when I was making this album that I wanted to be myself, enjoy it, and not hold back, and show myself as clear as I can be.”
Kiwanuka said an additional reason why his 2019 release title was eponymous was to honor his African heritage.
Author and award-winning journalist Farai Chideya has created and will host Our Body Politic, a weekly podcast debuting this weekend that is “unapologetically centered on reporting not just how women of color experience the major political events of today, but how they’re impacting those issues.”
Our Body Politic will focus on women of color as a super-demographic in American politics and ask how we can save and improve our own lives and that of our nation. Episodes will feature in-depth conversations about the economy, healthcare, politics, the environment and education every Friday. To listen to the trailer below:
The podcast will be available through a host of sponsor stations including KCRW, KPCC, KQED and WITF among others. You can also subscribe by clicking here.
For anyone who want to call in with questions or to tell the show what’s on your mind, you can leave a message at the number Chideya is posting on Twitter: 929-353-7006.
(Photo credit: Afro Latino Fest NYC Crowd photograph by Redens Desrosiers)
This is another one that comes with a rump-shaker warning:
The term “Afro-Latin” is used to describe types of music from Latin American countries that were influenced by the Black population that came from Africa and established themselves mostly in major port cities.
When these Africans were brought over, the only thing they really could bring with them was culture. Whether it was music, dance, or religious beliefs, they attempted to preserve as much of their rich cultural heritage as possible in their new country.
I could probably do several playlists, but this one as features cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, and tango. Afro-Latin artists have influenced many styles by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
Please enjoy this freewheeling collection of music from Latin America and the US.
Stay safe sane, and kind until next week.
(FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)
by Jeff Meier (FB: Jeff.Meier.90)
We know where you were last night. Millions of fans of a certain age were enjoying the stay-at-home celebration dubbed by the internet as “AuntieChella,” as Gladys Knight and Patti Labelle ‘battled’ it out on Instagram/Apple Music‘s “Verzuz” series.
Verzuz was created a few months ago by hitmaking producers Timbaland and Swizz Beatz as a way for music fans to honor their greats while relaxing at home during these quarantine times.
For those of you who haven’t checked it out yet, the sessions are not truly a ‘battle’ – but rather an occasion for two legends to get together (whether in real life like last night, or virtually) and banter about their careers while having a listening party of the greatest hits of each artist.
The battle was epic, with both ladies, now in their late ’70s, decked out in stylish pantsuits, and sharing their love for each other amidst career stories, lots of live singing, and plenty of chair grooving.
Michelle Obama, Oprah, and Queen Latifah were tuned in to hear such hits as “Midnight Train to Georgia,” “Over the Rainbow,” “You Are My Friend” and ‘The Best Thing That Ever Happened to Me.”
Gladys honored all phases of her career, delving back into her early doo-wop hit “Every Beat of My Heart,” her Motown Pips years with “Friendship Train,” her ’80s hits like “Love Overboard” and the Bond theme “License to Kill.”
Patti focused on her material from her solo years, mixing ballad favorites like “Somebody Loves You Baby” and “If Only You Knew” with uptempo hits like “The Right Kinda Lover” and “Feels Like Another One.”
The evening was capped off when Dionne Warwick surprised the audience with a special appearance to end the show, as they joined her to sing “That’s What Friends Are For” and their hit version of “Superwoman.”
The three of them had previously worked together on a special called “Sisters in the Name of Love” that Gladys had produced for HBO in the late ’80s (there are some fan posts of it on YouTube that offer some thrilling harmonies).
Of course with these vets, even a couple of hours of hits doesn’t come close to diving into their full careers. So in case you were ready for more, we’ve done that work for you – pairing up additional Patti and Gladys hits and deep tracks from the rest of their six decade careers for GBN’s latest playlist: “Gladys Knight Verzuz Patti Labelle – The Best of the Rest.”
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We’ve gone beyond the biggest hits, and focused solely on extensive additional material they did not cover during last night’s show.
While Patti and Gladys both hit the charts for the first time in the very early ’60s – their careers have actually taken very divergent paths before, in more recent years, they’ve ended up as favorite Aunties to the Black community.
(Photo credit: Getty Images)
by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)
This September 11th also marked the passing of one of the fathers of reggae music: Toots Hibbert.
Starting out with the rock steady pioneer Clement “Coxcome” Dodd, The Maytals emerged as one of the earliest reggae hit-makers. Hibbert holds a firm spot in Jamaica’s musical pantheon as the first artist to use the word reggae on a record, “Do The Reggay,” and to bring the music to the world at large.
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Many likely first heard his songs covered by The Clash, The Specials, and other punk and ska artists. This collection features the Toots & The Maytals versions of “Monkey Man” and “Pressure Drop.”
I have also included some of his many covers including “Country Road” and collaborations with Willie Nelson, UB40, The Easy Star All-Stars, Los Pericos and others.
Hope you all enjoy this tribute to one reggae and ska music’s most enduring founders. Have a great week, and see you next Monday.
Stay safe, sane, and kind.
The Compton Cowboys (Photo credit: Drew A. Kelley/Getty Images)
by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)
Last year, Lil Nas X‘s “Old Town Road” renewed to debate over what is and isn’t country music. For all its beauty, honesty and diversity, American country music has the reputation and claim as “white people music.”
In reality, country music owes its most profound roots to Black musicians and artists. The banjo even has its roots in West Africa.
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Artists like Charley Pride, Aaron Neville, Ray Charles and even Tina Turner are among the list of Black artists who have crossed over into country music.
But there’s DeFord Bailey, Stoney Edward and Linda Martell among several artists whose names only ring familiar among the most ardent of country fans.
In the past decade however, since the major country chart solo success of former Hootie and the Blowfish front man Darius Rucker, there has been a whole new crop of current Black country artists on the rise.
That list includes Valerie June, Mickey Guyton, Cowboy Troy, Miko Marks, Kane Brown and others who have been the favorites of both fans and critics since they stepped on the scene.
Hope you enjoy this freewheeling collection of Black country music.
Stay safe, sane, and kind.
by Jeff Meier (FB: Jeff.Meier.90)
As we head into Labor Day Weekend, the unofficial end of Summer, it’s one more chance to relax a little amidst such a stressful year for so many of us.
We’ve had such a great reaction here at Good Black News to so many of our Spotify playlists, including our decade-spanning slow jam playlists that we made for the ‘70s (Ultimate ‘70s Slow Jam Summer) and the ‘80s (Ultimate ‘80s Champagne Slow Jams).
So it only made sense, in time for the long weekend, to unveil our playlist of slow jam faves from the ‘90s – entitled Ultimate ‘90s Sunset Slow Jams, available at this link here, and of course you can listen to or access below. All you ‘90s soul music fans, it’s time to favorite this playlist and represent!
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R&B music in the ‘90s underwent a true sea change that had been slowly building up through the prior decade. If ‘80s slow jams were the sound of lushly-produced, upscale elegance via superstar duets from well-dressed veteran singers, the ‘90s tossed a lot of that in the rearview mirror.
Chadwick Boseman as T’Challa / Black Panther (Art by Marlon West)
by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)
With the passing of the great Chadwick Boseman, I am inclined to hold the playlist I made to share today until next week. I thought instead I’d share this playlist I created in celebration of Black Panther two years ago.
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I won’t say how many times I’ve seen the film, so far. Though I made this playlist by imagining what genius Princess Shuri would listen to in her lab.
It was made before the film grossed over $1.3 billion worldwide and broke numerous box office records, including the highest-grossing film by a Black director. Before it became the ninth-highest-grossing film of all time, the third-highest-grossing film in the U.S. and Canada, and the second-highest-grossing film of 2018.
I made before it received seven nominations at the 91st Academy Awards including Best Picture, with wins for Best Costume Design, Best Original Score, and Best Production Design. Black Panther is the first superhero film to receive a Best Picture nomination.
Director Ryan Coogler wrote of Boseman this weekend:
The Ohio Players (Photo Credit: Michael Ochs Archives/Getty Images)
by Marlon West (FB: marlon.west1 Twitter: @marlonw IG: stlmarlonwest Spotify: marlonwest)
Dayton, Ohio was already a mecca of grooves, before Lakeside first dubbed it “The Land of Funk” in its swashbuckling cut “Fantastic Voyage.”
In the 1970s and 1980s, southwestern Ohio – particularly Dayton’s west side – was known for its collective of funk bands whose influence can still be heard in hip-hop, house, and other forms popular today.
The Ohio Players, the grandmasters of them all, have seen their songs sampled or remade by Snoop Dogg, Puff Daddy, Salt-N-Pepa, Soundgarden, and the Red Hot Chili Peppers to name but a few.
I’ve thrown in tracks by fellow Ohioans — Screamin’ Jay Hawkins, The Isley Brothers and Bobby Womack — to further show the disproportionate amount of funk Ohio has produced.
This will be another one that will make you move. Enjoy.
Stay safe, sane, and kind, you all!
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